Stage monitor

Enceinte Enceintes Code EAN: 9077682998681 En-tête / Fabricant: Ktl Origine_import: hightech_minimaliste Titre: Enceintes pour téléviseur Creative Stage Barre de Son Under Monitor 2.1 Canal avec Caisson de Basse pour téléviseur, Ord 5723 Enceintes / Type: Barre de son

Vend comme neuf multieffet KEMPER Profil Stage, utiliser une dizaine d'heures, pas de choc ou rayure. Cause de la vente double emploi. La mise à jour du pédalier a été effectué. (Facture d'achat qui sera incluse avec) Il sera livré avec son câble d'alimentation,câble USB. Pas de proposition d'échange. Possibilité d'envoi en Europe en choisissant son pays mais des frais en plus sont à rajouter voir les tarifs sur l'onglet "livraison et paiements". Le paiement peut être effectué par paypal ou virement bancaire. Caractéristiques: Combinaison du préamplificateur Kemper Profiler et du pédalier Control dans un seul appareil Permet la reproduction d'un profil sonore individuel y compris baffles et prise de son micro Avec jusqu'à 4 émulation de pédales d'effets, effets Master, EQ, et plus Pour la première fois, il est possible de reproduire exactement la sonorité de son propre amplificateur  Plusieurs profils d'amplificateur intégrés La combinaison permet de contrôler, gérer et programmer les performances, ainsi que de gérer tous les commutateurs et les paramètres Morph complexes Ecran rétroéclairé et bien lisible en plein soleil Entrée sur Jack 6,3 mm Return 1-4 sur 4 x Jack stéréo 6,3 mm Sorties Main L/R sur 2 x XLR/Jack 6,3 mm Sorties Monitor L/R sur 2 x Jack 6,3 mm Send 1/2 sur 2 x Jack 6,3 mm Footswitch/Exp Pedal 1-4 sur 4 x Jack 6,3 mm Sortie casque sur mini Jack stéréo 3,5 mm MIDI In/Out/Thru S/PDIF In/Out Port USB Dimensions: 470 x 260 x 85 mm Poids: 4,6 kg Pas de réservation et les personnes indécises également s'abstenir. Je rappelle que mes ventes sont sérieuses et que quand on clique sur le bouton achat immédiat cela veut dire que l'on s'engage à payer l'objet. Car pour certaines personnes qui clique sans raison sur "achat immédiat" et qui ne répondent pas aux mails envoyés dans les 48 heures, j'annulerai la vente pour non confirmation d'achat.  Merci de votre compréhension.

1 Table de mixage audio stéréo 6 canaux STAGE LINE MPX-622. Etat neuf et fonctionne parfaitement (peu servie). ATTENTION: l'annonce est pour 1 table de mixage (2 disponibles) Prix neuf: 199 euros (vendue 80 euros) Table de mixage audio stéréo 6 canaux, pour une utilisation DJ ou Public Adress. - 2 canaux micro mono avec interrupteur Talkover et égaliseur 2 voies - 4 canaux d'entrée stéréo, commutables Phono / Ligne (canal 1 et 2) ou Ligne / Ligne (canal 3 et 4) - 1 sortie Master stéréo - 1 sortie Enregistrement stéréo indépendante du Master  - Egaliseur 3 voies avec position médiane pour la sortie Master et Record - Préécoute de tous les canaux d'entrée stéréo et du Master via une sortie casque stéréo réglable - Potentiomètre commutable de fondu-enchaîné entre les canaux 1-4 dans l'ordre voulu - VU-mètre stéréo à LEDs -  Nombre canaux 6 Nombre entrées 8 Entrée Mic 1 mV, 2 x jack 6,35 Entrée Ligne 150 mV, 5 x RCA D/G Entrée CD 150 mV, 1 x RCA D/G Entrée Phono 3 mV, 2 x RCA D/G  -  - Sortie Master 0,775 V/600 Ω, 1 x RCA D/G Sortie Record 0,775 V/600 Ω, 1 x RCA D/G Sortie Monitor - Sortie Booth - Sortie Aux - Sortie Insert - Effet Send - Control Room - Tape (Rec) - Casque ≥8 Ω, 1 x jack 6,35 Lampe col de cygne - Wi-Fi - USB - Bande passante 20-20000 Hz Taux de distorsion 0,1% Rapport signal / bruit 65 dB Atténuation - Egaliseur graves ±10 dB/100 Hz Egaliseur médiums ±10 dB/1 kHz Egaliseur aigus ±10 dB/10 kHz Egaliseur - Talkover -15 dB Alimentation fantôme - Crossfader oui Lecteur média - Amplificateur - Alimentation ˜ 230 V/50 Hz/10 VA Tension alimentation ˜ 230 V Fréquence secteur 50 Hz Consommation fonctionnement 10 VA Tension fonctionnement alternative - Tension alternative - Température fonc. 0-40 °C Largeur 482 mm Hauteur 89 mm Profondeur 95 mm Hauteur U 2 Poids 2,4 kg World shipping (contact me before for the cost) Envoi dans emballage sérieux et protecteur

