-
loading
Avec photo

Reading time


Liste des meilleures ventes reading time

France
  Reading Time CM2 - CD audio classe des 3 ouvrages - Ed.2011 Claire Benimeli Juliette Saumande   Auteur: Claire Benimeli Juliette Saumande Editeur: Hachette Éducation CD: Format: Livre audio Createur: Saumande-J+Benimeli- (Auteur) Publication: 21/03/2011 Réédition: 01/01/1990 Collection: MATERIEL ECOLES Dimensions: 14,2 x 12,4 x 0,1 Publier en: Français Help ? D'autre objet de Claire Benimeli Juliette Saumande Reading Time Treasure Island CM2 - Livre ?l?ve - Ed.2011 Reading Time Huckleberry Finn CM2 - Livre ?l?ve Reading Time The Hound of the Baskervilles CM2 - Livre ?l?ve Reading Time Oliver Twist CM1 - Livre ?l?ve - Edition 2012 Reading Time CM1 - CD audio classe des 3 ouvrages - Edition 2012 Reading Time CE2 - CD audio classe des 3 ouvrages - Edition 2013 Les clients ayant acheté cet article ont également acheté Reading Time Huckleberry Finn CM2 - Livre ?l?ve Reading Time Treasure Island CM2 - Livre ?l?ve - Ed.2011 Reading Time The Hound of the Baskervilles CM2 - Livre ?l?ve Reading Time CM1 - CD audio classe des 3 ouvrages - Edition 2012 Mot Clef: Scolaire et Parascolaire ?cole primaire
Voir le product
France
  Reading Time CE2 - Black Beauty - CD audio - Ed. 2014 Juliette Saumande Claire Benimeli L?enregistrement de l?histoire "Black Beauty" ainsi que des activités orales. Claire Benimeli est formatrice à 'IUFM de l'académie de Versailles-Université de Cergy Pontoise sur le site de formation d'Etiolles (91) en charge de la formation des PE1 au CRPE et membre de jury au CRPE pour les académies de Paris-Créteil-Versailles L?enregistrement de l?histoire "Black Beauty" ainsi quedes activités orales.   Auteur: Juliette Saumande Claire Benimeli Editeur: Hachette Éducation Cassette: Format: Livre audio Publication: 21/05/2014 Collection: Reading time Dimensions: 14,2 x 12,4 x 0,1 Publier en: Français Help ? D'autre objet de Juliette Saumande Claire Benimeli Reading Time CM1 - Legend of King Arthur - Livre ?l?ve - Ed. 2014 Reading Time CM1 - Legend of King Arthur - CD audio - Ed. 2014 Les clients ayant acheté cet article ont également acheté Reading Time CE2 - Black Beauty - Livre ?l?ve - Ed. 2014 Reading Time CE2 - CD audio classe des 3 ouvrages - Edition 2013 Reading Time White Fang CE2 - Livre ?l?ve - Edition 2013 Reading Time Gulliver in Lilliput CE2 - Livre ?l?ve - Edition 2013 Mot Clef: Scolaire et Parascolaire ?cole primaire
Voir le product
France
  Reading Time CM1 - Legend of King Arthur - CD audio - Ed. 2014 Juliette Saumande Claire Benimeli   Auteur: Juliette Saumande Claire Benimeli Editeur: Hachette Éducation Cassette: Format: Livre audio Publication: 21/05/2014 Dimensions: 14,2 x 12,4 x 0,1 Publier en: Français Help ? D'autre objet de Juliette Saumande Claire Benimeli Reading Time CM1 - Legend of King Arthur - Livre ?l?ve - Ed. 2014 Reading Time CE2 - Black Beauty - CD audio - Ed. 2014 Les clients ayant acheté cet article ont également acheté Reading Time CM1 - Legend of King Arthur - Livre ?l?ve - Ed. 2014 Reading Time Robin Hood CM1 - Livre ?l?ve - Edition 2012 Reading Time CM1 - CD audio classe des 3 ouvrages - Edition 2012 Reading Time Oliver Twist CM1 - Livre ?l?ve - Edition 2012 Mot Clef: Scolaire et Parascolaire ?cole primaire
