Stage design

En bonne état, fonctionne parfaitement bien et très propre. En plus j'offre l'adaptateur officiel Apple pour pouvoir utiliser même les derniers iPhone La télécommande est fournie avec l'appareil (pas visible en photo)      Description du produit Si vous cherchez une station d’accueil alliant puissance et portabilité, la JBL On Stage IV est celle qu’il vous faut, avec le style en plus. Ses quatre transducteurs JBL Odyssey à spectre intégral et son amplificateur numérique diffusent un son JBL réaliste dans n importe quelle pièce (ou espace extérieur). Ses 6 piles AA garantissent des heures d’utilisation continue. La télécommande infrarouge vous permet de parcourir votre playlist de n’importe quel endroit de la pièce, tandis qu’un câble USB vous permet d’effecteur le chargement de votre iPod ou iPhone et sa synchronisation avec iTunes. Quel que soit l’endroit où vous vous réunissez avec vos amis, vous n’hésiterez plus à y emmener votre JBL On Stage IV.        Points forts • Design novateur • Compact, léger, portable • Fonctionne sur piles ou secteur • Placement des enceintes optimisé pour fournir un son à 360° • Transducteurs JBL Odyssey avec égalisation optimisée par ordinateur • La télécommande à infrarouge permet d’accéder aux menus iPod jusqu’à une distance de 4,6m • Jusqu’à 16 heures d’autonomie • Commandes tactiles conviviales • Connexion USB pour synchronisation iPod/iPhone avec iTunes lorsque la station est connectée à votre ordinateur • Modes d’alimentation sur batterie automatique et d’économie d’énergie • Une LED illumine la plateforme transparente pour votre iPod ou iPhone et vous alerte sur le statut de charge du JBL On Stage IV • Le design du système est optimisé pour que l’enceinte soit immunisé contre les interférences téléphoniques lorsque la musique joue

A21SE Stage Two Phono Amplifier There are two dedicated phono amplifiers in the Sugden range and both are borne from our passion for vinyl. The Stage Two offers exceptional value for money with facilities to cater for both MM and MC cartridges. The design is a two box system separating the power supply from the amplifier. The phono amplifier has fixed loading for MM and 100 and 470 Ohm selection for MC. Our design criteria was to produce a product that was as neutral as possible, retaining a faithful and enjoyable analogue sound. A21SE Stage Two Phono Amplifier NEW IN BOX, on stock, ready to ship. Retail price:599€ Facilities Inputs                                      Moving magnet, Moving coil                                                LTVS power in Outputs                                  Fixed line level output Gain Adjustment                    Internal selection for MM or MC Load Adjustment                    Internal for MC 100 and 470 Ohms                                                MM fixed load 47k Earth Terminal                       Screw type External Power Supply          Mains powered Specifications Input Sensitivity                      MM 3.0mV MC 0.15mV Output                                    350mV Frequency Response            +/-1.5dB 20Hz-20kHz Signal to Noise                       >64dB Gross Weight  (packed)        2kgs Dimensions                           Phono amplifier 60 x 140 x 77mm (hwd)                                               Power supply 50 x 140 x 77mm (hwd) Visit My Facebook: M&LaMusique Instagram: Cheam.Khaut.Ming Whatsapp: +33663082521

Le Blackstar HT Stage 60 212 Mkiii est un amplificateur de guitariste conçu pour les scènes et les studios. Ce modèle compact et puissant offre des performances exceptionnelles grâce à sa conception innovatrice et technologiquement avancée. Il est équipé d'un puissant amplificateur intégré de 60 watts (RMS) avec deux canaux ISF (Infinite Shape Feature), offrant une gamme étendue de tonalités allant du classic rock au metal modernes. Les deux canaux sont équipés de fonctionnalités ISF (Infinite Shape Feature), ISF Preamp volet et ISF Power volet qui permettent aux guitaristes de personnaliser leur son selon leurs préférences sonores. Le canal solo dispose également d'un bouton Boost qui ajoute instantanément du gain supplémentaire au signal lorsque c'est activé. Le canal rythmique dispose d'une fonctionnalité ISF volet bass qui permet aux guitaristes de personnaliser le son du bassiste dans l'amplificateur lui-même, ce qui peut être particulièrement utile lorsque vous jouez seul ou dans un petit groupe sans basse. Le HT Stage 60 212 Mkiii dispose également d'un réglage Global Reverb qui ajoute une ambiance naturelle et spacieuse aux sons de votre instrument, rendant vos performances plus expressives et vivantes. Ce modèle dispose également d'un système de sorties DI XLR direct, ce qui vous permet de connecter directement votre amplificateur à un mixageur ou à un enregistreur numérique sans perdre de qualité sonore. Enfin, l'amplificateur dispose d'un système de protection ISF contre surchauffe intelligent qui empêche automatiquement l'amplificateur de s'overload lorsqu'il est utilisé à plein volume ou lorsque vous jouez des cordes très fortes ou des accords complexes, ce qui vous permet de jouer sans craindre de dommages irréversibles à votre amplificateur. Avec son design compact et robuste, son puissant amplificateur intégré, ses fonctionnalités ISF avancées et son système de protection contre surchauffe intelligent, le Blackstar HT Stage 60 212 Mkiii est l'idéal pour tous les guitaristes souhaitant obtenir des performances exceptionnelles sur scène ou dans le studio. Code EAN: 0845644008070. En savoir plus

