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CD Album CD Code EAN: 5412724137729 Classification Cd Primaire: Rock, Rap, variétés internationales Rubrique principale CD: CD Album Genre musical: Trance Référence fabricant CD: 001 Classification CDMail: Variétés internationales Titre: Who's Who's Follies 4 - Vol. 2 - A Summer Travel Into House Music

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

1/ CD Audio - Phil Collins "DANCE INTO THE LIGHT" (Original 1996 version) Tracklist: 1    Dance Into The Light    (04:24)                 2    That's What You Said    (04:20)             3    Lorenzo    (05:52) 4    Just Another Story    (06:24)             5    Love Police   (04:11) 6    Wear My Hat   (04:44)                 7    It's In Your Eyes   (03:02) 8    Oughta Know By Now    (05:30)                 9    Take Me Down    (03:27) 10  The Same Moon    (04:09) 11  River So Wide    (04:57) 12  No Matter Who    (04:40) 13  The Times They Are A-Changin'    (05:10) 2/ CD Audio - Phil Collins "...BUT SERIOUSLY" (Original 1989 version) Tracklist: 1    Hang In Long Enough    (04:45)                 2    Thats Just The Way It Is    (05:20)             3    Do You Remember?    (04:36) 4    Something Happened On The Way To Heaven    (04:51)             5    Colours   (08:51) 6    I Wish It Would Rain Down   (05:27)                 7    Another Day In Paradise   (05:22) 8    Heat On The Street    (03:51)                 9    All Of My Life    (05:35) 10  Saturday Night And Sunday Morning    (01:25) 11  Father To Son    (03:27) 12  Find A Way To My Heart    (06:14) 3/ CD Audio - Phil Collins "BOTH SIDES" (Original 1993 version) Tracklist: 1    Both Sides Of The Story    (06:43)                 2    Can't Turn Back The Years    (04:40)             3    Everyday    (05:43) 4    I've Forgotten Everything    (05:15)             5    We're Sons Of Our Fathers   (06:24) 6    Can't Find My Way   (05:09)                 7    Survivors   (06:04) 8    We Fly So Close    (07:33)                 9    There's A Place For Us    (06:52) 10  We Wait And We Wonder    (07:01) 11  Please Come Out Tonight    (05:49) Etat: excellent ! Livraison avec Mondial Relay. Merci de me préciser au moment du paiement PAYPAL, le point relais choisi pour votre livraison. http://www.mondialrelay.fr/trouver-le-point-relais-le-plus-proche-de-chez-moi/

LOT DE 10 DISQUES VINYLS DE MADONNA en BEG /  -No: 928 378-7 (la isla bonita remix,instrumental): écriture au verso de la pochette et disque OK. -No: 928 341-7 (who's that girl,white heat): disque et pochette OK. -No: 928 115-7 (the look of love,Iknow it): disque et pochette OK. -No: 928 550-7 (true blue remix,holiday): disque et pochette OK. -No: A 6585 (gambler,nature of the beach): écriture au verso de la pochette et écritures sur labels du disque avec quelques griffes. -No: 92.9478-7 (holiday,Iknow it): étiquette au verso de la pochette et disque OK. -No: 928 636-7 (papa don't preach,ain't no big deal): écriture au verso de la pochette et disque OK. -No: 928 717-7 (live to tell,instrumental): disque et pochette OK. -No: 928 934-7 (into the groove,shoo-bee-doo): pochette OK et petite trace sur le disque. -No: 929 083-7 (material girl,pretender): écriture au recto de la pochette qui est gondolée et disque OK. Les disques n'ont pas été essayés car plus de platine donc les états sont décrits de visu. Service de livraison : Colissimo.  Pas d'envoi à l'étranger. Règlement par PAYPAL uniquement.

Lot de 9 Vinyls LP 33t, Special SOUL FUNK DISCO, Annees 70/80: - Sylvester: Sylvester ll (You make me feel). 1978. - Rose Royce: Greatest Hits. 1980. - Ray Parker and Raydio: Two places at the same time. 1980. - Kool and the Gang: Forever. - Jermaine Jackson: Come into my life. 1973. - Jermaine Jackson: Dynamite. 1984. - Aretha Franklin: Who's zoomin' who. 1985. - Theo Vaness: Back to the Music. 1978. - Ultimate: Ultimate. 1979. Pochettes: Bon etat. Quelques traces d'usage sur certaines. Vinyls: Bon etat. Quelques traces d'usage sur certains. Bonne ecoute pour tous. Envoi groupe possible. En savoir plus

