Queensryche hear in now

Plus D'Images QUEENSRYCHE "Hear In The Now Frontier" Label: EMI ‎– TOCP-50160 Format: CD, Album Country: Japan Sortie: 26 Mar 1997 Genre: Rock Style: Hard Rock, Heavy Metal TracklistMasquer Crédits 1Sign Of The Times = サイン・オブ・ザ・タイムスViolin – David RagsdaleWords By, Music By – Chris DeGarmo3:362Cuckoo's Nest = カッコーの巣Words By, Music By – Chris DeGarmo4:003Get A Life = ゲット・ア・ライフMusic By – Chris DeGarmoWords By – Geoff Tate3:404The Voice Inside = ザ・ヴォイス・インサイドWords By, Music By – Chris DeGarmo3:515Some People Fly = サム・ピープル・フライMusic By – Chris DeGarmoWords By – Geoff Tate5:186Saved = セイヴドMusic By – Chris DeGarmoWords By – Geoff Tate4:097You = ユーMusic By – Chris DeGarmoWords By – Geoff Tate3:558Hero = ヒーローWords By, Music By – Chris DeGarmo5:259Miles Away = マイルズ・アウェイWords By, Music By – Chris DeGarmo4:3410Reach = リーチMusic By – Michael WiltonWords By – Geoff Tate3:3211All I Want = オール・アイ・ウォントPiano – Matt RollingsWords By, Music By – Chris DeGarmo4:0612Hit The Black = ヒット・ザ・ブラックMusic By – Chris DeGarmo, Eddie JacksonWords By – Chris DeGarmo3:3613Anytime / Anywhere = エニータイム／エニーホエアMusic By – Chris DeGarmo, Eddie JacksonWords By – Geoff Tate2:5614sp00L = スプールMusic By – Chris DeGarmoSynthesizer [Mini Moog, Roland JD 990], Keyboards [D50] – Matt Rollings, Steve NathanWords By – Geoff Tate4:56 15BONUS TRACK Chasing Blue Sky = チェイシング・ブルー・スカイWritten-By – Geoff Tate, Scott Rickenfield* 3:41 Entreprises, etc. - Phonographic Copyright (p) – EMI Records - Copyright (c) – EMI Records - Record Company – Toshiba EMI Ltd - Manufactured By – Toshiba EMI Ltd - Recorded At – Sixteenth Avenue Sound - Recorded At – Studio Litho - Mixed At – Sixteenth Avenue Sound - Produced For – Jill Music Ltd. - Mastered At – Precision Mastering - Published By – Melodisc Ltd. Crédits - Artwork [Art], Design – Dimo Safari, Hugh Syme - Booking [Concert Booking For North America] – QBQ - Booking [Concert Booking For The Rest Of The World] – ITB - Edited By [Digital Editing] – Don C. Tyler - Liner Notes [対訳] – 八島和彦 - Liner Notes [解説] – 広瀬和生 - Management – Q Prime Inc. - Mastered By – Steve Marcussen* - Performer [All Music Performed By] – Queensrÿche - Producer – Peter Collins - Recorded By [With Assistance From], Mixed By [With Assistance From] – Adam Hatley, Matt Bayles - Recorded By, Mixed By – Toby Wright Notes "Chasing Blue Sky" is indicated as 'Bonus Track for Japan'. Issued in a standard jewel case with a clear tray. Includes: a 20-page colour booklet with English lyrics and release information; a fold-out insert with Japanese/English track list, Japanese lyrics, and Japanese commentary credited as 広瀬和生/BURRN! Also includes an obi. From the back cover: ℗ © 1997 EMI Records. 東芝EMI株式会社 From the disc face: Mfd. by Toshiba-EMI Ltd. in Japan. From the colour booklet: Hear In the Now Frontier was recorded at Sixteenth Avenue Sound, Nashville and Studio Litho, Seattle in the fall of 1996. Produced [...] for Jill Music, Ltd. All songs published by Melodisc Ltd. (BMI) Code-Barres et Autres Identifiants - Barcode: 4 988006 727694 - Barcode (Scanned, EAN-13): 4988006727694 - Other: (再)2,548円(97.4以降脱込) - Other: (再)2,500円(97.3末まで税込) - Other (Price excluding tax): 税抜価格2,427円 - Other: 97•3•26(97•3•17) Ⓨ Ⓧ - Other: (再)99•3•25まで - Other (Cat# CD): 7243-8-56141-2-5 - Rights Society: JASRAC - Rights Society (All songs): BMI - Matrix / Runout: IFPI L151 TOCP-50160 1 A1 - Mastering SID Code: IFPI L151 - Mould SID Code: IFPI 282A

