Intended for astronomy

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   4 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha                         -" ARRI  PL " for ARRIFLEX So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.c

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH. (Photo 5) -   - "C" for BOLEX / BEAULIEU or other brands (photo 8) -   - "NEX" for SONY Alpha (photo 6) -   - ARRIFLEX PL (photo 7)  So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capt

ANGENIEUX   f 12 - 120 mm  1: 2.2 !                         Monture ARRIFLEX "S"                                  n° 1367641                     (traduction en français ci-dessous)   3 different mounts are easily and quickly adaptable to this lens  this thanks to specific adapters:                                                   - "MFT" 4/3 for BLACKMAGIC; LUMIX..                         - "C" for BOLEX / BEAULIEU cameras or other brands                                                                            - "NEX" for SONY Alpha So you can use this lens in film and digital !!                                                 These adapters allow you to keep all the focal length settings; focus distance and diaphragm! Only one adapter will be delivered with the set Please tell me when ordering which one you are interested in I would do the assembly in my workshop at no extra cost                                                 This "vintage" optic is in very good cosmetic & mechanical condition! Close to new! it has certainly been used very little! Take a look at the photos, they speak for themselves! The glasses are clear without scratches and mold (fungus) Internal review completed! (see information note below)    Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as some small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! This is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - White filaments - "foggy" aspect - Deep opaque inlays These molds appear when lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows these defects (photo 11) To do so, use a "backlight" lamp The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination was carried out! and its result It's a safe bet that this test was not carried out! This objective that I propose to you does not present these serious faults! The focus ring rotates very well the zoom control operates at regular and fluid way thanks to a disengageable crank, the diaphragm ring performs its function no problem Made of noble and robust materials (not plastic!..) Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years! It is a material of very high quality used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allow this optic to compete with best sets of fixed lenses at equivalent focal lengths.. Perfect homogeneity of colorimetry, contrast and resolution.. Intended for high-end film and digital cameras.. Constant diaphragm over the entire zoom stroke (no ramping), no pumping   Exceptional brightness See also the videos made with this lens on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY

1.25inch 4mm Plossl PL4mm Eyepiece Fully Coated Lens for Astronomy Telescope MagiDeal pas cher +8 Envoi rapide. 10-20 jours expédié par Chine.

I am selling part of my cartridge collection. EMT OFS 65 MONO cartridge (absence of sapphire) OFS cartridge are designed so that users can change the stylus themselves with the help of a small replacement tool sold with the replacement stylus (unlike OFDs which must be retyped at the factory) The OFS are initially intended to be equipped with a sapphire but can be retipped with a diamond and this becomes extremely cost effective. (diamond for OFS 65 to assemble yourself costs €195 at studiotechnik Dush, a retip of an OFD 65 emt is around €500 and you must add the shipping costs and the waiting due to sending and returning the cell from the store) Otherwise a sapphire for ofs 65 with the replacement tool costs €115 at studiotechnick Dush They are sometimes sold on and are not expensive. In general, a box of 2 65u sapphires costs around €140 with the small tool needed to change them. Look at my other cartridge ads,my tonearms as well as my sales of western electric tubes and transformers Je vends une partie de ma collection de cellules. Cellule EMT OFS 65 MONO (absence du saphir) Les cellules OFS sont prévues pour que les utilisateurs puissent changer eux-même les stylets avec l'aide un petit outil de remplacement vendu avec les stylet de rechange (à la différence des OFD qui doivent être retypées en usine) Les OFS sont initialement prévue d'être équipées d'un saphir mais peuvent être retipées avec un diamant et cela devient extrêmement rentable. (diamant pour OFS 65 à monter soit même coûte 195€ chez studiotechnik Dush, un retipage d'une emt OFD 65 est d'environ 500€ et il faut rajouter les frais de port et l'attente du à l'envoi et au retour de la cellule du magasin) Sinon un saphir pour ofs 65 avec l'outil de remplacement coûte 115€ chez studiotechnick Dush Sur il s'en vend parfois et n'est pas onéreux. En général, une boite de 2 saphirs 65u coûte environ 140€ avec le petit outil nécessaire pour les changer. Regardez mes autres annonces cellules, mes bras de lecture ainsi que mes ventes de tubes et transfo western electric tarifs: livraison pour la France: comprends colissimo Recommandé avec assurance du montant de la valeur de l'objet 17,5€ international For international buyers, contact me before paying so that I adjust the price according to your country. includes delivery against signature and insurance of the value of the object: Zone A: UE 24,95€ Zone B:Eastern Europe (out UE and Russia) 31,60€ Zone C:other countries 41,95€ En savoir plus Collaboration commerciale.