Complete with OBI & insert! Conditions: new. 1No Artist–Howdy Folks0:312Rob Zombie–House Of 1000 Corpses3:433No Artist–Saddle Up The Mule0:174Rob Zombie–Everybody Scream2:365No Artist–Stuck In The Mud1:166No Artist–Holy Miss Moley0:167Buck Owens–Who's Gonna Mow Your Grass Written-By – Buck Qwens* Written-By – Buck Qwens* 2:198Rob Zombie–Run, Rabbit, Run3:019No Artist–Into The Pit1:2110No Artist–Something For You Men0:2011Helen Kane–I Wanna Be Loved By You Written-By – Bert Kalmar, Harry Ruby, Herbert Stothart Written-By – Bert Kalmar, Harry Ruby, Herbert Stothart 2:4712Rob Zombie–Pussy Liquor4:5713No Artist–Scarecrow Attack2:1214No Artist–My Baby Boy0:1415Ramones–Now I Wanna Sniff Some Glue Written-By – Douglas Colvin, Jeffrey Hyman, John Cummings (3), Thomas Erdelyi* Written-By – Douglas Colvin, Jeffrey Hyman, John Cummings (3), Thomas Erdelyi* 1:3416No Artist–Investigation And The Smokehouse0:3517No Artist–The Bigger The Cushion2:2618Slim Whitman–I Remember You Written-By – John Mercer*, Victor Schertzinger Written-By – John Mercer*, Victor Schertzinger 2:0319No Artist–Drive Out The Rabbit0:1320No Artist–Mary's Escape1:1921Rob Zombie–Little Piggy Vocals [Additional] – Emm Gryner Vocals [Additional] – Emm Gryner 3:5422No Artist–Ain't The Only Thing Tasty0:2623No Artist–Dr. Satan0:1924Rob Zombie Featuring Lionel Richie & Trina–Brick House 2003 Written-By – Lionel B. Richie*, Milan Williams, Ronald LaPread, Thomas McClary, Walter Orange, William King (3) Written-By – Lionel B. Richie*, Milan Williams, Ronald LaPread, Thomas McClary, Walter Orange, William King (3) 3:4825No Artist–To The House2:29

Bridget Cooper / Mary Love / Patrice Banks - (Get Into) The Love Groove / You Got To Work Your Way Up Boogie Times Records ‎– BTR-12.044 2012 FRANCE 12'' RARE HARD TO FIND MAXI 45T FUNK LIMITED EDITION ONLY 250 COPIES PRESSED SEE INFORMATION ON DISCOGS A1 & A2 Second Version By Bridget Cooper from June 1983 B1: Original Version from December 1982 B2: Unreleased Track from 1986 Bon état général, bonne écoute, pochette/disque: Generic/VG++. Il y a encore le cellophane sur la pochette générique. Quelques très légers crépitements, proche du EX. Voir photos A1    –Bridget Cooper    (Get Into) The Love Groove (Part 1)    4:16 A2    –Bridget Cooper    (Get Into) The Love Groove (Part 2)    3:53 B1    –Mary Love    (Get Into) The Love Groove (Long Play Original Version)    7:50 B2    –Patrice Banks*    You Got To Work Your Way Up    4:50 https://www.youtube.com/watch?v=X-p3ahKIro4 https://www.youtube.com/watch?v=t2uLegu3Sb4 https://www.discogs.com/fr/Bridget-Cooper-Mary-Love-Patrice-Banks-Get-Into-The-Love-Groove-You-Got-To-Work-Your-Way-Up/release/3603025 LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine - Belgique - Luxembourg: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal - Autriche: 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur Royaume Uni: CONCERNING GREAT BRITAIN BUYERS, BE INFORMED THAT FROM 01/01/21 YOU WILL HAVE TO PAY VAT CORRESPONDING TO 20% OF THE TOTAL AMOUNT 1 LP      -------> 15,00 Eur 2 à 3 LP-------> 25,00 Eur FOR AN EXPEDITION TO A  ANOTHER COUNTRY, PLEASE ASK BEFORE PLACING THE ORDER TO GIVE YOU AN ESTIMATE BECAUSE THE SHIPPING COSTS ARE MORE EXPENSIVE THAN IN EUROPE POUR UNE EXPÉDITION DANS UN AUTRE PAYS, DEMANDEZ AVANT DE PASSER LA COMMANDE POUR AVOIR UNE ESTIMATION. POSSIBILITÉ DE RETRAIT SUR PLACE SUR PARIS POUR PLUSIEURS ACHATS. N'HESITEZ PAS A ME CONTACTER FEEL FREE TO CONTACT ME Sammlung https://www..fr/sch/m.html?_nkw=&_armrs=1&_ipg=&_from=&_ssn=fatar0&_sop=10

