That packs down easily

Grand angle FUJI ebc X-fujinon-sw DM 28mm f1.9  /// Rare ! Objectif ultra lumineux en en excellent état. A noter; une légère déformation du filetage avant (facilement réparable) et sans incidence puisque l'on peut toujours y visser un filtre (55mm - voir photos), ainsi qu'une petite griffure (à peine visible) sur la lentille avant, sans aucune incidence sur les photos. Pour le reste il est nickel (mise au point souple sans point dur, bague de diaph crantée, lentilles propres - pas de poussières-champignons ou autre...). Vendu avec boite d'origine et bouchons. FUJI ebc X-fujinon-sw DM 28mm f1.9 wide-angle-lens /// Rare ! in excellent cosmetic / mechanic / optic condition; except a tiny scratch on the front glass (absolutely no impact on picture) and a small deformation of the filter thread that can be easily fixed and however still allows to screw 55mm filters, lenshood or step-up / down rings (see pictures) For the rest it's like new: focus is smooth, no oil on blades, no dust at all, no haze... and really good cosmetic Comes with original caps + Box

With this cassette adapter,whether you are going down the block or cross-country, play your favorite music using our travel car tape adapter. You will have plenty of music for the whole trip with our retro tape aux cord adapter. Connect your phone to our retro car stereo Adapter through your cars in-dash cassette player.  Feature: Avoid modifying that classic car by pumping today’s digital sounds from your mobile device through your tape deck. Enhanced Digital Sound Quality which balance the volume of device and car's speaker. Exact size as the real tape that fits Any Standard-Sized Tape Deck. Light weight and small size makes our aux tape adapter very compact. You can easily store and transfer this device.  ... Your Best CAR CASSETTE TAPE ADAPTER AUX 3.5mm FOR MP3 Player IPOD CD IPHONE W800-W With this cassette adapter,whether you are going down the block or cross-country, play your favorite music using our travel car tape adapter. You will have plenty of music for the whole trip with our retro tape aux cord adapter. Connect your phone to our retro car stereo Adapter through your cars in-dash cassette player.    Feature:  Avoid modifying that classic car by pumping today’s digital sounds from your mobile device through your tape deck.  Enhanced Digital Sound Quality which balance the volume of device and car's speaker.  Exact size as the real tape that fits Any Standard-Sized Tape Deck.  Light weight and small size makes our aux tape adapter very compact. You can easily store and transfer this device.    How to use: 1. Insert the mini plug into the headphone jack of you player. 2. Turn cassette player on and turn volume to the lowest position. 3. Insert the adapter into cassette deck as you would an ordinary cassette, press play and adjust to desired volume. (note; The volume control of some portable players will not function if you are using the output/ line out jack.) 4. Eject adapter when not in use. (note: Portable player must be "on" to eject adapter.) 5. Wire can be re-positioned for cassette loading type.   Specification: Color: Black Material: ABS Plastic Size: approx. 100*60mm/3.94*2.36" Package Size: 160*130*60mm/6.3*5.12*2.36" Plug: 3.5mm Cable Length: 110cm/3.61 ft *Please allow 1-3mm differs due to manual measurement.   Remark:  This car tape adapter behaves no memory function, and can't be inserted Micro SD Card or thumb drive.  Due to the different display and different light, the picture may not reflect the actual color of the item. Thanks for your understanding.   Include： 1 X Car Cassette Tape Adapter Item Specifics Marque Qumox MPN Does not apply Type Boîtier de cassette audio EAN 4895187188001 Brand Unbranded Payment 1.Quand le paiement des acheteurs est accompli, nous livrerons les marchandises dans un délai de 48 heures. 