Secondary power

MANY PARTS AVAILABLE IN OUR STORE AND MANY OTHER AVAILABLE. PLEASE CONTACT US IF YOU DO NOT FIND WHAT YOU ARE LOOKING FOR! ALIMENTATION SECONDAIRE POUR MAGNETOPHONE STUDER A800 Parfait état de fonctionnement. Provient d'une machine ayant tournée 600h seulement!. Pas de prix de réserve! Bonnes enchères... Great working condition. Come from a machine with only 600hours of operation! Questions in English are welcome. A paypal account is required for buyers outside of France. All international deliveries are made through the international French post, unless otherwise specified. International bidders please ask for a shipping quote before bidding. Livraison et expédition: Sauf mention contraire, toutes nos livraisons sont effectuées par la poste en colissimo ou colissimo recommandé pour le national. Nous vous conseillons vivement d’ouvrir vos paquets en présence du facteur. Refusez un colis dont l'emballage est visiblement très endommagé. Si le colis est accepté alors qu'il est endommagé l'assurance ne pourra pas fonctionnée et couvrir la détérioration. Evaluations: Notre priorité est votre satisfaction. Nous mettons tout en œuvre pour la garantir. Si toutefois un problème devait se poser, et avant de nous attribuer une mauvaise évaluation, contactez nous afin de trouver ensemble une solution. Les règlements doivent se faire dans les 5 jours suivant la fin de l’enchère. Merci de votre compréhension, Crossroads Express En savoir plus Collaboration commerciale.

Samsung ME95C Power Supply Board. I sell both power supply boards: -PSLF521501A (Main) S/N CN07BN4400672ASE38G5N0145 -PF3J011643 (secondary) S/N CN07BN4400553ASE38G48P159 Both have been tested and work properly.

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

Item was a gift, installed to test and check it was in perfect working order. The sound is better with it, but this is way too much for my humble set up, and space available, sadly. it will be sent in the special double box original packaging it came in so no worries. Parasound HALO A-52 + A52+ 5 VOIES 180 watts RMS x 5 8 Ω.     180 watts RMS x 5 @ 8 Ω     255 watts RMS x 5 @ 4 Ω     225 watts RMS x 2 @ 8 Ω     350 watts RMS x 2 @ 4 Ω     Class A/AB circuitry designed by legendary John Curl     Direct coupled - no capacitors or inductors in audio path ensures the cleanest signal     Balanced XLR inputs with discrete circuits     Full power is rated all the way down to 5Hz for unrestricted low-end bass     Custom 1.5 kVA encapsulated toroid power transformer with independent secondary windings for each channel     Hand-matched JFETs for input stage     Hand-matched MOSFETs for driver stage     Beta-matched 15 amp, 60 MHz bipolar output transistors (3 pairs per channel)     100,000 µF power supply filter capacitance     DC Servo and relay protection circuits     Auto turn on by audio signal or 12V trigger     Heavy-duty 24k gold-plated, 5-way speaker terminals     3U chassis with updated cosmetics, rack mountable with HRA3 (sold separately) Veuillez n'enchérir que si vous acceptez qu'il s'agit d'une vente privée, sans les garanties habituelles de l'UE et le droit de retour ! En soumettant une offre, vous acceptez cette condition. Power outpout 5 Channels Driven 180 watts x 5, 8 Ω 255 watts x 5, 4 Ω Power Output - 2 Channels Driven 225 watts x 2, 8 Ω 350 watts x 2, 4 Ω Power measurements parameters with 120VAC 0.05% THD, RMS continuous power, full audio band (20 Hz - 20 kHz) Current Capacity: 45 amperes peak, per channel Dynamic Headroom: >1.5dB Slew Rate > 130 volts per microsecond Frequency Response 5 Hz - 100 kHz, +0/-3 dB 20 Hz - 20 kHz, +0/-0.3 dB Total Harmonic Distortion (THD) IM Distortion TIM Unmeasurable Interchannel Crosstalk > 78 dB at 1 kHz > 63 dB at 20 kHz Input Impedance Unbalanced: 47 kΩ Balanced: 94 kΩ, 47 kΩ per leg Input Sensitivity for 28.28 V Output into 8 Ω Unbalanced: 1 V Balanced: 1 V per leg Total Gain: 29 dB S/N Ratio > 112 dB, input shorted, IHF A-weighted > 102 dB, input shorted, unweighted Damping Factor > 1100 at 20 Hz DC Trigger Requirements +9 Vdc to +12 Vdc, 5 mA Audio Trigger Requirements 2 mV - 10 mV XLR Pin Identification 1 = Ground (Shield) 2 = Positive 3 = Negative (Return) Dimensions Width: 17-1/4" (437 mm) Height without feet: 5-1/4" (133 mm) Height with feet: 5-7/8" (149 mm) Depth: 20" (508 mm) Depth with cables: 21-1/4" (540 mm) Net Weight 55 lb. (25 kg) Shipping Weight 69 lb. (31.3 kg) Power Requirement Standby: 1 Watt Idle: 125 Watts Maximum: 1500 Watts