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Queensrÿche I am I 4-track Ltd ed CD pack CARD SLEEVE   CDsingle EMI     724388192927   1994   UK     EX/EX          1994 UK limited edition 4-track CD single including 5 full colour band cards & 3-D glasses, housed in a card envelope picture sleeve CDMTS109 °°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°   GO WEST I want to hear it from you 5-track CARD SLEEVE CDSINGLE Chrysalis 5013136311327 1987 UK EX/EX 1) I Want To Hear It From You - A Day In Aarhus 2) True Colours - The Snake Charmer Mix 3) Crossfire 4) I Want To Hear If From You 5) XL5 °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

QUEEN - LIVE IN CONCERT - LP 1985 NEW ZELAND | RARE UNIQUE PRESSING. Unique and rare pressing from New Zealand from 1985. I just listened it with headphones and it sounds great. Sleeve: VG+ Media: NM you can only hear low dust noise every now and then on the first half of b-side (keep in mind I listened with headphones) A-side is perfect.

TEXAS Ricks road Format: CD album Label: Phonogram 12 songs Titres 1. So Called Friend 2. Fade Away 3. Listen To Me 4. You Owe It All To Me 5. Beautiful Angel 6. So In Love With You 7. You'Ve Got To Live A Little 8. I Want To Go To Heaven 9. Hear Me Now 10. Fearing These Days 11. I'Ve Been Missing You 12. Winters End Etat: VG+ Chers clients afin de réduire les frais de port pensez à grouper vos achats ! A partir de 100 euros d'achat le port est offert pour la France, la Belgique et le Luxembourg. Envoi par Mondial Relay uniquement! EXPEDITION DE VOS COLIS: LA POSTE ou MONDIAL RELAY Tous nos articles sont envoyés en lettre suivie ou paquet suivi (LA POSTE). Cela permet d’avoir une traçabilité de l’objet et ainsi éviter tout risque de perte. Mais vous avez également la possibilité de recevoir votre paquet en point relais avec la société MONDIAL RELAY. Pour l'Allemagne, l'Autriche, l'Espagne, l'Italie, les Pays-Bas, le Portugal et le Royaume-Uni: vous pouvez recevoir vos colis à domicile par la société Mondial Relay Nous contacter alors pour les tarifs En cas de problème (produit non conforme, produit arrivé déterioré ou autres...) contactez-nous avant de laisser votre évaluation Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Letters of Arthur George Heath, Fellow of New College, Oxford, and Lieutenant in the 6Th Batt: Royal West Kent Regt (Classic Reprint) Arthur George Heath Auteur: Arthur George Heath Editeur: Forgotten Books Broché: 234 pages paperback Publication: 06/08/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? It seems so long ago Since in that musty Flemish lumber-room You made such music flow With master hand, as charmed away our gloom, Drawing from battered, broken keys And rusty wires such harmonies That we forgot war and the shadow of death And caught our breath To hear the hurrying clamour of your themes. So long ago it seems !S olong ago !and now Your sun is set; but in our memory gleams Like some fair after-glow The image of those haunting magic themes. And as our faltering hands essay What you so passionately would play, Far off we hear your music echoing yet; And we forget That you are silent for us, save in dreams. So long ago it seems !J. S. Mann. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at It seems so long ago Since in that musty Flemish lumber-room You made such music flow With master hand, as charmed away our gloom, Drawing from battered, broken keys And rusty wires such harmonies That we forgot war and the shadow of death And caught our breath To hear the hurrying clamour of your themes. So long ago it seems !S olong ago !and now Your sun is set; but in our memory gleams Like some fair after-glow The image of those haunting magic themes. And as our faltering hands essay What you so passionately would play, Far off we hear your music echoing yet; And we forget That you are silent for us, save in dreams. So long ago it seems !J. S. Mann. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Mot Clef: Nonfiction Education Education Theory