Sony WS-UBPRE1 Le  Sony WS-UBPRE1  est un support destiné à accueillir le  lecteur Blu-ray UHD 4K Sony UBP-X1000ES  et UBP-X1100ES pour le monter sur un rack, dans le cadre d'une intégration. POINTS FORTS Support pour montage sur rack Compatible Sony UBP-X1000ES et UBP-X1100ES Spécial intégration ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- ---------------------------------- -------------------------------- Sony WS-UBPRE1 The Sony WS-UBPRE1 is a stand intended to accommodate the Sony UBP-X1000ES and UBP-X1100ES 4K Blu-ray player for mounting on a rack, as part of an integration. Strengths ·          Rack mount bracket ·          Compatible with Sony UBP-X1000ES and UBP-X1100ES ·          Special integration  

Lot important de materiel destiné à l'Astronomie. Poids 8,3 Kgs Envoi rapide et soigné par Mondial Relay en France 14,4 € en Allemagne 22,90 € en Autriche, en Italie 26,4 € en Belgique, Espagne, 14,4 € en Espagne, au Portugal 15;4 € Pays Bas 14,90 € Pour les Autres destinations me consulter Large batch of equipment intended for Astronomy. Weight 8.3 kg En savoir plus Collaboration commerciale.

for sale a Photoflex XSmall Basic LiteDome This LiteDome kit is lightweight and portable. The included mounting hardware enables use of the 12 x 16" softbox with some shoe-mount flashes The Photoflex X-Small LiteDome Q39 Softbox with white interior is suitable for use with flash only. With fabric not intended for the heat of a continuous light, the X-Small LiteDome with white interior is ideal for work in small spaces when only slight softening of your flash is desired. NO SALES TO UK, SORRY I can ship for less money to ALLEMAGNE / AUTRICHE / BELGIQUE / ESPAGNE / ITALIE / LUXEMBOURG PAYS BAS / PORTUGAL... if there is a Mondial Relay next to your place or if MR send it directly to your home.

Tube GP-5  is a glass-envelope beam power triode intended for use as a shunt regulator or pulse modulator in high-voltage systems. It features anode operating voltage of 30 kV and a plate dissipation of 37.5 watts. Originally intended for color-TV voltage stabilization, the GP-5 is similar to the Telefunken ED500 and may be used to retrofit equipment which uses the American type 6BK4 or other high-voltage beam triodes.  Near equivalent: ED500 and 6BK4. General characteristics: Name: GP5 Cathode: oxide-coated, unipotential Voltage (AC or DC), V: 6.3 (± 0.6) Current, mA: 210 (± 20) Heater-cathode voltage, peak, V: ±200 Amplification factor (nominal): 2750 Transconductance (nominal), uS: 700 Interelectrode capacitances (typical), with cathode grounded: - Input 4.0 pF - Output 1.5 pF - Feedback 0.1 pF Mechanical characteristics: Base standard magnoval, glass button Socket Svetlana SK509 or similar Anode cap approx. 3/8 in (9 mm) diameter Anode connector same as 6BK4 or 807 Operating position Any (vertical for convection cooling) Nominal dimensions: - Height of glass envelope 100 mm (3 7/8 in) - Diameter of glass envelope 46 mm (1 3/4 in) - Overall height 125 mm (4 7/8 in.) Net weight, g: 115 Maximum ratings: Anode voltage, kV: 30 Anode dissipation, W: 37.5 Anode current, continuous, mA: 2 Grid voltage, V: -450 Maximum grid-circuit resistance, megohms: 3 Envelope temperature, C: 250

Bien Lire avant d'enchérir Ce n'est pas une correction RIAA destinée à la lecture des 33Tr mais c'est une correction inverse destinée à l' enregistrement et à la gravure de disques anciens. Je ne sais pas si c'est une correction RIAA ou une autre courbe. Matériel très rare Read carefully before biddingThis is not an RIAA correction intended for playing 33Tr but it is an inverse correction intended for recording and burning old records. I don't know if it's an RIAA correction or another curve. Very rare material LCR inverse Western electric (RIAA?) ref:902006-1 tarifs: livraison pour la France: comprends colissimo 10€ international For international buyers, contact me before paying so that I adjust the price according to your country. includes delivery against signature and insurance of the value of the object: Zone A: UE:18.20€ Zone B:Eastern Europe (out UE and Russia) 21.35€ Zone C:other countries 30.20€ En savoir plus Collaboration commerciale.