Attention de Bien Lire l’Énoncé Jusqu'en Bas de la Page Avant Achat..... Livraison sur la France Via Mondial Relay b'&' Colissimo (Le Prix Comprend Bien Sur l'Emballage, Papier Bulles, Cartonnage, Manutention et Déplacement), Pour les Autres Pays Européens et Monde, Livraison en Colissimo Recommandé de la Poste Française (Demander le Prix Avant Achat)..................Merci. Attention de Bien Vérifier le Colis et l'Ensemble Directement au Retrait Point Relay ou de la Poste ou Autres Livraison, et Bien sur,de Suivre Votre Livraison Personnellement Avec le Numéro de Suivi Fourni par et le Transporteur. Vérifiez Bien Vos Mails Indésirables, Au Cas Ou, car le Renvoi Sera à Votre Charge. Si Livraison Via Mondial Relay, Merci de Choisir Votre Point Relay de Préférence au Moment de l'Achat, Sinon, Pas de Réclamation si Distance non Conforme:) Possibilité de Remise en Main Propre sur Marseille la Valentine, Aubagne ou Hyères-les-Palmiers Tourne-Disques Platine Vinyle Moderne Bluetooth Style Vintage Retro des Années 1950 - 1960 Dans une Valisette Portable Compact b'&' Design * SWINGSON ON STAGE BT + BLACK * - Platine 3 Vitesses 33/45/78 Tours - Son Stéréo: Haut Parleurs Intégrés - Port USB Pour la Numérisation b'&' Encodeur MP3 - Fonction Bluetooth: Diffusez le Son de Votre Téléphone Ou de Votre Tablette. -Réglage de la Vitesse - Prise Casque - Prise Sortie RCA - Entrée Auxiliaire Mini-Jack 3.5 mm Avec Son Design Élégant b'&' Vintage, Elle Devient un Objet Unique et Décoratif Dans Votre Intérieur Platine en Excellent État, Esthétique, Car Neuve Dans son Emballage d'Origine. Elle a Servi Juste Pour les Essais. Largeur - 35 cm Profondeur - 26 cm Hauteur - 12 cm - Renvoi accepté sous conditions: - Objet différent de celui présenté sur les photos - Descriptif faux - cas de non conformité - Objet non authentique ou si j'ai précisé qu'il l'était car je n'ai hélas,pas la connaissance du tout savoir:) Mais attention,90% des objets sont anciens voir très anciens,donc logiquement avec des défauts classiques et normalement annoncés,il serait idiot de risquer un retour en plus payant pour moi.... Avant de prendre la décision du renvoi, merci de me contacter afin que je puisse vous donner l'adresse retour à laquelle il m'arrangera de le réceptionner. Dans ces cas, remboursement des frais de port à ma charge La demande de retour doit se faire 2 jours maximum après réception du colis - retour non Accepté pour: - Changement d'avis - Objet non conforme à votre désir - Objet ayant subit un dommage à cause du transport (à vous de vérifier au Point Relay) - Petite erreur de dimension b'&' petits détails pour les pointilleux.. Keywords: Aciko; Aelita; Aiko Aimor; Aiwa; Akai; Americana; Amphiton; Amstrad; Ando; Argo; Asahi; AudioComm; Audiologic; Audiosonic; Azamat; Aztron; Bangb'&'Olufsen; Bearmax; Berestie; Bicsound; Bigston; Blaupunkt; BOSE; Brandt; Brother; Candle; Casio; CCE; CEC; Citizen; Clairtone; Cobra; Columbia; Conion; Contec; Cosmel; Cougar; Craig; Crown; CTS; DAK; Diamond; Diatone; Digital Sonic; Digital Sound Lab; DUX; Dynasty; E.S.C; Eaton Viking; Electro Brand; Electronika; Emerson; Evrika; Empress; Euromatic; Eusonic; Eversonic; Fair Mate; Ferguson; Fisher; General; General Electric (Loewe); Goldstar; GPX; Gregory; Grundig; HBATEC; Helix; HGM International; Hitachi (Perdisco); ICS; International; ISP; ITT; JC Penny; JVC (Victor); Ken-Tech; Kenwood; Kings Point; Kizuna; KTO International; Lasonic; Lenoxx Sound; Lloyds; Loewe; Lögic; Magnavox; Marantz; Mark; Mars; Maximal; Medeo; Megatech; Megatone; Midland; Mitsubishi; Monaco; Montgomery Ward; MTC; NEC; National; Nerl; Nippon; Nordmende; Oshiwa; Palladium; Panasonic (National); Pantronic; Perdisco; Philco; Philips (Magnavox); Pioneer; Prosonic; PYE; Quasar; Radiotone; RCA; Realistic; Rexcel; Rising; Ritm; Romantik; Saba; Samsung; Sandaiya; Sankei; Sanwa; Sany En savoir plus Collaboration commerciale.

Up for sale is a near mint example of the latest and greatest Audio Analogue AA Phono Stage. Picking up where the Aria left off, the AA Phono preserves the Audio Analogue house sound (fluid and tonally rich, with a touch of tube like warmth - but solid-state speed and bass depth), but adds extra soundstage width, focus, and much blacker, quieter backgrounds. Flexibility is top notch with absolutely every possible cartridge load and capacitance catered for - including very low output MC cartridges. Setup is very quick and easy via two rows of switches on either side of the unit, right below the front plate. Build quality is second to none, both inside (3 toroidal transformers, dual mono construction, high quality subsonic filter and shielding) and outside (the design, fit and finish are a joy for the eyes). Specs are as follows: - MM gain (@1KHz) - 40 dB - MC gain (@1KHz) - 65 dB - Frequency response (+/-0.25dB) - 10Hz - 20KHz - MM signal/noise ratio - 89 dB - MC signal/noise ratio - 72 dB - Standby power consumption (230VAC) - 0.7 W - Dimensions (H x W x D) - 87 x 220 x 372 mm - Weight - 5.8kg The unit will come professionally packaged, although without original box or manual. It was meant for a fourth (...) system which will in fact not happen. Any questions please ask. Thanks for looking !

Le Led Pinspot est un éclairage spécialement conçu pour les scènes de spectacle ou d'événements. Ce spot est équipé d'une puissante source lumineuse LED de 12 watts qui peut atteindre jusqu'à 90-240 volts alternatif sans transformateur supplémentaire grâce à sa prise universelle EU. Cela rend ce spot très pratique et facile à utiliser n'importe où dans le monde. Le Led Pinspot est également équipé d'un système de refraction optique qui permet de créer des rayons lumineux brillants et précis qui peuvent être utiles pour souligner différents points sur scène ou créer des effets visuels intéressants lors de performances musicales ou théâtrales. Ce spot peut également être utilisé comme éclairage ambiant ou comme lumière de scène principale grâce à sa puissance et sa qualité lumineuse exceptionnelles. Le Led Pinspot dispose également d'un régulateur de vitesse qui peut être ajusté pour créer différents effets lumineux allant du rouge au blanc pur, ce qui ajoute encore plus de flexibilité à cette lumière. Enfin, ce spot dispose d'une durée de vie estimée à plus de 50 000 heures grâce à sa source LED solide et fiable, ce qui garantit une longue durée de vie et une faible consommation électrique. Avec son design compact et résistant, son faible poids et son faible consommation électrique, le Led Pinspot est l'idéal pour tous ceux qui recherchent une source lumineuse puissante et flexible pour leurs scènes de spectacle ou leurs événements privés. En savoir plus

Ceriatone Chupacabra Jose Arredondo mod 50 watts. État : Occasion Service de livraison : Colissimo Fan of 80's guitar heroes (Van halen, Dokken, Ratt, Whitesnake, Metallica...) This head is for you !  Amazing sound and finish quality... Ceriatone Chupacabra 50 was the first offering in our Hot Rodded Plexi series, and is still a favorite for fans of British guitar Marshall Jmp/ Jcm 800 style tones who are keen on finding their own unique voice. The Chupa 50 is a nod to Jose Arredondo-modified circuits of the late ‘70s and ‘80s, but with a few refinements.   Compared to our Yeti, the Chupa is brighter, has more gain, is tighter, and more aggressive. Neither is better than the other, which is why we offer both, dummy! Part of what makes the Chupacabra so fun is it’s ability to dial in KILLER tones from all sorts of types of music in a simple format, all the while maintaining it’s own voice and integrity. Like other Ceriatone amps, we have labored carefully to select the finest components to suit the design, and the Chupacabra uses our specially designed, custom transformers for superior reliability, frequency response, and feel. Head Dimension: 25.75 x 8.35 x 10.35 inches / Actual Weight: 21 kg - Cascading gain stage design with individual Gain controls - 3-way Bright switch on each Gain 1 and Gain 2 controls - Feel switch adjusts attack and low contour - Era 3-way switch provides progressive levels of clipping and distortion - Rear-panel Pussy TrimmerTM allows the player to fine tune compression and saturation - Presence and Resonance controls adjust the high- and low-frequency content of the power section - Passive effects loop - DC heaters for low noise floor