2.Le transport de fret demande normalement un délais de 6 à 15 jours 3.Nous acceptons seulement l'adresse de Paypal pour la livraison. Les acheteurs doivent s'assurer que l'adresse de Paypal correspond à celle de la réception avant paiement. Shipping     Returns 1. L'acheteur doit nous informer dans un délai de 14 jours (A compter du jour de délivrance des marchandises). 2. Toutes les marchandises doivent être renvoyées dans leur emballage d'origine avec tous les accessoires au complet. Your Best Memory Card Store DESCRIPTION PAYMENT SHIPPING RETURN POLICY CONTACT US New List Item T6 LED vélo avant sécurité lampe de poche lumière tête lumière lampe EUR 27.99 Qumox Whac-A-Mole Game Mini Electronic Arcade Game with 2 Hammers EUR 36.92 Kingston 16 Go GB DataTraveler DTI G4 USB 3.0 Flash stick clé Memoria Drive 16Go EUR 7.99 Mini Wooden Desktop Bowling Game Tabletop Toy Classic Ball for Kids EUR 15.63 SanDisk 32Go 100Mo/s Ultra Class 10 UHS-I SD Full HD Video SDHC Carte mémoire EUR 8.29 Hot Item SanDisk 64Go Class 10 Extreme UHS-I U3 SD 150Mo/s SDXC Carte mémoire SD EUR 14.99 Carte Mémoire Micro SD SDHC Class 10 Samsung Evo Plus 32 64 128 256 512 Go EUR 9.29 Qumox Oxymètre de pouls digital saturomètre pulsomètre mesure doigt Noir EUR 14.99 32Go 64Go 128Go 256Go 512Go Lexar 95Mo/s Class 10 SDXC MicroSD carte mémoire EUR 10.89 Manette Contrôleurs de jeu Joy-Con Gamepad pour Switch Console EUR 40.99 Help & Info Payment Policy Shipping Policy Return Policy FAQ About Us CAR CASSETTE TAPE ADAPTER AUX 3.5mm FOR MP3 Player IPOD CD IPHONE W800-W With this cassette adapter,whether you are going down the block or cross-country, play your favorite music using our travel car tape adapter. You will have plenty of music for the whole trip with our retro tape aux cord adapter. Connect your phone to our retro car stereo Adapter through your cars in-dash cassette player.    Feature:  Avoid modifying that classic car by pumping today’s digital sounds from your mobile device through your tape deck.  Enhanced Digital Sound Quality which balance the volume of device and car's speaker.  Exact size as the real tape that fits Any Standard-Sized Tape Deck.  Light weight and small size makes our aux tape adapter very compact. You can easily store and transfer this device.    How to use: 1. Insert the mini plug into the headphone jack of you player. 2. Turn cassette player on and turn volume to the lowest position. 3. Insert the adapter into cassette deck as you would an ordinary cassette, press play and adjust to desired volume. (note; The volume control of some portable players will not function if you are using the output/ line out jack.) 4. Eject adapter when not in use. (note: Portable player must be "on" to eject adapter.) 5. Wire can be re-positioned for cassette loading type.   Specification: Color: Black Material: ABS Plastic Size: approx. 100*60mm/3.94*2.36" Package Size: 160*130*60mm/6.3*5.12*2.36" Plug: 3.5mm Cable Length: 110cm/3.61 ft *Please allow 1-3mm differs due to manual measurement.   Remark:  This car tape adapter behaves no memory function, and can't be inserted Micro SD Card or thumb drive.  Due to the different display and different light, the picture may not reflect the actual color of the item. Thanks for your understanding.   Include： 1 X Car Cassette Tape Adapter Item Specifics Marque Qumox Type Boîtier de cassette audio EAN 4895187188001 Brand Unbranded Payment Shipping Returns 1.Quand le paiement des acheteurs est accompli, nous livrerons les marchandises dans un délai de 48 heures. 2.Le transport de fret demande normalement un délais de 6 à 15 jours 3.Nous acceptons seulement l'adresse de Paypal pour la livraison. Les acheteurs doivent s'assurer que l'adresse de Paypal correspond à celle de la réception avant paiement.     1. L'acheteur doit nous informer dans un délai de 14 jours (A compter du jour de délivrance des marchandises). 2. Toutes les marchandises doivent être renvoyées dans leur emballage d'origine avec tous les accessoires au complet.