SPECIAL HEALTH NOTICE: All Items & packaging are from long-term, isolated storage.   Despatch is “No-contact”.    Please read details below. AVIS DE SANTÉ SPÉCIAL: Tous les articles et emballages proviennent d'un stockage isolé à long terme. L'expédition est «sans contact». Veuillez lire les détails ci-dessous, s.v.p. Traduction français en dessous. S.v.p.excuser des fautes linguistiques. Now retired and increasingly needing autofocus, I’m selling off some of my ‘manual focus collection’. This lovely ‘classic / vintage’ viewfinder for older cameras is still smart and fully functional. Originally intended for 35mm, it can be used for any 3:2 format camera by translating the focal lengths. (e.g. I have also used it with a 6x9 view camera.) - 35mm format frames for: 28mm / 35mm / 50mm / 85mm / 135mm - Clear, clean view through rotating finders via ground-glass rectangular framing screen (3:2 format) surrounded by fresnel outer area. Black cross-hairs. - Firm, smooth click-stop ring to change focal lengths - Original Bakelite screw-top case with moulded socket inside to hold finder base (flash shoe). Minor wear marks from age; otherwise excellent condition and operation. Glass clean, no haze, fungus, etc. If you have any queries, please ask before bidding/purchase. I aim to reply within 24 hours. Payment:          Paypal / card via Paypal only, please, for mutual security, within 48 hours of purchase.. Despatch:       SPECIAL ARRANGEMENTS DURING HEALTH RESTRICTIONS - PLEASE READ CAREFULLY. (1) Items and all packaging material stored long-term in rural, isolated house. Item(s) will be carefully packed for tracked postage. (2)  Postage is via La Poste Colissimo "no-contact" collection service from house box. Parcel prepared within 48 hours, but can take up to 5 days for collection. I will communicate with buyer at all stages on progress.  Delivery will often be longer than normal. (3)  It is BUYER'S responsibility to ensure that they can receive post parcels from France at their end.  I try to restrict sale to areas reported as still receiving post from France, but cannot guarantee it since rules change almost daily somewhere!  Again, please message with me first if unsure.  (4)   See “Postage” tab for costs to countries in the E.U. including full transit insurance. At present, I do not sell outside the EU. Returns:       Please check goods carefully on receipt. You are covered by the Money-back Guarantee plus insured postage. If you find on receipt any damage or other non-conformity with description, please retain all original packing plus any other relevant evidence, and notify me via within 7 days to enable timely insurance notification … or other rectification if appropriate. Thank you for your interest Français: Retraité et dépendant de plus en plus à la mise au point automatique, je vends une partie de ma collection « mise au point manuelle ». Ce joli viseur «classique / vintage» pour les appareils photo plus anciens est toujours beau et pleinement fonctionnel. Destiné à l'origine au format 35mm, il peut être utilisé pour n'importe quel appareil photo au format 3: 2 en traduisant les focales. (Par exemple, je l'ai utilisé aussi avec une chambre photographique 6x9.) - Cadres au format 35 mm pour: 28 mm / 35 mm / 50 mm / 85 mm / 135 mm - Vue claire et propre à travers les viseurs rotatifs via un écran de cadrage rectangulaire en verre dépoli (format 3: 2) entouré par la zone extérieure de Fresnel. Réticule noir. - Bague d'arrêt ferme et lisse pour changer les focales. - Étui d'origine en bakélite avec capuchon vissé et douille moulée à l'intérieur pour une base de sabot de flash pour tenir la base du viseur (sabot de flash). Marques d'usure mineures liées à l'âge; sinon excellent état et fonctionnement. Verre propre, pas de brume, champignon, etc. Si vous avez des questions, s’il vous plaît demandez ava

