Phantom power pps

Microphone Sono & Matériel de studio Code EAN: 0700000616200 En-tête / Fabricant: Générique Type de Produit: Microphone Origine_import: All-in-one Titre: Phantom Power Large Diaphragm Condenser Microphone Sound Card 48V Power Supply Adapter SCB28

Microphone Sono & Matériel de studio Code EAN: 9084314202306 En-tête / Fabricant: Générique Type de Produit: Microphone Origine_import: All-in-one Titre: Phantom Power - Microphone karaoké à condensateur bm 800, Kits de Studio, carte son, enregistrement en continu, alimentation fantôme

Accessoire Instruments Code EAN: 0799804318021 Instrument / Accessoire: Stand En-tête / Fabricant: Bespeco Instrument / Famille: Accessoires génériques Tranche de poids: 3 à 10 kg Titre: bespeco PHP20 Alimentatori phantom power Instrument / Type: Accessoire

Instrument de musique Instruments Code EAN: 8294124232337 Instrument / Accessoire: Micro En-tête / Fabricant: Autre Instrument / Famille: Accessoires génériques Origine_import: All-in-one Titre: 48V ligne Phantom Power Avec Audio pour Studio Broadcasting Microphone à condensateur

BEYERDYNAMIC MCE 86 S LONG = 31 CM DIAMETRE = 2,5 FONCTIONNE SUR PILE OU ALIM PHANTOM  IDEAL POUR CAMERA BROADCAST OU CHASSEUR DE SON GRACE A LA PILE ET L'INTERRUPTEUR

alimentation fantome en rack pour 4 entrées, modèle ARX systems phantom plus format rack 1U  fabrication Australienne de haut qualité. très fiable et très stable. rien à voir avec les fabrications Chinoises bas de gamme actuelles.  fonctionnement impeccable, rien à signaler. voir photos pour plus d'infos ou me les demander par mail si besoin.  INTERNATIONAL BUYERS I SHIP WORLDWIDE IN SECURED PACKAGES I SPEAK ENGLISH AND SPANISH FEEL FREE TO ASK YOUR QUESTIONS FULL INSURANCE IS INCLUDED IN SENDING PRICE 14 DAYS MONEY BACK GUARANTEE INCLUDED ARX phantom plus, phantom power supply in 1u rack format.  you can plug 4 sources at the same time.  australian made, much better quality than usual Chinese actual crap.  Very stable, very reliable, studio quality stuff....

TASCAM DP02 CF previously used with its Power Supply Unit, USB cable and a 8Go CF Card TASCAM's DP-02CF Digital Portastudio has enough recording power to let you create a full production at 16-bit/44.1kHz CD quality. The DP-02CF combines 8-track CD-quality recording with a Portastudio interface. The DP-03CF Portastudio's one-button-per function design is for musicians who want to record quickly and have fun! First, record your stereo drum machine using its 2-track simultaneous recording, and then use the line inputs to record bass and layer guitar parts. A song position bar/beat display makes it easy to overdub. Or, if you're going the straight acoustic route (no drums), use the internal metronome to keep time.  Next, use the low-cut filter, two-band EQ, and pan controls to make sonic space for your vocals, which you can record with a high-quality condenser mic thanks to a pair of matched TASCAM preamps with XLR inputs and phantom power. There's also an EQ frequency button for finer control over the mix. When you're happy with your tracks (and you should be happy with a DP-02), mix down to a dedicated stereo master track and save your final mixes to an included 1GB CompactFlash card (The DP-02 records two channels at a time to the card).  Finally, you can transfer your tracks and mixes or backup your song to a computer through a speedy USB 2.0 connection for MP3 encoding or CD burning from your Mac or PC (USB cable not included). Let the fun begin! Item will be professionally packed, shipped and insured to guarantee safe arrival   The item pictured is the one you will be receiving. No additional accessories included. Pour les livraisons pour les DOM (Guadeloupe, Martinique, Mayotte, La Réunion,Guyane), Saint-Pierre et Miquelon, Saint-Martin, Saint-Barthélemy, me contacter pour  convenir des frais d'envoi