Voir le product
France
Reading Time CE2 - Black Beauty - CD audio - Ed. 2014 Juliette Saumande Claire Benimeli Auteur: Juliette Saumande Claire Benimeli Editeur: Hachette Éducation Cassette: Format: Livre audio Publication: 21/05/2014 Collection: Reading time Dimensions: 14,2 x 12,4 x 0,1 Publier en: Français Help ? L?enregistrement de l?histoire "Black Beauty" ainsi que des activités orales. Claire Benimeli est formatrice à 'IUFM de l'académie de Versailles-Université de Cergy Pontoise sur le site de formation d'Etiolles (91) en charge de la formation des PE1 au CRPE et membre de jury au CRPE pour les académies de Paris-Créteil-Versailles L?enregistrement de l?histoire "Black Beauty" ainsi quedes activités orales. D'autre ouvrages de Juliette Saumande Claire Benimeli Les clients ayant achet? cet article ont ?galement achet? Mot Clef: Scolaire et Parascolaire ?cole primaire
Voir le product
France
Reading Time CM1 - Legend of King Arthur - CD audio - Ed. 2014 Juliette Saumande Claire Benimeli Auteur: Juliette Saumande Claire Benimeli Editeur: Hachette Éducation Cassette: Format: Livre audio Publication: 21/05/2014 Dimensions: 14,2 x 12,4 x 0,1 Publier en: Français Help ? D'autre ouvrages de Juliette Saumande Claire Benimeli Les clients ayant achet? cet article ont ?galement achet? Mot Clef: Scolaire et Parascolaire ?cole primaire
Voir le product
France
Oxford Reading Tree TreeTops Time Chronicles: Level 11: The TimeWeb Nouveau et garanti Flambant neuf, original et garantie Livraison rapide et gratuite Préparé et livré en 24/48 heures Retour gratuit Retour gratuit, 14 jours pour changer d'avis Type Broché ISBN 0198446837 Numéro de pièce fabricant 3415807275 Langue Langue de publication: Anglais; Langue d¿origine: Anglais; Inconnu: Anglais; Dimensions 14,81 x 0,30 x 16,31 (cm) Taille du paquet 20,40 x 14,40 x 0,41 (cm) Étiquette OUP Oxford Producteur OUP Oxford Auteur Roderick Hunt Créateur Alex Brychta Codes EAN 9780198446835 Compter 40 Date de publication 09/01/2014 Éditeur OUP Oxford Studio OUP Oxford Catégorie 1 Livres anglais et étrangers > Reference > Words & Language Livraison En règle générale, tous les articles sont envoyés le même jour par courrier express avec code de suivi de commande. Nous faisons tout notre possible pour respecter le délai de livraison indiqué sur l'annonce. Paiement Tous les paiements se font exclusivement via PayPal, synonyme de garantie et sécurité pour l'acheteur et pour le vendeur. Si vous n'avez pas de compte PayPal, et ne désirez pas en ouvrir un, vous pouvez quand même régler le paiement de votre achat au moyen d'une carte de crédit accepté par PayPal. Retour et Garantie Tous les produits sont nouveaux et couverts par une garantie de 2 ans. Dans le cas que l'objet acheté ne soit plus disponible, plus en production ou impossible à réparer, vous serez remboursé (les frais de transport restent à la charge du client). Si vous changez d'avis et souhaitez renvoyer un objet, vous pouvez le retourner jusqu'à 14 jours après votre achat, gratuitement.
