Input unit mono ch

Yamaha Matrix Processeur MTX5-D - Matrice Processeur - Excellent état Série MTX - Caractéristiques techniques - Processeurs - Audio professionnel - Produits - Yamaha - France MTX5-D (yamaha.com)   MTX5-D Mixing capability Mixing channels Mixing Channel: 16 Mono + 3 Stereo + 2 Effect Return + 8 Direct-in to Matrix Input channel functions Mono CH: 3-band PEQ, Comp, Gate, Auto Gain Control, Feedback suppressor (available in ch 1-8) Output channel functions Room Delay, Room EQ, Speaker Processor, X-Over (1way,2way), Delay, 6-band PEQ, Limiter I/O Phantom power +48V Internal processing Priority Ducking, Ambient Noise Compensator Sampling frequency rate Internal 48kHz/ 44.1kHz Signal delay Less than 3.0ms (AD-DA @48kHz) Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB), Less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, +0.5dB, -1.5dB Dynamic range 107dB (Gain:-6dB) Hum & noise level Equivalent input noise -60dBu (Gain ： +66dB), -83dBu (Gain ： -6dB) Crosstalk -100dB Heat dissipation 55.9kcal/h max Power requirements AC100V-240V 50Hz/60Hz Power consumption 65W Dimensions W 480mm (18.9") H 88mm (3.4") D 351mm (13.9") Net weight 6.3kg (13.9lbs) Others Memory bank: PRESET 50 ·          * Total harmonic distortion is measured with a 18dB/Oct fi lter @80kHz. ·          * Hum & noise level is measured with a 6dB/oct fi lter @12.7kHz;equivalent to 20kHz fi lter with infi nite dB/Oct attenuation. AnalogInput Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu ST IN 1,2 - 10kΩ 600Ω Lines -10dBV +10dBV RCA Pin Jack AnalogOutput Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock DigitalInput and Output Specifications Terminal Format Level IN/OUT Connector Note YDIF In YDIF RS-422 16IN RJ45 YDIF Out YDIF RS-422 16OUT RJ45 Primary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only Secondary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only ControlI/O Specifications Terminal Level Connector MTX5-D GPI 16 IN / 8 OUT IN 1-15ch: 0-5V 16ch: 2.5-24V: High, 2.5V or less, Allowable input +24V Euroblock OUT Open Collector +V DC5V MTX5-D REMOTE RS-232C (BAUD RATE: 38.4kbps or 115.2kbps) D-sub 9pin (Male) DCP - RJ-45 Exi8/Exo8 Specifications   EXi8 EXo8 Sampling frequency 48kHz/44.1kH Signal delay Less than 2.5ms Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB); less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, -1.5dB min, 0dB typ., +0.5dB max Dynamic range 107dB (Gain:-6dB) Equivalent input noise (EIN) -126dBu (Gain: +66dB) Phantom power +48V (per channel; individually settable) Crosstalk -100dB (@1kHz) Heat dissipation (per hour) 21.5 kcal max. Power supply voltage 100V 50/60Hz Power consumption 25 W max. Dimensions (W x H x D) 480(W) x 44(H) x 351(D)mm, 1U 480(W) x 44(H) x 351(D)mm, 1U Included items Power cord, Euroblock plugs (3-pin, tabbed) x8 EXi8Analog Input Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu EXi8Digital Input Specifications Terminal Format Level IN/OUT Connector YDIF In YDIF RS-422 16IN RJ45 EXo8Analog Output Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock EXo8Digital Output Specifications Terminal Format Level IN/OUT Connector YDIF Out YDIF RS-422 16OUT RJ45 Exi8 /Exo8 Control I/O Specifications Terminal Format Level Connector Network Ethernet 100Base-TX - RJ-45  

Je vends ce recepteur satellite dvb-s uniquement Features 4000 TV & Radio Channel Memory Fully MPEG-2/DVB-S compliant SCPC & MCPC receivable from C/KU-Band Satellite 256 Colors On Screen Display User-Friendly Graphic User Interface Icon type of Menu adopted Powerful EPG: Now/Next & 7-Day Program Guide Teletext support: VBI Insertion DiSEqC 1.0 & 1.2 compatible Program Lock by Manual Software Upgrade via RS-232C Serial Port OSD Language: English, German, French, Italian, Spanish, Portuguese, Czech, Danish, Hungarian, Turkish, Arabic, Farsi Program sortable and editable Graphic aided Tutorial Manual included (Demo Function) Picture-In-Graphic Function Support Letterbox for wide Program Stereo, Mono, Dual and joint Stereo Audio Mode Real Time Signal Strength Display Fast Auto Channel Scan & Memory Channel changing Time less than 1 Second Ergonomic Remote Control Unit Channel change