Narrative sequence in

THE UNKNOWNS "DREAM SEQUENCE" / LP / RECORD IS UNPLAYED, SLEEVE VG+ The Unknowns ‎– Dream Sequence Label: BOMP! ‎– MINI 3626, Sire ‎– MINI 3626 Format: Vinyl, 12", Mini-Album Country: UK Sortie: 1981 Genre: Rock Style: Rock & Roll, New Wave, Garage Rock Tracklist A1 Dream Sequence 3:15 A2 Gun Fighting Man 1:57 A3 Actions-Reactions 2:03 B1 Suzzanne 2:22 B2 Not My Memory 2:20 B3 Tax-Deductible 2:21 Entreprises, etc. - Phonographic Copyright (p) – Sire Records Company - Copyright (c) – Sire Records Company - Record Company – Warner Communications - Mastered At – Strawberry Mastering - Distributed By – WEA Records Ltd. Crédits - Bass – Dave Doyle - Drums – Steve Bidrowski - Engineer – Charles Brewer - Guitar – Mark Neill - Producer – Liam Sternberg - Vocals, Keyboards – Bruce Joyner - Written-By – Joyner*, Neill* Notes The Unknowns play only Mosrite Guitars Produced in an aircraft hangar an ASP production Manufactured in the UK (on labels) Printed and Made in England (on back cover) ℗ © 1981 Sire Records Company Code-Barres et Autres Identifiants - Matrix / Runout (Side A, etched): MINI - 3626 - A - Matrix / Runout (Side B, etched): MINI - 3626 - B - Matrix / Runout (Side A & B, stamped): STRAWBERRY

Livres Cinéma Livres Code EAN: 9783958297463 ISBN: 3958297463 Contributeur: Éditeur: Steidl Disponibilité: Disponible Titre: The Goldfinger Files - The Making Of The Iconic Alpine Sequence In The James Bond Movie "Goldfinger Date: 26/08/2020 Livres Origine: Decitre Propriétaire: Decitre Livres / Format: Beau livre Livres / Période: Livre édité depuis 1980 Livres / Taille: Moyen, de 350g à 1kg ClassificationDecitre 1: Cinéma ClassificationDecitre 2: Cinéma ClassificationDecitre 3: Album de films

Découvrez ou redécouvrez avec cette VHS b'"'Chapeau Melon Et Bottes De Cuir 2ème Époqueb'"' un classique incontournable de l'univers cinématographique de l'action. Ce film, emblématique de la saga, est une épopée visuelle et narrative qui a captivé les spectateurs de toutes les générations. Caractéristiques du produit: - Format: VHS, une technologie qui a révolutionné le visionnage à la maison, offrant une expérience cinématographique directement dans votre salon. - Ressort: Le film est distribué neuf, avec un magnétoscope de haute qualité assurant une reproduction claire et stable, fidèle à l'intention du réalisateur. - Durée: Environ 2 heures de contenu ininterrompu, ce qui vous permet de plonger dans l'histoire sans interruption. - Qualité sonore: Disposez d'un son stéréo richesse et immersif, grâce à l'en-tête fourni par le fabricant EMI, réputé pour sa qualité audio. - Pochette et emballage: Conçu avec soin, la pochette de la VHS est à l'image du film, avec des éléments visuels captivants qui évoquent l'ambiance du western et l'esprit d'aventure. - Bonus: La VHS inclut des scènes supplémentaires et des interviews des acteurs, pour enrichir votre expérience et vous offrir un aperçu des coulisses de cette production. - Compatibilité: Assurez-vous que votre magnétoscope est compatible VHS pour profiter pleinement de ce classique. - Conservation: La VHS est emballée de manière à garantir sa conservation sur le long terme, avec un support robuste et protégé. Synopsis: Dans cette suite de l'acclamé b'"'Chapeau Melon Et Bottes De Cuirb'"', le héros, incarné par un acteur charismatique, continue son périple à travers les terres sauvages. Armé de son chapeau melon emblématique et de ses bottes de cuir, il se bat pour la justice, affrontant des bandits et des adversaires redoutables. La séquence est riche en rebondissements, poursuites épiques et scènes d'action intense, tout en offrant des moments de réflexion et de humanité. Référence: - Code EAN: 0724349120235 - Support / Quantité fournie: 1 VHS - En-tête / Fabricant: EMI - Classification Vidéo Primaire: Action Cette VHS b'"'Chapeau Melon Et Bottes De Cuir 2ème Époqueb'"' est une acquisition qu'il ne faudra pas manquer pour les collectionneurs de films d'action, les passionnés de westerns et tous ceux qui apprécient une bonne histoire de cinéma. Elle est disponible dans les magasins spécialisés et en ligne. En savoir plus