ATTENTION DE BIEN LIRE L'ANNONCE JUSQU'EN BAS DE LA PAGE AVANT ACHAT.   LIVRAISON SUR LA FRANCE/BELGIQUE/LUXEMBOURG/ESPAGNE/ALLEMAGNE/ROYAUME-UNI/AUTRICHE/ITALIE/PORTUGAL VIA MONDIAL RELAY (LE PRIX COMPREND BIEN SUR L'EMBALLAGE,PAPIER BULLES,CARTONAGE,MANUTENTION ET DEPLACEMENT,ET NE PAS OUBLIER DE PRECISER LE POINT RELAY DESIRE SI BESOIN),POUR LES AUTRE PAYS EUROPEENS ET MONDE,LIVRAISON EN COLISSIMO RECOMMANDE DE LA POSTE FRANCAISE (DEMANDER LE PRIX AVANT ACHAT)..................MERCI. SOUND STATION D’ACCUEIL SON SPEAKER POUR IPODS ET NANOS GENERATION 5 *** JBL ON STAGE II MODELE TEAD-48-180800 *** ATTENTION LA STATION EST VENDUE TELLE QUE VOUS LA VOYEZ SUR LES PHOTOS,SANS EMBALLAGE,SANS LA NOTICE ET SANS SON CHARGEUR D'ORIGINE. VENDUE AVEC SA TÉLÉCOMMANDE D'ORIGINE ET DEUX ADAPTATEURS 30GB/40GB ET 10GB/15GB/20GB/COLOR 30GB Les auditeurs aiment l'iPod pour diverses raisons, notamment son son de haute qualité, son design astucieux et ses fonctions conviviales. Harman Multimedia rend hommage à cette efficacité avec son système de haut-parleurs d'accueil JBL On Stage, qui diffuse votre musique iPod préférée tout en offrant les mêmes avantages créatifs que l'iPod lui-même. Le dispositif utilise quatre haut-parleurs Odyssey Neodymium pour délivrer un spectre audio complet - des graves profondes aux hautes fréquences nettes - avec une égalisation optimisée par ordinateur qui mélange les tonalités pour plus de clarté. L'appareil est un compagnon naturel de la plupart des versions de l'iPod. Le JBL On Stage est compatible avec toutes les versions de l'iPod, à l'exception de l'iPod Photo. Il se connecte également à d'autres périphériques audio portables, tels que les lecteurs MP3, lecteurs CD et ordinateurs portables, via sa connexion mini-jack stéréo., Avec un boîtier élégant et inventif qui supporte le corps de l'iPod tout en ajoutant une touche moderne à votre décor. L'appareil est également compact - mesurant 175 mm de Diamètre et 40 mm de Hauteur. Pour en savoir plus sur la dernière version des enceintes JBL On Stage pour iPod compatibles avec les iPods et Nanos Generation 5, reportez-vous à la section Enceintes JBL On Stage B pour iPod..... - Renvoi accepté sous conditions: - Objet différent de celui présenté sur les photos - Descriptif faux - cas de non conformité - Objet non  authentique ou si j'ai précisé qu'il l'était car je n'ai hélas,pas la connaissance du tout savoir :) Mais attention,90% des objets sont anciens voir très anciens,donc logiquement avec des défauts classiques et normalement annoncés,il serait idiot de risquer un retour en plus payant pour moi....  Avant de prendre la décision du renvoi, merci de me contacter afin que je puisse vous donner l'adresse retour à laquelle il m'arrangera de le réceptionner. Dans ces cas, remboursement des frais de port à ma charge  La demande de retour doit se faire 2 jours maximum après réception du colis -  retour non Accepté pour: - Changement d'avis - Objet non conforme à votre désir - Objet ayant subit un dommage à cause du transport (nous nous ferons rembourser par la poste) - Petite erreur de dimension & petits détails pour les pointilleux.. Si pas d'accord,pas d'achat....Merci:) Keywords: LIMOGES.VALLAURIS.GIEN.ARCOPAL.PROVENCE.SARREGUEMINES.MOULIN DES LOUPS.SAINT AMAND.GERMANY.ENGLAND.ALLEMANDE.PARIS.VALENTINE.BAYEUX.PUTTI.SEVRES.CHINOISE.SAXE.NIDERVILLER.ROMANTIQUE.MINTON.CHATEAU DE LA LOIRE.JACOB PETIT.MEHUN.VIENNE.EMPIRE.ROYALE.AUTEUIL.BERNARDAUD.DRESDE.NAPOLEON.MEISSEN.BAVIERE.JEAN DERVAL.RODIN.CLOUTIER.MADO JOLAIN.MEYER.MADOURA.BLIN.JOUVE.POUCHAIN.LEMBO.CAPRON DERVAL JOUVE.ORFEVRE.OR.GOLD.SILVER.ARGENT.ETAIN.PLATINIUM.BRONZE.CUIVRE.CELAINE.FAIENCE.ANTIQUE.CELTIQUE.GRECE....

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

For sale IsoAcoustics Gaia III set of 4. The item is new, never used. Opened box. Feel free to ask if any question. Description: IsoAcoustics Gaia Series Threaded Isolation Feet The GAIA isolators are machined units that incorporate IsoAcoustics’ patented design to provide a high degree of speaker isolation, while resisting lateral movement and oscillations, to maintain alignment with the listening position. Internal reflections from the hard supporting surface are attenuated resulting in greater sound clarity and openness. The soundstage blossoms to open up a three-dimensional image of natural, spatial sounds. Optimal results are heard by installing these units with the logo facing the listening position, or rotated 180 degrees, to align the isolators with the speaker’s motive forces, lift and place the speakers into position as the GAIA lower isolator will adhere to the supporting surface. “When a speaker is placed on a hard surface, secondary internal reflections result. Any artefacts of this smear that is similar in the two channels are perceived to be in the centre, causing the sound stage to collapse. The GAIA series of isolators eliminates this smear resulting in a larger 3-dimensional sound stage.” Gaia III Crafted with the vision of providing extraordinary acoustic performance, the GAIA III is the union of aesthetic visual design and acoustic engineering. The small compact design delivers unbelievable acoustic isolation that will bring out clarity and openness from your speaker as you’ve never heard. Designed for floor standing speakers and subwoofers weighing up to 70 lbs (32 KG), the GAIA III will provide more openness and clarity. Structural borne noise is greatly reduced while internal reflections from the hard-supporting surface are attenuated resulting in greater sound clarity and openness. Optimal results are achieved by installing the GAIA isolators with the logo facing the listening position, or rotated 180 degrees, to align the isolators with the speaker’s motive forces. The GAIA III provides a high degree of isolation while resisting lateral movement and oscillations to maintain alignment with the listening position. Lift and place the speakers into position as the GAIA lower isolators will adhere to the supporting surface. The GAIA’s are threaded into the base of the speaker or subwoofer to replace the existing spikes or feet. Threading the GAIA’s into the base of the speaker creates a strong connection with the speaker. With the top of the GAIA housing connected with the speaker and the bottom of the GAIA connected to the supporting surface, all of the energy is then managed by the GAIA’s internal isolator.