with Graphic Menu & EPG Program Rating, Category and Progress Time Information Utilities: Game (Othello, Snake), Calendar, Bio-rhythm, Memo Technical Specifications   Tuner & LNB Input Connector: F-type, IEC 169-24, Female(Loop Through) Frequency Range: 950MHz to 2150MHz Signal Level: -25dBm to -65dBm Demodulation: QPSK Input Symbol Rate: 1-45Msps FEC Decoder: Convolutional Code Rate 1/2, 2/3, 3/4, 5/6 and 7/8 LNB Power and Polarization: Vertical: +13V Horizontal: +18V Current: Max, 500mA, Overload Protection DiSEqC Control: DiSEqC 1.0 & 1.2 compatible Band Switch Control: 22KHz Tone 22KHz Tone: Frequency: 22+2KHz Amplitude: 0.6+0.2V   MPEG Transport Stream A/V Decoding Transport Stream: MPEG-2 ISO/IEC 13818 Profile/Level: MPEG-2 MP@ML Input Bit Rate: Max. 90MBit/s Video Resolution: 720 x 576 Audio Decoding: MPEG/MUSICAMLayer I & II Audio Mode: Single Channel/Dual Channel   Main Resource Main CPU: NEW TMIPS R3930(81MHz) Flash Memory: 1MByte SDRAM for System: 2MByte SDRAM for MPEG: 2MByte SDRAM for Graphic: 2MByte   RF Modulator RF Connector 75Ohms, 169-2, Male/Female Frequency: 470MHz to 860MHz Output Channel: CH 21-69 for Remodulation TV Standard: PAL-B/G, D/K, I selectable   A/V & Data Input/Output Video: RCA/Cinch, Video Output (CVBS, RGB) Audio R/L: RCA/Cinch Volume 8 Mute Cont. (Resolution: 20bits DAC, Max 2Vrms) RS-232C: 9 pin D-Sub Type   Power Supply Input Voltage: AC 90 to 250V, 50/60Hz Type: SMPS Power Consumption: Max. 30W Stand-by Power: Max. 7W Protection: Separate internal fuse. The input shall have lightening protection   General Operating Temperature; 0°C-50°C Storage Temperature: -20°C-60°C Size (W x H x D): 340 x 60 x 247mm Weigh: 2,1kg

Bonjour, Je vends cette console Yamaha 01v96i avec son Flight case. La console a toujours été utilisée en fixe dans un auditorium. Et n'a donc jamais fait de prestation. J'avais un flycase vide, je l'ai donc mise dedans. La fragilité ainsi que la délicatesse des transporteurs low cost font que l'envoie de fera via UPS si la remise en mains propres n'est pas faisable (bien que très fortement recommandée !) La 01v96i est là pour capturer ce moment parfait, en 96 kHz, avec une qualité sonore exceptionnelle. Depuis son lancement initial en 1998, la 01V est une console de choix pour des applications très variées – enregistrement, environnements de postproduction, sonorisation, installation fixe... La 01V96i constitue l'étape suivante de l'évolution d'un modèle devenu standard. Basée sur la configuration éprouvée des versions précédentes, cette console numérique compacte répond mieux aux besoins d'un nombre croissant d'utilisateurs. Désormais, elle offre 16 canaux d'entrée/16 canaux d'entrée en streaming audio sur port USB 2.0, à une fréquence d'échantillonnage maximale impressionnante de 96 kHz; elle est livrée avec la dernière version du logiciel Steinberg Cubase AI, la suite complète d'effets DSP Yamaha Virtual Circuitry Modeling (VCM), unanimement appréciés, et offre des préamplis micro améliorés, de qualité studio. La 01V96i nouvelle génération fera passer vos enregistrements et vos mixages un cran au-dessus. Enregistrement live multipiste en 96 kHz via une seule connexion. Afin de répondre à la demande de plus en plus fréquente d'enregistrement/lecture multipiste en spectacle vivant, la 01V96i offre désormais une connectique USB 2.0 – ce qui vous permet d'emporter votre studio sur la route. Grâce au streaming audio en 96 kHz sur 16 entrées et 16 sorties via une seule liaison, il n'a jamais été aussi facile d'enregistrer, d'éditer et de produire des enregistrements de haute qualité, de niveau professionnel. La connectique USB offre également une communication MIDI bidirectionnelle, ce qui vous permet d'allier le contrôle physique précis autorisé par votre console à toutes les possibilités de la version la plus récente de Cubase AI, livré d'origine avec la 01V96i. 01V96i 01V96i Outline Mixing capability Mixing channels 32 Mono + 4 Stereo GROUP 8 AUX 8 MAIN Stereo Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan Output channel functions Attenuator, 4-band PEQ, Compressor, Delay On-board processors 4x SPX multi effectors I/O Mic inputs 12 Phantom power +48V DC; ON/OFF