The NiSi V5 Alpha 100mm Filter Holder is designed to allow for the convenient use of 100mm wide, 2mm thick filters. Use of this filter holder is easily accomplished by first screwing the included NiSi adapter ring for the V5 Alpha 100mm Filter Holder onto a lens with 82mm front filter threads. For lenses with front filter threads for diameters smaller than 82mm, a separately available step-up ring can be installed between the lens and the included adapter ring. After being fitted onto the adapter ring, the filter holder's pull-and-release locking pin helps to provide a reliable, yet adjustable connection that allows the holder to be rotated 360°, permitting the use of graduated neutral density and other filters that are enhanced by varied positioning. The NiSi V5 Alpha 100mm Filter Holder is preinstalled with three pairs of filter slots, a configuration that accommodates three rectangular filters. Each slot is designed to grip an installed filter only along the surface of the filter's edges. Contact with a filter's front- or rear-facing surfaces is avoided, particularly when using graduated filters whose effect can be adjusted to better suit changing lighting conditions or creative demands by sliding them up or down within a filter slot. This filter holder can be used with a separately available NiSi 82mm Adapter Ring for C4 Cinema Filter Holder Kit and V5 100mm or V5 Pro 100mm Filter Holder Kits instead of its included adapter ring. If used with that separately available adapter ring, along with either a separately available NiSi 86mm Circular Polarizer Filter for Select NiSi Filter Holder Kits or a NiSi 86mm Enhanced Circular Polarizer Filter for Select NiSi Filter Holder Kits, the NiSi V5 Alpha 100mm Filter Holder can help create a filter holder kit that offers the same essential functions as a NiSi V5 Pro 100mm Filter Holder Kit. Adapter rings for lenses with 86mm or 95mm front filter threads are also separately available. The combination of either of those adapter rings with the filter holder cannot accommodate a NiSi 86mm circular polarizer filter; however, a polarization effect can instead be obtained by placing a separately available, 100mm wide, 2mm thick polarizer filter between one pair of the filter holder's slots. Durable aluminum alloy filter holder provides three pairs of filter slots, a configuration that accommodates up to three separately available 100mm wide, 2mm thick filters Each slot is designed to grip an installed filter only along the surface of the filter's edges, avoiding contact with a filter's front- or rear-facing surfaces Use of the filter holder can be easily accomplished by first screwing the included 82mm adapter ring onto a lens with 82mm front filter threads For lenses with front filter threads for diameters smaller than 82mm, a separately available step-up ring can be installed between the lens and the included adapter ring Pull-and-release locking pin on filter holder allows for a reliable connection to the 82mm adapter ring which allows the holder to be rotated 360° Durable and lightweight aluminum alloy construction

Lumedyne system 244.used power pack 065 in perfect working order.2x200w. auction is for 1x power pack 065 only Lumedyne 065 - 200 Watt/Second Fast Power Supply - gently used Lumedyne is synonymous with modular, portable strobe systems. There are four basic components to a complete Lumedyne system: the Power Pack, Battery, Charger and Flash Head. Lumedyne offers many different options within these components to customize the system to the photographer's individual needs. There are two types of Classic Power Packs, 200 w/s or 400 w/s. The 200 w/s packs have catalog # code 065 and the 400 w/s packs have catalog # code 067. Both power levels offer various styles of packs differing in recycling speed and features. The packs with catalog #'s that end with the letter "X" are the Fast Series that will recycle in 5 seconds @ the 400 w/s power setting.  Threaded Inserts for Belt Clip Pre-tapped holes allow a belt clip or any other accessory to be installed easily. Power and Flexibility Increased with Booster Modules Simply add on 200 w/s or 400 w/s booster modules up to a total of 2400 w/s. Asymmetrical Distribution A separate power switch enables the photographer to vary the power distribution between different flash heads when using Booster Modules. Recycling Time Decreased with High Speed Modules High Speed Modules enable the fastest recycling times. Optional Power Adapters A variety of AC adapters, and a vehicle adapter are available. 100% Charge Recycle Indication Lights up during recycling and goes out only @ 100% charge. Maximum Watt/Seconds 200 w/s Guide Number 113 @ 10', ISO 100 Recycle Time 2.5 seconds @ 200 w/s Distribution Symmetrical, or Asymmetrical, with Booster Flash Ready Indicator Yes Built-in Slave No Auto Dump Yes Fan Cooled No Number of Flashes Determined by the removable battery in use Battery Charge Time Determined by the battery, and the charger used Dimensions 5 x 3 x 7.4" (12.7 x 7.6 x 18.7cm) Weight 2.3 lbs. (1.04Kg)   The unit has been tested and it is in good working order

Enregistreur 24 pistes Alesis HD24 multitrack recorder Parfait état 80 giga DD. Overview HD24 is the world's first 24-track hard disk recorder designed to fit into any ADAT environment and match ADAT's legendary performance and affordability. HD24 is built exclusively for the purpose of recording music instead of data, resulting in remarkable stability and performance. HD24 enables engineers to record up to 24 tracks of high-resolution 24-bit recording at 44.1 and 48 kHz sample rates. Two hot-swappable media bays provide convenient access to recording drives and allow data backup in minutes. You can edit tracks internally or easily transfer to computer via an Ethernet connection. HD24 features ADAT Optical and ADAT Sync, enabling it to work efficiently with existing systems. It offers the same exceptional user-friendly interface ADAT users have come to expect. HD24 can be upgraded to HR24XR with the EC2 module. This user-installable option replaces the A/D and D/A converters with the renowned AKM converters used in the acclaimed MasterLink. EC2 improves performance at all sample rates and also expands analog and digital-input compatibility to include 88.2 and 96 kHz sample resolutions. HR24 packs 24 channels of digital audio I/O into a single-unit recorder that easily fits into any environment. FEATURES - 24-track, 24-bit digital audio recording (12 tracks at 96kHz with EC2 optional updgrade) - 24 analog inputs (1/4" TRS) - 24 analog outputs (1/4" TRS) - 24-channel ADAT Optical I/O - Dual recording bays utilize standard, low-cost, removable IDE computer drives - Instant random access to audio using ADAT/FST™ (File Streaming Technology). - Internal editing capabilities include cut, copy, paste, and track-move with undo. - Multiple units can be synchronized to create a larger system - Easily integrated into an existing ADAT system - Ethernet port enables computer connection - MIDI I/O, MTC out - ADAT Sync in/out - Word Clock in SPECS MEDIA - Caddy 1: 260GB HD - Caddy 2: 80GB HD - Caddies can be fitted with IDE/EIDE/ATA drive at 5,400/7,200/10,000 RPM up to 2TB TRACK COUNT - 24 tracks at 24-bit, 44.1 or 48 - 12 tracks at 88.2 or 96 kHz with optional EC2 upgrade CONNECTIONS - Analog: 24 24-bit inputs, 24 24-bit outputs (1/4" TRS, +4dBu) - Digital: 24-channel I/O via 3 ADAT Optical inputs and 3 ADAT Optical outputs - Other: MIDI in/out. Alesis Sync in/out (DB-9). Word Clock input (BNC, 75). Footswitch jack for punch in/out (1/4"). LRC input for - traditional wired remote (1/4"). 10 Base-T Ethernet (RJ-45) AUDIO SPECS - Frequency response: 20Hz–20kHz +0/–1dB - Dynamic range: 103dB A/D, >103dB D/A (A-weighted) - Distortion: - Pitch control: +100 cents/–200 cents, min-max 30–50kHz (30–100kHz with version 2.0) POWER & DIMENSIONS. - Power: 90-230V AC, 60W - Dimensions (H x W x D): 5.09" x 19" x 17" (127mm x 483mm x 432mm), 3U rackmount - Weight: 20lbs (9.07kg)

The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use. Streamlined Session Control Featuring eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this. Professional Quality M-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls. A New Approach to Making Music With Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform. Pro Tools Compatible The Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility. Ultra-Compact Design The Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag. Sound Your Best Included with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MID En savoir plus Collaboration commerciale.

