Parallel output

Microtubes X7 - Bass Distortion with Graphic EQ The Microtubes X series brings the studio method producers have been using the years to cover the whole bass distortion spectrum: from articulate high gain to punchy mild overdrive, raw and gnarly fuzz and everything in between. You now have absolute control in constructing your vision of what the perfect bass distortion texture, definition, and size should have. Features: • High Pass Frequency: Controls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition. • High Drive: Sets the amount of distortion for the high pass side. • High Level: Sets the output volume of the distorted high-pass signal. • Low Pass Frequency: Controls the cutoff frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids. • Low Comp: Sets the amount of compression for the low-pass signal. • Low Level: Sets the output volume of the low-pass signal. • Master: Sets the overall volume of the unit. • Low shelf: +-12dB at 80 Hz • 500 Hz: +-12dB • 1 kHz: +-12dB • High shelf: +-12dB at 5 kHz • Parallel Output: A passthrough for your input signal, useful for parallel processing. • Direct Output: A balanced version of the 1/4b'"' output, useful for running into PA’s or studio mixing consoles. • Dimensions: 4.72” × 4.21” • Power: The Microtubes X7 has a current draw of 70mA. Only use a regulated 9V-18V DC adapter with a center-negative plug. En savoir plus Collaboration commerciale.

Hello For sale "Homemade" convert box  design for GR-300 and also works great with GR-700.... -13-PIN INPUT -24-PIN OUTPUT -1/4 JACK GUITAR OUTPUT -HEX FUZZ (mode 1/2/3 +parallel output) -13-PIN PARALLEL OUTPUT -VIB CONTROL (1/4 jack on/off) WORKS GREAT!!!!!! you plug your GK-2 GK-2A OR GK-3..... And you can play Roland 24 pins synth!!!!!!!!!!!!!!!!!!!!!! (GR-300 GR-700 GR-100 GM-70....) Thanks

Hello For sale "Homemade" convert box design for GR-300 and also works great with GR-700.... -13-PIN INPUT  -24-PIN OUTPUT socket at back (no cable attached you need 24-pin cable) -1/4 JACK GUITAR OUTPUT  -HEX FUZZ (mode 1/2/3 +parallel output) -13-PIN PARALLEL OUTPUT  -VIB CONTROL (1/4 jack on/off) WORKS GREAT!!!!!! you plug your GK-2 GK-2A OR GK-3..... And you can play Roland 24 pins synth!!!!!!!!!!!!!!!!!!!!!! (GR-300 GR-700 GR-100....) Thanks

Hello For sale b'"'Homemadeb'"' convert box design for GR-300 and also works great with GR-700.... -13-PIN INPUT -24-PIN OUTPUT socket at back (no cable attached you need 24-pin cable) -1/4 JACK GUITAR OUTPUT -HEX FUZZ (mode 1/2/3 +parallel output) -13-PIN PARALLEL OUTPUT -VIB CONTROL (1/4 jack on/off) WORKS GREAT!!!!!! you plug your GK-2 GK-2A OR GK-3..... And you can play Roland 24 pins synth!!!!!!!!!!!!!!!!!!!!!! (GR-300 GR-700 GR-100....) Thanks En savoir plus Collaboration commerciale.

FOR SALE YAMAHA G50 MIDI GUITAR CONVERTER WORKS AS ORIGINAL FOR 13-PIN GUITAR  BUT ALSO MOD FOR 24-PIN GUITAR INPUT MODS: -24-PIN INPUT  WORKS WITH ORIGINAL 24-PIN CABLE -13-PIN PARALLEL OUTPUT -BUFFERED GUITAR INPUT FOR 13-PIN PARALLEL OUT WORKS WITH ORIGINAL 24-PIN CABLE FAST MIDI GUITAR CONVERTER FOR 24-PIN GUITAR!!!!!!!!!!! cables not included in auction!!!!! only g50 rack+power supply Thanks