Voir le product
France (Toutes les villes)
CD Album METAL     Mortuary Drape - Buried in time   1.     CD en occasion : Parfait état de lecture ! Be used : Perfect condition reading !     Frais de port pour la France Metropolitaine (pour les DOM TOM, me contacter AVANT) : 1 CD: 2.90€ (mini max) ou 5.99€ (colissimo) 2 à 5 CD : 5.99€ (colissimo) 6 à 9 CD : 7.99€ (colissimo) 10 à 14 CD: 9.99€ (colissimo) 15 à 20 CD: 10.99€ (colissimo)   Frais de port pour l'Union Européenne: 1 CD: 5.35€ (courrier international prioritaire) 2 to 5 CD : 7.99€ (colis international prioritaire) 6 to 9 CD : 10.99€ (colis international prioritaire) 10 to 14 CD: 14.99€ (colis international prioritaire) 15 to 20 CD: 19.99€ (colis international prioritaire)   Shipping cost to USA, Canada, Asia, ... : 1 CD: 6.35€ (courrier international prioritaire) 2 to 5 CD : 9.99€ (colis international prioritaire) 6 to 9 CD : 14.99€ (colis international prioritaire) 10 to 14 CD: 17.99€ (colis international prioritaire) 15 to 20 CD: 22.99€ (colis international prioritaire)     Modes de paiement acceptés: Paypal / Chèque personnel / Virement bancaire (pour le virement bancaire, merci de me prévenir de l'émission du paiement ainsi que de me fournir l'adresse de livraison). Payment accepted: Paypal / Bank to Bank (please, tell me when you send the payment and give me your postal adress)     ATTENTION !!!! Conditions de vente: Tout objet acheté doit être payé sous 7 jours ou un litige pour non paiement sera ouvert automatiquement. Veuillez être certain de votre achat lorsque vous le faite. Pour toutes questions sur l'objet ou sur un autre sujet, merci de me contacter AVANT d'acheter l'objet. Les frais de port sont groupés lorsque vous avez fini vos achats, il vous suffit donc de m'envoyer un message pour me signaler que vos achats sont terminés; ensuite vous pourrez payer. Les frais de port comprennent l'emballage, l'affranchissement et la logistique; si vous n'êtes pas d'accord sur les frais de port, veuillez ne pas enchérir. Je ne pourrais être tenu responsable en cas de perte ou de dégradation lors de la livraison, vous devrez vous retourner contre le transporteur (LAPOSTE). Les retours sont acceptés dès lors que l'objet m'est retourné dans sa condition initiale (NEUF) et ce retour sera à vos frais; le remboursement de l'objet retourné comprendra une retenue (emballage + logistique). Dès lors que vous achetez un objet, vous vous engagez à respecter ces conditions. Toute réclamation portant sur un sujet évoqué dans ces conditions de vente, ne verra donc pas avoir suite. Si l'adresse postale fournie à Paypal est différente de celle fournie à, merci de me la confirmer, l'objet ne sera pas envoyé sans cette confirmation. Je me laisse 5 jours ouvrables pour déposer le colis. MERCI de contrôler l'objet dès réception par l'officier de Poste, si celui ci vous parvient endommagé, il est impératif de demander une inscription à l'agent de poste pour attester du dommage causé pendant le transport. Si vous rencontrez un souci, merci de prendre contact AVANT d'émettre une évaluation ou un litige, auquel cas nous pourrons trouver une solution. Si vous décidez d'émettre une évaluation avant d'essayer de régler le souci, aucun geste commercial ne sera accepté.   ***Que veut dire "Occasion": il s'agit d'un objet ne disposant plus de son blister d'origine, celui ci peut donc comporter des traces du temps, cependant cela ne veut aucunement dire que l'objet comporte un défaut de lecture. Il est en parfait état de fonctionnement.*** ***Que veut dire "NEUF sous blister": comme la phrase l'indique, l'objet est encore sous son emballage d'origine, celui ci ne peut donc pas être défectueux.***   Si l'annonce comporte une erreur (problème de description, photo ne correspondant pas, etc.), n'hésitez pas à m'en faire part pour améliorer votre confort d'achat !     AVIS A
29,98 €
Voir le product
France
Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory
Voir le product
France
The Paston Letters D: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 1 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 350 pages paperback Publication: 11/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory
Voir le product
France
Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory
Voir le product
France (Toutes les villes)
This is a very practical temperature & humidity data logger. It is used for monitoring and collecting data of environment temperature and ambient humidity, and the recorded data can be viewed in the PC in PDF file format, convenient for you to analyze. It can be widely used in indoor temperature measuring, warehouse management, logistics transportation, telecommunication rooms, intelligent buildings, subways, department stores, libraries, etc. Features: Wide measuring range, and high accuracy for temperature and humidity. Digital LCD display for convenient reading the temperature and humidity data. Large memory capacity, it can test and record up to 25000 temperature and 25000 humidity data. The USB interface can access to the PC's  USB port for data transfer, and you can view and analyze the recorded data in the PC in PDF file format. With security keyhole for keeping the meter and data safety. Supports setting high/low temperature and high/low temperature alarm value. Supports setting sample period(selectable from 1 second to 24 hours) and converting temperature unit(℃ or ℉). Small in size, portable to carry, easy to operate and use. Specifications: Material: ABS Humidity Range: 0~100%RH Humidity Accuracy: 45~75%RH: ±3.0%RH Other Ranges: ±5%RH Temperature Range: -40℃~70℃/-40℉~158℉ Temperature Accuracy:  -10℃~50℃(14℉~122℉): ±1.0℃/1.8℉ Other Ranges: ±2.0℃/3.2℉ Resolution: 0.1 LCD Frequency: 1 time/second Memory: 25000 Groups Over Range Indication: LCD Display "-OL-" Symbol Power Supply: 1 * CR2032 3.0V Button Battery((NOT Included)) Operating Temperature: -20℃~60℃/-40℉~158℉ Operating Humidity: 10%RH~90%RH Storage Temperature: -20℃~60℃/-40℉~158℉ Storage Humidity: 10%RH~75%RH Item Weight: 36g / 1.27oz Item Size: Approx. 97 * 44 * 13mm / 3.82 * 1.73 * 0.51in Package Weight: 70g / 2.47oz Package Size: 135 * 85 * 30mm / 5.31 * 3.35 * 1.18in Package List: 1 * Data Logger 2 * Adhesive Stickers 1 * User Manual(English) E3845 Le 31-juil.-18 à 06:43:05 Paris, le vendeur a ajouté les informations suivantes:
23,12 €
Voir le product
France (Toutes les villes)
This is a very practical temperature & humidity data logger. It is used for monitoring and collecting data of environment temperature and ambient humidity, and the recorded data can be viewed in the PC in PDF file format, convenient for you to analyze. It can be widely used in indoor temperature measuring, warehouse management, logistics transportation, telecommunication rooms, intelligent buildings, subways, department stores, libraries, etc. Features: Wide measuring range, and high accuracy for temperature and humidity. Digital LCD display for convenient reading the temperature and humidity data. Large memory capacity, it can test and record up to 25000 temperature and 25000 humidity data. The USB interface can access to the PC's  USB port for data transfer, and you can view and analyze the recorded data in the PC in PDF file format. With security keyhole for keeping the meter and data safety. Supports setting high/low temperature and high/low temperature alarm value. Supports setting sample period(selectable from 1 second to 24 hours) and converting temperature unit(℃ or ℉). Small in size, portable to carry, easy to operate and use. Specifications: Material: ABS Humidity Range: 0~100%RH Humidity Accuracy: 45~75%RH: ±3.0%RH Other Ranges: ±5%RH Temperature Range: -40℃~70℃/-40℉~158℉ Temperature Accuracy:  -10℃~50℃(14℉~122℉): ±1.0℃/1.8℉ Other Ranges: ±2.0℃/3.2℉ Resolution: 0.1 LCD Frequency: 1 time/second Memory: 25000 Groups Over Range Indication: LCD Display "-OL-" Symbol Power Supply: 1 * CR2032 3.0V Button Battery((NOT Included)) Operating Temperature: -20℃~60℃/-40℉~158℉ Operating Humidity: 10%RH~90%RH Storage Temperature: -20℃~60℃/-40℉~158℉ Storage Humidity: 10%RH~75%RH Item Weight: 36g / 1.27oz Item Size: Approx. 97 * 44 * 13mm / 3.82 * 1.73 * 0.51in Package Weight: 70g / 2.47oz Package Size: 135 * 85 * 30mm / 5.31 * 3.35 * 1.18in Package List: 1 * Data Logger 2 * Adhesive Stickers 1 * User Manual(English) E3845
23,12 €
Voir le product
La Seyne sur Mer (Var)