Traduction français en dessous. S.v.p.excuser des fautes linguistiques. Now retired and increasingly needing autofocus, I’m selling off some of my ‘manual focus collection’. This lovely ‘classic / vintage’ viewfinder for older cameras is still smart and fully functional. Originally intended for 35mm, it can be used for any 3:2 format camera by translating the focal lengths. (e.g. I have also used it with a 6x9 view camera.) - 35mm format frames for: 28mm / 35mm / 50mm / 85mm / 135mm - Clear, clean view through rotating finders via ground-glass rectangular framing screen (3:2 format) surrounded by fresnel outer area. Black cross-hairs. - Firm, smooth click-stop ring to change focal lengths - Original Bakelite screw-top case with moulded socket inside to hold finder base (flash shoe). Minor wear marks from age; otherwise excellent condition and operation. Glass clean, no haze, fungus, etc. If you have any queries, please ask before bidding/purchase. I aim to reply within 24 hours. Payment:          Paypal / card via Paypal only, please, for mutual security, within 48 hours of purchase.. Despatch:       SPECIAL ARRANGEMENTS DURING HEALTH RESTRICTIONS - PLEASE READ CAREFULLY. (1)   Postage is via UPS or La Poste Colissimo "no-contact" collection service from house box. Parcel prepared within 48 hours, but can take up to 3 days for collection. I will communicate with buyer at all stages on progress.  Delivery may be a little longer than normal. (2)  Before buying, please ensure that you can receive post parcels from France at your end.  I try to keep sale to areas reported as receiving post from France, but rules change frequently somewhere!  Please message with me first if unsure.  (3)   See “Postage” tab for costs to countries in the E.U. including full transit insurance. At present, I do not sell outside the EU. Returns:       Please check goods carefully on receipt. You are covered by the Money-back Guarantee plus insured postage. If you find on receipt any damage or other non-conformity with description, please retain all original packing plus any other relevant evidence, and notify me via within 7 days to enable timely insurance notification … or other rectification if appropriate. Thank you for your interest Français: Retraité et dépendant de plus en plus à la mise au point automatique, je vends une partie de ma collection « mise au point manuelle ». Ce joli viseur «classique / vintage» pour les appareils photo plus anciens est toujours beau et pleinement fonctionnel. Destiné à l'origine au format 35mm, il peut être utilisé pour n'importe quel appareil photo au format 3: 2 en traduisant les focales. (Par exemple, je l'ai utilisé aussi avec une chambre photographique 6x9.) - Cadres au format 35 mm pour: 28 mm / 35 mm / 50 mm / 85 mm / 135 mm - Vue claire et propre à travers les viseurs rotatifs via un écran de cadrage rectangulaire en verre dépoli (format 3: 2) entouré par la zone extérieure de Fresnel. Réticule noir. - Bague d'arrêt ferme et lisse pour changer les focales. - Étui d'origine en bakélite avec capuchon vissé et douille moulée à l'intérieur pour une base de sabot de flash pour tenir la base du viseur (sabot de flash). Marques d'usure mineures liées à l'âge; sinon excellent état et fonctionnement. Verre propre, pas de brume, champignon, etc. Si vous avez des questions, s’il vous plaît demandez avant d’enchérir ou d’acheter. Je m’efforce de vous répondre dans les 24 heures. Paiement:           Paypal / Carte via Paypal uniquement, s.v.p., pour sécurité mutuelle, et dans les 48 heures suivant l’achât. Expédition:        ARRANGEMENTS SPÉCIAUX PENDANT LES RESTRICTIONS DE SANTÉ - VEUILLEZ LIRE ATTENTIVEMENT, s.v.p. (1) L'expédition se fait par le service d'enlèvement "sans contact" de l'UPS ou de La Poste Colissimo depuis la boîte de la maison. Colis préparé dans les 48 heures, mais

ANGENIEUX f = 12 - 120 mm 1: 2.2                                  No. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 8) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good lev