VINYL RECORD IN EXCELLENT CONDITION (CLOSE TO NEAR MINT) / SLEEVE vg++ Chœur Des Moines De L'Abbaye Saint-Pierre De Solesmes, Dom Jean Claire ‎– Chant Grégorien - Messe De La Pentecôte - Messe De La Fête Dieu Label: Decca ‎– 7.543 Format: Vinyl, LP Country: France Sortie: 1972 Genre: Classical Style: Choral, Medieval Tracklist Messe De La Pentecôte A1 Introït - Spritus Domini (8e Mode) A2 Kyrie III (4e Mode) A3 Gloria II (1e Mode) A4 Alleluia - Emitte Spiritum (4e Mode) A5 Alleluia - Veni, Sancte Spiritus (2e Mode) A6 Séquence - Veni, Sancte Spiritus (1e Mode) A7 Offertoire - Confirma Hoc (4e Mode) A8 Sanctus II (1e Mode) A9 Communion - Factus Est Repente (7e Mode) Messe De La Fête Dieu B1 Introït - Cibavit (2e Mode) B2 Graduel - Ocule Omnium (7e Mode) B3 Alleluia - Caro Mea (7e Mode) B4 Séquence - Lauda Sion (7e Mode) B5 Offertoire - Portas Caeli (8e Mode) B6 Communion - Qui Manducat (6e Mode) Entreprises, etc. - Phonographic Copyright (p) – Société Française du Son Notes Thick cardboard gatefold sleeve. SMALL STICKER ON FRONT SLEEVE

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.50 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders for B

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT.  REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST.  FOR CONNOISSEURS & LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD & BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF  - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on "Minor's Mood"). As a brief cross-section of the players' strengths, listen to the sequence of short solos on "Jungleblues," which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly "out" sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS   All orders fo

VERY RARE FRENCH CD RELEASED IN 2007. DON'T MISS THE OPPORTUNITY TO GRAB IT. REALLY A GREAT ALBUM OF ONE OF THE MOST TALENTED FRENCH BEBOP PIANIST. FOR CONNOISSEURS b'&' LUDOVIC DE PREISSAC FANS ONLY ! conditions: CD b'&' BOOKLET in NEAR MINT conditions. CD EN EXCELLENT ETAT PROCHE DU NEUF - LUDOVIC DE PREISSAC Piano - JEAN-CHRISTOPHE BÉNEY Saxophone - MICHAEL CHÉRET Saxophone - FABIEN MARY Trompette - MICKAEL JOUSSEIN Trombone - MANUEL MARCHÉS Contrebasse - ANDRÉA MICHELUTTI Batterie Ludovic De Preissac Septet: Retrouvailles Pianist Ludovic de Preissac's new record reminds me why I fell in love with jazz in the first place; in both a very general and specific sense. Generally, in the sense that Retrouvailles evinces, from beginning to end, that paradoxical mixture of solidarity in the pursuit of a collective goal, together with competitive individual excellence that makes jazz great. There is unstinting excellence and unflagging attention to detail; all the while knowing that no one is likely to get rich from this record, or this music, even though they really should. Specifically, because like many listeners of my advanced age, I fell in love with the music via a sound similar to Art Blakey and the Jazz Messengers—those little big bands (or are they large small ensembles?)— that mix genuine funk with elegant sophistication, delivered by exquisitely arranged multi-horn line-ups. De Preissac clearly draws on this inspiration as well. The expertly navigated changes in meter and tempo are right out of the Wayne Shorter-era Jazz Messengers. The always subtly surprising tonal colors in de Preissac's arrangements recall the arranging work of his compatriot, flautist Christophe dal Sasso's Exploration (Nocturne, 2006). There are further parallels. Drummer Andréa Michelutti, like Blakey, favors the booming lower range of his kit. De Preissac, for his part, calls to mind some of the best qualities of the playing of various Jazz Messengers pianists (Horace Silver, Bobby Timmons, Cedar Walton, Mulgrew Miller): a round, gospel-tinged sound, a slight florid tendency to the baroque, all the better to be heard over and between the large-ish ensemble. In de Preissac's case, these characteristics are overlaid with classical elements as well (as on his solo on b'"'Minor's Moodb'"'). As a brief cross-section of the players' strengths, listen to the sequence of short solos on b'"'Jungleblues,b'"' which sounds for all the world like a Jazz Messengers show closer. Tenor saxophonist Jean-Christophe Béney is firmly in the tradition (though elsewhere on the record he favors ever so slightly b'"'outb'"' sonorities) and equally in control. As does trumpeter and composer Fabien Mary, who insistently splits the beats of his solos. For a bit of contrast, Michaël Chéret, on alto sax, heads for more angular territory, Eric Dolphy style, only to be followed by trombonist Mickaël Joussein's very cool sound on top of the rhythm. The leader takes a crystalline turn, followed by an arco episode from bassist Manuel Marchès and a brief trading of fours with drummer Michelutti. And that's not even the record's finest number. By JEFF DAYTON-JOHNSON Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / Rb'&'B items on. Many collector’s items from my personal collection are available. Please wait my correct invoice and I will combine shipping costs if you buy multiple CDS. Shipping through Mondial Relais is also available for GERMANY / AUSTRIA / BELGIUM / SPAIN / ITALY / LUXEMBOURG / PORTUGAL b'&' THE NEDERLANDS (6.50 euro for 1 or 8 cds). Frais de port dégressifs pour achats groupés (1 euro pour chaque cd supplémentaire) avec un envoi postal. Frais de ports de 4.40 euros pour 4 CDS avec un envoi par MONDIAL RELAY (6.50 euros pour 10 cds) Frais de ports pour la France / Dom Tom: 3.50 euros en suivi / 5 euro en COLISSIMO ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES Please read carefully my conditions before bidding. In order to reduce international shipping costs, a En savoir plus Collaboration commerciale.