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

QSC CX168 8-channel Low-Z Professional Amplifier. Used, Tested. Features: 90 watts per channel at 8 ohms and 130 watts per channel at 4 ohms Compact size—only two rack spaces and 14" deep for reduced rack space Channel pairs bridgeable for maximum flexibility Exclusive PowerLight switch-mode power supply technology for high performance and compact size Active inrush limiting eliminates AC inrush current, removing the need for expensive power sequencers Four HD15 DataPorts (one per channel pair) for Q-SYS networked control and monitoring Custom integrated gain control security cover for tamper-proof installations 1-dB recessed detented gain controls for fast and accurate settings Detachable Euro-style input and output connectors DIP switch control for clip limiters, high-pass filters, bridge mono and parallel operation Selectable high-pass filters protect speakers and prevent speaker transformer saturation with minimal effect on program material (33 Hz or 70 Hz) Comprehensive front panel indicators including signal, clip, bridge mono and parallel input LEDs Fully protected—including DC, infrasonic and ultrasonic, thermal overload and short circuit protection High-performance Class AB+B complementary bipolar output circuitry Lightweight—only 21 pounds (9.5 kg) for easier racking and shipping All CX Series amplifiers meet the European Union's, 2006 RoHS directive to restrict the use of hazardous materials used in electronic devices.

Professional sound at its best.   The CD 3000 3000W Power Amplifier combines a linear power supply and a Class D output to deliver Crest power in a compact and cost-effective package. The CD 3000 is very versatile, whether powering nightclub systems or touring bands.   A traditional linear power supply is used in the CD Series. Because of the efficiency of the switching output stage, the transformer does not need to be big or heavy. This gives the CD Series an advantage in delivering huge power in a compact package. The efficiency of the output stage also gives the power supply the ability to handle heavy duty cycles without compromising sonic integrity.   Crest Audio's engineering has also maintained sonic quality while incorporating the advantages of a switching output stage. High-power Class-D topology is the key to its efficiency and low operating temperature. An additional advantage is its low power consumption.   Features     Dramatically reduced net weight     Linear power supply / Class D output stages     Very low current draw     Latest generation of high-speed, mosfet output devices     Cooled by variable-speed fan with back-to-front airflow     Inputs: balanced female XLR, 1/4" TRS combi jacks     Outputs: Speakon and five-way binding posts     Mode selector switch for stereo, parallel and bridged-mono operation     Ground-lift switch and rear panel circuit breaker     Recessed, stepped attenuators with removable knobs     16-gauge steel chassis, cast aluminum front panel     TourClass protection circuits     ACL (Active Clip Limiting) prevents speaker damage by providing gentle gain reduction when signal approaches the clipping threshold     IGM (Instantaneous Gain Modulation) monitors speaker loads to detect conditions that may over-stress output devices, allowing safe operation into nominal 2 Ohm speaker loads     AUTORAMP gradually increases gain to the attenuator level-settings when the amplifier is turned on, preventing abrupt turn-on levels     Other protection features include: short circuit, DC voltage, comprehensive thermal management, current in-rush turn-on/off transient and sub/ultrasonic input     Five-year warranty Specifications     Stereo Power 8 Ohms: 800 Watts     Stereo Power 4 Ohms: 1500 Watts     Stereo Power 2 Ohm: 1800 Watts     Bridged Power 8 Ohm: 3000 Watts     Maximum output voltage: 85V rms     Frequency response 1W @ 8 ohms: 20Hz—20khz, +/-1db     Power bw rated power @ 4 ohms, 1% THD+N: 20Hz—20khz, +/-1db     THD + N:     Imd; SMPTE/DIN 4:1 (60 Hz / 7 khz):     Damping factor: 400:1 @ 8 ohms (20 Hz to 100 Hz)     Input CMRR: >60db @ 1khz     Gain / input sensitivity @ 4 ohms: Selectable: x20, x40, or.775 V for full rated output power     Input impedance: >20kohms balanced, >10kohms unbalanced     Hum and noise: > -100db, A-weighted below rated power @ 4 ohms     Crosstalk: > -60db below max rated power (1khz)     Class: D     Power supply: Linear with toroid transformer     Circuit breaker rating (120V/230V): 20A /12A     Current draw (120VAC) 1/8 power, 4 ohms: 7.0A     1/3 power, 4 ohms: 14.0A     At idle: 1.5A     Thermal emissions 1/3 Power, 4 ohms BTU / hr: 1024     Cooling: Back to front via variable speed DC fan     Input connectors: balanced female XLR, 1/4" TRS, unbalanced 1/4" TS on Neutrik combo connectors     Output connectors: Five-way "touch-proof" binding posts and Neutrik Speakon connectors (which presents both outputs on the A Speakon for bi-amplified applications)     Controls: front panel: twin recessed stepped attenuators, power switch     Rear panel: signal ground-lift, mode select, gain select, circuit breaker     LED indicators: signal level (5 element bargraph), protect, active, ACL / IGM     Construction: 16-gauge steel chassis, cast aluminum front panel - optional handles available     Dimensions (W x H x D): 19" x 3.5" x 1