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

KEYSTONE STATE ROCK Volume 1 - 18 Cool 60’s Teenbeat Garage-Psych Nuggets from Pennsylvania (Now Sound Records NOW 5) * SIDE A THE SNAPS You don’t want me / THE ONE WAY STREET BAND Time of temptation / THE LEGENDS Baby get your head screwed on / THE INTREPIDS Run from the sun / THE UNIVERSAL IGNORANTS I’m all here / THE BEAUS OF BEETHOVEN It’s too late / THE BADD LADS I feel alright / THE UPPER HAND You mean so much to me / SKIP DRINKWATER Silly sally * SIDE B THE SHILLINGS Goodbye my lady / THE BATS Evelyn / THE LORDS OF T.O.N.K. Minor cheevy / THE ADVANTES Done it again / THE NOBLES Leaving me alone (first day gone) / THE TR5 Can’t wait much longer / THE WICKS «No title» / THE NOVAS I’d wait a million tears / PHILLIP AND LEE Boxtops  Pressage hollandais sorti en 2014. Superbe compil US garage, que des raretés de la Pennsylvannie. Ecoutez les fichier son tirés du vinyle en vente. Dutch pressing issued in 2014. Excellent Us garage comp, alls bands from Pennsylvannia. Hear clip sounds recorded from actual record. Record condition: SLEEVE (pochette) M / RECORD (disque) M  J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière.