Titres 1. United Colors 2. Slug 3. Your Blue Room 4. Always Forever Now 5. Different Kind of Blue, A 6. Beach Sequence 7. Miss Sarajevo 8. Ito Okashi 9. One Minute Warning 10. Corpse (These Chains Are Way Too Long) 11. Elvis Ate America 12. Plot 180 13. Theme from the Swan 14. Theme from Let's Go Native   BOITIER  CRISTAL..... il y a quelques petites traces de frottements sur le boitier Album Notes Passengers: Bono (vocals, guitar, piano); The Edge (guitar, vocals, organ); Adam Clayton (bass, spoken vocals); Larry Mullen, Jr. (drums, percussion, programming, synthesizer); Brian Eno (programming, synthesizer, vocals). Additional personnel: Howie B. (vocals, scratches); Luciano Pavarotti, Holi (vocals); David Herbert (saxophone); Holger Zschenderlein (synthesizer); Des Broadbery (programming). Recorded at Westside Studios, London, England and Hanover, Dublin, Ireland in November 1994. Includes liner notes by Ben O'Rian and C.S.J. Bofop. Personnel: Bono (vocals, guitar, piano); The Edge (vocals, guitar, organ); Brian Eno (vocals, synthesizer); Howie B (vocals, scratches); Luciano Pavarotti (tenor); David Herbert (saxophone); Larry Mullen, Jr. (synthesizer, drums, percussion); Holger Zschenderlein (synthesizer). Audio Mixers: Howie B; Brian Eno. Recording information: Hanover, Dublin, Ireland; Westside Studios, London, England. Unknown Contributor Roles: Rob Crane; Larry Mullen, Jr.; Richard Baker. Arrangers: Paul Barrett; Craig Armstrong. Following their post-modern vibe further into Brian Eno's futuristic sound-space, U2 have now floated so far out of their customary atmosphere they've even abandoned their moniker. And with good reason. ORIGINAL SOUNDTRACKS 1, a loose collection of compositions written for films which may or may not exist, resembles a U2 album in only the vaguest of ways--it is basically a Brian Eno concoction, with Ireland's finest contributing not much more than their distinctive instrumental feel and Bono's new-found subtlety around a vocal mic. Yet these characteristics are enough to identify the participants, and to raise Passengers above the standard electronic/ambient din that has taken over clubland in the 1990s. ORIGINAL SOUNDTRACKS 1 is not strictly an experimental excursion. While much of the album follows the atmospheric norm of Eno's own Soundtracks series (after which this project was named), there are a number of traditional "songs" interspersed between the synthetic canvases, and most of these are softer extensions on the ZOOROPA aesthetic. "Slug" finds Bono whispering wishes over tension-filled keyboard washes and layers of rhythm. "Your Blue Room," a relaxed kin to "One" and "The Unforgettable Fire," is U2 playing Tindersticks--full of menacing organ, faint, Duane Eddy-like guitar, and starring Larry Mullen, Jr. as a Euro Funky Drummer. Finest among these surreal moves is "Miss Sarajevo," which uses Luciano Pavarotti's tenor as a voice of empowered grief in the melancholy story of a war-torn beauty contest. When ORIGINAL SOUNDTRACKS 1 moves outward, it flies in the direction of the nearest rave--adding world-wide rhythms to Eno's ambient soundscapes, to form a compass of emotions. "United Colours" is a straight-up techno track with passing samples of scratched records, fly-by vehicles and looped voices. "One Minute Warning" is an eerie alarm, complete with African and electronic beats, a machine-gun ticker-tape pulse, and an incomprehensible Eno-led choir seemingly ushering in the apocalypse. The album ends with a mixture of the two explored worlds: "Theme From Let's Go Native" is a bit of tribal rockisms, led by a stray dub bassline and Edge's simple chords. As Bono repeats a wordless vocal phrase and the band gains a forceful rhythmic confidence around him, it becomes obvious that what started out as foreign turf for these Passengers, has become a musical home away from home.     REGROUPER LES ACHATS (cela réduit les frais de poste)