ANGENIEUX f = 12 - 120 mm 1: 2.2                                   n°. 1367641                    (traduction en français ci-dessous) Equipped with an original ARRIFLEX S mount But I can adapt 4 different types of mounts ! (photos 4 / 9) -   - "MFT" 4/3 for BLACKMAGIC; PANASONIC LUMIX GH.  -   - "C" for BOLEX / BEAULIEU or other brands  -   - "NEX" for SONY Alpha  -   - ARRIFLEX PL   So you can use this lens in film and digital !!        * * When ordering let me know what type of mount  that interests you. I will mount the adapter on the lens         Only one adapter will be delivered at no extra cost! **                                       Prestige optics from the famous French brand ANGENIEUX, market leader professional optics for over 75 years!                                                 This "vintage" optic is in exceptional cosmetic & mechanical condition! Close to new! Take a look at the photos, they speak for themselves! The lenses are clear with no scratches and internal molds (fungus) As such, take note of this: (very few salesmen if not none will make you aware of this subject) !! Information on internal lenses: The quality of "vintage" lenses deteriorates with age. (a bit like us...) Internal micro-dust is inherent in these objectives as well as a few small cleaning scratches on the front glass. Faults which are generally not affecting the result photographic On the other hand, the presence of mold (fungus) on the glasses internal are detrimental! It is the real "cancer" of mineral glasses! After a while they become embedded in the glass and it is often very difficult to extract them! They gradually spread and completely degrade optical qualities! Molds are recognizable by this: - - White filaments - - "Foggy" aspect - - Deep opaque inlays These molds appear when the lenses are stored in humid and polluted environments An external examination does not always make it possible to notice them! It is necessary to do an in-depth examination! An "endoscopic" examination! the only one that allows you to reveal these defects (photo 11) To do so use a lamp in "against the day" The slightest defect becomes visible! you will be surprised at result! The next time you buy a lens ask the seller if such an examination has been carried out! and its result It's a safe bet that this test was not carried out! This lens that I am proposing to you does not have these serious flaws! The glasses are clear, limpid and transparent !! The focus ring rotates very well Zoom control operates smoothly and smoothly thanks to a disengageable crank The diaphragm ring performs its function without problem Made of noble and robust materials (not plastic!..) It is a very high quality optics used in the cinematographic environment for decades Currently 85% of films shot in the world are shot with lenses ANGENIEUX! http://www.mediakwest.com/tournage/item/angenieux.html Exceptional optical qualities allowing this optic to compete with best sets of fixed lenses at equivalent focal lengths. -. Perfect homogeneity of colorimetry, contrast and resolution. -. Intended for high-end film and digital cameras. -. Constant diaphragm over the entire zoom stroke (no ramping), no pumping -   Exceptional brightness See the magnificent videos made with this lens adapted to "MFT" on youtube, links below: https://www.youtube.com/watch?v=4EEmW-c4WBI https://www.youtube.com/watch?v=1jB_JpjCLGo&t=229s https://www.youtube.com/watch?v=hPz5dMAo_5w https://www.youtube.com/watch?v=FXxF27ogsgY The "compact" dimensions and weight of this lens make it ideal for digital use Digital technology makes it possible to capture very good

Like the other lenses in the L series designed by Canon, this CANON EF 11-24 mm F4 USM zoom lens is robust, efficient and bright. Intended for both photography and video, this ultra-wide-angle EF-mount zoom offers the ability to capture magnificent images in very high resolution. Its short focal length makes it a lens resolutely oriented towards landscape shooting and photography of small-scale interiors. An adaptable and ergonomic Canon EF mount. The CANON EF 11-24mm F4 USM is an ultra-wide angle lens specifically designed for EF mount cameras with Full Frame, Super 35mm or APS-C sensors. This lens is perfectly suited to Canon products such as EOS digital SLRs or EOS Cinema cameras (see below). Focusing is as fast as it is quiet and precise thanks to the integrated annular USM motor whose characteristic is to operate based on ultrasonic frequency vibrations. Note that a focusing ring is also present if you wish to focus manually. In addition to having an integrated lens hood offering protection to the front lens while maintaining an excellent level of contrast, the CANON EF 11-24 mm F4 USM is “tropicalized”, in other words, it is resistant to dust and humidity. A high-end zoom for exceptional shots. This ultra wide angle lens is the optical result of a combination of three specific types of lenses. On the one hand, in order to compensate and correct the sphericity aberration, the optics include aspherical lenses; on the other hand, the presence of UD and Super UD glass lenses (in other words ultra-low dispersion glass) helps eliminate chromatic aberration. Thus, thanks to this intelligent lens assembly, the CANON EF 11-24 mm F4 USM offers the operator the possibility of obtaining excellent contrasts and great image sharpness, without fear of distortion. It is good to add to this optical formula the presence of the Super Spectra treatment which offers the possibility of obtaining an image with powerful contrasts while preserving a very good chromatic balance and eliminating the so-called “ghost” images produced by light. An 11-24mm lens for landscape and small spaces. With the widest viewing angle of the Canon L series, the 11-24 mm F4 USM has a variable focal length of 11 to 24 mm resolutely geared towards landscape shooting, but also for capturing images. images in places with limited space. In addition to being particularly compact and light, this lens adapts to a large number of accessories (from the Canon range and more) and has a very wide range of applications. It offers the operator extremely precise control of focus and depth of field while maintaining good low-light performance. En savoir plus Collaboration commerciale.