Caractéristiques:Form Stereo power amplifier Output(sinusoidal consecutive output) stereo: 600W+600W (2ohm, 4ohm, 8ohm) mono: 1,200W (1ohm, 2ohm, 4ohm, 8ohm, 16ohm) Output load impedance stereo: 2 ohm, 4ohm, 8ohm mono parallel: 1 ohm, 2ohm, 4ohm mono bridge: 4ohm, 8ohm, 16ohm Output frequency band 20Hz - 20kHz THD (20Hz - 20kHz) stereo: 0.005% or less (250mW-600W, both channel operation) mono: 0.005% or less (250mW-1200W) Cross modulation distortion(20Hz - 20kHz) stereo: 0.005% or less (It is about a single-sided channel at the less than peek 1,200W and both of channel operations time.) mono: 0.005% or less (a peek and less than 2,400W) Frequency band(at the time of 1W output) 20Hz-20kHz+0 -0.26 dB 10Hz-100kHz+0 -3 dB SN ratio 105dB or less (at the time of an Output power A Wei Ted) IHF dynamic head room 1.7dB Dumping factor 40 or more Input impedance 20kohms (unbalance) 40kohms (equilibrium) Input sensitivity 1.4V and 2.5V switching Power guarding It is less than THD2% to over-drive 14dB at 1kHz. An attached functionality The power meter of an illumination with a voltage regulator The meter window changeover switch of WATTS/HOLD Right-and-left independent gain volume Headphone monitor termination Speaker on/off switchpoint Power source AC 220v, 50Hz/60 Hz, 2A-24.5A and 15A, Underwriters Laboratories/CSA Dimensions Width 483x height 267x depth of 457mm (termination included) Handle path clearance 44mm Weight 59kg

Accuphase E-202 Amplifier Just Serviced. For sale is a classic Accuphase E202 Integrated Amplifier 100WPC built like a German Panzer. Classic Accuphase sound! Recently serviced (the power supply caps have been replaced and some others, all the contacts have been checked and cleaned) and in overall great cosmetic condition. Description The Accuphase E-202 is a Integrated Stereo Amplifier which possesses a great many separate component class features and characteristics. Full play has been given in its design to the advanced engineering techniques that were developed far the P-300 Power Amplifier and the C-200 Control Center which spearheaded the Accuphase line of highest quality audio equipment. Among the many special features of the E-202 is the high power output of 100 watts per channel into 8 ohms assuring excellent sound quality at ALL listening levels. This high power capability, with distortion at less than 0.1% over the entire audio range of 20 to 20000 Hz is fully guaranteed. Heavy duty power transistors in a parallel push-pull drive output stage and large heat sinks back up this Accuphase Warranty. Design emphasis was placed on maintaining excellent sound quality also at the low listening levels. Specifications Power output: 100 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.15% Damping factor: 50 Input sensitivity: 2.5mV (MM), 160mV (line) Signal to noise ratio: 74dB (MM), 80dB (line) Speaker load impedance: 4Ω to 16Ω Semiconductors: 53 x transistors, 4 x FET, 44 x diodes, 2 x thermistors Dimensions: 455 x 152 x 355mm Weight: 19.5kg