1962 King Curtis ‎- Beautiful Brown Eyes - Label: Capitol Records ‎EAP 4-1756 7" Made in France État du disque: Very Good Plus Plus Plus (VG+++) State of the disc État de la pochette: Very Good Plus Plus (VG++) Condition of the cover - - - - - - - - - - • Économisez sur les frais de livraison ! Frais de port adapté au poids en cas d'achat groupé. Merci d'attendre la facture définitive avant de faire votre règlement. Paypal, chèque français personnel et virement bancaire acceptés. Voir tarifications des divers frais de port selon le nombre de vinyle dans la dernière photo (Tableau) pour la France métropolitaine et l'international. Exemple: de 4 à 12 vinyles de 7" = 5,30€ via Mondial Relay suivi (France Métropolitaine). • Save on shipping costs! Shipping costs adapted to the weight in case of group purchase. Please wait for the final bill before making your payment. Paypal, French check and bank transfer accepted. See pricing of the various delivery costs according to the number of vinyl in the last picture (Table) for metropolitan France and the international. Example: from 4 to 12 vinyls of 7" = 15,20€ via Colissimo suvi (pour l'Union Européenne et Suisse) • Versandkosten sparen! Versandkosten angepasst an das Gewicht bei Gruppenkauf. Bitte warten Sie auf die endgültige Rechnung, bevor Sie Ihre Zahlung ausführen. Paypal, Französisch Scheck und Überweisung akzeptiert. Die Preise für die verschiedenen Versandkosten sind in Abhängigkeit von der Vinylanzahl im letzten Bild (Tabelle) für das französische und das internationale Mutterland angegeben. Example: from 4 to 12 vinyls of 7" = 27,10€ via Colissimo suvi (Japan, United States) - - - - - - - - - - King Curtis ‎- Beautiful Brown Eyes Label: Capitol Records ‎- EAP 4-1756 Format: Vinyl, 7", 45 RPM, EP, Single  Pays: France Date: 1962 Genre: Funk / Soul Style: Soul Tracklist A1 Beautiful Brown Eyes Written-By – Delmore, Smith, Capehart 2:02 A2 Wagon Wheels 2:40 B1 Your Cheatin' Heart Written-By – Hank Williams 2:17 B2 Any Time 1:57 - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South Eddy Louiss Edmond Hall Los Chacos Enrique Villegas Errol Parker Erroll Garner Erskine Hawkins And His Orchestra Fats Waller François Biensan Freddie Slack Gary Burton Quartet George Shearing Gérard Gustin Gilles Hekimian Glen Gray Glenn Miller Guy Lafitte Harold Nicholas Harry James Hazy Osterwald Henri Red Allen Henri
24,98 €
Voir le product
La Seyne sur Mer (Var)
Charlie Parker ‎- The Essential Charlie Parker - Label: Verve Records ‎3710 S 12" Made In France État de disque: Near Mint (NM) State of the disc État de la pochette: Very Good Plus Plus Plus (VG+++) Condition of the cover - - - - - - - - - - Vous pouvez cumuler vos achats durant 30 jours ! Frais de port adapté au poids en cas d'achat groupé. Merci de bien vouloir faire la demande de votre facture avant de faire votre règlement pour bénéficier des frais réduits. Paypal, chèque Français personnel et virement bancaire acceptés. - - - - - - - - - - Charlie Parker ‎- The Essential Charlie Parker Label: Verve Records ‎- 3710 S Format: Vinyl 12", LP, Compilation Pays: France Sortie:  Genre: Jazz Style: Bop Tracklist A1 Kim Bass – Teddy Kotick Drums – Max Roach Piano – Hank Jones Written-By – Parker A2 Just Friends Written-By – Klenner, Lewis A3 Bloomdido Bass – Curley Russell Drums – Buddy Rich Piano – Thelonious Monk Trumpet – Dizzy Gillespie Written-By – Parker A4 Au Privave Bass – Teddy Kotick Drums – Max Roach Piano – Walter Bishop Trumpet – Miles Davis Written-By – Parker A5 Funky Blues Bass – Ray Brown Drums – J.C. Heard Guitar – Barney Kessel Piano – Oscar Peterson Saxophone – Ben Webster, Flip Phillips, Johnny Hodges Written-By – Hodges B1 She Rote Bass – Teddy Kotick Drums – Max Roach Piano – Walter Bishop Trumpet – Miles Davis Written-By – Parker B2 I Didn`t Know What Time It Was Written-By – Hart, Rodgers B3 Chi Chi Bass – Percy Heath Drums – Max Roach Piano – Al Haig Written-By – Parker B4 Swedish Schnapps Bass – Ray Brown Drums – Kenny Clark Piano – John Lewis Trumpet – Red Rodney Written-By – Shavers B5 KC Blues Bass – Teddy Kotick Drums – Max Roach Piano – Walter Bishop Trumpet – Miles Davis Written-By – Parker - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South Eddy Louiss Edmond Hall Los Chacos Enrique Villegas Errol Parker Erroll Garner Erskine Hawkins And His Orchestra Fats Waller François Biensan Freddie Slack Gary Burton Quartet George Shearing Gérard Gustin Gilles Hekimian Glen Gray Glenn Miller Guy Lafitte Harold Nicholas Harry James Hazy Osterwald Henri Red Allen Henri Renaud Henry Allen Junior Herbert Pagani Herbert Pepper Herbie Mann Herman Humphrey Lyttelton And His Band Ian Menzies Ike Quebec Jimmy Hamilton John Hardee Benny Morton Intenational Jazz Group Ja