isnw_ecp HUBBLE BUBBLE (Warner Bros. Records 56.452) * FACE A Big star rolling / Look around (I was upset) / New promotion / I wanna die (but not right now) / San Fransisco / Little Jeanie / Freaks...Out! * FACE B Sweet rot / New direction / Born a woman / You’ll be the one / My cadillac / I’m not like everybody else / Pogo pogo / Pogo pogo (take2) Original french pressing issued in 1977. Killer belgian punk band featuring Plastic Bertrand. This copy come from Radio France library. Hear clip sounds recorded from actual record Pressage original français sorti en 1977. Groupe punk belge avec Plastic Bertrand. Killer de A à Z. Le disque vient de la discothèque de Radio France. Ecoutez les Fichiers sons enregistrés à partir du vinyle en vente. Record condition: SLEEVE (pochette) VG+ / RECORD (disque) EX J’indique toujours dans la description si le fichier son a été enregistré du vinyle en vente.  Si ce n’est pas précisé cela veut dire que l’échantillon vient d’un autre vinyle   It’s always indicated on the description when the clip sound source is the record actually on sale.  If not, it means than the source is from a previous copy   ACHETEZ PLUSIEURS DISQUES ET ÉCONOMISEZ LES FRAIS DE PORT. Demandez-moi les tarifs. Attendre ma facture pour payer en cas d'achat multiple CHECK MY OTHER RECORDS FOR SALE, COMBINED AND SAVE ON SHIPPING FEES. Ask me for rates. Wait for invoice to pay in case of multiple buys GRADING M  Mint Actually almost impossible to find a Mint second hand disc unless it’s sealed or it’s brand new. Neuf Quasi impossible pour un disque d’occasion sauf si le disque est scellé ou si c’est une nouveauté. NM Near Mint The record may have been played but it is almost mint. Only most minimal deterioration in sound quality. The sleeve is almost mint. Quasi Neuf Disque et pochette sont en état quasi neufs, jamais ou très peu joués et manipulés. Ils comportent le minimum de trace d’usure possible. EX Excellent The record shows some signs of having been played, but still plays perfectly. The vinyl may have some tiny wear or marks, but nothing major and nothing that affects play. The cover could show only slight wear and/or creasing but it’s still close to mint. Excellent Le disque a déjà été écouté plusieurs fois. Mais il passe toujours comme neuf. Si il y a des micro rayures, elles sont sans conséquences et quasi invisbles. La pochette est splendide, quelques signes manipulations, petites pliures, rien d’important quasi neuve VG+ Very Good+ The record have been played many times, show wear, small marks or light scratches but nothing deep. It still plays very well. The cover shows some wear, light creasing, maybe tiny tears or pen marks. Overall this is the condition of Most of records sold in second hand. Très Bon+ Disque a déjà été écouté, il peut y avoir des petites rayures, peut craquer très légèrement, mais l’écoute reste très satisfaisante. La Pochette est usée, petites écritures ou pliures mais très correcte. La plus part des disques d’occasions sont dans cette condition. VG Very Good The record shows non-deep scratches, surface marks,wear and displays some surface noise. But still very playable. The cover shows wear, creasing, maybe spine splits, BB/cut hole, pen marks or small tears. It may be great but with an inner sleeve or an insert missing. Très bon Le disque a été beaucoup écouté. Il y a des rayures et il craque. Néanmoins l’écoute reste satisfaisante sans être optimale. La pochette est usée, un poil déchirée, des grosses écritures. C’est aussi la note pour une pochette superbe mais ou il manque l’insert ou autre chose. G Good The record displays considerable surface noise, visible but non-deep scratches, but still it’s playable and enjoyable and it does not jump.The cover shows strong wear, creasing, spine splits, cut out hole, pen marks or tears but is still in one piece. Bon Le disque comporte beaucoup de rayures il craque beaucoup. Néanmoins il ne saute pas et il n’est pas rayé. L’écoute est toujours possible. La pochette est très usée, voir un peu déchirée, elle comporte des écritures néanmoins elle est toujours entière.

NOUVEAUTE - COLLECTOR - RARE -  THE SUPREMES  45 TOURS - 4 TITRES - RÉFÉRENCE : COLUMBIA ESRF1605 - BIEM - 1965 -   VINYLE : TRES BON ÉTAT - POCHETTE : TRES BON ÉTAT - AUCUNE MARQUE OU GRAFFITIS - BRILLANT INTACT - AUCUNE TRANCHE OUVERTE - TRANCHE DE REFERENCE NICKEL ET PARFAITEMENT LISIBLE -  A NOTER : UNE SIGNATURE EFFACEE HAUT DU VERSO (VOIR SCANN) LA POCHETTE POSSEDE TOUJOURS SA LANGUETTE PRESSAGE : MADE IN FRANCE  TITRES : VOIR SCANN IMPRIMEUR POCHETTE : I.D.N MADE IN FRANCE  L'ENSEMBLE EST EN TRES BON ETAT...  JE CLASSE CELUI CI SANS HÉSITER: VG++  The Supremes, aussi connu sous le nom de Diana Ross & The Supremes, est un groupe de musique féminin américain originaire de Détroit, actif de 1959 à 1977. Figure mythique du label Motown créé par Berry Gordy, The Supremes devient le groupe féminin le plus populaire de l'histoire des États-Unis, ainsi que le groupe féminin ayant vendu le plus de disques au monde derrière les Destiny's Child. Le groupe classe 12 titres en tête des charts américains Where Did Our Love Go, Baby Love, Come See About Me, Stop! In the Name of Love, Back in My Arms Again, I Hear a Symphony, You Can't Hurry Love, You Keep Me Hangin' On, Love is Here and Now You're Gone, The Happening, Love Child, et Someday We'll Be Together. PAIEMENT : EN FRANCE: PAYPAL OU CHEQUE PERSO  ÉTRANGER: PAYPAL  ENVOI : LETTRE RECOMMANDE R2: 8 EUROS (ENVOI COUVERT JUSQU'A 153 euros) ÉTRANGER : ENVOI SUIVI: ENTRE 10 ET 15 EUROS (ME DEMANDER) J'ESSAIE D'ÊTRE LE PLUS PRÉCIS DANS MES ANNONCES LES ACHETEURS M'EN SONT RECONNAISSANT  BONNES ENCHÈRES