Yamaha Matrix Processeur MTX5-D - Matrice Processeur - Excellent état Série MTX - Caractéristiques techniques - Processeurs - Audio professionnel - Produits - Yamaha - France MTX5-D (yamaha.com)   MTX5-D Mixing capability Mixing channels Mixing Channel: 16 Mono + 3 Stereo + 2 Effect Return + 8 Direct-in to Matrix Input channel functions Mono CH: 3-band PEQ, Comp, Gate, Auto Gain Control, Feedback suppressor (available in ch 1-8) Output channel functions Room Delay, Room EQ, Speaker Processor, X-Over (1way,2way), Delay, 6-band PEQ, Limiter I/O Phantom power +48V Internal processing Priority Ducking, Ambient Noise Compensator Sampling frequency rate Internal 48kHz/ 44.1kHz Signal delay Less than 3.0ms (AD-DA @48kHz) Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB), Less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, +0.5dB, -1.5dB Dynamic range 107dB (Gain:-6dB) Hum & noise level Equivalent input noise -60dBu (Gain ： +66dB), -83dBu (Gain ： -6dB) Crosstalk -100dB Heat dissipation 55.9kcal/h max Power requirements AC100V-240V 50Hz/60Hz Power consumption 65W Dimensions W 480mm (18.9") H 88mm (3.4") D 351mm (13.9") Net weight 6.3kg (13.9lbs) Others Memory bank: PRESET 50 ·          * Total harmonic distortion is measured with a 18dB/Oct fi lter @80kHz. ·          * Hum & noise level is measured with a 6dB/oct fi lter @12.7kHz;equivalent to 20kHz fi lter with infi nite dB/Oct attenuation. AnalogInput Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu ST IN 1,2 - 10kΩ 600Ω Lines -10dBV +10dBV RCA Pin Jack AnalogOutput Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock DigitalInput and Output Specifications Terminal Format Level IN/OUT Connector Note YDIF In YDIF RS-422 16IN RJ45 YDIF Out YDIF RS-422 16OUT RJ45 Primary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only Secondary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only ControlI/O Specifications Terminal Level Connector MTX5-D GPI 16 IN / 8 OUT IN 1-15ch: 0-5V 16ch: 2.5-24V: High, 2.5V or less, Allowable input +24V Euroblock OUT Open Collector +V DC5V MTX5-D REMOTE RS-232C (BAUD RATE: 38.4kbps or 115.2kbps) D-sub 9pin (Male) DCP - RJ-45 Exi8/Exo8 Specifications   EXi8 EXo8 Sampling frequency 48kHz/44.1kH Signal delay Less than 2.5ms Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB); less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, -1.5dB min, 0dB typ., +0.5dB max Dynamic range 107dB (Gain:-6dB) Equivalent input noise (EIN) -126dBu (Gain: +66dB) Phantom power +48V (per channel; individually settable) Crosstalk -100dB (@1kHz) Heat dissipation (per hour) 21.5 kcal max. Power supply voltage 100V 50/60Hz Power consumption 25 W max. Dimensions (W x H x D) 480(W) x 44(H) x 351(D)mm, 1U 480(W) x 44(H) x 351(D)mm, 1U Included items Power cord, Euroblock plugs (3-pin, tabbed) x8 EXi8Analog Input Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu EXi8Digital Input Specifications Terminal Format Level IN/OUT Connector YDIF In YDIF RS-422 16IN RJ45 EXo8Analog Output Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock EXo8Digital Output Specifications Terminal Format Level IN/OUT Connector YDIF Out YDIF RS-422 16OUT RJ45 Exi8 /Exo8 Control I/O Specifications Terminal Format Level Connector Network Ethernet 100Base-TX - RJ-45  