per 4ch Line inputs 2x Stereo, 2x 2tr in AD converter 24-bit; 128-time over sampling Line outputs Stereo output, Monitor output, 4x Omni output DA converter 24-bit; 128-time over sampling Digital I/O ADAT (8-in/8-out), 2tr in/out Expansion slots Mini-YGDAI (16-in/16-out) Control and others To Host(USB), MIDI, Word clock I/O General specifications Internal processing 32bit, Accumulator: 58bit Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) Signal delay Less than 1.6ms CH INPUT to STEREO OUT (@SampIing frequency = 48kHz) / Less than 0.8ms CH INPUT to STEREO OUT (@SampIing frequency = 96kHz) Total harmonic distortion CH INPUT to STEREO OUT: Less than 0.05%, 20Hz to 20kHz @+14dBu into 600Ω / Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 48kHz) / Less than 0.05%, 20Hz to 40kHz @+14dBu into 600Ω / Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 96kHz) Frequency response CH INPUT to STEREO OUT: 0.5, -1.5dB, 20Hz - 20kHz @+4dBu into 600Ω(@SampIing frequency = 48kHz) / 0.5, -1.5dB, 20Hz - 40kHz @+4dBu into 600Ω(@SampIing frequency = 96kHz) Dynamic range 110dB typ. DA Converter (STEREO OUT) / 105dB typ. AD+DA (to STEREO OUT) @fs=48kHz / 105dB typ. AD+DA (to STEREO OUT) @fs=96kHz Hum b'&' noise level Equivalent input noise -128dBu Equivalent Input Noise. Residual output noise -86dBu residual output noise. STEREO OUT: STEREO OUT off. / -86dBu (90 En savoir plus Collaboration commerciale.

Mélangeur ECLER SAM 312 Excellent état Excellente réponse en fréquence rack 19 pouces 1 unité. Idéal bar, restaurant etc… Panneau avant : Mélangeur de canaux d'entrée par bouton Input 1, 2,3. A noter qu’un micro peut être branché aussi en face avant uniquement sur la voie 1 - Contrôle de tonalité Triple (accessible uniquement avec un tournevis en face avant) - 3 LED mètre du niveau de sortie Réglage de sortie OUTPUT Réglage du Monitor surveillance générale MIX (Casque) Prise casque jack 6,35mm Bouton de mise en marche (Vert)   Rack à montage latéral oreilles avec 2 positions possibles pour un alignement parfait de la face avant avec d'autres appareils dans le même rack   -Panneau arrière : Signal de bouton sélecteur d'entrée (MIC / LINE) *3 entrées MICRO   en jack 6,35mm ou *3 entrées ligne stéréo (2X RCA) adaptées aux sources comme : MP3 (iPod®, etc.) et les ordinateurs portables. *Entrée MIX Direct permet la connexion d'autres mélangeurs. *2 sorties REC stéréo supplémentaires (REC1, REC2) *2 sorties stéréo (XLR   et 2 RCA) *Mode Mono bouton-poussoir Connexion pour une extension MUTE   par shunt du connecteur.(vert). (EUROBLOCK) permet la connexion avec les systèmes de détection d'incendie Prise protégée par fusible et Câble d’alimentation fourni   Dimensions: 440 × 44 × 170 (L x H x P) Poids: 2600 grammes Prix neuf généralement constaté: 399€ Prix ferme non négociable: 80 €   A retirer sur place à Juvignac. Ou expédition possible à vos frais: Colissimo : Rajoutez 14,10 € soit   94,10€ livré. Mondial Relay : Rajoutez 6,50 € soit   86,50 € livré. Pour tout renseigneme nt:   Thierry POUGET       ECLER SAM 312 Mixer Excellent condition Excellent in frequency response 19 inch rack 1 unit.   Front panel: Input channel mixer by Input 1, 2,3 button. Note that a microphone can also be connected to the front panel only on channel 1 - Triple tone control (accessible only with a screwdriver on the front panel) - 3 LED output level meter OUTPUT control Monitor control general monitoring MIX (Headphones) 6.35mm headphone jack Power button (Green)   Side-mounted rack with 2 possible positions for perfect front panel alignment with other devices in the same rack   -Rear panel: Signal input selector switch (MIC / LINE) *3 MICRO inputs in 6.35mm jack or *3 stereo line inputs (2X RCA) suitable for sources such as: MP3 (iPod®, etc.) and laptop computers. *MIX Direct input allows connection of other mixers. *2 additional stereo REC outputs (REC1, REC2) *2 stereo outputs (XLR and 2 RCA) *Mono push button mode Connection for MUTE extension by shunting the connector (green). (EUROBLOCK) allows connection to fire detection systems Fuse protected socket and power cable supplied   Dimensions: 440 × 44 × 170 (W x H x D) Weight: 2600 grams New price generally observed: 399€. Price: 80 €.   For any information:   Thierry POUGET

