Loose ends

Loose Ends ‎– Zagora Label: Virgin ‎– 28VB-1137 Format: Vinyl, LP, Album Country: Japan Sortie: 04 Feb 1987 Genre: Electronic, Funk / Soul        sleeve pochette sound son obi et insert vg++

Livraison France Métropolitaine chez un dépositaire Mondial relay pour 4 euros. Shipping international please contact me before the bid for confirmation MAXI FUNK USA Sweetest Pain Vinyl jamais joué, comme neuf

CD Album CD Code EAN: 0648401007022 Rubrique principale CD: CD Album Titre: The Difference Between Houses and Homes: Lost Songs and Loose Ends 1995-2001 Genre musical: Variétés internationales Classification CDMail: Variétés internationales Classification Cd Primaire: Rock, Rap, variétés internationales

Various – High Energy Ariola – 206 462 1984 EU LP ELECTRO HI NRG RARE HARD TO FIND COMPIL RED TRANSPARENT COLOR Bon état général, bonne écoute pochette/disque: VG++/EX (LIKE NEW). La pochette présente de très légères usures. Voir photos A1 Evelyn Thomas– High Energy Arranged By – Fiachra Trench Recorded By – Ian Levine and Fiachra Trench Written-By – I. Levine/F. Trench* 3:48 A2 Gloria Gaynor– I Am What I Am Producer [Produced By] – Joel Diamond Written-By – Jerry Herman 3:51 A3 Men Without Hats– Where Do The Boys Go? Producer [Produced By] – Marc Durand Written-By – Ivan*, Men Without Hats 3:30 A4 Jermaine Jackson– Sweetest Sweetest Executive-Producer [Executive Producer] – Clive Davis Producer [Produced By] – Jermaine Jackson Written-By – A. Jacobson*, E. Chase*, R. Lerner* 4:05 A5 Linda Lewis– You Turned My Bitter Into Sweet Arranged By, Co-producer [Co-Produced By], Engineer [Engineered By] – David Parton, Les Hunt Mixed By – Ian Levine Producer [Produced By] – Kevin Antony Roberts Written-By – Pipkin*, Gordon* 2:46 A6 Airbus (2)– I Follow You Written-By – Encanto (2) 3:30 A7 The Flirts– Danger Instruments, Performer [Inst. Performed By] – Bobby Orlando Producer [Produced By] – Bobby Orlando Written-By – Bobby Orlando 4:38 A8 Maegan– Doctor's Orders Mastered By – Herb Powers Jr. Mixed By – The b'"'Dynamic Duob'"' Tommy Musto b'&' Tommy Sozzi* Producer [Produced By] – Eddie O'Loughlin, Marcus Barone Written-By – Geoff Stephens, Roger Cook, Roger Greenaway 3:57 B1 Albert One– Turbo Diesel Executive-Producer [Executive Producers] – Chieregato*, Turatti* Producer [Produced By] – Baby Records (2) Written-By – Rolando*, Di Bonaventura*, Chieregato*, Turatti* 4:05 B2 Debbie Harry*– Rush Rush Producer [Produced By] – Giorgio Moroder Written-By – D. Harry*, G. Moroder* 3:33 B3 Precious Wilson– River Deep Mountain High Producer [Produced By] – Frank Farian Written-By – Spector/Barry/Greenwich* 3:34 B4 The Flirtations– Earthquake Arranged By – Ian Anthony Stephens, Ian Anthony Stephens And Winston Sela* Producer [Produced By] – Ian Anthony Stephens Written-By – Ian Anthony Stephens 3:43 B5 Velvette (2)– Nothing's Worse Than Being Alone Arranged By, Co-producer [Co-Produced By], Engineer [Engineered By] – Les HuntProducer [Produced By] – Kevin Antony Roberts Written-By – Joe Cobb, Van McCoy 3:47 B6 Gwen Jonae– Destiny Executive-Producer [Executive Producers] – Craig B. Morey, Leonard R. Cory Jr. Producer [Produced By] – Paul Sabu Written-By – Paul Sabu 4:05 B7 Loose Ends– Dial 999 Producer [Produced By] – Nick Martinelli Written-By – McIntosh*, Eugene*, Nichol* 3:33 B8 501's– We Are Invincible Engineer [Engineered By] – Bill Gill Mixed By [Mix By] – Bill Gill, Malvin Howell* Producer [Produced By] – Bob Mitchell, Marvin Howell Written-By – Bob Mitchell, Jamie Kaleth* 3:23 https://www.youtube.com/watch?v=RTDwJEBe21s https://www.youtube.com/watch?v=IRgUoqDjDNk https://www.youtube.com/watch?v=cZlqRdFR_bE https://www.youtube.com/watch?v=PCGzDHqfzuE https://www.youtube.com/watch?v=8P4TNCXsKb4 https://www.youtube.com/watch?v=zreTvtpTeoU https://www.youtube.com/watch?v=z5iEJrRcaNI https://www.youtube.com/watch?v=uuQ2PHv9CKw https://www.discogs.com/release/251807-Various-High-Energy LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et poc En savoir plus Collaboration commerciale.

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)