Great integrated amplifier, comes with the optional wireless card (worth of 300 euros!) and the optional remote, sold separately for 45 euros. It was a secondary system that was not been used much, in perfect working condition and looks. Great DAC on the wireless side of CD quality without compression (16 bits / 44 kHz) and also an excellent headphone output. I'm also throwing in the CD50 player that it worked absolutely perfectly until recently, when it no longer turns on. I took a look inside, but everything seems in order, no burnt parts, I don't know what could be the cause and I don't have time, someone else could fix it and use it, it sounds great and it cost about 650 euros! So consider it as a bonus to the associated amplifier! Made in France. No original box but will be extremely well packaged. Would consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. A pure sound reproduction that does not lack warmth. When listening, the device immediately stands out for the subtlety and delicacy of its sound reproduction. It is a follower of purity and its midrange register is particularly elegant. It manages to be very rich in colors and timbres, while demonstrating a very high transparency with an excellent presence effect. The Atoll IN50 is unpretentious, does not seek to impress, neither by its appearance nor by its performances, but delivers a restitution that is both very delicate and full of energy. Stereo integrated amplifier Symmetrical structure 1.5 mm steel chassis Mos-Fet transistors 160 VA toroidal transformer Electronic protection Measurements Power: 2x50 W under 8 ohms and 2x70 W under 4 ohms Pulse power: 90 W Input sensitivity: 100 mV Power supply: 160 VA Current capacity: 15,000 µF Input impedance: 220 kohms Frequency response: 5 Hz to 100 kHz Connections 6x RCA stereo analog inputs and 1x monitoring output 1x 3.5 mm mini-jack headphone output (front) 2x RCA stereo pre-out outputs Gold-plated screw terminals General Minimum consumption: 11 W Maximum consumption: 200 W Dimensions (lxhxp): 440 x 90 x 270 mm Weight: 7 kg DAC Burr Brown PCM1754 Lossless CD quality transmission (16 bits / 44 kHz) Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / fidélité musicale / gustard / ifi / moniteur audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Neve, Chord, Naim, PS Audio, Parasound, Sparkos, Atoll, Nad, Sugden, Exposure, Krell, Leak, Advance, Cayin, Luxman, Yamaha, Cambridge, Quad, Cyrus, quad / cambridge audio / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis / sennheiser / schiit / topping / luxman / ZMF, sparkos, geshelli, paradis musical, fosi, KEF, Linn, gato, m2tech, Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis / sennheiser / schiit / topping / ZMF, sparkos, geshelli / emotiva / krell / leak / sugden / hegel / exposure wiim, eversolo, sony, aune, gustard, smsl, volumio, matrix, KEF, Linn, gato, m2tech, sony, edifier, jbl, wharfedale, jamo, kanto, ruark, tria En savoir plus Collaboration commerciale.

Carte juste utilisée dans une de mes consoles Yamaha. Vendue dans sa boite d'origine avec son mode d'emploi mais sans licence DVS (Dante Virtual soundcard). 30$ donc 26€ la licence pour 1PC/MAC sur le site audinate.com  Caractéristiques: - Supports 44.1 and 88.2kHz sample rates, in addition to the previously-supported 48 and 96 kHz sample rates. - Audio channels: 16x16 @ 48kHz OR 8x8 @ 96kHz - Sample rate pull-up/down can be used to synchronise audio with video that has undergone frame rate conversion. - Dante-MY16-AUD2 cards can be daisy chained together via the secondary Ethernet port. - Dante-MY16-AUD2 can be PIN-locked and unlocked using Dante Controller. - Latency can be selected from five preset values: 0.25 ms, 0.5 ms, 1.0 ms, 2.0 ms, or 5.0 ms. - More than 16 audio channels can be transferred when used with multiple Dante-MY16-AUD2 cards. - Automatic discovery and setup for network devices. Devices names can be specified as required. - Sample bit-depth: 24 bit PCM - Network: 2 Gigabit (1000Mbps) Ethernet RJ45 connectors for Dante I/O, 1x D-sub 9 pin connector for RS232-C. - Redundancy: Glitch-free Dante audio redundancy using dual Ethernet networks - HA Remote: Support for HA Remote capable Yamaha products - Expandable: Install up to four Dante-MY16-AUD cards in available MY16-compatible slots for up to 64x64 audio channels - Compatible with a range of digital mixing consoles, processors and power amps equipped with MY16-interface compatible card slots, including: - Digital Mixers: QL 5/1, CL5/3/1, PM5D, DSP5D, M7CL, LS9, DM2000, DM1000, 02R96, 01V96, 01V96i - Processors: DME24N, DME64N - Power Amps: Tx4n, Tx5n, Tx6n - Synchronization: High quality on-board VCXO clock can provide master clock OR slave from audio equipment; automatic synchronization with Dante network - Allows direct PC or Mac audio input and output without the need for an audio interface. Prix le plus faible en neuve 799€ chez Toto.. Cédée 450€ !! Frais de port gratuit pour la France en colissimo avec assurance..