PRODYS Pronto 2 ISDN Codec USED Good condition Pronto 2 ISDN Audio Codec: Pronto2-ISDN is designed for those users who demand higher quality in their ISDN connections. It includes the two ISO MPEG Layer II compression modes most widely-used in broadcasting: MONO 64 Kbps (10.5 Khz) and Joint Stereo 128 Kbps (20Khz). The last one with the J52 standard for transmission via two independent 64 Kbps channels. It also includes a digital audio I/0 AES/EBU signal and a connector for transmitting and receiving auxiliary data simultaneously with the MPEG audio. It is also possible to replace the ISDN communications interface with two X21 ports. This expands the possibilities for connecting the equipment to other digital communication networks (dedicated networks, satellite communications etc.) In G711 mode, the Pronto2 ISDN provides an alternative to normal telephone hybrids, by allowing standard voice communications on the ISDN network as well as on analogue telephone networks. A conventional analogue telephone connected to the front panel, allows to make, receive and transfer calls or put them on hold or on air in the same way as conventional telephone hybrids. When G722 mode is selected, the unit permits high quality voice communications via the ISDN network, with the advantage over other audio encoding systems of having a low coding delay. Its most important features are: • ISDN universal terminal adapter (S0) and X21 interface. • Analogue or digital audio (AES/EBU). The AES/EBU interface provides input for external clock. • Dual operation (two fully independent communications) in G711, G722 and MPEG ayer II MONO 64 Kbps. • Independent operating encoding and decoding modes. • Automatic detection of the encoding mode used by the remote unit. • Compatibility in all modes (G722 and MPEG Layer II) with CCS and TELOS. • Auxiliary data in MPEG Layer II modes. • Electrical echo canceller and multiplex (conferencing) in G711. EXTERNAL TELEPHONE: The Prontos also feature the ability, accessed through a simple front panel menu, to remote control the unit with a standard analogue telephone (connected to the RJ11 socket on the front panel) using the DTMF (multifrequency) tones generated by the dial pad. The same telephone can also replace an audio I/O channel in G711/G722 modes to act, for example, as a talkback system. PORT 20 EUROS EN SUS COLISSIMO LE PRIX EST TTC ET LA TVA EST RECUPERABLE NON SERIEUX S'ABSTENIR

La pédale elle-même suit le format Boss habituel, avec deux commutateurs au pied qui contrôlent l'essentiel de l'action en direct. Deux autres pédales (dont l'une peut être une double pédale haut/bas) peuvent être connectées via les jacks du panneau arrière pour contrôler Phrase Shift, dont je parlerai un peu plus loin, et Reverse, qui fait exactement ce qu'il dit - jouer la boucle enregistrée à l'envers. Bien que cet appareil soit conçu pour être utilisé principalement avec la guitare, il dispose également d'une entrée micro jack asymétrique, que je ne recommanderais pas pour un travail d'enregistrement sérieux. Cependant, elle est utile pour les sessions de busking dans les rues avec un digeridoo (ou autre) et vous pouvez même utiliser les entrées micro et instrument en même temps si nécessaire. La sortie de l'appareil est strictement mono et l'alimentation peut provenir d'un bloc d'alimentation optionnel ou de six piles AA. Les appareils numériques de ce type ont tendance à être assez gourmands en piles, c'est pourquoi l'adaptateur secteur est une bonne idée - à moins que vous ne fassiez la manche dans la rue en utilisant un amplificateur à piles ! Travailler avec des boucles peut être un problème, car si vous vous trompez lors d'un overdub, vous devez généralement revenir à la case départ. Cependant, ce n'est pas un problème ici, car il y a un bouton Undo/Redo très apprécié. Pour faciliter le chronométrage, vous disposez également d'un métronome utile et d'une fonction permettant de terminer l'enregistrement de la boucle précisément sur un rythme plutôt qu'à l'endroit exact où vous avez appuyé sur la pédale. Cette fonction est très utile