Table de mixage Multi canaux entrées  Entrées Mic mono:............. 1,5 mV   Phono stéréo:.......... 3 mV   Line (Ligne)/CD stéréo:.. 150 mV   Return stéréo:.......... 135 mV   Sorties Master A et B stéréo:..... 1 V   Monitor stéréo:......... 1 V   Record Stéréo:......... 300 mV   Send stéréo:........... 300 mV   Casque stéréo:......... ≥ 2 x 8 Ω   Généralités Bande passante:........ 20 – 20 000 Hz  Taux de distorsion:...... 0,05 %  Rapport signal sur bruit:.. > 50 dB   Egaliseur pour les canaux micro   2 x graves:.......... ±15 dB/50 Hz   2 x aigus:............ ±15 dB/10 kHz  Egaliseur pour les canaux 1 – 4   4 x graves:.......... +15 dB, -30 dB / 50 Hz   4 x médiums:......... +15 dB, -30 dB/1 kHz   4 x aigus:............ +15 dB, -30 dB/10 kHz   Talkover (automatique):.. -12 dB   Branchement lampe col de cygne:........... 12 V/5 W,  XLR 4 pôles   Température ambiante:... 0 – 40 °C   Alimentation:........... 230 V~/50 Hz   Consommation:......... 14 VA   Dimensions (L x H x P):. 482 x 266 x 110 mm,   6 U  Poids:................ 5kg matériel vendu dans l'état - pas de retour

Peso: 11 kg Color: Negro Dimensiones (ancho x alto x profundo): 321 x 505 x 291 mm Respuesta en frecuencia de 60 Hz a 20 kHz Vaso de 35 mm para soporte en poste Carcasa de plástico PP Práctica asa en la parte superior 2 entradas XLR/jack 6,3 mm de micrófono / línea Entrada jack auxiliar de 3,5 mm Salida de línea XLR Potencia: 200 W RMS Amplificador de potencia de Clase AB+D SPL máximo de 123 dB Con DSP y filtro FIR Woofer de 10" y driver de compresión de 1" (bobina de voz de 1,5") DSP integrado con 4 presets (Music, Vocal/LowCut, Live, Stage Monitor) Bluetooth 5.0 con TWS (TrueWirelessStereo para emparejamiento de 2 altavoces

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Truly exceptional equipment for its size, very powerful and impressive sound, perfect working condition. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. This ad is for the amp only, no headphone is part of the sale! (if that is needed to be specified anymore) The CanAmp is a two-stage amplifier. While the first - voltage gain - stage is based on an integrated circuit of the highest audio pedigree, the second - power gain - stage is a single-ended, pure Class-A amplifier. It enables the CanAmp to drive virtually any headphones from 8 ohms up to 600 ohms. As its output power (at 8 ohm) is nearly 1W, the CanAmp could drive even a high-sensitivity loudspeaker! The unit has no internal wiring, and the signal path is kept to a minimum on its PCB. Its high-quality, 1 dB-tolerance Blue Alps volume pot goes through a further selection process during manufacturing to achieve an even tighter, 0.5 dB tolerance. The CanAmp not only has a line-level input but offers a line-level output to boot; it can therefore be connected to the TAPE MONITOR output of an amplifier, leaving the TAPE output free for additional components (MP3, MiniDisc, CDR, etc.). Gold-plated RCA terminals are used, and soldered directly onto the fibreglass PCB. Measured performance is excellent, the bandwidth going far beyond the audio range in both bass and treble, with low distortion into any normal headphone impedance and plentiful output. Output level isn’t everything and the Heed will in any case drive even harder, but this amp impressed not least on account of its large audio scale. Indeed, even with quite modest volume-control settings the soun just seemed big and generous, tonally, dynamically and even spatially. Once again, there’s a lot of detail, but the dominant impression is of size. Funnily enough, this was perhaps more pronounced with some unaccompanied solo vocals than with orchestra or mega-rock, but that just serves to remind one that the human voice can indeed be a very big instrument. Perhaps if you like your music a bit on the polite side this may seem a touch excessive, but we freely confess that we just loved it. Tonality is great too. Very wide soundstage. Open airy 3D sound. The soundtage seems to stretch way beyond the headphones with an airy feel each instrument separated in its own space. Imaging is well defined and the midrange and treble are at a level that makes listening for long periods very non-fatiguing. The Op-amp can be swapped for other types to give a different sound balance if preferred such as the AD823AN (more pronounced high end) or LM4562NA (more forward sound with better bass control). Having said that the supplied chip sounded the best overall to my ears. b'"'What blew me away is the depth of the music, it seems to have layer upon layer thus making the music three dimensional. This thickness is then presented with an almost reverb quality that makes you feel engulfed by the music. I am hearing stuff that I did not know was recorded in my Cd's because I could not hear it before.b'"' b'"'I don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that it can't possibly sound good and you start listening (and enjoying) the music you start realising just how good an amp this is. don't care how big the amp or how big its price tag, the HEED is by far the best I have heard to date bar none. As you say the b'"'depthb'"' is palpable with every instrument in its own space in time.... once you get over the psychological fact that this amp only costs XYZ and the circuit is SO simple that i En savoir plus

WESTONE UM PRO 30 Paire d'écouteurs, de type monitor earphone. Presque jamais utilisée. Comme neuf. Over twenty years ago, Westone Audio changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone Audio UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone Audio UM Pro 30 incorporates all the innovations and expertise that Westone Audio has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone Audio’s proprietary silicone and comfort foam ear-tips are provided in 5 different sizes and enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone Audio UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones have been well taken care of, are in excellent condition and in perfect working order. Shipping out of France - fast delivery and no custom fees for destinations within EU. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

FREE WORLD SHIPPING WITH TRACKING ** Samson Expedition XP800 800 Watt Portable PA System with Bluetooth ** FOR SPARES / SOLD AS IS / NON WORKING / New Stock Arrived Damaged  PLEASE NO RETURN ** See Photos Attached ** SPECIFICATIONS: Overview: Samson's Expedition XP800 is an all-in-one sound system that offers excellent audio quality with quick and easy setup. Providing 800 watts of power, the XP800 features a lightweight, 8-channel powered mixer and two 8" speakers. For enhanced portability, the XP800 offers a unique speaker-locking design that allows the system and all its components to be packed up and transported as a single unit weighing just over 40 pounds. Powerful enough for musical performances, the XP800 includes features like Bluetooth® and USB connectivity (for optional Stage X USB Digital Wireless Systems), making it ideal for streaming music from mobile devices or managing events and presentations. Features include: • 800-watt portable PA system • Ideal for small to medium-sized venues (audiences of 60-100) • Packs up into a single portable unit that weighs just over 40 lbs • Bluetooth connectivity to wirelessly stream music • Dual 2-way speakers with 8" woofers and 1" tweeters • Removable 8-channel lightweight Class D power mixer • 16 presets of 24-bit digital effects with Send level control • Footswitch jack for remote FX control • Four Mic/Line inputs (XLR and 1/4") for microphones and other line level devices • Hi-Z input for direct guitar connections • Two stereo channels with 1/4", RCA and 3.5mm inputs • 2-band EQ on all channels • USB Wireless port for use with Samson's XPD USB Digital Wireless Systems (sold separately) • Phantom power for condenser microphones • Sub output for active subwoofers • Music/Speech switch for optimizing output EQ for speech or music playback • Integrated 1-3/8" speaker stand mount • Stereo monitor outputs with level control • 30-degree “kickback” design for using enclosures as floor monitors • Two 25-inch speaker cables included

ROTEL RA-1592. État: Occasion en parfaite condition, aucunes trace d’usure, le rodage vient tout juste d être terminer avec 100h d écoutes. Vendu avec la télécommande et sans la boîte d origine. The RA-1592 Integrated Amplifier leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. DIMENSIONS (W × H × D) 431 × 144 × 425mm 17" × 5.7" × 16" FRONT PANEL HEIGHT 3U / 132.6mm (5.25") POWER REQUIREMENTS 230V, 50Hz POWER CONSUMPTION 500W STANDBY POWER CONSUMPTION NET WEIGHT 16.8kg (37lbs.) BTU RATING 1239 BTU/h CONTINUOUS POWER OUTPUT 200W/Ch (All channels driven, 8Ω) TOTAL HARMONIC DISTORTION (THD) (20Hz–20kHz) FREQUENCY RESPONSE Line Level Inputs: 10Hz - 100kHz ±0.5dB Digital Inputs: 10Hz - 90kHz ±2dB Phono Input: 20Hz - 20kHz ±0.5dB S/N RATIO (IHF "A" Weighted) Line Level Inputs: 103dB Digital Inputs: 102dB Phono Input: 80dB There has never been a better time to be a music lover. Today’s source options provide limitless audiophile quality music. CD-or-better quality streaming, high resolution download sites, inexpensive mass storage devices, the still resilient CD and the resurgence of classic vinyl are all providing a wealth of content at impressively high fidelity. To hear all this music as the artist intended requires an extraordinarily flexible, sonically capable component. The RA-1592 Integrated Amplifier is exactly that component. It leverages the strengths of our award winning RC-1590 preamplifier and RB-1582 MkII power amplifier in a sleek single chassis design. With a powerful 200 watt per channel Class AB amplifier using performance audio grade components, the RA-1592 can effortlessly drive large speaker systems. The impressive Rotel manufactured toroidal transformer is a key element in the power supply design which also includes custom slit-foil storage capacitors and a dual-monoblock topology. All of this helps to ensure the amplifier performance stands up to even the most complex music and real world playback conditions. To complement the amplifier section, the RA-1592’s preamplifier incorporates the superb 32-bit/768kHz AKM digital-to-analogue converter (DAC) and analogue stages of the highest quality. The DAC and surrounding circuitry supports a vast array of source inputs including DSD capable PC-USB (24-bit/192kHz), 3 coaxial, 3 optical, integrated aptX® Bluetooth and front mounted USB iPod input. In recognition of the faithful analogue music lovers, there is a phono stage input (MM), XLR balanced input and 3 analogue RCA source inputs. User selectable A-B speaker outputs with 5-way binding posts, RCA pre-output and dual subwoofer outputs provide the ultimate flexibility in installation. The amplifier protection circuits monitor DC offset, overcurrent, short circuit and temperature to protect both the electronics and attached speakers. Custom integration features include RS232 and Ethernet IP control, 2 trigger outputs, remote IR input and automated digital signal sense power control for easy integration with streaming sources and control systems. The RA-1592 is the finest integrated amplifier yet in Rotel’s 55 year history of producing performance audio components.

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones are in very good condition and in perfect working order. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to.

Prism Sound Dream ADA-8XR. État : "Occasion" - ADA-8XR 8AD/8DA+AES - 8 analog In (XLR), 8 analog out (XLR), Carte AES-EBU Perfect Shape / Etat parfait  Years: 2016  Feel free to ask any questions:) ---------------------------------- Overview  The ADA-8XR is a multi-channel AD/DA converter that can be in numerous ways using to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a, or an AES/EBU / AES3 / SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion.  Applications  The ADA-8XR is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the ADA-8XR is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking & overdubbing, mixing to stereo or surround, mastering and monitoring. The ADA-8XR is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks.  Design Philosophy  The ADA-8XR takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The ADA-8XR provides A/D and D/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats.  Clocking and Synchronization  Unlike most other converter systems, the ADA-8XR is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the ADA-8XR. In addition, the ADA-8XR can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The ADA-8XR delivers your recordings with perfect transparency, whatever the setup.  Configuration options  The ADA-8XR is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the ADA-8XR is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the section.  ADA-8XR Summary Channel Configurations  - Up to 16 channels of state-of-the art 24-bit, 192kHz conversion in one great-sounding 2U package. - Choice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations. - Dual-path architecture allows independent operation of two 8-channel paths: - Each path (bank of 8 channels) can be assigned to either record or play functions; - Each path can have independent clock references at different sample rates if desired; - Each path is independently configurable; - Each path can drive analogue and digital outputs simultaneously if desired - Allows Source Monitoring with simultaneous A/D and D/A conversion. - Electronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up; - Prism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs'; Dig

For sale a pair of used Westone UM Pro 30 in-ear monitors, with original box and accessories. The earphones are in very good condition and in perfect working order. Earphones will be carefully packed and tracking number will be provided. Over twenty years ago, Westone changed the way music is performed with the introduction of the world’s first universal-fit balanced-armature in-ear musicians’ monitors. Our most popular In-Ear Musicians Monitor, the UM Pro 30 features three, proprietary balanced-armature drivers with a 3-way passive crossover, each driver was developed to increase sonic detail and clarity in a specific part of the frequency range. Designed for performing musicians, the UM Pro 30 has a soundstage that features powerful lows, articulate mid-range, and sparkling crystal-clear highs. With the performance, power, and output for any stage, from a small venue, to the world’s largest arenas, the incredible sound of Westone UM Pro 30 will meet the demands of the most discerning musician and music lover alike. The Westone UM Pro 30 incorporates all the innovations and expertise that Westone has developed in almost 60 years of designing and manufacturing products for the human ear. The compact, low-profile, ergonomic design is comfortable, and can be worn for hours and hours.. Westone’s proprietary silicone and comfort foam ear-tips enhance the performance of our In-Ear Musicians’ Monitors by ensuring a superb fit and by provide superior noise isolation. Ambient sound levels are reduced an average of 25 dB, which makes UM Pro 30 ideal for use onstage or in other noisy environments. The Westone UM Pro 30 was designed by musicians, for musicians, and can be used not only by onstage, but also by music lovers, no matter what type of music they listen to. Note to potential UK buyers January 1st 2021 brought significant changes to the the way cross-border parcels are dealt with. VAT can be levied on goods imported in UK from within EU, depending on their nature, value and country of origin. Disruptions and delays at UK borders are a reality for the time being. Many shipping companies in EU have increased charges at best, at worst they have temporarily stopped accepting parcels with UK as a destination. Should you be interested in buying this item, please contact me first so that I can check and confirm the shipping options.

Air Tight ATC-3 HQ Tube preamplifier. État : Occasion Service de livraison : Colissimo Recommandé Because I was looking for a more polyvalent solution (preamp and network player) I stopped to use this preamp 2 years ago. I actually not used it a lot (around 200 hours top). This pre-amp is in excellent state. Coupled to an Air Tight Atm1s, it gives a kick to the amp and delivers a more lively sound and deep. Equipped with tubes, signature sound can tweaked by changing tubes. This preamp comes with original tubes selected by air Tight. The build quality is excellent (made in Japan by A&M limited also known as Air Tight). Below few specs: - Hand made in Japan - SRPP circuit with buffer stage to reduce noise, lower impedance and get a wide linearity - Upgraded potentiometer with Alps RK-501 - 2 main outputs, 1 monitor output and 1 rec ouput - 4 main inputs - 1 ground output - input sensitivity: 110mV - Tubes: 1 x 12AX7 (ECC83), 2x12AU7(ECC82) - Dimensions: 90 x 430 x 325 (mm) - Weight: 8kg. Bought 6600€ (with Alps RK-501 included) Shipping cost includes insurances

Amplifier Av Surround Receiver 7.1 MARANTZ ZR6001 (very good condition). Très rare ampli home cinéma haut de gamme Très bon état de fonctionnement ! Très bon état esthétique ! Télécommande fournie ! 14kg de technologie ! Produit très haut de gamme ! Etage de puissance et pré-amplification Puissance de sortie: 7 x 95 W RMS Impédance nominale: 8 ohms Décodeurs intégrés Dolby Digital EX, DTS ES (Matrix et Discrete), DTS Neo:6 (Cinema et Music), DTS 96/24, DPLI, DPL II (Game Movie et Music), DPLIIx, HDCD Autres effets Surround CS 6.1 (CS II Cinema, Music Mono), stéréo multicanale, Movie, Hall, Matrix, Stadium, Virtual Conversion Numérique / Analogique (N/A) et A/N Crystal: 24 Bits 192 kHz via CS42428 Traitement numérique (DSP) et type: 32 Bits via CS49400 Réponse en fréquence numérique (96kHz PCM): 8 Hz - 100 kHz (large bande) Réponse en fréquence analogique (/- 3dB): 8 Hz - 100 kHz (large bande) Rapport signal bruit: 105 dB Distorsion Harmonique Totale: 0,08% Connectique Entrées / Sorties Audio / Vidéo Entrées audio analogiques: 7 (TV, VCR1, VCR2, CD, CD-R/MD, cassette, Aux.) Entrées audio numériques: 4 (2 optiques 2 coaxiales) Entrées audio vidéo: 4 (toutes doublées S-Vidéo) Entrées composantes: 2 x YUV Entrées en façade: 1 x A/V doublée S-Vidéo Entrées analogiques: 1 x 7.1 canaux Entrée D-Bus multiroom, multi RC (flasher) Sorties audio analogiques: 4 (VCR1/ VCR2 CD-R/MD, cassette) 1 sortie auxiliaire PLC Sorties audio numériques: 2 (1 optique 1 coaxiale) Sorties audio vidéo: 2 (toutes doublées S-vidéo) Sorties Moniteur: 3 (1 x CVBS 1 x S-vidéo 1 x Y, Cb/Pb, Cr/Pr) Sorties Pré-out 7.1 Sorties D-Bus multi. alimentation commutée, multroom radio commandé Sorties Ir emitters x4 Bornes HP / possibilité fiches banane: 7 paires à vis section standard RS232C bi-directionnelle, mémoire ligne interne Fonctions de confort Télécommande RC 5500 SR (préprogrammée) Tuner RDS AM / FM (PS, PTY, RT): 50 Présélections Menu d'installation: OSD avec réglage retard enceintes UpConversion vidéo CVBS composite vers S-Vidéo et YUV composantes Composants audiophiles haute qualité Fonction Lip Sync Réglage de la synchronisation du retard acoustique avec circuits vidéo internes (200 msec/ch.) Fréquence de coupure basse réglable: 40 Hz, 60, 80, 100, 120 Hz Technologie CPL (Control Power Line) Dimensions (L x H x P): 440 x 162 x 463 mm - Poids 14 kg. Very rare high-end home cinema amplifier Very good working condition! Very good aesthetic condition! Remote control included! 14kg of technology! Power stage and pre-amplification Output power: 7 x 95 W RMS Nominal Impedance: 8 ohms Integrated decoders Dolby Digital EX, DTS ES (Matrix and Discrete), DTS Neo: 6 (Cinema and Music), DTS 96/24, DPLI, DPL II (Game Movie and Music), DPLIIx, HDCD Other surround effects CS 6.1 (CS II Cinema, Music Mono), multichannel stereo, Movie, Hall, Matrix, Stadium, Virtual Digital / Analogue (D / A) and A / D Crystal Conversion: 24 Bits 192 kHz via CS42428 Digital processing (DSP) and type: 32 Bits via CS49400 Digital frequency response (96kHz PCM): 8Hz - 100kHz (wideband) Analog frequency response (/ - 3dB): 8 Hz - 100 kHz (wideband) Signal-to-noise ratio: 105 dB Total Harmonic Distortion: 0.08% Connectivity Audio / Video Inputs / Outputs Analog audio inputs: 7 (TV, VCR1, VCR2, CD, CD-R / MD, cassette, Aux.) Digital audio inputs: 4 (2 optical 2 coaxial) Audio video inputs: 4 (all dubbed S-Video) Component inputs: 2 x YUV Front inputs: 1 x A / V doubled S-Video Analog inputs: 1 x 7.1 channels Multiroom D-Bus input, multi RC (flasher) Analog audio outputs: 4 (VCR1 / VCR2 CD-R / MD, cassette) 1 PLC auxiliary output Digital audio outputs: 2 (1 optical 1 coaxial) Audio video outputs: 2 (all S-video dubbed) Monitor outputs: 3 (1 x CVBS 1 x S-video 1 x Y, Cb / Pb, Cr / Pr) Pre-out 7.1 Multi D-Bus outputs. switched power, radio controlled multroom Ir emitters outputs x4 Loudspeaker terminals / possibility of banana plugs: 7 pairs of screws, standard section Bi-directional RS232C, internal line memory Comfort functions RC 5500 SR remote control (pre-programmed) RDS AM / FM tuner (PS, PTY, RT): 50 Presets Setup menu: OSD with speaker delay adjustment UpConversion of composite CVBS video to S-Video and component YUV High quality audiophile components Lip Sync function Adjustment of the synchronization of the acoustic delay with internal video circuits (200 msec / ch.) Adjustable low cutoff frequency: 40 Hz, 60, 80, 100, 120 Hz Powerline technology (Control Power Line) Dimensions (W x H x D): 440 x 162 x 463 mm - Weight 14 kg

Beyerdynamic T90: High-end cans with remarkably accurate sound. Extremely wonderful sounding headphone, in perfect working condition, very little used as I prioritised my other headphones. Was protected with a plastic foil at the beginning, no smoking environement. Comes with original box and all the accessories. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. kenrockwell.com/audio/beyer/t90.htm b'"'The Beyer T90 are superb headphones, especially if you want detailed, open, uncolored sound with tight, natural bass. If the T90 are too expensive, get them anyway! Unlike consumer electronics like a flat-screen TV or digital camera that you'll want to throw away in 5 years or less, invest your money in headphones or speakers and you'll still be enjoying them decades from now. I still use my original set of Beyer DT990s that I bought in 1986. They seemed expensive then, but the price has long been forgotten while their quality is remembered every day. Headphones don't wear out or age. So long as you don't abuse them too much, they ought to outlive you. Never get cheap with headphones or speakers; they don't become obsolete as do electronics; these are completely passive transducers.The T90 overall has a very good detail retrieval, maybe not at the same level of the Sennheiser HD800 but one of the best I’ve heard so far. Left-right balance and 3-dimensionality are simply incredible, just like the huge sound stage. The presentation in general is rather airy and there is a lot of space between the instruments. The T90 is a tight sounding headphone that’s not coloring the sound, well maybe just very slightly but you get a very clear and realistic presentation no matter what genre you’re listening to. The T90’s bass is very tight and has reasonable impact/body. Bass detail and layering are very good and bass goes really deep. T90 is strong with everything, I really mean that the T90 is strong with all musical genres, I’ve even spent quite a lot of time with it watching movies and I couldn’t find a genre that doesn’t match with this headphone.b'"' Steve Guttenberg, cnet.com/reviews/beyerdynamic-t90-review/ Conclusion: The Beyerdynamic T90 is expensive, but for well-heeled audiophiles the price will seem reasonable. I know of no other less-expensive headphone that can match the T-90's combination of comfort, sound, and build quality. Perhaps the biggest downside to the T90 is that it's not well-suited to portable use, but few full-size, audiophile-oriented headphones are. The T90 is best savored at home, plugged into a high-quality headphone amplifier or AV receiver. Construction: Open back design Chrome-plated metal shells with metal air vent on the rear of the transducer Speakers angled to the natural angle of the ear Microfiber pads Aluminum structure Headband covered in microfiber fabric Transducer Transducer diameter: 50 mm Very powerful neodymium magnet Tesla Technology Measures Frequency response: 5 - 40,000 Hz Impedance: 250 ohms Nominal sound pressure level (SPL): 102 dB (1 mW / 500 Hz) Maximum sound pressure level (SPL): 125 dB (200 mW / 500 Hz) Total harmonic distortion (THD): 0.05% (1 mW / 500 Hz) Maximum input power: 200mW Headband pressure: 2.8 N Connections Single-sided OFC cable (3 m) Gold-plated 3.5mm mini-jack jack connector Adapter to 6.3 mm gold-plated jack supplied General Weight: 0.350 kg Break-in: 50 hours minimum Accessories 3.5 mm mini-jack to 6.3 mm jack adapter Storage case Arcam / quad / cambridge audio / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / Cayin / Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser En savoir plus