AKG N46C Vintage AKG N46C 12V phantom power supply for condenser microphones like C451. 3 pin DIN connectors Vintage AKG N46C Condenser Mic Power Supply Excellent Working Used with marks on box but excellent Working État : "Occasion"

Totalmente compatible: batería Phantom 4 100% compatible con DJI Phantom 4 Pro Plus V2.0, DJI Phantom 4, Phantom 4 Pro, Phantom 4 Pro Plus, Phantom 4 Advanced, Phantom 4 Pro/Pro+ Obsidian Edition y original. Battery type: Lithium-Polymer Battery Output power: 15.2V Battery Capacity: 5870mAh Battery Power: 81.32Wh Flying times: 20-28 mins

Ambient Recording power supply, robust construction - low-profile stainless steel housing with solid copper shielding. This one is allowed the use of a lavalier microphone wired into a mini jack, converting the power supply to 48 V phantom and produces an electronically balanced signal with a low impedance and low noise floor. This adapter is equipped with a Sennheiser 3.5 mm TRS connector to screw on, or to use with any standard mini jack, it adapts perfectly to all lavalier microphones such as: Sennheiser, DPA d: series, Sanken Cos-11D, Countryman, Voice Technologies, TRAM TR50 etc. Field recording: Nagra, Stellavox, Studer, Sonosax, Sound Devices, Zaxcom Zoom En savoir plus

Rocktron Phantom Cab Speaker Simulator: Rare analogue 1U rack mount cab sim in very good and clean condition and only ever been used in my studio. Comes with various great authentic cabinet speaker simulation settings and mic placement. Unit on which all of Rocktron cabinetsimulators (Prophesy, Repliflex) now are based on. Everything functions great! Note that, as I don't have any speaker, I have never used the high level input and output and can't test them. Unit is used and shows a few cosmetic rack wear such as scratches and other blemishes. Includes unit with its power adapter! En savoir plus Collaboration commerciale.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

Yamaha Matrix Processeur MTX5-D - Matrice Processeur - Excellent état Série MTX - Caractéristiques techniques - Processeurs - Audio professionnel - Produits - Yamaha - France MTX5-D (yamaha.com)   MTX5-D Mixing capability Mixing channels Mixing Channel: 16 Mono + 3 Stereo + 2 Effect Return + 8 Direct-in to Matrix Input channel functions Mono CH: 3-band PEQ, Comp, Gate, Auto Gain Control, Feedback suppressor (available in ch 1-8) Output channel functions Room Delay, Room EQ, Speaker Processor, X-Over (1way,2way), Delay, 6-band PEQ, Limiter I/O Phantom power +48V Internal processing Priority Ducking, Ambient Noise Compensator Sampling frequency rate Internal 48kHz/ 44.1kHz Signal delay Less than 3.0ms (AD-DA @48kHz) Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB), Less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, +0.5dB, -1.5dB Dynamic range 107dB (Gain:-6dB) Hum & noise level Equivalent input noise -60dBu (Gain ： +66dB), -83dBu (Gain ： -6dB) Crosstalk -100dB Heat dissipation 55.9kcal/h max Power requirements AC100V-240V 50Hz/60Hz Power consumption 65W Dimensions W 480mm (18.9") H 88mm (3.4") D 351mm (13.9") Net weight 6.3kg (13.9lbs) Others Memory bank: PRESET 50 ·          * Total harmonic distortion is measured with a 18dB/Oct fi lter @80kHz. ·          * Hum & noise level is measured with a 6dB/oct fi lter @12.7kHz;equivalent to 20kHz fi lter with infi nite dB/Oct attenuation. AnalogInput Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu ST IN 1,2 - 10kΩ 600Ω Lines -10dBV +10dBV RCA Pin Jack AnalogOutput Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock DigitalInput and Output Specifications Terminal Format Level IN/OUT Connector Note YDIF In YDIF RS-422 16IN RJ45 YDIF Out YDIF RS-422 16OUT RJ45 Primary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only Secondary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only ControlI/O Specifications Terminal Level Connector MTX5-D GPI 16 IN / 8 OUT IN 1-15ch: 0-5V 16ch: 2.5-24V: High, 2.5V or less, Allowable input +24V Euroblock OUT Open Collector +V DC5V MTX5-D REMOTE RS-232C (BAUD RATE: 38.4kbps or 115.2kbps) D-sub 9pin (Male) DCP - RJ-45 Exi8/Exo8 Specifications   EXi8 EXo8 Sampling frequency 48kHz/44.1kH Signal delay Less than 2.5ms Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB); less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, -1.5dB min, 0dB typ., +0.5dB max Dynamic range 107dB (Gain:-6dB) Equivalent input noise (EIN) -126dBu (Gain: +66dB) Phantom power +48V (per channel; individually settable) Crosstalk -100dB (@1kHz) Heat dissipation (per hour) 21.5 kcal max. Power supply voltage 100V 50/60Hz Power consumption 25 W max. Dimensions (W x H x D) 480(W) x 44(H) x 351(D)mm, 1U 480(W) x 44(H) x 351(D)mm, 1U Included items Power cord, Euroblock plugs (3-pin, tabbed) x8 EXi8Analog Input Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu EXi8Digital Input Specifications Terminal Format Level IN/OUT Connector YDIF In YDIF RS-422 16IN RJ45 EXo8Analog Output Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock EXo8Digital Output Specifications Terminal Format Level IN/OUT Connector YDIF Out YDIF RS-422 16OUT RJ45 Exi8 /Exo8 Control I/O Specifications Terminal Format Level Connector Network Ethernet 100Base-TX - RJ-45  

Micro testé et fonctionne bien. Le SM82 est un microphone à condensateur portable, autonome, unidirectionnel, contenant son propre amplificateur de niveau de ligne, son limiteur de crête et sa batterie. Il est conçu pour fournir une sortie de niveau ligne pour une utilisation dans une variété de situations de diffusion où un microphone de niveau ligne avec un limiteur intégré est nécessaire. Caractéristiques du microphone: Réponse en fréquence étendue pour une reproduction sonore exceptionnellement propre et naturelle Directivité cardioïde, uniforme avec la fréquence et symétrique autour de l'axe, pour fournir un rejet maximum et une coloration minimale du son hors axe La sortie de niveau de ligne équilibrée peut directement piloter les lignes téléphoniques ou d'autres entrées de niveau de ligne Le limiteur de crête intégré contrôle le niveau de sortie pour éviter la surcharge de l'amplificateur de ligne du microphone ou de l'équipement externe Condenseur cardioïde avec amplificateur de niveau de ligne et limiteur Réponse en fréquence 40 à 15 000 Hz Diagramme polaire Réponse cardioïde (unidirectionnelle) uniforme avec fréquence, symétrique autour de l'axe Impédance de sortie 250 ohms réelle (conçue pour une utilisation avec des charges de 600 ohms ou plus) Fonctionnement sur batterie 9.8V interne Alimentation fantôme sur une plage de 15V à 50V Passage automatique de l'alimentation fantôme à l'alimentation par batterie Le filtre anti-pop et anti-vent intégré protège du vent et des bruits de souffle explosifs Transducteur à condensateur unidirectionnel Le connecteur / commutateur de sortie active le microphone lorsque le connecteur du câble est inséré Micro tested and works well. The SM82 is a handheld, stand-alone, unidirectional condenser microphone containing its own line level amplifier, peak limiter and battery. It is designed to provide line level output for use in a variety of broadcast situations where a line level microphone with a built-in limiter is required. Microphone Specifications: Extended frequency response for exceptionally clean and natural sound reproduction Cardioid polar pattern, uniform with frequency and symmetrical about the axis, to provide maximum rejection and minimal coloration of off-axis sound Balanced line level output can directly drive line level inputs Built-in peak limiter controls the output level to avoid overloading the microphone line amplifier or external equipment Cardioid condenser with line level amplifier and limiter Frequency response 40 to 15,000 Hz Polar diagram Unidirectional cardioid response uniform with frequency, symmetrical about the axis 250 ohm output impedance (designed for use with loads of 600 ohms or greater) Internal 9.8V battery operation Phantom power in a range of 15V to 50V Automatically switch from phantom power to battery power Built-in pop and wind filter protects against wind and explosive blast sounds Unidirectional capacitor transducer The output connector / switch activates the microphone when the cable connector is inserted

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N