pour créer des sons serrés........The pedal itself follows a familiar Boss format with two footswitches controlling most of the live action. Two further footswitches (one of which can be a dual up/down pedal) can be connected via rear-panel jacks to control Phrase Shift, which I'll talk about a little later, and Reverse, which does just what it says — plays the recorded loop backwards. Although this unit is designed for use mainly with guitar, there's also an unbalanced jack mic input, though I wouldn't recommend this for serious recording work. However, it is useful for those high-street busking sessions with a digeridoo (or whatever) and you can even use the mic and instrument inputs at the same time if need be. The output of the unit is strictly mono and power can come from an optional PSU or from six AA batteries. Digital units like this tend to be fairly hungry on batteries, so the mains adaptor is a good idea — unless you're busking in the high street using a battery amplifier! Working with loops can be a problem, because if you get an overdub wrong, you generally have to go back to square one. However, that's no problem here, as there's a very welcome Undo/Redo button. To help timing, there's also a useful metronome and a facility for having the loop recording end precisely on a beat rather than exactly where you hit the pedal. This is really helpful in creating tight-sounding loops. Once a loop has been recorded, its tempo can be changed without altering its pitch, though as with most time/pitch manipulation there's only so far you can go before the processing artefacts start to show. Other live performance niceties include the ability to store multiple Phrases, then decide whether each should play back as a 'one shot' performance or loop continuously. Because this pedal can store multiple Phrases, and store them after power down, you could load up a few backing tracks into it (from CD, your computer or any other suitable audio source) ready to perform. There's no way to back up loops other than to record the audio output, though, and from my own perspective the ability to dump and load audio files via USB would have made a lot of sense. En savoir plus Collaboration commerciale.

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

Broadcast Transmitter 1000W DSP PLL STEREO FM. État : "Occasion" Service de livraison : Livraison en Relais Mondial Relay Introduction: - This is the FMT series three generation product, using DSP+PLL technology, better sound quality. - Upgrade frequency step to 5Khz. - Professional radio power tube  MRFE6VP61K25H or BLF188. - We are RF manufacturers, if you need a lot, please contact us, we will provide the best price. - Standard 19 inches, 2U whole aluminum case. - Exquisite craftsmanship. - Particular materials, such as whole aluminum adjusting knob. - Wiredrawing and oxidation makes surface bright, clean and elegant. - LCD touch screen displays working frequency, volume, FETMOS temperature, forward power and SWR. - Provided with the series of protection function, own active protection and raise alarm prompts once meet any trouble while working. - Accurate operating index and perfect protection measures make you are more aware of the operating status of your machine. - Easily installation and simply operations. - High quality and excellent technical performances. - Each machine has been examined strictly by a series of quality inspection and function test to guarantee best operating function. Technical Specification    -  RF Output Power: 0 to 1000 Watt ±10% , 1W/Step  - Frequency range: 87.5-108 Mhz, 5Khz/Step - AC power source: AC110V~240V,50-60Hz, single phase - Frequency Stability: better than ±100Hz - S/N Ratio: More than 60dB - Distortion: less than 0.1% - Modulation: FM,±75KHz peak deviation - Transmission Signal: FM Stereo or Mono - Tuning Design: Stable PLL Technology - Harmonic suppression: - Stereo Separation: More than 50db - RF Output Connector: N Type (L16) -female - RF Output Impedance: 50 ohm - Audio channel Frequency Response: 50 - 15000Hz ±0.5dB - Audio Input Level: -15db, Max -30db - Audio Input Connector: RCA type - AUX Input Connector: none - Operating temperature range: -10 to 45 ℃ - Size of Transmitter Unit: 483mm * 400mm * 88mm (19" Standard 2U case) - Shipping Weight: 11.5Kg