Etat Neuf frais de port offert via UPS pour la France. RedNet D16 AES is a 1U 19in rack-mount interface featuring 16 channels of AES/EBU connectivity to and from a Dante audio network, with Ethernet redundancy for maximum network reliability. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and a Dante network, RedNet D16 AES has a Sample Rate Convertor (SRC) on each input pair allowing instant operation with any AES3 source. Word Clock and Digital Audio Reference Signal (DARS) connections provide synchronisation with a wide range of hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players. 16 Channel RedNet AES3 Interface for Dante Network AES3 connectivity allows connection of external converters, effects units, mixing consoles or any other AES3 equipped audio equipment to the Dante audio network Dual rear-panel Ethernet connectors (primary and secondary connectors) allow maximum network reliability with seamless switchover to a standby network in the unlikely event of a network failure. The ports can alternatively be used to daisy-chain additional units. SRC allows external equipment to run at any sample rate, irrespective of the sample rate or clocking of the Dante audio network Compact design allows maximum functionality in minimum rack space, with a full 16 channels of I/O in 1U. RedNet D16 AES features the standard trademark red anodised front panel RedNet D16 provides two 8-channel AES59 combined I/O DB25 connections. In addition, a pair of XLR3 connectors duplicates channels 1 & 2 The rear panel XLR input connector can either be used as a DARS input or as a traditional AES3 audio input, replacing channels 1‰ÛÒ2 of the DB25 inputs S/PDIF input and outputs are provided on RCA connectors; ideal for connecting CD players or solid-state recorders. The input replaces channels 3 & 4 in the DB25 connector while the output can be assigned to replicate any adjacent odd/even output pair Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network RedNet Control 2 software provides comprehensive remote control capability via a powerful tabbed browser-like graphic user interface, handling up to 600 devices

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

Aeotec Siren Gen5, Z-Wave Plus, 105dB siren with strobe alerts, Plug-in, Backup battery Used - in perfect condition. Controlled by Z-Wave, Aeon labs siren comes with all the features that a siren ought to have as well as the features it should have. Along with its inbuilt siren and LED lights are a host of inbuilt benefits. There's the backup battery that will keep the siren online in the event of a power-cut, purposeful or otherwise. There are also the inbuilt configuration commands, allowing the decibels the siren outputs to be customized for secondary purposes, from door chimes to door bells. Utilizing the latest, stable Z-Wave technology, each sensor acts as a network repeater and features Z-Wave explorer frames for network maintenance and healing. - It's not just Siren's audio alerts that are helping to keep you safe. Siren is enhanced with visual alerts courtesy of 3 powerful, front-facing LEDs. - Siren has to immediately alert you to emergencies and safety problems. So that you always hear it, it has a high-intensity, 106dB speaker built right in. - No more wires. No more expensive installations. Setting up Siren couldn't be simpler. Select where you want it to be in your home and plug it in to a power outlet. Aeotec Siren Gen5, Z-Wave Plus, sirène 105dB avec alertes stroboscopiques, Plug-in, Batterie de secours Occasion - en parfait état. Contrôlée par Z-Wave, la sirène des laboratoires Aeon est livrée avec toutes les fonctionnalités qu'une sirène devrait avoir ainsi que les fonctionnalités qu'elle devrait avoir. Avec sa sirène intégrée et ses lumières LED, il y a une foule d'avantages intégrés. Il y a la batterie de secours qui maintiendra la sirène en ligne en cas de coupure de courant, volontaire ou non. Il existe également des commandes de configuration intégrées, permettant de personnaliser les décibels des sorties de sirène à des fins secondaires, des carillons de porte aux sonnettes de porte. Utilisant la dernière technologie stable Z-Wave, chaque capteur agit comme un répéteur de réseau et dispose de cadres d'exploration Z-Wave pour la maintenance et la réparation du réseau. - Ce ne sont pas seulement les alertes audio de Siren qui vous aident à rester en sécurité. La sirène est améliorée avec des alertes visuelles grâce à 3 LED puissantes orientées vers l'avant. - Siren doit vous alerter immédiatement des urgences et des problèmes de sécurité. Pour que vous l'entendiez toujours, il est doté d'un haut-parleur haute intensité de 106 dB intégré. - Plus de fils. Fini les installations coûteuses. La configuration de Siren ne pourrait pas être plus simple. Sélectionnez où vous voulez qu'il soit dans votre maison et branchez-le à une prise de courant.