The Crown Jewel of Audio Preamplification Experience the pinnacle of tube preamplifier design with this exceptional ex-demo Atma-Sphere MP-1 MK3.3. Designed by Ralph Karsten, this fully-balanced, zero-feedback design represents a masterwork in audio engineering. Technical Specifications - Topology: Fully balanced, differential circuit from input to output - Gain Stages: Pure Class A triode operation - Voltage: 235V operation - Premium Components: - Hand-selected Caddock military-grade resistors - Audiophile-grade V-Cap capacitors - Upgraded Caddock remote control system - Exclusive damping package for optimal mechanical isolation Current Configuration ($31,760 list price) - Line Stage: Balanced differential design - Phono Stage: High-performance phono section - MM/MC compatible - Precision RIAA equalization - Premium Tube Complement: - Selected Telefunken tubes - Premium Hytron tubes - All tubes carefully matched and tested Current Condition - Ex-demonstration unit (five years old) - Maintained by authorized French dealer - Full professional testing completed - All original packaging and documentation included Sonic Character - Exceptional transparency and micro-detail retrieval - Holographic soundstage with precise imaging - Natural timbre and tonal accuracy - Outstanding dynamic contrast - Deep, controlled bass response - Silky, extended high frequencies Logistics - Ships worldwide from Paris, France - Free international shipping included - Professional packaging and full insurance - Expert setup assistance available Investment Value At a fraction of the current list price ($31,760), this represents a rare opportunity to acquire one of high-end audio's most respected components, complete with premium upgrades and exceptional tubes. For serious audiophiles who understand that the preamplifier is the heart of any reference system, this MP-1 MK3.3 represents the pinnacle of analog music reproduction. Available for immediate audition in Paris. Additional pictures on demand. En savoir plus Collaboration commerciale.

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

This amp was built 9-8-2011 and is a 50 watt solid state rectified V3. The Two Rock Custom Reverb Signature V3 is a versatile two channel amplifier from boutique makers Two Rock. The Custom Reverb has always been a culmination of everything Two Rock creators Bill & Joe have learned since day one. Version 3 adds a new loop and Contour controls to this classic design. The Custom Reverb V3 has two distinct channels Clean and Lead, the Clean Channel is the classic pure Two Rock tone with endless depth and headroom. If you are looking for the famous John Mayer clean tone - this is it. The Lead channel has a superb warmth to it and the various controls on the V3 allow you to tweak and refine the sound to your perfect tone. Two Rock use carefully selected components and a hand built approach to craft some of the finest quality amplifiers we have come across. Just taking a peak inside the chassis is a lesson in what true craftsmanship is. The Custom Reverb V3 has an extensive range of controls giving you total control over it superb tone. The Custom Reverb V3 is an amp you can really sit down with and spend hours discovering new tones and subtle variations but the core sound is always pure and true to you. Custom Reverb Signature V3 ControlsTreble Control - Adjusts the high frequency response. In the full counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage. Bass Control - Adjusts the bass response. In the full counter-clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full counter-clockwise position, low frequencies are allowed to pass to the next gain stage. Mid Switch - Boosts the mid range frequency responseDeep Switch - This is a low frequency contou Features & details Two Channels of Classic Two Rock Tone Beautiful Pure Clean Channel New Lead Channel Switchable Half / Full Power Tube Rectification Mint like new Head is sell without the footswitch contact me before if you want it

Séquenceur Ableton Live 10 clé matérielle, acheté en 2020, fourni avec sa boîte. --- LIVRAISON OFFERTE --- Ableton Live 10 sequencer hardware key, purchased in 2020, supplied with box. --- FREE DELIVERY --- Ableton Live 10 Suite – The Choice of Producers and Beatmakers The Ableton Live 10 Suite music production software is designed to provide an exceptional sonic and technical palette. With over 5,000 sounds, 13 instruments, 39 audio effects, and 16 integrated MIDI effects, Live 10 lets you record unlimited audio and MIDI tracks, opening up endless possibilities for your creations. Live 10 Suite innovates with its dual interface, transforming your creative process: the Arrangement view, which allows for linear editing of your project, and the Session view, a space for freedom that lets you improvise and experiment without timeline constraints. Designed to capture every idea, Ableton Live 10 offers up to 32-bit/192 kHz resolution, unlimited multi-track recording, non-destructive editing, and unlimited undo. Live 10 Suite goes further with essential features such as automatic plugin delay compensation, track freezing to save DSP, real-time time-stretching with Warping, and advanced MIDI management. In the studio or on stage, Ableton Live 10 Suite becomes the heart of your music production, optimizing your workflow. Features - Ableton Live 10 Suite Software - Sequencer - Multi-track recording and MIDI sequencing of virtual and physical instruments - Unique Session view for non-linear composition, flexible performance, and improvisation - Real-time b'"'Warpb'"' time adaptation: automatically syncs music and loops regardless of tempo. - MIDI-mappable controls for hands-on creation on stage or in the studio – with automatic mapping for the most common physical controllers. - Audio-to-MIDI conversion tools: extract harmonies, melody, or drums from an audio sample and convert it to MIDI. - Complete selection of integrated audio effects for creative sound design, mixing, or mastering. - Advanced tools for sampling and slicing. - Support for VST2, VST3, and Audio Unit plugins (new with version 10.1) - Groove engine to apply swing to sound or MIDI, or extract the rhythmic b'"'feelb'"' from other audio files. - Video import and export for composing to visuals or syncing visuals to music. - Integrated Max for Live software with more instruments, audio and MIDI effects, and the ability to customize Live. - 10 instruments: Wavetable, Operator, Sampler, Analog, Electric, Tension, Collision, Simpler, Drum Rack, Impulse – plus instrument racks and the external instrument device. - 72 audio and MIDI effects, including Drum Buss, Echo, and Pedal (new with version 10.1, compared to 57 in previous versions). - Over 5,000 sounds. - Over 70 GB of loops and samples. ----------------------- Ableton Live 10 Suite – Le choix des producteurs et beatmakers. Le séquenceur de production musicale Ableton Live 10 Suite est pensé pour offrir une palette sonore et technique d’exception. Avec plus de 5000 sons, 13 instruments, 39 effets audio et 16 effets MIDI intégrés, Live 10 vous permet d’enregistrer un nombre illimité de pistes audio et MIDI, ouvrant des possibilités infinies pour vos créations. Live 10 Suite innove avec sa double interface qui transforme votre processus créatif: la vue Arrangement, qui permet une édition linéaire de votre projet, et la vue Session, un espace de liberté qui vous laisse improviser et expérimenter sans contrainte de timeline. Conçu pour capturer chaque idée, Ableton Live 10 propose une résolution jusqu’à 32-bit/192 kHz, avec enregistrement multipiste illimité, montage non destructif, et annulation illimitée. Live 10 Suite va plus loin avec des fonctionnalités essentielles comme la compensation automatique de délai pour les plugins, le b'"'freezingb'"' de pistes pour économiser le DSP, le time-stretch en temps réel avec le Warping, et une gestion avancée du MIDI. En studio ou sur scène, Ableton Live 10 Suite devient le cœur de votre producti En savoir plus Collaboration commerciale.

ROTEL RA-1592. État: Occasion en parfaite condition, aucunes trace d’usure, le rodage vient tout juste d être terminer avec 100h d écoutes. Vendu avec la télécommande et sans la boîte d origine. The RA-1592 Integrated Amplifier leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. DIMENSIONS (W × H × D) 431 × 144 × 425mm 17" × 5.7" × 16" FRONT PANEL HEIGHT 3U / 132.6mm (5.25") POWER REQUIREMENTS 230V, 50Hz POWER CONSUMPTION 500W STANDBY POWER CONSUMPTION NET WEIGHT 16.8kg (37lbs.) BTU RATING 1239 BTU/h CONTINUOUS POWER OUTPUT 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD) (20Hz–20kHz) FREQUENCY RESPONSE Line Level Inputs: 10Hz - 100kHz ±0.5dB Digital Inputs: 10Hz - 90kHz ±2dB Phono Input: 20Hz - 20kHz ±0.5dB S/N RATIO (IHF "A" Weighted) Line Level Inputs: 103dB Digital Inputs: 102dB Phono Input: 80dB There has never been a better time to be a music lover. Today’s source options provide limitless audiophile quality music. CD-or-better quality streaming, high resolution download sites, inexpensive mass storage devices, the still resilient CD and the resurgence of classic vinyl are all providing a wealth of content at impressively high fidelity. To hear all this music as the artist intended requires an extraordinarily flexible, sonically capable component. The RA-1592 Integrated Amplifier is exactly that component. It leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. With a powerful 200 watt per channel Class AB amplifier using performance audio grade components, the RA-1592 can effortlessly drive large speaker systems. The impressive Rotel manufactured toroidal transformer is a key element in the power supply design which also includes custom slit-foil storage capacitors and a dual-monoblock topology. All of this helps to ensure the amplifier performance stands up to even the most complex music and real world playback conditions. To complement the amplifier section, the RA-1592’s preamplifier incorporates the superb 32-bit/768kHz AKM digital-to-analogue converter (DAC) and analogue stages of the highest quality. The DAC and surrounding circuitry supports a vast array of source inputs including DSD capable PC-USB (24-bit/192kHz), 3 coaxial, 3 optical, integrated aptX® Bluetooth and front mounted USB iPod input. In recognition of the faithful analogue music lovers, there is a phono stage input (MM), XLR balanced input and 3 analogue RCA source inputs. User selectable A-B speaker outputs with 5-way binding posts, RCA pre-output and dual subwoofer outputs provide the ultimate flexibility in installation. The amplifier protection circuits monitor DC offset, overcurrent, short circuit and temperature to protect both the electronics and attached speakers. Custom integration features include RS232 and Ethernet IP control, 2 trigger outputs, remote IR input and automated digital signal sense power control for easy integration with streaming sources and control systems. The RA-1592 is the finest integrated amplifier yet in Rotel’s 55 year history of producing performance audio components.

Tilta MB-T03 Overview Fair condition, Many cosmetic wears, but Works perfectly.            Very lightweight mattebox, I recommend. - 1 - 2 - 3 - 4 - 5 The Tilta 4 x 4" Carbon Fiber Matte Box features carbon fiber and aluminum construction, making it both lightweight and durable. The matte box will work with lenses up to 100mm in diameter. It features one fixed and one rotating 4 x 4" filter stage and mounts onto lightweight 15mm rods. The matte box incorporates a swing-away design for rapid lens changes. The included removable top and side flags can be precisely set and locked to block stray light from flaring your lens. The included anti-reflection rings protect your image by blocking stray light behind the camera bouncing off filters in the matte box and flaring your image. Lightweight Construction The matte box is made of carbon fiber, with aluminum used for the support structure. This provides a lightweight yet sturdy unit that is appropriate for shooting hand-held or with a stabilizer rig, when every ounce counts. Swing-Away Design The swing-away design allows you to quickly move the matte box out of the way to check or change lenses, without having to remove the matte box from the support rods. This way you don't have to hand off the matte box to someone else, hold it under an arm or between your knees, or hang it under the rods while you work, greatly speeding your workflow and reducing the chance of dropping the matte box or having a filter tray fall out. Top & Side Flags The removable top and side flags provide you additional flare control and attach to the matte box with a lockable hinged assembly. This allows you to precisely set your flags to match the edge of frame for different lenses and lock them in place so that they don't move during the shot. Anti-Reflection Inserts The three included anti-reflection inserts work with lenses with an outer diameter of 72, 80, and 90mm. They provide a light-tight seal so that light from behind the camera cannot leak through where the lens joins the matte box and reflect off filters to flare your image. When you are using lenses with outer diameters other than 72, 80, and 90mm or with lenses that have excessive focus travel it is recommended to use the cloth "nun's knickers" to prevent light leaks. In the Box - Tilta 4 x 4" Carbon Fiber Matte Box - 2 x Filter Tray (4 x 4") - Nuns Knickers - 3 x Anti Reflection Insert

Welcome! For sale is Electro-Voice CPS4.10 apmlifier with 4 channels of each nominal output is 1000W. MSRP: 3200 US$ Amplifier was never used (just tested before i made this listing) and it is 100% operational. See more technical details below. Shipping We will ship to any location worldwide. Please send us message for shipping cost to your location. All customs fees are not included in the international shipping costs. Buyer is responsible for all customs fees.  Please contact us if you have any question regarding this item.  CPS4.10 This four-channel CPS amplifier from Electro-Voice features groundbreaking Class-D technology for maximum amp efficiency and minimized heat dissipation in 19-inch racks. Each channel individually provides transformerless, switchable output characteristics, which enable specific channels to achieve maximum drive. Power into 2 Ohms, 4 Ohms, 70V, or 100V line – no transformers are required. In Hi-Z operation (70V or 100V), a 50 Hz high-pass filter (HPF) provides protection against loudspeaker transformer saturation. Additionally, amplifier channels can be bridged in pairs for double output power. Each contractor-friendly, multi-channel CPS amplifier also features Phoenix-type connectors for inputs and outputs, pre-programmable power-on delay, easy power-on remote via contact closure, and rear level controls. A module slot for the RCM-810 remote control module provides control network functionality, allowing for remote system diagnostics and control via IRIS-Net software. In addition, using the RCM-810’s Variable Load Drive feature can tailor the amplifier’s output power to match every load from 2 Ohms up to 10 Ohms in steps of 0.1 Ohms. Features: - Class-D design for high-efficiency and low heat dissipation - Flexible matching for Low-Z and High-Z applications - Optional remote control via IRS-Net - Four-channel design in 2RU chassis Specifications: - Maximum Midband Output Power (THD=1%, 1kHZ): 4 x 1000W @ 2 ohms 4 x 1000W @ 4 ohms 4 x 1000W @ 70V 4 x 1000W @ 100V - Rated Output Power (THD 4 x 900W @ 2 ohms 4 x 900W @ 4 ohms 4 x 900W @ 70V 4 x 900W @ 100V  - Maximum Bridged Output Power (THD=1%, 1kHz) 2 x 2000W @ 4 ohms 2 x 2000W @ 8 ohms 2 x 2000W @ 140V 2 x 2000W @ 200V - Maximum RMS Voltage Swing (THD=1%, 1kHz, per channel): 100V - Power Bandwidth (THD=1% ref.1kHz, half power @ 4 ohms load): 10Hz-25kHz, 50Hz-25kHz  - Voltage Gain, ref. 1kHz: 32 dB (2ohm/4ohm mode), 33dB (70V mode), 36dB (100V mode)  - THD at rated output power (MBW=80kHz, 1kHz): - IMD-SMPTE, 60Hz, 7kHz: - DIM30, 3.15kHz, 15kHz: - Maximum Input Level: +21dBu - Crosstalk, ref. 1kHz at rated output power: - Frequency Response, ref. 1kHz: 10Hz-30kHz (+/-1dB) - Input Impedance, active balanced: 20k ohms - Damping Factor, 1khz, 8 ohms: >240 - Slew Rate: 28V/us - Output Noise, A-weighted: - Output Stage Topology: Class D - Power Consumption, 1/8 max. output power @ 4 ohms: 840W - Power Requirements: 220-240V, 50-60Hz or 120V, 50-60Hz or 100V, 50-60Hz - Protections: Audio Limiters, Temperature, DC, HF Short Circuit, Peak Current Limiters, Inrush Current Limiters, Turn-on Delay - Cooling: Front-to-rear, continuously variable fans - Ambient Temperature Limits: 40 to 105 deg. F - Safety Class: I - Dimensions (W x H x D): 19" x 34.7" x 16.6" - Weight: 24.6 lbs - Optional Accessories:  2-way internal X-Over cards, 24dB, LR, XHP-5 for 500Hz/XHP-8 for 800Hz RCM-810 IRIS-Net Control & Supervision Module Rear-Rackmount Kit RMK-15

FRENCH VINTAGE COLLECTION alimente régulièrement ses annonces pour découvrir ou compléter votre collection   EXCEPTIONNEL  TUNER  CE 1020 BRAUN AG Designer DIETER RAMS Braun AG Frankfurt / M Typ: CE 1020 110 / 220V ~ / 50-60Hz / 12W  Fabriqué en Allemagne de l'Ouest  Nr. 11762 FTZ- Pruf. Nummer 122/216]. Braun AG Allemagne, 1973 acier émaillé, plastique, acrylique, aluminium 15¾ l × 13¼ d × 4¼ h dans40 × 34 × 11 centimètres Dieter Rams est l'un des designers industriels les plus influents du 20e siècle connu pour son dévouement à la conception précise et ordonnée. Né à Wiesbaden en Allemagne en 1932, il a été profondément influencé par le travail de son grand-père, un menuisier. À seize ans, il entreprend des cours de design d'intérieur suivis d'un stage de menuiserie de trois ans. En 1953, il rejoint le bureau d'architecture d'Otto Apel à Francfort où il collabore avec Skidmore, Owings et Merril à la planification des bâtiments du consulat américain en Allemagne de l'Ouest. Peu de temps après, il a été recruté par le fabricant allemand d'électronique grand public Braun en 1955. En 1956, en collaboration avec des mentors de la Ulm School of Design, sa conception qui présentait la mécanique du SK4 radio et tourne-disque à travers du plastique transparent mettent son travail de conception sur la carte. TRES BON ETAT °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° DÉCOUVRIR " FRENCH VINTAGE COLLECTION " Objets à découvrir  Ajouter cette BOUTIQUE à vos FAVORIS  CLIC   Livres, Argenteries, pièces, gravure, CPA, Bijou, médaille, vieux papiers,... Tous les prix sont étudiés pour votre plus grand plaisir °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° FRANCE achat groupé sans frais supplementaire en point mondial relay  INTERNATIONAL LIVRAISON BELGIQUE ET LUXEMBOURG ET ESPAGNE EN POINT MONDIALE RELAY  livraison economique EN POINT MONDIALE RELAY  livraison à domicile (livraison standard) ACHAt groupé

FREE WORLD SHIPPING WITH TRACKING ** Samson Expedition XP800 800 Watt Portable PA System with Bluetooth ** FOR SPARES / SOLD AS IS / NON WORKING / New Stock Arrived Damaged  PLEASE NO RETURN ** See Photos Attached ** SPECIFICATIONS: Overview: Samson's Expedition XP800 is an all-in-one sound system that offers excellent audio quality with quick and easy setup. Providing 800 watts of power, the XP800 features a lightweight, 8-channel powered mixer and two 8" speakers. For enhanced portability, the XP800 offers a unique speaker-locking design that allows the system and all its components to be packed up and transported as a single unit weighing just over 40 pounds. Powerful enough for musical performances, the XP800 includes features like Bluetooth® and USB connectivity (for optional Stage X USB Digital Wireless Systems), making it ideal for streaming music from mobile devices or managing events and presentations. Features include: • 800-watt portable PA system • Ideal for small to medium-sized venues (audiences of 60-100) • Packs up into a single portable unit that weighs just over 40 lbs • Bluetooth connectivity to wirelessly stream music • Dual 2-way speakers with 8" woofers and 1" tweeters • Removable 8-channel lightweight Class D power mixer • 16 presets of 24-bit digital effects with Send level control • Footswitch jack for remote FX control • Four Mic/Line inputs (XLR and 1/4") for microphones and other line level devices • Hi-Z input for direct guitar connections • Two stereo channels with 1/4", RCA and 3.5mm inputs • 2-band EQ on all channels • USB Wireless port for use with Samson's XPD USB Digital Wireless Systems (sold separately) • Phantom power for condenser microphones • Sub output for active subwoofers • Music/Speech switch for optimizing output EQ for speech or music playback • Integrated 1-3/8" speaker stand mount • Stereo monitor outputs with level control • 30-degree “kickback” design for using enclosures as floor monitors • Two 25-inch speaker cables included

Accuphase E-202 Amplifier Just Serviced. For sale is a classic Accuphase E202 Integrated Amplifier 100WPC built like a German Panzer. Classic Accuphase sound! Recently serviced (the power supply caps have been replaced and some others, all the contacts have been checked and cleaned) and in overall great cosmetic condition. Description The Accuphase E-202 is a Integrated Stereo Amplifier which possesses a great many separate component class features and characteristics. Full play has been given in its design to the advanced engineering techniques that were developed far the P-300 Power Amplifier and the C-200 Control Center which spearheaded the Accuphase line of highest quality audio equipment. Among the many special features of the E-202 is the high power output of 100 watts per channel into 8 ohms assuring excellent sound quality at ALL listening levels. This high power capability, with distortion at less than 0.1% over the entire audio range of 20 to 20000 Hz is fully guaranteed. Heavy duty power transistors in a parallel push-pull drive output stage and large heat sinks back up this Accuphase Warranty. Design emphasis was placed on maintaining excellent sound quality also at the low listening levels. Specifications Power output: 100 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.15% Damping factor: 50 Input sensitivity: 2.5mV (MM), 160mV (line) Signal to noise ratio: 74dB (MM), 80dB (line) Speaker load impedance: 4Ω to 16Ω Semiconductors: 53 x transistors, 4 x FET, 44 x diodes, 2 x thermistors Dimensions: 455 x 152 x 355mm Weight: 19.5kg

L’ UMT 800 délivre un son clair est sans coloration, idéal pour l’enregistrement en studio précis et en toute fidélité des solistes instrumentaux et vocaux, pour les applications de Scoring et d’enregistrement pour les films, ainsi que pour les studios de radio et télédiffusion. Ce micro possède deux caractéristiques qui le rendent exceptionnel: son extrême sensibilité et son rapport signal/bruit exceptionnel. La capsule est un transducteur de variation de pression ambiante utilisant deux membranes et une seule plaque arrière en cuivre. Les membranes en plastique de grand diamètre sont plaquées or. La variation de tension de polarisation de la membranes associée aux positions du sélecteur de structure polaire (situé juste sous la grille) vous permet de bénéficier de cinq structures polaires: omnidirectionnelle, cardioïde large, cardioïde, hyper-cardioïde et en forme de « 8 ». La sensibilité maximum est dans l’axe de la grille. Notre nouveau circuit est sans transformateur desymétrisation des sorties. Ce circuit offre une plage dynamique très vaste et un bruit de fond qui reste très faible. Pour les applications avec des signaux très élevés, la sensibilité peut être réduite de 10 dB, grâce au sélecteur monté sur le corps. Le filtre coupe-bas permet de réduire la sensibilité dans les basses fréquences et peut être utilisé pour atténuer l’effet de proximité pour les prises rapprochées. Microphone statique sans transformateur UMT 800 Directivités disponibles: omnidirectionnel, cardioïde large, cardioïde, hypercardioïde, bidirectionnel (figure de 8) Principe de fonctionnement acoustique: transducteur à gradient de pression Réponse en fréquence: 40 Hz à 18 kHz Filtre coupe-bas: -10 dB à 90 Hz Sensibilité à 1 kHz: 8mV/Pa (position cardioïde: 13 mV/Pa Impédance de sortie: 150 Ohms Niveau de bruit équivalent - CCIR 468 - 4 (qps): 26 dB - DIN EN 60651: 14 dB (A) Rapport signal/bruit (réf: 1 Pa à 1 kHz): - CCIR: 68 dB - pondéré A: 80 dB Niveau SPL maxi pour THD de 0,5%: 139/135 dB avec pad -10 dB enclenché: 149/145 dB Gamme dynamique totale du pré-préampli micro intégré: 121 dB Intensité consommée (P 48, DIN 45596, IEC 268 - 15): 3 mA Connecteur de sortie: XLR 3 points, contacts plaqués or Poids: 540 g Dimensions: 195 mm x 70 mm de diamètre En parfait état, vente à regrets. Test possible sur Valenciennes. The Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. Two distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio. The pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8. The direction of maximum sensitivity is radial to the head grill, i.e. side addressed. The microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10dB switch mounted on the body of the mike when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications. En savoir plus

L’ UMT 800 délivre un son clair est sans coloration, idéal pour l’enregistrement en studio précis et en toute fidélité des solistes instrumentaux et vocaux, pour les applications de Scoring et d’enregistrement pour les films, ainsi que pour les studios de radio et télédiffusion. Ce micro possède deux caractéristiques qui le rendent exceptionnel: son extrême sensibilité et son rapport signal/bruit exceptionnel. La capsule est un transducteur de variation de pression ambiante utilisant deux membranes et une seule plaque arrière en cuivre. Les membranes en plastique de grand diamètre sont plaquées or. La variation de tension de polarisation de la membranes associée aux positions du sélecteur de structure polaire (situé juste sous la grille) vous permet de bénéficier de cinq structures polaires: omnidirectionnelle, cardioïde large, cardioïde, hyper-cardioïde et en forme de « 8 ». La sensibilité maximum est dans l’axe de la grille. Notre nouveau circuit est sans transformateur desymétrisation des sorties. Ce circuit offre une plage dynamique très vaste et un bruit de fond qui reste très faible. Pour les applications avec des signaux très élevés, la sensibilité peut être réduite de 10 dB, grâce au sélecteur monté sur le corps. Le filtre coupe-bas permet de réduire la sensibilité dans les basses fréquences et peut être utilisé pour atténuer l’effet de proximité pour les prises rapprochées. Microphone statique sans transformateur UMT 800 Directivités disponibles: omnidirectionnel, cardioïde large, cardioïde, hypercardioïde, bidirectionnel (figure de 8) Principe de fonctionnement acoustique: transducteur à gradient de pression Réponse en fréquence: 40 Hz à 18 kHz Filtre coupe-bas: -10 dB à 90 Hz Sensibilité à 1 kHz: 8mV/Pa (position cardioïde: 13 mV/Pa Impédance de sortie: 150 Ohms Niveau de bruit équivalent - CCIR 468 - 4 (qps): 26 dB - DIN EN 60651: 14 dB (A) Rapport signal/bruit (réf: 1 Pa à 1 kHz): - CCIR: 68 dB - pondéré A: 80 dB Niveau SPL maxi pour THD de 0,5%: 139/135 dB avec pad -10 dB enclenché: 149/145 dB Gamme dynamique totale du pré-préampli micro intégré: 121 dB Intensité consommée (P 48, DIN 45596, IEC 268 - 15): 3 mA Connecteur de sortie: XLR 3 points, contacts plaqués or Poids: 540 g Dimensions: 195 mm x 70 mm de diamètre En parfait état, vente à regrets. Test possible sur Valenciennes. The Gefell UMT 800 is a large format studio microphone featuring a pickup capsule with a long history of proven performance. Five polar patterns make this mike an ideal choice for a wide range of professional and semi-professional recording situations. The UMT 800 produces a clean, colorless sound, ideally suited for accurate recording of instrumental and vocal soloists in music studios, motion picture scoring stages and television broadcast studios. Two distinguishing characteristics of this microphone are its high sensitivity and outstanding signal to noise ratio. The pickup capsule is a pressure gradient transducer using dual membranes and a single brass back plate. The large diameter plastic membranes are sputtered with gold. Varying the polarization voltage to the membranes with the pattern switch, located just below the head grill, produces five patterns: omni, wide cardioid, cardioid, hyper-cardioid and figure 8. The direction of maximum sensitivity is radial to the head grill, i.e. side addressed. The microphone amplifier is a transformerless design with a symmetrical output stage. This design yields a wide dynamic range and a low self noise floor. The sensitivity can be reduced by a 10dB switch mounted on the body of the mike when miking extremely loud sound sources. A low frequency roll-off switch, also located on the body of the microphone, reduces the proximity effect for close-range applications. En savoir plus Collaboration commerciale.

The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use. Streamlined Session Control Featuring eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this. Professional Quality M-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls. A New Approach to Making Music With Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform. Pro Tools Compatible The Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility. Ultra-Compact Design The Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag. Sound Your Best Included with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MID En savoir plus Collaboration commerciale.

ARU-02 wireless audio transmission completed with ARU-02 Transmitter and ARU-02 Receiver, adopts for UHF frequency and FM high fidelity coding technology. High quality signal is transmitted without compression or distortion, fully restore the really nice tone. Features: The transmitter with 6.35mm plug works well with most guitars and basses. Built-in 2 different channels option for you to use 2 system at one stage. Simple to use. The transmitter and the receiver are matched by code, power on and play. UHF frequency and FM high fidelity coding technology to perfectly transmit the signal and restore the really nice tone without any compression or distortion. Delay time within 5mS gives you wonderful music experience. With indicator for connecting, recharging and low power alarm. Comes with a USB cable and antenna. Specifications: ARU-02 Transmitter: Channel: 2 UHF Channels(A/B) Plug: 6.35mm Mono Plug Power: >10dBm Signal Noise Ratio: System Frequency Response: 40Hz~18KHz+-3dB Delay: Distortion: Max. Transmission Distortion: >20m(no obstacle) Power Supply: 3.7V/1000mAH Li-battery & 5V USB Cable Work Hour: 8 Hours(full recharged) Charging Time: Transmitter Size: 9 * 2.5 * 2cm / 3.6 * 1 * 0.8in Transmitter Weight: 47g / 1.7oz ARU-02 Receiver: Channel: 2 UHF Channels(A/B) Plug: 6.35mm Mono Plug Sensitivity: Signal Noise Ratio: Power Supply: 4 * AA Batteries(not included) or 5V USB Cable Audio Cable Length: 90cm Receiver Size: 13.5 * 9 * 3cm / 5.3 * 3.6 * 1.2in Receiver Weight: 129g / 4.6oz Package List: 1 * Transmitter 1 * Receiver 1 * USB Cable 1 * Antenna 1 * User's Manual Note: The amplifier and guitar showed in the picture are not included. Please pay attention that the transmitter plug can't be used for the audio interface which is on the top of guitar with concave design(showed in the picture). I2980

Micro Mikrofon Microphone Grundig Gdm 121 Sennheiser Vintage. État : Occasion, en parfait état cosmétique (voir photos) et fonctionne. Testé.  Dans son box d'origine, avec son pied. Tested and fully functional condition.  See pictures for the cosmetics.  Wonderful vintage microphone, comes in its original packaging with foot. International bidders welcome, please ask for a precise shipping quote to your location of choice. Grundig GDM-121 Dynamic Microphone late 50's made in West Germany with box in excellent condition and full working order. Jack is replaced with 3 XLR plug. Quoted from Trashblitz website; Grundig GDM-121 Behold one of the foundational pillars of: The Grundig GDM-121, 1950s German vintage gold deluxe, and in all its glory quite probably responsible for this website. It is to this day the only gold coloured microphone we own, and it has such a cute little metal table stand with the Grundig four-leaf clover on it! And, more importantly, it was one of the first “vintage” microphones we acquired that did not simply sound old, funny or broken, and it piqued our interest in a very special way: It sounded fantastic, but there was buzz and hum and all sorts of unpleasant background noises mixed into the signal – and here my quest to  began. I found out that the GDM-121 is a high-impedance version of the Sennheiser MD21, a dynamic omnidirectional reporter microphone which is still being manufactured with only minor design updates, more than 60 years after its release in 1953. In terms of usefulness, this means that it is 100% functionally equal to the MD21, which was used as a reporter mic and in broadcasting. It has many advantages for these purposes – almost no handling noise, no proximity effect, incredibly sturdy (there was supposedly a show on the Sennheiser stage on some fair in the 1950s where an MD21 was dragged up and down a flight of stairs for hours, and it was still operational after this treatment). Since it was developed for vocal applications mainly, it has a presence boost above 3kHz and can withstand really high SPL. Much like with its cardioid sibling, the MD421, it’s virtually impossible to get a distorted signal out of this mic. In the studio, it can be used as a soft, jazzy kick drum mic, on guitar cabinets and on many instruments where you want to capture a mellow and natural ambient sound without very detailed transients or highs. This is because it is a large-diaphraghm dynamic omni, and as such probably unique in its properties even in most serious studio microphone collections.

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones have been well taken care of, are in excellent condition and in perfect working order. Shipping out of France - fast delivery and no custom fees for destinations within EU. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones are in very good condition and in perfect working order. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

WESTONE UM PRO 30 Paire d'écouteurs, de type monitor earphone. Presque jamais utilisée. Comme neuf. Over twenty years ago, Westone Audio changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone Audio UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone Audio UM Pro 30 incorporates all the innovations and expertise that Westone Audio has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone Audio’s proprietary silicone and comfort foam ear-tips are provided in 5 different sizes and enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone Audio UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

Vidéo projecteur NEC NP3150 complet (Vp + lampe neuve, télécommande, câbles)   Etat: produit d’origine fonctionnant parfaitement d’état irréprochable (car suspendu donc peu manipulé). Idéal pour les: -soirées cinéma, photos. -karaokés, gamers. -conférences, séminaires, etc... Vendu avec: -un câble DVI de 3 mètres. -un câble VGA de 3 mètres. -un adaptateur VGA/HDMI. -une lampe de rechange neuve (en + de l’interne) -une télécommande.   Projecteur Distance de projection : 0.89/20.8 Luminosité du projecteur : 5000 ANSI lumens Technologie de projection : LCD Résolution native du projecteur : XGA (1024x768) Taux de contraste : 600:1 Domaine de numérisation horizontale: 15 - 108 kHz Fréquence de balayage vertical: 48 - 120 Hz Source de lumière Type de source lumineuse : Lampe Durée de vie de la source lumineuse : 2000 h Puissance de la lampe: 330 W Système d'objectif Longueur focale : 24,4 - 32,5 mm Connectivité Entrée S-Vidéo : 1 Connecteur audio (L,R) intégré : 1 Sortie Audio (Gauche, Droite): 1 Type d'interface série : RS-232 Entrée audio PC: oui   Nombre de ports VGA (D-Sub) : 1 Entrée vidéo composite : 1 Entrée composante du dispositif audiovisuel (YPbPr/YCbCr) : 3 Port DVI : oui   Réseau Nombre de port ethernet LAN (RJ-45): 1 Caractéristiques Niveau sonore : 38 dB Plug and Play: oui   Certification: CE; TÜV GS; RoHS Design Compatible avec un montage au plafond Puissance Consommation électrique (typicale) : 490 W Consommation d'énergie (mode veille) : 26 W Poids et dimensions Poids : 7,5 kg Contenu de l'emballage Télécommande à main : oui   Autres caractéristiques Rapport d'aspect: 4:3 Dimensions (LxPxH): 399 x 150 x 358 mm Interface: USB 2.0 Type d'alimentation d'énergie: 100-240 V AC; 50 - 60 Hz Caractéristiques réseau: 10/100 base-T, W-LAN Focale de l'objectif: F= 1.7–2.2 Port RS-232: 1 ————————————————————————————————————————————————————————— BENQ EPSON VIEWSONIC OPTOMA ACER XIAOMI XGIMI LUMERI LG ASUS HITACHI JVC PANASONIC CHRISTIE PHILIPS BARCO VIVITEK VANKYO NEBULA WIMIUS QKK YABER VILINICE VICTSING ELEPHAS POYANK THUNDEAL BYINTEK ALTO AMERICAN DJ AUDIOPOLE AUDIOPHONY BERHINGER BOOST BST CAMCO CERWIN VEGA CHEVIN CREST AUDIO CROWN AMCRON DAP AUDIO DB TECHNOLOGIES ADAM AKG ART HALL ALESIS ANTARI ARTURIA AVENGERSS BEYMA BSS B&C SPEAKERS BALDOCCI BEYERDYNAMICS CAMEO CELESTON CONTEST CLOUD DAP DENON DASLIGHT AMERICAN DJ CHAUVET CREST DECKSAVER CHESLEY BEAMZ BHM APEX AVID ALLEN & HEATH AFX LIGHT APOGEE AUDIOPHONY AKAI BOOMTONEDJ KENWOOD ECLER EMINENCE ECLER FOCAL GENELEC GEMAR HPA ELECTRONICS IBIZA JBL GLOBAL TRUSS FBT EXECUTIVE ELOKANCE FL STUDIO FOSTEX FLUID EXCELIGHTING EVOLITE ELECTROVOICE EXPELEC ELECTROVISION DYNASCAN DBX HK HPA G-L-T MIPRO MONSTER KRK NOVATION NUMARK NICOLS K&M LD SYSTEMS M MIXARS MUST MOBIL MACKIE KODA KORG ORTOFON PALMER OSRAM QSC RANE RTX RME PRESONUS POWER DYNAMICS PHILIPS PRODIPE PIONEER PROEL ROAD READY SAGITTER SAMSON SHURE YAMAHA ZOOM STAGE LINE SERATO SUNLITE STAGG SIRUS SENNHEISER SOUNDCRAFT SHOWTEC SXLIGHTING TASCAM TURBOSOUND VARYTEC WHARFEDALE TECHNICS TECHNYLIGHT TECHNYSOUND VARYTEC VONYX SONY D&B