The VE170 A/V Over Cat 5 Extender, comprising of a VE170T Transmitter unit and a VE170R or VE170RQ Receiver unit, is a cost-effective and effi cient solution for sending and receiving high quality audio and video content. Connect the two units using Cat 5e cable and the displays can be located up to 300 m (1000 ft) away from the Transmitter's input source. The VE170R and VE170RQ Receiver units can also be used with the ATEN VS1204T/VS1208T A/V Over Cat 5 Splitter as a transmitter. The VE170RQ features ATEN patented Deskew technology, which supports the manual synchronization of RGB signals and corrects color phase and timing errors that occur over large distances. Receiver Units: VE170RQ A/V Over Cat 5 Receiver with Deskew     Features:       Uses Cat 5e cable to connect the transmitter and receiver uints     Supports one remote display     Long distance transmission up to 1000 feet (300 m)     VE170RQ: 1920x1200 @ 60Hz 500 feet (150 m);1280x1024 @ 60Hz 1000 feet(300 m)     Audio enabled (mono)     Adjustable gain/compensation control     Built-in 8KV/15KV ESD protection     Rack-mountable     Complies with VESA FDMI mount standard     *Combine with a VE170T or the VS1204T / VS1208T

One of the best monitor controller ever !  In mint condition... New DAC The Quantum DAC is the 5th generation design from Crane Song and has less then 1pS jitter. The Quantum DAC uses 32 bit a converter and ASRC for jitter reduction up sampling to 211KHz. Avocet has always upsampled to 211KHz.  The reference clock has less then 1pS, 0.5pS typical 1Hz to 100KHz and a proprietary reconstruction filter for accurate time domain response. New Direct sub woofer outputs for each of the three output have been added. The output levels are now programmable in 0.25 db steps for speaker level matching Avocet  IIA is designed to solve the problems of accurate monitoring and volume control as required by workstation users, studios and mastering rooms alike. It is a stereo controller with three digital inputs, three analog inputs and a headphone system. It's comprised of a rack mounted unit and table top remote control. Avocet has many features including; dim, mute, phase, mono, and 16 bit truncation functions, plus a speaker select switch that sends line level balanced audio to one of three outputs. The six input sources have on the fly gain trim capability, and all digital signals are up-sampled and jitter reduced to ensure the highest accuracy during D/A conversion. The internal headphone amplifier can be fed from the program source or an external input. Provisions for a talk back function are included. Avocet  IIA can operate in surround up to 7.1, with the appropriate number of audio boxes in the system.

1990 to 1993 vintage   -:®:-   40 watts x 2  at 8 ohms [20 - 20KHz THD 0.09%]   -:®:-   Colour: black   -:®:-   FM / AM / LW tuner   At least 10 station presets   -:®:-   Damping factor: 50   -:®:-   Input sensitivity: Phono: 3.5mV / 47kohms,  CD / TV / CDV / VCR / tape: 220mV / 47kohms   -:®:-   Signal to noise: Phono: 76dB,   line: CD / TV / CDV / VCR / tape: 86dB FM:   -:®:-   Frequency range: 87.5 to 108MHz   -:®:-   Sensitivity (DIN) [mono / stereo]: 1.0 / 25uV   -:®:-   Signal to noise [mono / stereo]: 76 / 68dB   -:®:-   Total Harmonic distortion: 0.2% / 0.4%dB   -:®:-   Selectivity at 98MHz [+/- 300kHz]: 60dB AM:   -:®:-   Frequency range: 531 to 1602 kHz   -:®:-   Sensitivity [S/N 20dB, at 1000kHz}: 500uV   -:®:-   Signal to noise [at 1000kHz]: 50dB LW:   -:®:-   Frequency range: 152 to 282kHz   -:®:-   Sensitivity [S/N 20dB, 30%]: 1000uV   -:®:-   Remote: capable,  but no remote with this unit   -:®:-   Dimensions [W x H x D]: 420 x 135 x 380mm   -:®:-   Weight: 6.5kg,   - packed ~ 8kg