Blind Guardian ‎– At The Edge Of Time Label: Nuclear Blast ‎– NB 2287-0, Nuclear Blast ‎– 27361 22870 Format: CD, Album CD, Enhanced All Media, Limited Edition, Digipak Country: Europe Sortie: 30 Jul 2010 Genre: Rock Style: Power Metal, Heavy Metal Tracklist 1-1Sacred Worlds9:171-2Tanelorn (Into The Void)5:581-3Road Of No Release6:301-4Ride Into Obsession4:461-5Curse My Name5:521-6Valkyries6:381-7Control The Divine5:261-8War Of The Thrones4:551-9A Voice In The Dark5:411-10Wheel Of Time8:552-1Sacred Worlds (Pre-production Version)6:492-2Wheel Of Time (Orchestral Version)8:552-3You're The Voice (Radio Edit)3:362-4Tanelorn (Into The Void) (Demo)5:592-5Curse My Name (Demo)4:422-6A Voice In The Dark (Demo)5:402-Video-1Sacred (Video)6:172-Video-2A Journey To The Edge Of Time (Studio Documentary)19:18MP3-1Valkyries (Demo)6:37MP3-2Curse My Name (Alternate Mix)5:53MP3-3Wheel Of Time (Alternate Mix)8:40 Sociétés, etc. - Phonographic Copyright (p) – Nuclear Blast GmbH - Copyright (c) – Nuclear Blast GmbH - Manufactured By – Nuclear Blast GmbH - Distributed By – Nuclear Blast GmbH - Recorded At – Twilight Hall Studios - Mixed At – Twilight Hall Studios - Mastered At – Twilight Hall Studios - Recorded At – Rudolfinum - Recorded At – MAZ Tonstudio - Recorded At – Roth Recording Studios - Recorded At – Bürgermeister-Smidt-Gedächtniskirche - Recorded At – Dreamtone Studio - Published By – BG Publishing - Glass Mastered At – Technicolor – CAP01191 Crédits - Bass – Oliver Holzwarth - Choir – Bach Choir Bremerhaven, William "Billy" King*, Jen Majura, Olaf Senkbeil, Stefan Schmidt (2), Thomas Hackmann - Conductor – Adam Klemens - Contractor, Production Manager [Recording Sessions] – Petr Pycha - Cover, Artwork, Booklet Editor – Felipe Machado Franco - Drums, Percussion, Flute, Bagpipes – Frederik Ehmke - Engineer – Jan Kotzmann - Engineer [Violin by Dirim Ceseroglu], Film Editor – Guney Ozsan*, Oganalp Canatan - Film Editor – Benedikt von Seherr-Thoss, Daniela Schwegler, Felix Kasike, Joshua Bohm, Linda Gasper, Matthias Knézy Bohm, Nina Ulmer, Robert Goesch, Vi-Dan Tran - Flute – Eberhard Hahn - Music By, Lyrics By, Lead Guitar, Acoustic Guitar, Rhythm Guitar – André Olbrich - Music By, Lyrics By, Vocals – Hansi Kürsch - Orchestra – FILMharmonic Orchestra - Percussion [Samples from "Arabic Beat Loops"] – Fayez Saidawi (tracks: 10) - Photography – Herr Buchta - Producer – Blind Guardian - Producer [Orchestra], Engineer [Keyboards, Violin And Flute], Keyboards, Piano – Matthias Ulmer - Producer [Orchestra], Production Manager [Orchestral Production Coordinator] – Carsten Heusmann - Producer, Mixed By, Mastered By, Engineer, Producer [Orchestra] – Charlie Bauerfeind - Recorded By [Bass] – Jan Rubach - Rhythm Guitar – Marcus Siepen - Sequenced By [Master Sequence Assembling] – Wolfgang Eller - Technician – Cenda Kotzmann - Violin – Dirim Ceseroglu, Klaus Marquardt Notes Recorded, mixed and mastered between November 2007 and April 2010. Orchestral recordings between August 2009 and January 2010. Video material in MP4 format, viewable on PC and Mac. Also comes with an exclusive code giving access to downloadable content on www.nuclearblast.de/edgeoftime. The online content includes three different versions of album songs in MP3 format (192 kbps). Code-Barres et Autres Identifiants - Barcode: 7 27361 22870 5 - Rights Society: GEMA - Label Code: LC 07027 - Other (CD1 Catalogue Number): NB 2287-0-1 - Other (CD2 Catalogue Number): NB 2287-0-2 ENVOIS PAR LA POSTE DANS ENVELOPPES A BULLES en LETTRE SUIVIE  ou MONDIAL RELAY selon options PARTICIPATIONS AUX FRAIS D'EXPEDITION (emballages "enveloppes et protections" restant à ma charge)               - CD Simple = 4,33 Euros (expédition 3,88 euros + lettre suivie 0,45