Apogee Electronics Groove DAC Headphone Amplifier Barely used, works exceptionally well with Android, Windows and iOS. Like new, comes with original box and accessories. Probably one of the best dongles up to 400 euros. y o u t u b e. c o m / w a t c h ? v = 0 W _ Z j D z 9 h 7 I b'&' t = 3 0 4 s This little dongle-like device is simply stellar in its simplicity and the sound it produces, pure, powerful golden tone. Used with my Hifiman Sundaras, it has plenty of output power, making them LOUD at about 50-60% to give you an idea of ​​the output this little beast can put into headphones. The sound is exceptionally clean with just the right amount of warmth, open space, no harshness from the 8 Sabre based DAC chips, the way it is implemented and also, most importantly, the proprietary patented b'"'Current Driveb'"' technology used by Apogee in the amplification stage. This goes a long way to explaining how this can drive 90% of headphones... with ease. Comparisons with all my previously owned DAC amps like Dragonfly Red, Cobalt, Topping DX 3 Pro, Fiio K5, K7, Ifi Zen Can V2, Cayin RU6, THX Onyx, Ifi Nano ISD Black Label add up to the Meridian Explorer outshining them all. Excellent and very detailed review: h t t p s: / / w w w. s t e r e o p h i l e. c o m / c o n t e n t / a p o g e e - e l e c t r o n i c s - g r o o v e - d a - h e a d p h o n e - a p l i f i e r Would consider posting it internationally but please, ask for a quote before as the postage differs from country to country and the amount in the description is for European Union only, thanks. Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Neve, Chord, Naim, PS Audio, Parasound, Sparkos, Atoll, Nad, Sugden, Exposure, Krell, Leak, Advance, Cayin, Luxman, Yamaha, Cambridge, Quad, Cyrus, quad / cambridge audio / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis / sennheiser / schiit / topping / luxman / ZMF, sparkos, geshelli, musical paradise, fosi, KEF, Linn, gato, m2tech, sony, Dragonfly Red, Cobalt, Topping DX 3 Pro, Fiio K5, K7, Ifi Zen Can V2, Cayin RU6, THX Onyx, Ifi Nano ISD Black Label, Chord, apogee, Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser moondrop, thieaudio, kiwi ears, hidition, elysian, shure, ibasso, campfire, softears, libratone, 64 audio, tin hifi En savoir plus Collaboration commerciale.

Emotiva préampli USP-1 en parfait état - Très peu servi. Préamplistéréo USP-1 EMOTIVA Qualité d’écoute audiophile – neutralité absolue Très peu servi, comme neuf Prix proposé: 230€ Avec télécommande, documentation, carton emballaged’origine. Pour les vinyls, étage phono avecun commutateur permettant d'utiliser une cellule MC ou MM. Entrées CD,Phono, Tuner, Aux 1, and Aux 2. Prise casque gros jack en façade. Spécificaions: -Entrées: 5 paires de RCA asymétriques,moniteur de bande, HT -Puissance de sortie maximale: 9 Volts RMS -MFR: 5 Hz - 80 kHz, ± 0,05 dB -THD+N: 0,005 % -Impédance d'entrée: 47 kOhms Préamplistéréo USP-1 EMOTIVA Audiophile listening quality - absolute neutrality Very little use, like new Suggested retail price:230€. With remote control, documentation, original box. For vinyl, phono stage with switch to use MC or MMcartridge. CD, Phono, Tuner, Aux 1, and Aux 2 inputs. headphone jack on front panel. Spécificaions: - Inputs: 5 Pairs RCA Unbalanced,Tape Monitor, HT - Maximum Power Output: 9 Volts RMS - MFR: 5 Hz – 80 kHz, ± 0.05 dB - THD+N: 0.005% - Input Impedance: 47 kOhms En savoir plus Collaboration commerciale.

Emotiva préampli USP-1 en parfait état - Très peu servi. Préamplistéréo USP-1 EMOTIVA Qualité d’écoute audiophile – neutralité absolue Très peu servi, comme neuf Prix proposé: 200€ Avec télécommande, documentation, carton emballaged’origine. Pour les vinyls, étage phono avecun commutateur permettant d'utiliser une cellule MC ou MM. Entrées CD,Phono, Tuner, Aux 1, and Aux 2. Prise casque gros jack en façade. Spécificaions: -Entrées: 5 paires de RCA asymétriques,moniteur de bande, HT -Puissance de sortie maximale: 9 Volts RMS -MFR: 5 Hz - 80 kHz, ± 0,05 dB -THD+N: 0,005 % -Impédance d'entrée: 47 kOhms Préamplistéréo USP-1 EMOTIVA Audiophile listening quality - absolute neutrality Very little use, like new Suggested retail price: 200€. With remote control, documentation, original box. For vinyl, phono stage with switch to use MC or MMcartridge. CD, Phono, Tuner, Aux 1, and Aux 2 inputs. headphone jack on front panel. Spécificaions: - Inputs: 5 Pairs RCA Unbalanced,Tape Monitor, HT - Maximum Power Output: 9 Volts RMS - MFR: 5 Hz – 80 kHz, ± 0.05 dB - THD+N: 0.005% - Input Impedance: 47 kOhms En savoir plus Collaboration commerciale.