Aeotec Siren Gen5, Z-Wave Plus, 105dB siren with strobe alerts, Plug-in, Backup battery Used - in perfect condition. Controlled by Z-Wave, Aeon labs siren comes with all the features that a siren ought to have as well as the features it should have. Along with its inbuilt siren and LED lights are a host of inbuilt benefits. There's the backup battery that will keep the siren online in the event of a power-cut, purposeful or otherwise. There are also the inbuilt configuration commands, allowing the decibels the siren outputs to be customized for secondary purposes, from door chimes to door bells. Utilizing the latest, stable Z-Wave technology, each sensor acts as a network repeater and features Z-Wave explorer frames for network maintenance and healing. - It's not just Siren's audio alerts that are helping to keep you safe. Siren is enhanced with visual alerts courtesy of 3 powerful, front-facing LEDs. - Siren has to immediately alert you to emergencies and safety problems. So that you always hear it, it has a high-intensity, 105dB speaker built right in. - No more wires. No more expensive installations. Setting up Siren couldn't be simpler. Select where you want it to be in your home and plug it in to a power outlet. Aeotec Siren Gen5, Z-Wave Plus, sirène 105dB avec alertes stroboscopiques, Plug-in, Batterie de secours Occasion - en parfait état. Contrôlée par Z-Wave, la sirène des laboratoires Aeon est livrée avec toutes les fonctionnalités qu'une sirène devrait avoir ainsi que les fonctionnalités qu'elle devrait avoir. Avec sa sirène intégrée et ses lumières LED, il y a une foule d'avantages intégrés. Il y a la batterie de secours qui maintiendra la sirène en ligne en cas de coupure de courant, volontaire ou non. Il existe également des commandes de configuration intégrées, permettant de personnaliser les décibels des sorties de sirène à des fins secondaires, des carillons de porte aux sonnettes de porte. Utilisant la dernière technologie stable Z-Wave, chaque capteur agit comme un répéteur de réseau et dispose de cadres d'exploration Z-Wave pour la maintenance et la réparation du réseau. - Ce ne sont pas seulement les alertes audio de Siren qui vous aident à rester en sécurité. La sirène est améliorée avec des alertes visuelles grâce à 3 LED puissantes orientées vers l'avant. - Siren doit vous alerter immédiatement des urgences et des problèmes de sécurité. Pour que vous l'entendiez toujours, il est doté d'un haut-parleur haute intensité de 105 dB intégré. - Plus de fils. Fini les installations coûteuses. La configuration de Siren ne pourrait pas être plus simple. Sélectionnez où vous voulez qu'il soit dans votre maison et branchez-le à une prise de courant. FONCTIONS: - Sirène d'intérieur sans fil Z-Wave Plus - Volume sonore 105dB  - Alarme visuelle puissante - Batterie de secours interne en cas de coupure de courant - Sécurité de la communication radio via le chiffrement AES-128 - Intègre la puce Z-Wave série 500 - Communication 250% plus rapide comparé à des périphériques Z-Wave standard  - Supporte les trames d'exploration Z-Wave - Supporte Beaming  - Mises à jour du firmware Over The Air (OTA) - Répéteur de messages Z-Wave  - Optimisation de l'antenne, portée 150 mètres - Installation facile sur une prise de courant   CARACTERISTIQUES TECHNIQUES: - Type de module: Récepteur Z-Wave - Alimentation: 90-260Vac, 50/60 Hz - Batterie de secours interne (Lithium): 430 mAh - Consommation: - En veille: 0,7W - En fonctionnement: 1,7W - Fréquence: 868.42 MHz - Distance de transmission: 170m en champ libre - Puissance du buzzer: 105dB - Température de fonctionnement: 0°C à 45°C - Dimensions: 8,5cm x 5,7cm x 6,5cm (L x l x p) - Poids: 85g - Certifications: CE et RoHS