En raison de l’abus de certains acheteur (notamment cet escroc de schatzkauf6, qui n’a même pas le courage d’afficher ses évaluations !!!) je suis obligé de modifier les modalités d’envoi. A partir d’aujourd’hui tous les envois se feront avec suivi en France comme à l’étranger, donc ce sera plus cher qu’auparavant. Les frais ne concernent que la France et l’Europe, pour le reste du monde il faudra me consulter. Je suis désolé pour tous ceux qui me font confiance depuis longtemps. Due to the abuse of some buyers (especially this scammer schatzkauf6, who doesn't even have the courage to post their reviews !!!) I am forced to change the shipping method. From today all shipments will be made with tracking in France and abroad, so it will be more expensive than before. The costs only concern France and Europe, for the rest of the world you will have to consult me. I am sorry for all those who have trusted me for a long time. Aufgrund des Missbrauchs einiger Käufer (einschließlich dieses Betrügers schatzkauf6, der nicht einmal den Mut hat, ihre Bewertungen zu veröffentlichen !!!) bin ich gezwungen, die Versandbedingungen zu ändern. Ab sofort werden alle Sendungen mit Sendungsverfolgung in Frankreich und im Ausland ausgeführt, sodass sie teurer sind als in der Vergangenheit. Die Anklage betrifft nur Frankreich und Europa, für den Rest der Welt muss ich mich beraten. Es tut mir leid für all diejenigen, die mir schon lange vertraut haben. Prometheus Records XPCD 179     Country Belgium  Format CD  Release Date 11-Nov-2016  2 CDs. Re-recording. Played by the City of Prague Philharmonic Orchestra and Chorus Conducted by Nic Raine. Track listing Disc/Cassette 1 1. Main Titles / Seaman’s Song (04:12) 2. Bagdad Harbour (02:38) 3. Jaffar and the Doctor (01:11) 4. The Thief’s Song (01:00) 5. Ahmad Telling His Story / Thief Sequence (03:51) 6. The Market (08:43) 7. Witnessing an Execution (00:58) 8. Jaffar’s Advice / Bagdad Night (04:10) 9. Ahmad and Abu Imprisoned / Abu Steals the Key / Ahmad and Abu Escape (03:08) 10. “I Want to Be a Sailor” / River Scenes (04:02) 11. The Market of Basra (02:54) 12. Horsemen’s Fanfare (02:05) 13. Procession (02:00) 14. Love Song (01:37) 15. Love Scene / I Must See Her Again (05:17) 16. Waltz Song (01:45) 17. The Sultan’s Toys / Miniature Acrobats / Introduction of the Flying Horse / The Sultan’s Toys (second part) (04:38) 18. The Flying Horse (01:22) 19. The Sultan’s Toys (continued) / The Curse (05:22) 20. Awakening (02:49) 21. The Princess Abducted (02:13) 22. The Curse Is Lifted / The Storm and Aftermath (08:29) 23. The Princess Asks to Return / The Deserted Garden (01:47) 24. Ballad (01:34) Total Run Time Disc 1: 77:47 Disc/Cassette 2 1. The Silvermaid’s Dance (03:30) 2. The Djinn (03:11) 3. The Djinn's Song (00:55) 4. Abu Fools the Djinn / Abu’s First Wish / Abu’s Demands / The Flying Djinn (05:21) 5. The Skeleton Room / The Spider (06:08) 6. Theft of the Eye / Abu Uses the Eye / The Djinn Takes Abu to Ahmad (05:24) 7. Seduction and the Djinn Is Freed (04:48) 8. Palace Fight / Ahmad and the Princess, Captive / Ruby Montage (part 1) (04:12) 9. The Golden Tent (03:05) 10. The Flying Carpet / Ahmad to Be Beheaded / Arrow of Justice / Riot and the End of Jaffar (03:45) 11. Finale and End Cast (02:11) BONUS TRACKS: 12. Seaman’s Song (instrumental) (02:51) 13. The Thief’s Song (instrumental) (01:00) 14. The Market (orchestral version) (08:37) 15. Ahmad and Abu Imprisoned (alternative version) / The Princess Escapes (01:37) 16. “I Want to Be a Sailor” (instrumental) (02:02) 17. The Deserted Garden (alternative version) (00:53) 18. Love Song (instrumental) (01:37) 19. Waltz Song (instrumental) (01:45) 20. The

