Into groove who

cd madonna très bon état Into The Groove / Who's That Girl / Causing A Commotion Categorie: Pop Auteur: Madonna Label: Wea Sortie: 01/01/1990 Nombre de CD: 1 CD occasion à vendre à Saint-Marcel (71380): cd et vinyles à acheter en Saône-et-Loire (71)

CD Album CD Code EAN: 5412724137729 Classification Cd Primaire: Rock, Rap, variétés internationales Rubrique principale CD: CD Album Genre musical: Trance Référence fabricant CD: 001 Classification CDMail: Variétés internationales Titre: Who's Who's Follies 4 - Vol. 2 - A Summer Travel Into House Music

MADONNA - Into The Groove - 7" - GERMANY - 1985 - 928 934-7 Side 1: Into The Groove Side 2: Shoo-Bee-Doo 1ST PRESSING with "LIKE A VIRGIN" LP ORIGINAL (925 157-1) catalog # on labels and back sleeve !!! VERY HARD TO FIND !!! VERY GOOD CONDITIONS !

45 tours Madonna - Into the groove VG+/VG+ Envoie possible Autres renseignements et photos sur demande 45 tours occasion à vendre à Nantes (44000): cd et vinyles à acheter dans la Loire-Atlantique (44)

Madonna très rare Back Trax "into the groove" Dress You Up. État: Occasion comme neuf

Vinyle 33 Tours Vinyles Code EAN: 0088057077091 Genre musical: Métal Titre: For You Men Who Gaze Into The Sun Rubrique principale Vinyle: 33 Tours

1/ CD Audio - Phil Collins "DANCE INTO THE LIGHT" (Original 1996 version) Tracklist: 1    Dance Into The Light    (04:24)                 2    That's What You Said    (04:20)             3    Lorenzo    (05:52) 4    Just Another Story    (06:24)             5    Love Police   (04:11) 6    Wear My Hat   (04:44)                 7    It's In Your Eyes   (03:02) 8    Oughta Know By Now    (05:30)                 9    Take Me Down    (03:27) 10  The Same Moon    (04:09) 11  River So Wide    (04:57) 12  No Matter Who    (04:40) 13  The Times They Are A-Changin'    (05:10) 2/ CD Audio - Phil Collins "...BUT SERIOUSLY" (Original 1989 version) Tracklist: 1    Hang In Long Enough    (04:45)                 2    Thats Just The Way It Is    (05:20)             3    Do You Remember?    (04:36) 4    Something Happened On The Way To Heaven    (04:51)             5    Colours   (08:51) 6    I Wish It Would Rain Down   (05:27)                 7    Another Day In Paradise   (05:22) 8    Heat On The Street    (03:51)                 9    All Of My Life    (05:35) 10  Saturday Night And Sunday Morning    (01:25) 11  Father To Son    (03:27) 12  Find A Way To My Heart    (06:14) 3/ CD Audio - Phil Collins "BOTH SIDES" (Original 1993 version) Tracklist: 1    Both Sides Of The Story    (06:43)                 2    Can't Turn Back The Years    (04:40)             3    Everyday    (05:43) 4    I've Forgotten Everything    (05:15)             5    We're Sons Of Our Fathers   (06:24) 6    Can't Find My Way   (05:09)                 7    Survivors   (06:04) 8    We Fly So Close    (07:33)                 9    There's A Place For Us    (06:52) 10  We Wait And We Wonder    (07:01) 11  Please Come Out Tonight    (05:49) Etat: excellent ! Livraison avec Mondial Relay. Merci de me préciser au moment du paiement PAYPAL, le point relais choisi pour votre livraison. http://www.mondialrelay.fr/trouver-le-point-relais-le-plus-proche-de-chez-moi/

ATTENTION - Les frais de port sont variables car nous utilisons différents services d'affranchissement de la poste. Nous faisons cela afin de vous apporter un maximum de confort et de garantie, quant à la livraison du colis, tout en restant dans des prix convenables. Pour en savoir plus ou savoir à quel service correspond les frais de port que vous payez: Consultez l'ensemble de nos tarifs de livraison. ATTENTION - Pour toute commande supérieure à 100€, les frais de port sont offert (France métropolitaine uniquement). Caractéristique produit (?) : Année d'édition 1978Année de pressage :1978 Label :DIALPays de pressage :USAN° de pressage :6100Etat général de la pochette :BON, traces d'usures sur les tranchesPochette ouvrante - gatefold :NONEcritures sur la pochette :NONTranche latérale lisible :              OUIDéchirures  sur la pochette:NONEtat général du disque face A :TRES BONEtat général du disque face B :TRES BONEcritures sur le label du disque:NONInsert spécifique :NONBonus : NON TRACKLIST COMPLETE (face A, B, C, D, etc...)  A/ Loose caboose - How do you spell relief - If you don't want the man - Finger popped myself into  the poor house  B/ Who gave birth to the funk - Hold what you've got - He who is without funk - Music ain't got no color Pour restez informé de toute l'actualité de SeventieS StreetS, rejoignez les SevenS sur  : FACEBOOK Référence SeventieS StreetS: 01