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°  Herbert LEONARD Je suis un grand sentimental - CD3"- 3-track CARD SLEEVE CDSINGLE Wea 022924658129 1989 France   Rare !!  1) Je suis un grand sentimental 2) Sample moi simplement 3) Don't break my hear t in two °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°

The WHO Live At The Isle Of Wight Festival 1970 2CD Neuf NEW NOT SEALED - NEUF NON SCELLE Heaven And Hell 5:17 I Can't Explain 2:46 Young Man Blues 6:07 I Don't Even Know Myself 6:11 Water 10:53 Overture 5:08 It's A Boy 1:34 1921 2:28 Amazing Journey 3:19 Sparks 5:10 Eyesight To The Blind (The Hawker) 1:58 Christmas 3:25 The Acid Queen 3:42 Pinball Wizard 2:51 Do You Think It's Alright? 0:23 Fiddle About 1:16 Tommy Can You Hear Me? 0:59 There's A Doctor 0:22 Go To The Mirror! 3:32 Smash The Mirror 1:16 Miracle Cure 0:13 I'm Free 2:25 Tommy's Holiday Camp 1:02 We're Not Gonna Take It 9:37 Summertime Blues 3:24 Shakin' All Over / Spoonful / Twist And Shout 6:27 Substitute 2:11 My Generation 7:16 Naked Eye 6:34 Magic Bus 4:35. WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°   Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Lot de 11 disques vinyles 45t, deux titres, jukeboxe ou sans pochette dont voici le détail: Rolph Harris, pressage anglais: "Tie me kangaroo down sport" "Nick teen and al K.Hall" Très légère déformation sur le tout petit bord du vinyle, mais sans aucune incidence sur l'audition sur ma platine. The 5Th Dimension, Pressage Français: "Medley: Aquarius / Let the sunshine in" "Don'tcha hear me callin'to ya" Cliff Richard, pressage anglais: "Please don't tease" "Where is my heart" The Cascades , Pressage Français: "Rhythm of the rain" "Let me be" Richard Anthony, Pressage Français: "Ruby Baby" "Un homme a répondu" Freddie & The Dreamers, Pressage Anglais: "I'm tellin'you now" "What have I done to you ?" Jean Ferrat, Pressage Français "Maria" "En groupe, en ligne, en procession" Adamo, Pressage Français "Les gratte-Ciel" "Dans ton sommeil" Charles Aznavour, Pressage Anglais: "The old fashioned way" "What makes a man" Donald Lautrec, Pressage Français "Tu dis des bêtises" "Dis bonjour a tous les copains" Manfred Mann, Pressage Français " Mighty Quinn" "By request-Edwin Garvey"  Je reste a votre entière disposition pour tout renseignement ou photo complémentaire.

- Categorie : Pop - Auteur : Clover - Editeur : Undercover - Label : Naïve - 2 1 Sword City 4:16 2 Not Love 3:48 3 On & On 3:44 4 The Things 5:04 5 The Death Of The Lonely Superhero 6:13 6 Now I Know 1:53 7 See No Hear No Speak No 4:15 8 Hey 5:04 9 To You 4:21 10 First In, Last Out - CD  CD Original, Pas Une Copie ! Original CD, Not A Copy  Envoi sous 24H à reception du paiement, emballage sous bulle compris GROUPEZ VOS ACHATS POUR DIMINUER LES FRAIS DE PORT CONSULTER: MES AUTRES OBJETS Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.