Le lecteur SACD multi-sources English description at the end Le MP 2500 R est le plus récent et le plus sophistiqué des lecteurs multi-sources et PCM / DSD DAC série R.  Le MP 2500 R est construit conceptuellement et technologiquement comme le MP 2000 R MKII. Les deux appareils sont spécialement conçus pour la lecture sans compromis de données audio haute résolution. Au lieu d'un lecteur de CD, nous avons équipé le MP 2500 R de notre tout nouveau lecteur SACD du SACD MP 3100 HV haut de gamme. Comme dans le MP 2000 R, nous utilisons notre convertisseur quadruple différentiel double supérieur avec traitement de tous les signaux numériques pour convertir les données PCM. Pour les données DSD, le convertisseur DSD analogique 1 bit T + A True unique est utilisé, qui ne convertit pas les données DSD mais les traite nativement en flux binaire. Cela signifie que même les données DSD jusqu'au DSD 512 provenant de l'entrée USB du tableau de connexion numérique peuvent être reproduites avec la meilleure qualité. En tant que client de streaming, le député a 2 500 R obtenir le T + un conseil en continu de haute résolution, qui permet non seulement la plus haute résolution, mais aussi l'utilisation de différents services de musique, radio Internet et la connexion au réseau domestique via LAN et WLAN, le mode maître USB et streaming HD à partir de serveurs de réseau.L'excellent accordeur sonore est compatible FM, FM-HD et DAB +. Un module de diffusion Bluetooth de haute qualité pour la transmission de musique depuis des appareils mobiles est également installé. Le fonctionnement du PM 2500 R, ou même un système R ensemble, via le FM1000 de commande à distance infrarouge ou au mieux sur l'application de contrôle T + A. Cela a servi, par opposition aux applications de nombreux autres fabricants, notre équipement est complet dans toutes les fonctions et montre non seulement les informations du client de streaming, mais aussi le contenu d'affichage de toutes les sources, telles que le nom de la station et le texte de la radio lors de l'opération FM. En option, la télécommande bidirectionnelle FD 100 peut être utilisée. Il ne représente pas seulement l'affichage de l'appareil, mais couvre également l'art. lecteur SACD drive Précision entraînement linéaire. Système laser double: SACD: 650 nm, CD: 785 nm formats SACD Stéréo, CD / DA, CD-R, CD-RW, SACD / CD Text Réponse en fréquence et dynamique SACD: 2 Hz - 44 kHz / 110 dB, CD: 2 Hz - 20 kHz / 100 dB Streaming client formats MP3, WMA, AAC, OGG Vorbis, FLAC, WAV, AIFF, ALAC débits de données PCM 32... 192 kHz, 16/24 bit; MP3 jusqu'à 320 kbits, débit constant et variable traits Lecture Gapless pour MP3 (Lame), WAV, FLAC T + Une application de contrôle pour iOS et Android normes Contrôle UPnP AV, T + A services: Tidal, Deezer, qobuz (abonnement requis) interfaces LAN: Fast Ethernet 10/100 Base-T, WLAN: 802.11 b / g / n Tableau de connexion numérique Entrées numériques S / P-DIF 1x AES-EBU, 1x coaxial, 2x BNC, 2x TOS-Link USB (mode périphérique) 1x mode périphérique USB asynchrone USB (mode maître) 2 x mode maître USB pour le stockage de masse USB Tuner FM norme de réception: FM, FM-HD gamme de fréquences: 87,5-108 MHz; sensibilité (> 65 dBA S / N) 1 μV Headroom: 103 dB uV THD: 0,1% Signal / bruit distance mono / stéréo 72/62 dB séparation stéréo 50 dB Deemphasis (version Europe / États-Unis) 50/75 nous services de données:RDS / RDBS, nom de la station (PS), type de programme (PTY), texte radio (RT) Tuner DAB norme de réception DAB, DAB + gamme de fréquences 168-240 MHz (Volume III) Sensibilité (BER = 10 - 4) 2,0 μV Headroom 103 dB uV Bluetooth A2DP (audio), AVRCP 1.4 (contrôle) / aptX®, MP3, SBC liens Sorties analogiques haut niveau (RCA):2,5 Vrms / 50 ohms Sortie analogique symétrique (XLR):5.0 Vrms / 50 ohms Sorties numériques:1 x coaxial, IEC 60958 S / P-DIF (LPCM) Convertisseur N / A PCM quad différentiel double convertisseur avec 4 convertisseurs N / A par canal, 32 bits Delta Sigma, 352,8 KSPS / 384 KSPS DSD Convertisseur N / A DSD T + A-True-1Bit jusqu'à DSD 512 (22 MHz) Réponse en fréquence PCM 44,1 kSps 2 Hz - 20 kHz Réponse en fréquence PCM 48 ksps / dsd 64 2 Hz - 22 kHz / 2 Hz - 44 kHz Réponse en fréquence PCM 96 kSps / DSD 128 2 Hz - 40 kHz / 2 Hz - 60 kHz Réponse en fréquence PCM 192 kSps / DSD 256 2 Hz - 80 kHz / 2 Hz - 80 kHz Réponse en fréquence PCM 384 kSps / DSD 512 2 Hz - 100 kHz / 2 Hz - 100 kHz filtre analogique Filtre Bessel linéaire symétrique, phase 3, 100 kHz THD Signal to Noise Ratio 116 dB la séparation des canaux 110 dB Connexion / Accessoires / Dimensions Interface de contrôle R2-Link contrôle à distance FM 1000, T + A Control APP, télécommande d'affichage optionnelle FD 100 raccordement au secteur:100-240 V, 50-60 Hz Consommation électrique max.:40 watts Eco veille:0,3 watts fonction de mise hors tension automatiqueoui (après 90 minutes sans signal audio) Dimensions (H × W × D):16,5 × 46 × 40 cm poids: 11,3 kg T+A MP-2500R Media Player SACD/CD/DAC/Streamer/Radio The Multi Source SACD Player The MP 2500 R is T+A's newest and most sophisticated Multi Source Player and PCM / DSD DAC in the R-Series. The MP 2500 R has the same overall design philosophy and technical facilities like the smaller MP 2000 R MK II player. Both have been developed to reproduce high-res audio files without any trace of compromise. Instead of a CD mechanism T+A have equipped the MP 2500 R with the SACD drive from T+A's High-End SACD player MP 3100 HV which is a completely new development.  As in the MP 2000 R MK II, PCM data is converted using T+A's outstanding double differential quadruple converter with all it‘s sophisticated digital signal processing. DSD data are handled by the unique analogue T+A true 1-bit DSD converter from the PDP 3000 HV, which processes the DSD data in native form as a bitstream rather than converting them. This makes it possible to reproduce DSD data up to DSD 512, as delivered by the USB input of the digital connecting board, to the highest level of quality.  The machine’s streaming client takes the form of the new T+A high-res streaming board, which provides maximum resolution as well as the facility to access various music services, Internet radio, inclusion in the home network via LAN and WLAN, USB Master Mode and HD streaming from network servers. The digital tuner offers FM, FM-HD and DAB+ capability, and delivers excellent sound. The T+A MP 2500 R also includes a high-quality Bluetooth streaming module for transferring music from mobile devices.  The machine is controlled using the FM1000 infra-red remote control handset, or – ideally – the T+A Music Navigator App. In contrast to many manufacturers’ Apps, this is capable of controlling every element of every function of T+A's machines. Not only does it display the information pertaining to the streaming client, but also the screen content of all sources, such as the station name and radio text when used in FM radio mode. As an option the FD 100 bi-directional RF remote control system can be used as well. It displays the full content of the device screen and coverart as well. Technology It is only natural that the SACD and CD continue to lose significance, as they are increasingly superseded by streamed content; a trend reflected very clearly in the huge success of T+A's multi-source players with their extensive streaming facilities. However, it is clear that T+A audiophile customers still wish to be able to play music from CD and SACD, because none of us wants to throw away our old collection, and in any case there is an undeniable charm in owning a tangible data medium. Infact the SACD is currently experiencing what we can only term a renaissance all over the world. Therefore T+A decided to develop a completely new, modern SACD mechanism incorporating the latest decoder technology, offering very short access times and outstanding error correction. It is capable of reading CD (PCM 44.1 kSps) and SACD (DSD 64 2.8 MHz) discs at the highest possible quality. T+A have invested a huge amount of effort in the mechanical design of the drive unit, incorporating a high-quality drive, double laser optics and heavy-duty motors. With the aim of eliminating all traces of interaction between the moving parts of the disc drive and the remainder of the player T+A's disc mechanism features a mechanical isolation. A heavy aluminium plate and a solid case, which act as a mass damping devices, thereby preventing any structural sound from the mounting surface finding its way to the electronics and the disc mechanism. The disc drawer runs on two accurately machined stainless steel pushrods, while the disc rests in a specially coated, high-quality ABS cradle.