Jeu video Etat:  Neuf. Vous achetez ce que vous voyez ! Je ne fais pas d'envoi Mondal Relay ! Condition:  New   You are buying what you see! We Ship Worlwide !   Informations Importantes à lire avant d'acheter: - Les articles sont emballés dans un emballage robuste, carton solide et papier bulle. - Les frais de port sont réduits pour un achat groupé - Le détail de chaque article est indiqué dans le descriptif et les photos sont contractuelles, vous achetez ce que vous voyez. - Dès lors l'état de l'objet ne peut être contesté et aucune réclamation ne sera accepté quant à l'état de l'article. - Un article de type électronique en provenance du Japon ou des USA nécessite un matériel compatible pour son utilisation, aucune réclamation ne sera acceptée à ce sujet. - Universetoys ne pourra être tenu responsable en cas de retard, perte, vol, détérioration, une fois le paquet transmit aux services postaux. - Vous pouvez contractez une assurance en choisissant le mode d'envoi "Colissimo Recommandé",  vous devez impérativemnent ouvrir le paquet au moment de la livraison en présence du facteur pour pouvoir bénéficier de l'assurance ! - Pas de retour, ni annulation, ni échange, ni remboursement, sauf erreur de notre part. - Toute personne ayant passé commande est considérée comme ayant lu et comprit les termes de l'annonce. Read before Buy: - Items are packaged in a rugged and sturdy cardboard with bubble wrap - Shipping cost can be reduced for bulk purchase -  The details of   each item is   indicated in the description   and   photos are contractual, you buy what you see. -  Therefore   the state of the   object can not   be challenged and   no claim will be   accepted   on   the  condition of the item. -  An electronic item   from Japan   or   USA   requires   compatible hardware   to   use,   no claim will be  accepted in this regard. - Universetoys   can not be held   responsible for any   delay, loss, theft, damage,  once the package   forwarded   to postal services. -  You can get   insurance   for international shipments   upon request,  you must   open the package   at the time of   delivery in the presence   of the postman   to be eligible for   insurance! -  No return, no  cancellation or   exchange or refund, unless our error. -  Any   person   who placed the order   is deemed to have   read and understood   the terms of  agreement

1–Fonky FamilyNik Tout2–Profil BasT'as Pas Compris L'StyleVocals – Jee 2 Tuluz3–XzibitDouble Time4–Big Red (2)Où C'est Qu'j'ai Mis Mon Flingue5–Kovo (7 Corrompus)*Esprits Fanés (Remix)Featuring – Berthi*, Fyze, Speedy007*6–Bastos (3)J'Peux Pas M'TaireFeaturing – G. Kill, Mass (10)7–Sadik Asken + Les X (X-Men)*En 2/2 (Remix)8–Ol Kainry*Crie Mon Nom9–TyJealousy10–Têtes D'AfficheLa RelèveFeaturing – Eloquence, Kazkami, Pyroman (2), Snipes (5)11–La FormuleLa Lumière Crue12–DeclaimeMove It

Bridget Cooper / Mary Love / Patrice Banks - (Get Into) The Love Groove / You Got To Work Your Way Up Boogie Times Records ‎– BTR-12.044 2012 FRANCE 12'' RARE HARD TO FIND MAXI 45T FUNK LIMITED EDITION ONLY 250 COPIES PRESSED SEE INFORMATION ON DISCOGS A1 & A2 Second Version By Bridget Cooper from June 1983 B1: Original Version from December 1982 B2: Unreleased Track from 1986 Bon état général, bonne écoute, pochette/disque: Generic/VG++. Il y a encore le cellophane sur la pochette générique. Quelques très légers crépitements, proche du EX. Voir photos A1    –Bridget Cooper    (Get Into) The Love Groove (Part 1)    4:16 A2    –Bridget Cooper    (Get Into) The Love Groove (Part 2)    3:53 B1    –Mary Love    (Get Into) The Love Groove (Long Play Original Version)    7:50 B2    –Patrice Banks*    You Got To Work Your Way Up    4:50 https://www.youtube.com/watch?v=X-p3ahKIro4 https://www.youtube.com/watch?v=t2uLegu3Sb4 https://www.discogs.com/fr/Bridget-Cooper-Mary-Love-Patrice-Banks-Get-Into-The-Love-Groove-You-Got-To-Work-Your-Way-Up/release/3603025 LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine - Belgique - Luxembourg: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal - Autriche: 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur Royaume Uni: CONCERNING GREAT BRITAIN BUYERS, BE INFORMED THAT FROM 01/01/21 YOU WILL HAVE TO PAY VAT CORRESPONDING TO 20% OF THE TOTAL AMOUNT 1 LP      -------> 15,00 Eur 2 à 3 LP-------> 25,00 Eur FOR AN EXPEDITION TO A  ANOTHER COUNTRY, PLEASE ASK BEFORE PLACING THE ORDER TO GIVE YOU AN ESTIMATE BECAUSE THE SHIPPING COSTS ARE MORE EXPENSIVE THAN IN EUROPE POUR UNE EXPÉDITION DANS UN AUTRE PAYS, DEMANDEZ AVANT DE PASSER LA COMMANDE POUR AVOIR UNE ESTIMATION. POSSIBILITÉ DE RETRAIT SUR PLACE SUR PARIS POUR PLUSIEURS ACHATS. N'HESITEZ PAS A ME CONTACTER FEEL FREE TO CONTACT ME Sammlung https://www..fr/sch/m.html?_nkw=&_armrs=1&_ipg=&_from=&_ssn=fatar0&_sop=10