20 €
Voir le product
Rogna (Jura)
French Old Lenses Rare & Old photographic items My passion for old cameras and lenses is born 10 years ago before to become my work. I am a professional seller since 2017 and have already sold hundreds items all around the world with a permanent satisfaction for my costumers. I'm trying to provide a high quality buyer experience with a permanent communication disponibility, precised description with high quality photos and the mosts safe and fast delivery conditions.  For new items arrivals, questions or just sharing, you can follow me on my Facebook:  Som Berthiot Schneider Xenon 50mm F/2  Beautiful Schneider cine lens in arriflex standard mount. It was mounted on an Arriflex 35mm camera (available on request). This is the red triangle version that means it is coated that was uncommon at this time. It is an old version, much more character than recent ones. Condition:  A+ New or as new    /    A  Excellent condition     /     B  signs of use clearly visibles      /      C  sold for parts or deep issues External condition  B+ Good condition for this very old lens. Few signs of use. Mecanic condition A+ Aperture and focus are smooth. Optic condition B Used condition, some micro scratches and haze. Need a cleaning. If you have any question or request, feel free to contact me. Important, please read conditions before to buy: Shipping:  Fast shipping, just after payment if possible. We use only best professional packaging for a perfectly safe delivery all around the world. Tracking number is immediately provided. La Poste is only deliver possible, 5 to 28 working days of delivery (generally fast). If you have a specific deliver the cost will be entire yours. Envoi rapide, immédiatement après paiement si possible. Nous utilisons uniquement des matériaux d'emballage professionnel pour des livraisons sûres partout dans le monde. Le numéro de suivi est fourni immédiatement. Tous les colis sont envoyés par la Poste en colissimo contre signature, la livraison en France est généralement de 3 à 7 jours ouvrés. Seller condition: - You're a new buyer with less than 10 feedbacks please contact us before to buy   //    Vous êtes un nouvel acheteur merci de nous contacter avant tout achat. - We accept only immediate payment, no reservation possible   //   Nous acceptons uniquement des paiements immédiats, aucune réservation ne sera faite. - Returns are accepted in the limit of days indicated ONLY FOR ITEM NOT AS DESCRIBED. We refuse returns for a change of mind, bad description reading or hope to buy a cheap item in working condition until it is described as not.   //    Les retours sont acceptés dans la limitie de jours indiqué UNIQUEMENT EN CAS D OBJET NE CORRESPONDANT PAS A LA DESCRIPTION. Nous refusons les retours pour un changement d'avis, une mauvaise lecture de l'annonce ou si vous espériez acheter pas cher un objet en état de marche même si il est décrit comme ne l'étant pas.  - We are honest professionnal seller so if your item is not as described please contact us with precised description of the issue and be sure that we will provide you the best solution possible. Your satisfaction is our priority !   //   Nous sommes des vendeurs honnêtes et professionnels donc si votre objet n'est pas comme décrit dans l'annonce merci de nous contacter avec une description précise du problème et soyez assurés que nous vous apporterons la meilleur solution possible. Votre satisfaction est notre priorité ! - For International Buyers: Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyers responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding/buying.
599 €
Voir le product

Petites annonces gratuites - acheter et vendre en France | CLASF - copyright ©2024 fr.clasf.com.