Vend comme neuve tête d'ampli tout lampes Randall 667 modèle très rare et quasi introuvable L'ampli a été peu utiliser donc proche du neuf et extrêmement polyvalente. Il n'y a pas de trace de rayure ou de choc. Elle sera livrée avec son câble d'alimentation et sa notice. Pas de proposition d'échange. Possibilité d'envoi en Europe en choisissant son pays mais des frais en plus sont à rajouter voir les tarifs sur l'onglet "livraison et paiements". Le paiement peut être effectué par paypal ou virement bancaire. Caractéristiques: La Randall 667 tire son nom de son extrême polyvalence. En effet, elle propose six canaux, six modes par canal et sept fonctions MIDI programmables par canal ! Avec ses 120 watts développés par quatre lampes de puissance 6L6 et neuf lampes de préampli 12AX7, cette tête d'ampli est on ne peut plus complète. Et bien que Randall soit surtout réputé pour produire des amplis dédiés au metal, cette 667 propose bien plus de possibilités que le reste de la gamme, en faisant ainsi un ampli plus polyvalent. 3 groupes de 2 canaux = 6 canaux Les six canaux du Randall 667 sont divisés en trois groupes de 2 canaux, chaque groupe proposant un voicing spécifique. Les deux premiers canaux délivre une sonorité proche d'un ampli américain des années 60 alors que les deux canaux suivant sont plus proches du rock des années 70 et 80. Si vous préférez les sons plus modernes, il faudra sélectionner les canaux 5 et 6. Ces derniers dégagent davantage de gain pour des distorsion musclées parfaitement dans l'air du temps. Chaque canal dispose de son propre gain et volume et chaque groupe bénéficie d'une égalisation trois bandes avec potentiomètres de présence et de profondeur. Des possibilités MIDI énormes Conçu pour la scène, cette tête d'ampli présente des fonctionnalités MIDI étendues. Pour chaque canal, il est possible de programmer jusqu'à sept fonctions: sélection du canal, boost, low/medium/high gain voicing, sélection master volume 1/2, sélection Loop/Loop 2, store et contrôle du bias. Pour vous simplifier la tâche et ainsi avoir accès a de nombreux presets du bout du pied, l'utilisation du footswitch Randall RF8 (en option) est fortement conseillé. Remarques et conseils sur ce produit Caractéristiques du produit Connexions enceinte(s) externe(s), footswitch, sortie ligne, MIDI Nombre de canaux 4 Nombre de sorties HP 5 Modélisation d'ampli non Boucle d'effets oui Poids 10 - 14,9 kg Impédance de sortie 16 ohms, 8 ohms, 4 ohms Accordeur intégré non Effets intégrés pas d'effets intégrés Couleur noir Atténuateur de puissance non Type d'ampli de puissance 6L6 Type d'ampli à lampes Puissance en watts 101 - 150 watts Le poids et les dimensions sont indiqués avec l'emballage inclus Poids (emballage inclus) 34,2 kg Dimensions (emballage inclus) 90,0 x 63,0 x 41,0 cm Caractéristiques tête d'ampli guitare Randall modèle: 667 série: Trasher Series type: à lampes puissance: 120 W nombre de canaux: 6 réglages façade: CH 1 / CH 2: gain 1, bright, vol 1, gain 2, bright, vol 2, tss, bass, middle, treble, depth, presence CH 3 / CH 4: gain 1, bright, vol 1, gain 2, bright, vol 2, tss, bass, middle, treble, depth, presence CH 5 / CH 6: gain 1, bright, vol 1, gain 2, bright, vol 2, tss, bass, middle, treble, depth, presence master 1, master 2 boost, voicing l, voicing m, voicing h fx, loop 2, master 2, store standby, power réglages arrière: MIDI IN, MIDI THRU output tube biasing FX Loops: 2x send level, send, return, return level, switch series/parallel lineout: output, level sorties HP: 5x jack 6,35 mm mono impédances: 1x 4 ohms ou 2x 8 ohms 1x 8 ohms ou 2x 16 ohms 1x 16 ohms lampes de puissance: 4x 6L6 lampes de préampli: 9x 12AX7 dimensions: 92,7 x 39,6 x 45,9 mm poids: 13,6 kg pays d'origine: USA Pas de réservation et les personnes indécises également s'abstenir. Je rappelle que mes ventes sont

KENWOOD  KAF-1010. The TRAIT transistor, a KENWOOD technology, will offer you unsuspected sound realism in this price range. A first step in true high fidelity. Aluminum facade 2 switchable speaker groups Final stage in parallel Push-Pull with a TRAIT transistor Built-in phono MM equalizer Dimensions WxHxD mm: 440x145x400 Weight: 6.8 kg Stereo power at 8 ohms: 2x70W Direct source Output power at 8 ohms: 2x70W at 8 ohms: 2x40W Dynamic power: 92W Total harmonic distortion (20Hz-20kHz, 8 ohms): 0.06% (30W) Frequency response: 5Hz-85kHz: +0, -3dB Damping factor (8 ohms): 42 (50 Hz) Output level / Impedance: 200 mV / 47 kohms Loudness adjustment: +9 dB (100 Hz)

The TASCAM CD-RW901SL Professional CD Recorder has the connectivity and professional features needed by studio and installation professionals: AES / EBU inputs / outputs RS-232 control port automatic increment, at fixed intervals identification markers recorded on the CD The CD-RW901SL takes all the features of the TASCAM CD-RW900SL, adding analog XLR I / O, wired remote control, and other features demanded by professionals. The XLR (balanced) and RCA (unbalanced) outputs have dedicated input and output level settings, allowing instant changes. The digital inputs are in AES / EBU and S / PDIF format, and feature an automatic sample rate converter, ensuring compatibility with any signal. The CD-RW901SL even plays MP3 files, with their associated information (ID 3 tags). The Time Track Increment feature automatically increments the track number (Track ID) after a certain number of minutes (between 1 and 10), which is ideal for concert or conference recordings. The Key Original function changes the playback speed without changing the pitch. The PS / 2 keyboard input makes it easy to enter track titles (CD Text function), plus access to frequently used menus and transport functions with just one press of a button. Using Tascam CD recorders is easy - they're a smart choice for installers and demanding customers alike. Main features: Records on “pro” or “music” CD-R or CD-RW media (general public) NEW! Select reading speed, to improve readability of poor quality or damaged media 24-bit A / D and D / A converters Balanced analog inputs / outputs on XLR Unbalanced analog inputs / outputs on RCA S / PDIF digital inputs / outputs, coaxial and optical types Input automatic sampling frequency converter (in 44.1 kHz), deactivatable Independent left / right input level adjustment Digital volume control Synchronized recording function Function of automatic incrementation of the track number (ID Track) according to the level Time Track Increment function - increments the track number every 1-10 minutes Entering index marks NEW! Skip mode selection: skip by track, by index or by 1 minute periods Digital fade in / out adjustable from 1 to 30 s, in steps of 1 s (fade in / out) Rec Mute function (digital silence recording) Erase / unfinalize CD-RWs Continuous, single, random or programmed track play (up to 99 tracks) Play all tracks, a single track or part of a track (A-B) Auto Cue, Auto Ready, Call and Incremental Play functions Playing MP3 Files Burned to CD Play MP3 files in their directories Viewing information about MP3 files (ID3 tags) Reading speed adjustment (± 16%, in steps of 0.1 to 1%) Key potentiometer (± 6 semitones) Original Key function (change the tempo without changing the key) CD Text compatible PS / 2 keyboard port, for CD Text data entry and transport control RS-232C serial control port (9-pin Sub D connector) Parallel port Power-on Play Mode: Automatically plays CD when power is turned on, convenient for installation applications NEW! Relay recording with two CD-RW901SL Supplied with wired remote control Rackable 2 U