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

★ Faites confiance à mes évaluations et leurs commentaires ! Et, s'il vous plaît, prenez bien le temps de lire l'annonce afin que tout se passe bien ★ ★ Trust my feedbacks and their comments! And, please, take the time to read the hole page so that everything goes well ★ ===================================================================================== ••• Xenoblade Chronicles - The Secret File MONADO Archives - Artbook FR ••• Voir photos pour état exact / See pictures for exact condition   Limited to 1 000 copies - French Edition Edition Limitée à 1 000 exemplaires - Edition Française =====================================================================================   Voici l’artbook de Xenoblade Chronicles offert par Nintendo France aux mille premiers joueurs français qui ont enregistré le coffret collector du jeu. Dénommé « Xenoblade The Secret File MONADO Archives », cet artbook est en fait un magnifique livre au format 18,5*25,5 cm. On apprend beaucoup de choses car plus qu’un artbook c’est aussi une sorte de guide avec par exemple l’avis des développeurs, la liste de tous les PNJ, la biographie de chaque personnage, le listing de toutes les armes, la liste de tous les lieux à découvrir ou encore de nombreux artworks. Le livre est vraiment très très complet pour un ensemble de 256 pages réparties dans 6 chapitres, le tout entièrement traduit en français hormis certains passages mineurs.   Here is the Xenoblade Chronicles artbook offered by Nintendo France to the first thousand French players who registered the game's collector's box. Called "Xenoblade The Secret File MONADO Archives", this artbook is in fact a magnificent book in 18.5cm*25,5 cm. We learn a lot of things because more than an artbook it is also a kind of guide with for example the opinion of the developers, the list of all the NPCs, the biography of each character, the listing of all the weapons, the list of all the places to discover or many artworks. The book is really very complete for a set of 256 pages divided into 6 chapters, all fully translated into French except for some minor passages.     For those who know us well (and the others), all our items are now available on these 3 accounts (all 100% positive): Pour ceux qui nous connaissent bien (et les autres), tous nos articles sont désormais disponibles sur ces 3 comptes  : --- Pandora Box --- Pampa Junior --- Treasures Groves ---     We might be interested in / Nous pourrions être intéressés par : - Limited games and rare collectors (LRG, SRG, SLG, Zelda, Witcher…) - Rare video game vinyl soundtracks (Iam8bit, Spacelab9…) - Rare video game books (artbook, guide, history…)

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY WATERBOYS DREAM HARDER Track Listing 1. New Life, The 2. Glastonbury Song 3. Preparing to Fly 4. Return of Pan, The 5. Corn Circles 6. Suffer 7. Winter Winter 8. Love and Death 9. Spiritual City 10. Wonders of Lewis 11. Return of Jimi Hendrix, The 12. Good News DetailsPlaying Time:44 min.Contributing Artists:Jim Keltner, Jules ShearProducer:Mike Scott, Bill PriceDistributor:Universal DistributionRecording Type:StudioRecording Mode:StereoSPAR Code:AAD Album Notes Personnel: Mike Scott (vocals, guitars, keyboards, percussion, effects); Billy Connolly (spoken vocals); Chris Bruce (guitar); Ljubisa "Lubi" Ristic (sitar); Caroline Lavelle (cello); George Stathos (Greek clarinet); James Campagnola (saxophone); Scott Thunes, Kenny Aaronson, Brian Stanley (bass); Jim Keltner, Carla Azar, Thommy Price, Steve Holly (drums); Bashiri Johnson (congas, talking drum, shaker, tambourine); Jere Peters (rattle); Jules Shear, Pal Shazar, Laura Lee Ash, Darwin Buschman M.D., Roger Greenawalt, Fiona Prendergast, Terry Wetmore, Tawatha Agee, Cindy Mizelle, Fonzi Thornton (background vocals).Engineers include: Bill Price, Niko Bolas, Joe Blaney.Personnel: Mike Scott (vocals, guitar, keyboards, percussion); Chris Bruce (guitar); Ljubisa "Lubi" Ristic (sitar); Caroline LaVelle (cello); George Stathos (clarinet); James Campagnola (saxophone); Bashiri Johnson (drums, congas, talking drum, shaker, tambourine); Jim Keltner, Kenny Aaronson, Thommy Price, Scott Thunes, Brian Stanley, Carla Azar, Steve Holly (drums); Jerry Peters (percussion); Cindy Mizelle, Fonzi Thornton, Darwin Buschman M.D., Darvin M.D. Buachman, Terry Wetmore, Fiona Prendergast, Laura Lee Ash, Jules Shear, Pal Shazar, Roger Greenawalt, Tawatha Agee (background vocals).Audio Mixer: Bill Price.Recording information: Bearsville Studios, NY; Can Am Recorders, Los Angeles, CA; Electric Lady Studios, New York, NY; Hit Factory Studios, New York, NY; Power Station Studios, New York, NY; Right Track Recording Studios, New York, NY; Ringsend Road Studios, Dublin, Ireland; Wessex Sound Studios, London, England.Photographers: Michael Halsband; John Hardin.Unknown Contributor Role: George Stathos.DREAM HARDER was the Waterboys' sixth and last album, barring a number of posthumous releases. Opening with the crunching power chords of "The New Life," it finds Mike Scott with a largely new backing band, a rekindled love of guitar, and a notion to move away from the Irish-influenced folk music of the past several Waterboys records. The combination of these factors makes for one of the loosest, most relaxed Waterboys outings since the band's early days.Standouts include the insistent, rolling pace of "Glastonbury Song," the oddly appropriate pairing of guitar heroics and dub rhythms of "Suffer," and the majestic "Love And Death," which is carried along, like all the best Waterboys songs, on Scott's earnest vocals. Also of note is "Spiritual City," which includes a looping, trance-like sitar and scat vocals. Overall, DREAM HARDER provides both a solid entry into, and fitting end to, the Waterboys saga; it's also an important signpost to Scott's subsequent solo career. Editorial Reviews 8 - Excellent -...DREAM HARDER is some party--the kind of trip that reminds you how every Waterboys record should have the legend `To Be Continued...' scratched into the run-off groove.... NME  GEFFEN RECORDS/ 1993 / Printed in CANADABoitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

ATTENTION: PAS DE CHEQUE, Merci  BRUCE HORNSBY AND THE RANGE THE WAY IT IS  Track Listing 1. The Way It Is, 2. Kiss Every Little 3. The Long Race, 4. Rain Mandolin 5. The River Runs Low, 6. skyline On the Western 7. The Red Plains, 8. The  Wild Frontier, 9. Tonight Down the Road DetailsPlaying Time:43 min.Contributing Artists:Huey LewisDistributor:BMG (distributor)Recording Type:StudioRecording Mode:StereoSPAR Code:ADD Album Notes Producers: Bruce Hornsby, Elliot Scheiner, Huey Lewis.THE WAY IT IS is Bruce Hornsby's first released recording.There isn't a second of Bruce Hornsby & the Range's The Way It Is that suggests it's a debut album. On the contrary, the record sounds like the culmination of a band's efforts over many years. The group has a distinct sound of its own, often led by Hornsby's bright piano chords and elastic tenor, with cohesive and evocative arrangements; there is new age music here, as well as jazz and country, and the mixture is presented naturally by musicians who seem to have been playing with each other for some time. Similarly, the songwriting has its own flavor. Hornsby wrote seven of the nine songs with his brother John Hornsby, and they create their own world, a working-class environment of longing and loneliness set against the background of the Virginia Tidewater area. (The album cover displays a sepia-toned photograph of the band set over another photograph of the long Chesapeake Bay Bridge.) The lyrics are lightly poetic and restrained, for the most part. The exception is the title song (written by Bruce Hornsby alone), a brave if somewhat clumsily written attack on the heartless right-wing politics of the mid-'80s, as the U.S. suffered through a second Reagan administration determined to roll back civil rights gains. The boldness of the statement and the lovely piano theme more than compensate for the awkward writing, however, making the song one of the album's most memorable. And that's saying a lot when the competition includes the engaging "Mandolin Rain" and the appealingly romantic "Every Little Kiss" (Hornsby's other sole writing credit). Perhaps it shouldn't be a surprise that the music is so accomplished. Hornsby was no teenage neophyte when he made it, having kicked around the music business and gotten into his thirties, and the band includes such veterans as David Mansfield, who may be remembered as a member of Bob Dylan's Rolling Thunder troupe and the Alpha Band, as well as being a film composer. Sometimes a debut album just happens to be the first music most people get to hear by a mature talent, and that's the case here on the debut album of the year. (Bruce Hornsby & the Range went on to win the 1986 Grammy Award for Best New Artist.) ~ William Ruhlmann RCA / 1986 / Printed in GERMANY Boitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 4,60€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 6,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) Je ne livre pas les dom Tom, la Corse et les bases de l'armée (marine, armée de terre, de l'air, etc...) ainsi que les boites postales Pas de chèque. Nous expédierons UNIQUEMENT à l'adresse (confirmée) spécifiée dans MERCI de CONSULTER MES AUTRES VENTES...