Barry Truax - Sequence of Earlier Heaven: Electroacoustic and Computer Music - Cambridge Street Records - CSR 8501 - Canada - 1985 *Cycle of four electronic pieces inspired by the I Ching incorporating improvisational interaction between recorder and tape(East Wind) and Marimba and Tape(Nightwatch). Barry Truax is a Canadian composer who specializes in real time implementations of granular synthesis,often of sampled sounds & soundscapes.He developed the first ever implementation of real time granular synthesis..The real time technique suites or emphasizes auditory streams,which,along with soudscapes,inform his aesthetic.. Unplayed copy!!!!!.. Vinyl & cover in perfect shape!!!! *VINYL: MINT *COVE: MINT

Original 1969 Pressing Pink Floyd ‎– Soundtrack From The Film "More" Label: Columbia ‎– 2C 062-04096 Country: France Sortie: 1969 Genre: Rock, Blues, Stage & Screen Style: Soundtrack, Experimental, Acoustic, Prog Rock Tracklist A1 Cirrus Minor A2 The Nile Song A3 Crying Song A4 Up The Khyber A5 Green Is The Colour A6 Cymbaline A7 Party Sequence B1 Main Theme B2 Ibiza Bar B3 More Blues B4 Quicksilver B5 A Spanish Piece B6 Dramatic Theme Primis Player Placeholder Sociétés, etc. Record Company – EMI Made By – Les Industries Musicales Et Electriques Pathé Marconi Printed By – I.D.N. Pressed By – Pathé Marconi, Chatou – 267170 Pressed By – Pathé Marconi, Chatou – 271028 Crédits Artwork – Hipgnosis (2) Film Director – Barbet Schroeder Producer – The Pink Floyd* Written-By – Gilmour* (tracks: A7 to B6), Mason* (tracks: A4, A7 to B4, B6), Wright* (tracks: A4, A7 to B4, B6), Waters* (tracks: A1 to A3, A5 to B4, B6) Notes Blue sky labels. Still the same cover as the predecessor versions with green and black labels. Made in France Some copies wear a sticker "POP" on the front cover Predecessor to the version with price code U - see Pink Floyd - Soundtrack From The Film "More" Code-barres et autres identifiants Matrix / Runout (Run-out side A): I 0 4096 A 21B M6 267170 Matrix / Runout (Run-out side B): II 0 4096 B 21D M6 271028 Rights Society: BIEM Other (Price code): Ⓣ Expédition avec suivi fiable. J’ai expédié des centaines de disques et n'ai jamais rencontré de problèmes. Voici ma méthode. Je sors le disque (avec sa sous-pochette) de sa pochette cartonnée, car sinon le disque peut bouger et faire des trous dans la pochette (vécu en tant qu’acheteur).  Puis j’ajoute 3 couches de protection: 1. pochette en plastique comme celle que vous trouvez chez un disquaire. 2. enveloppe à bulles avec des cales pour assurer l’écart avec le 3ème niveau. 3. carton cannelé haute qualité, très rigide, avec la mention « fragile »  Shipping with tracking, reliable. I have shipped hundreds of discs and have never encountered any problems. Here is my method. I take the disc (with its under-cover) out of its cardboard cover, because otherwise the disc can move and make holes in the cover (experienced as a buyer). Then I add 3 layers of protection: 1. plastic pouch like the one you find at a record store. 2. bubble wrap with shims to ensure the gap with the 3rd level. 3. high quality fluted cardboard, very rigid, with the mention "fragile"