LOT DE 10 DISQUES VINYLS DE MADONNA en BEG /  -No: 928 378-7 (la isla bonita remix,instrumental): écriture au verso de la pochette et disque OK. -No: 928 341-7 (who's that girl,white heat): disque et pochette OK. -No: 928 115-7 (the look of love,Iknow it): disque et pochette OK. -No: 928 550-7 (true blue remix,holiday): disque et pochette OK. -No: A 6585 (gambler,nature of the beach): écriture au verso de la pochette et écritures sur labels du disque avec quelques griffes. -No: 92.9478-7 (holiday,Iknow it): étiquette au verso de la pochette et disque OK. -No: 928 636-7 (papa don't preach,ain't no big deal): écriture au verso de la pochette et disque OK. -No: 928 717-7 (live to tell,instrumental): disque et pochette OK. -No: 928 934-7 (into the groove,shoo-bee-doo): pochette OK et petite trace sur le disque. -No: 929 083-7 (material girl,pretender): écriture au recto de la pochette qui est gondolée et disque OK. Les disques n'ont pas été essayés car plus de platine donc les états sont décrits de visu. Service de livraison : Colissimo.  Pas d'envoi à l'étranger. Règlement par PAYPAL uniquement.

MADONNA "LIKE A VIRGIN" Includes The singles LIKE A VIRGIN MATERIAL GIRL AND INTO THE GROOVE ANNEE 1984 - 1985  33 TOURS SIRE 925 181-1 LABEL SIRE   10 TITRES  Side One: MATERIAL GIRL - ANGEL - LIKE A VIRGIN - OVER AND OVER - LOVE DON'T LIVE HIRE ANYMORE - Side Two: INTO THE GROOVE - DRESS YOU UP - SHOO BEE DOO - PRETENDER - STAY -   Coins de la pochette un peu frotté, VYNIL EN TRES BON ETAT GENERAL

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

The Paston Letters 1422-1509: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 2 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 346 pages paperback Publication: 26/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Early Documents BEFORE entering upon the correspondence of the Paston family, in the reign of Henry vi., we have thought it well to give the reader a brief note of such deeds and charters of an earlier date as appear either to have been preserved in the family, or to have any bearing on its history. The following is a list of those we have been able to meet with either in the originals or in other quarters, such as Blomefield s History of Norfolk, where notices are given of several documents, which appear now to have got into unknown hands. The documents seen by Blomefield, and those from the Paston and Dawson-T urner collections, now in the British Museum, were probably all at one time part of the Paston family muniments. The three Harleian charters seem to have been derived from a different source. AD eed is cited by Blomefield (H ist. Norf. vi. 480), by which A nselm, Abbot of St. Benet s, Hulme, and the Convent there, gave to Osbern, the priest (said by Blomefield to have been a son of Griffin de Thwait, the founder of the Paston family), the land of St. Benet sof Paston (terram Sancti Benedtcti de Paston), in fee, for half the farm of one caruca, as his ancestors used to pay for the same. Also a Deed of William the Abbot (who lived in King Stephen sreign), granting to Richer de Pastun, son of Osbern, son of Griffin de Thwete, all the land that the Convent held in Pastun, with their men, and other pertinencies. Also a Deed of Covenant between Richer de Paston and Reginald the A bbot, and Convent of St. Benet s, Holme, that when peace should be settled in England, and pleas held in the Court of our Lord the King, the said Richer would, at the request and at the expense of the A bbot, give him every security in Court to release the lands in Pastun. Ralph de Paston was son, as I take it (says Blomefield) of this Richer, and appears to have had two sons, Ric (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory