Tests and controls

TESTS CONDITIONS (datasheet) Va=250V Vg2=100V Vg1=-1V Ia=11mA Visseaux ? no hole, square getter 11,4mA RCA ? no hole, square getter 11,2mA Belvu 6 square holes, ring getter 11,1mA PHILIPS 6 square holes, ring getter 10,3mA Belvu 4 square holes & 4 long holes, d'getter 11,3mA RADIOFOTOS grammont 4 square holes, flat, d-getter 10,6mA Belvu 4 square holes, ribbed, ring getter 11,2mA CHOOSE THE ONE YOU WANT... ASK FOR OTHER REFERENCES (+5000 tubes stock) I COMBINE SHIPPING

TESTS CONDITIONS (DATA SHEETS) Va=250V Vg1=-8,5V (-7,5V) Ia=10,5mA S=2,2mA/V SYLVANIA GOLD PINS BOX RIBBED PLATES RING GETTER 11,4/11,9 (13,8/14,5) S=2.4/2.6 10,5/10,9 (12,8/13,2) S=2.3/2.3 11,3/10,0 (13,9/12,5) S=2.6/2.5 CHOOSE THE ONE YOU WANT... En savoir plus

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

JVC SEA-RM20  Became To my personnal JAPAN Hifi Collection Remote System Controller / Graphic Equalizer (1986) VERY RARE JVC SEA-RM20 !!! -  EQUALIZER AND REMOTE SYSTEM CONTROLLER, TESTED OK.  État : Occasion  Service de livraison : Colissimo national & international Tested and working "Computerized Remote System Control".  Made in Japan 1980's. Works 100%, no issues.  Includes original remote control. This unit is a type of preamplifier in that you canuse it to control the volume from line input devices like CD players, tuners,tape decks, etc.  It also has a graphic equalizer with 5 memory settings and you can control all the frequencies of the EQ from the remote control whichis something I have not seen before.  You can switch to a real time spectrum analyzer display which will move to the music.   Other features include JVC's SEA "acoustic expander" which does exactly what you'd expect.  The EQ has 5 memory settings and a reverse setting aswell which instantly give you the exact opposite eq curve.   Allbuttons, controls, features, and display are working correctly.  Shows very little wear. All buttons on remote are working correctly- the remote can control other JVC components as well.    On the back are three line inputs- one labelled Audio, one labelled Video 1, and one labelled Video 2/3.  Youcould use these inputs for a tuner, a CD deck, and a tape deck.  There are also two sets of stereo outputs.  In order to use the EQ and graphic display and volume control all at the same time you need to loop the outputlabelled "Line Out" into the "Remote Contro In"-  am including the JVC instruction book and the original remote controller for this purpose. Specifications Output Level: 1V (4.5V max) Gain: ± 0dB Frequency response: 10Hz to 50kHz Signal to Noise Ratio: 100dB Total harmonic distortion: 0.03% Control Range: ± 10dB Frequency Bands: 63, 160, 400, 1K, 2.5K, 6.3K, 16KHz Dimensions: 435 x 77 x 225mm Weight: 2.6kg Finish: black Accessories: RM-S20 remote control Year: 1986

Lot minidiscs and accessories, recently pulled from storage. Comprises the following (all briefly tested and working, unless otherwise noted with >): Kenwood DMC-P33 x 2, good condition Kenwood DMC-P55, good condition Kenwood remote for above Sharp MD-DP700 speaker cradle (no AC required) Sharp remote for above Sony MZ-NH900 cradle Panasonic SJ-MJ57/58/59/500 speakers (no AC required) Panasonic remote for above (also fits SJ-MJ100) AA battery box for above x 2 2.5mm > 3.5mm patch cable Sony RM-MC11EL   > control behaviour sometimes erratic Panasonic remote   > controls work, but LCD broken Sharp remote   > untested Sony battery box (DC in) Sony battery box Sharp battery box Panasonic battery box Panasonic battery box   > poor connection (clean terminal) Kenwood DMC-V55   > powers up, can't read disc Kenwood DMC-Q77   > powers up, can't read disc (front panel DMC-T55) Sony RM-MC33EL   > seems OK, though volume control rather sensitive loads of NiMH batteries, boxes   > untested, assumed dead loads of disc labels Shipped from France. If you do have any questions then please drop me a line. *** Lot Minidisques et accessoires, récemment retiré du stockage. Comprend les éléments suivants (tous brièvement testés et fonctionnels, sauf indication contraire avec >): Kenwood DMC-P33 x 2, bon état Kenwood DMC-P55, bon état Télécommande Kenwood pour ci-dessus Station d'accueil Sharp MD-DP700 (pas de secteur requis) Télécommande Sharp pour ci-dessus Socle Sony MZ-NH900 Haut-parleurs Panasonic SJ-MJ57/58/59/500 (pas de secteur requis) Télécommande Panasonic pour ci-dessus (convient également au SJ-MJ100) Boîte de piles AA pour ci-dessus x 2 Câble de raccordement 2,5 mm > 3,5 mm Sony RM-MC11EL   > comportement de contrôle parfois erratique Télécommande Panasonic   > les commandes fonctionnent, mais l'écran LCD est cassé Télécommande Sharp   > non testé Boîtier de batterie Sony (entrée DC) Boîtier de batterie Sony Boîtier de batterie Sharp Boîtier de batterie Panasonic Boîtier de batterie Panasonic   > mauvaise connexion (borne propre) Kenwood DMC-V55   > s'allume, impossible de lire le disque Kenwood DMC-Q77   > s'allume, impossible de lire le disque (face avant DMC-T55) Sony RM-MC33EL   > semble OK, bien que le contrôle du volume soit plutôt sensible beaucoup de piles NiMH, des boîtes   > non testé, supposé mort beaucoup d'étiquettes de disques Expédiés de la France. Merci de demander si vous avez des questions.

Va=250V Vg2=250V Vg1=-12,5V &-20V Ia=45mA & 17,5mA MEASURED MAZDA 2 large metal fins 59/26,2; 55/27,2 ! NEW OLD STOCK !  CHECK ALL THE LIST TO BUY OTHER REFERENCES AND COMBINE SHIPPING PLEASE CONTACT ME BEFORE BUYING TO CHECK THE BEST OPTION FOR THE SHIPPING COSTS

ableton live 11 suite win64 MULTILANGUAGE   Edelivery full lifetime version Ableton Live 11 is fast, fluid and flexible music creation and performance software. It comes with effects, instruments, sounds and all kinds of creative features - everything you need to create any kind of music. Create in traditional linear setups or improvise without timeline restrictions in the Live Session view. Move freely between the elements of the music and play with ideas, without stopping the music and without interrupting its flow. Ableton Live is perfect for both learning and producing electronic music and creating professional electronic music. Along with its professional instruments and effects, Ableton Live has a feature that makes electronic music production easier: Warp. Also, by manipulating audio with the Warp engine, you can also make the audio files have the same speed and tempo as the rest of the project, regardless of the original speed. Allowing you to start clips that always play on time. Launch series products were designed to take advantage of this feature and by simply plugging in the controllers it is now possible to launch clips in Ableton without having to configure anything else. Ableton Live Lite is included with all Novation Launch products, allowing unlimited access to audio with warping, instruments and effects. Each Launch series product comes with 1GB of free WAV samples for Ableton Live, including House, Garage, Bass, Techno, Dubstep, EDM and more. A professional-quality, royalty-free library for use in your electronic music productions.  Novation's Launch product family should be easy-to-use controllers, but that doesn't mean they aren't powerful controllers for Ableton using advanced production techniques. In this video, Novation artist Alex Maxwell demonstrates superior Ableton performance using Novation's Launchkey Mini keyboard, offering some easy tips on how to produce with Ableton Live. Taking us through processes like manipulating multiple effects from a single controller, Alex also shows how the ergonomic design of Novation's Launch products puts assignable MIDI controls at your fingertips, ensuring instant access to whatever parameters you want, whenever you want. Therefore, each Novation Launch device includes user modes. And controls (like the “Track” buttons explained in the video) to achieve unprecedented control of your Ableton DAW. And which will also allow you to do things like switch from releasing clips to controlling drum racks while controlling the Ableton mixer and launching scenes in real time. With one hand!  Key Features of Ableton Live Suite 11 suite: A new way of working sound improvements Sketch, adjust and experiment Enter the details Also, take control Put your ideas into practice use any sound, any time Build your sound with live instruments Effects to shape ideas, project sounds and finish music sound selections Also, start using Push Export your Live Set from I OS APPS Play in time with other devices Get more sounds, loops and samples Make each show unique The center for your performance for any stage Latest Features: Includes full mounts for Serato and bridge system Organize session options and friendly interference Add 2 modes for single operation easily In addition, it records audio up to 64-bit depth Added real-time multitrack audio mixing Updated themes and stereo tools 32-bit 192kHz multitrack recording Multiprocessor support with multi-core system Plus unlimited undo options Non-destructive audio editing Enjoy fully focused work in a single-screen user interface Excellent MIDI sequencer system for hardware and software instruments Plus full reconfiguration support, you can now run as master or slave Improved warping capabilities with new real-time time-stretching tools Simpler MIDI mapping tools

THORENS TD 125 MK II JUST SERVICED in Excellent condition. Sold without tonearm but with the dust cover in near mint condition. The belt has been replaced, some caps and diodes too. Description The TD125 has taken a giant step in banishing rumble, with solid state circuitry replacing the conventional mechanical methods used for electronic speed control. This reduces the number of moving parts and total mass so frequently a rumble producing factor. Motor rotor velocity, another rumble originator, is precisely governed by a dependable Wein Bridge transistorized oscillator. It's frequency is varied exactly (by a gold plated switch) to change the speed of the motor and these adjustments may be viewed instantly on the built-in stroboscope. Motor rotor speed on the TD-125 has been reduced to an incomparable 250rpm at 33 1/3rpm turntable speed. By combining this factor with solid-state circuitry and the Wein Bridge oscillator, Thorens has reduced rumble to an infinitesimal and inaudible -48db (-68db weighted); less rumble than any other turntable on the market! The tonearm and turntable platter of the TD-125 are mounted on an independent chassis. This unit is then shock mounted to another chassis which houses the drive system and controls. As a consequence the tonearm is protected against shocks when the controls are operated and acoustic feedback is minimised because of the absence of vibrations. Vibrations are further decreased by the precision polished, self-lubricating bearings of the turntable platter. Specifications Drive method: Belt driven Speeds: 16, 33, 45 rpm Motor: 16-pole synchronous motor Platter: 7 ibs, 12" diameter, anti-magnetic die-cast Rumble: -68dB

This Rolleiflex 3.5 F appears to be fully functional and is in good user condition.  - Lenses are clean and clear: no fungus, no haze, no marks.  - Shutter fires on all speeds. - Meter is working and accurate. - Aperture works properly. - Selectors and controls feel good. - Focus is smooth across the range. - Back opens neatly and closes tightly. - Wind-on is smooth. My understanding is that this camera's back is equipped with a special pressure plate that can accept a glass insert to maximize film flatness (hence the bulge towards the bottom of the back). However, the glass plate is not present (the camera can be used normally without the glass insert). I am also selling a few accessories that go with this camera and can combine shipping. -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- About Camera Sanctuary: Like you, I love cameras. I bring all manner of equipment into the Camera Sanctuary in the hope that I can place it in a new home. I handle everything from collector’s pieces to total beaters, Leica to Lomo, Alpa to Argus. You can buy from me secure in the following: - My descriptions are honest. Some cameras have been babied, and some have been brutalized. There’s room in the world for both, but I won't try to sell one as the other. - I won’t pretend I don’t know things. - I’ll take back anything that doesn’t meet your expectations.

Mainboard in excellent condition. This mainboard works well and controls correctly motors and handpad. Optimized mainboard with a stronger capacitor to avoid failures. Becareful: this mainboard is a version v2.51 and do not work with an handpad "Revision 3.20 or 3.21". This mainboard is NOT a version 3.30 or 3.34. No return in case of order error. Carte mère en excellent état. Cette carte mère fonctionne et contrôle correctement les moteurs et la raquette de commande. Carte mère optimisée avec un condensateur plus résistant pour éviter toute panne classique. Attention: la version de cette carte mère est v2.51 et ne fonctionne pas avec une raquette de commande "Revision 3.20 ou 3.21". Cette carte mère n'est PAS une version 3.30 ou 3.34. Pas de retour en cas d'erreur de commande de votre part.

REMOTE DOLBY GPI/O CONTROLLER Provides basic remote-control functions for the DP564 Multichannel Audio Decoder and DP570 Multichannel Audio Tool. The Cat. No. 549 extends the processor’s basic front-panel functions and controls from the rack to the user. The product allows for basic remote-control functions including volume, mute, and dim as well as 12 user-assignable tasks. Its removable cover permits console monitoring. Vendu sans câble Réf. Bur

Minolta X-300. Mint. Fully working No Scratch. Optics: no dusts / haze / fungus X-700 en 1982, X-500 en 1983, X-300 en 1984. Minolta élargit sa gamme "X" en proposant un appareil plus basique. Le X-300 est un petit frère du X-500. Il garde le semi-automatisme et la priorité à l'ouverture, mais perd le TTL au flash. Le capot et les commandes sont redessinées. Il s'agit d'un appareil très simple à utiliser. Le passage de l'automatisme au semi-automatisme se fait en tournant dans la continuité le barillet des vitesses. Un gros interrupteur électrique évite tout oubli consommateur d'énergie. Même si le bouton s'avère un peu petit, la mémorisation de l'exposition est facilement activable. —————- X-700 in 1982, X-500 in 1983, X-300 in 1984. Minolta is expanding its "X" range by offering a more basic device. The X-300 is a little brother of the X-500. It keeps semi-automatic and aperture priority, but loses flash TTL. The hood and controls are redesigned. It is a very simple device to use. The change from automatic to semi-automatic is done by continuously rotating the gear barrel. A large electric switch avoids any forgetfulness consuming energy. Even if the button turns out to be a little small, the exposure memorization is easily activated.