Programme The Official Exhibition O2 Bubble 2009 Collector officiel. Voici le programme officiel de l'exposition sur Michael Jackson qui se tint à Osaka (Japon) en 2010. Divisée en neuf galeries thématiques, elle présentait plus de 250 objets et costumes ayant appartenu au Roi de la Pop. 60 pages. 34 x 24cm. Langue japonaise.  Les visiteurs pouvaient passer sous l'arche qui marquait autrefois l'entrée du ranch Neverland, découvrir des disques d'or des Jackson 5, des tableaux de Nordahl, une Rolls-Royce Phantom de 1967 dans laquelle Michael Jackson et Liz Taylor aimaient se promener ensemble dans les rues de Los Angeles, un cheval à bascule offert par l'actrice, la tête du robot utilisé dans "Moonwalker" durant la séquence de transformation, des vêtements de scène (gant porté lors des Grammy Awards de 1983, les chaussures prévues pour le This Is It Tour, la veste portée lors du concert United We Stand, le body doré du Dangerous Tour, etc), le trône géant qui occupait le rez-de-chaussée de la chambre de Michael Jackson à Neverland, une maquette de la scène du This Is It Tour, etc... Très bon état. VISIONNEZ MES AUTRES OBJETS EN VENTE (Plus de collectors Michael Jackson / Frais de port adaptés) !!! You're bidding here on a programme of "The Michael Jackson Official Exhibition" which took place in Osaka (Japan) in 2010. 60 pages. 34x24cm. Japanese language. The Official Exhibition included items that had never been seen up close by the public. Michael Jackson's estate had opened up his extensive archives from his homes, Neverland Ranch, concert collections and video vault to present more than 250 items, including awards, clothing items and a wide range of personal belongings. These included an original Jackson 5 contract, personally commissioned portraits, the largest publicly displayed collection of his iconic concert and video costumes, his personal Rolls Royce and the famous sequined glove. Very good condition. CHECK OUT MY OTHER AUCTIONS (More Michael Jackson items / Combined shipping costs) !!! Paiement par CHEQUE, VIREMENT BANCAIRE, CASH ou PAYPAL Frais de port France = 8,90 EUR (La Poste) ou 5,40 EUR (Point Relais) I accept PAYPAL, CASH or BANK TRANSFER (IBAN / BIC-SWIFT) Shipping to Europe = EUR 4.80 / Rest of the World = EUR 7.85

A VENDRE (pochette + vinyle TBE) Pink Floyd more disque vinyle 33 tours 1978 par EMI 2C06604096 la magie des textures planétaires des pink Floyd opère toujours face 1: cirrus minor-the nile song-crying song-up the khyber-green in the colour-cymbaline-party sequence face 2:main theme-ibiza bar-more blues-quicksilver-a spanish piece-dramatic theme a prendre sur place ou envoi par colissimo ou mondial relay (port EN SUS)