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Flûte traversière fabriquée dans l'atelier de Robert Malerne, successeur de Léon Lebret en 1931. Les instruments de Malerne sont plutôt rare particulièrement dans cet état et de bonne facture. La flûte possède un très beau son, rond et équilibré. La facilité de jeux est manifeste sur les 3 octaves avec ses tampons d'origines. Inscription sur le corps et la tête: "R.M. / R. Malerne / Paris" Egalement un "11" gravé sous la clé du pouce Métal argenté, quelques légère trace du temps sur le plaquage. Très légère bosse au dessus de l'embouchure. Ancien système de fixation des tampons. 2 vis d'ajustement pour régler les liaison entre les clés Mi et Sol, et La# et Si Mécanique huilée, la flûte a été complètement démontée et nettoyée. Les tampon et les lièges sont dans leur état d'usage. La flûte joue très facilement jusqu'à la 3e octave et est très bien équilibrée. Plateaux pleins décalés Protège tenons Etui en bon état avec intérieur vert Sur Robert Malerne: Robert Malerne (25-09-1893 / 23-06-1978) a exercé à La Couture-Boussey (Eure) Les instruments Malerne qui nous sont parvenus sont de qualité. Robert Malerne a installé sa fabrique vers la fin de l’année 1931.  Il reprend les activités de Louis Léon Lebret (1888-1932), médaille d’Or 1897 et ancien ouvrier de Lot.  Robert aura connu Djalma Julliot et travaillé à la même époque que Georges et Léon Leblanc, Eugène Lorée, Marigaux et Lemaire. La fabrique de hautbois, flûtes et clarinettes comptera une centaine de salariés.  Les Ets Malerne et Cie avaient un magasin de vente à Paris (16, Avenue Hoche 8ème arr.). Les ateliers existent toujours, la suite des Ets Malerne et Cie ayant été assurée en 1975 par les Ets Strasser Marigaux Lemaire (SML). La production des ateliers de la Couture Boussey était distribuée aux USA par Carl Fisher, installé à New-York depuis 1872. - - - Superb flute from the workshop of Robert Malerne, successor to Léon Lebret in 1931. Malerne instruments are rare, particularly in this condition and of high quality. The flute has a very nice, round and balanced sound. The ease of play is evident on the 3 octaves with its original pads. Inscription on the body and the head: "R.M. / R. Malerne / Paris" Also a "11" engraved under the thumb key. Silver plated metal, some slight traces of time on the plating. Very light dent above the mouth piece. Ancient pad's fixation system. 2 adjustment screws for the connection between the E and G keys, and A# and B Mechanics are oiled, the flute was completely disassembled and cleaned. Stamps and corks are in their used condition. The flute plays very easily until the 3rd octave and is very well balanced. Offset padding Post protectors Case in very good condition with green interior International shipping with tracking and insurance of the flûte value On Robert Malerne: Robert Malerne (25-09-1893 / 23-06-1978) established at La Couture-Boussey (Eure) The Malerne instruments that have come down to us are of high quality. Robert Malerne set up his factory towards the end of 1931. It takes over the activities of Louis Léon Lebret (1888-1932), Gold Medal 1897 and former worker in Lot. Robert will have known Djalma Julliot and worked at the same time as Georges and Léon Leblanc, Eugène Lorée, Marigaux and Lemaire. The oboe, flute and clarinet factory had around 100 employees. Malerne et Cie had a sales store in Paris (16, Avenue Hoche 8th arr.). The workshops still exist, the continuation of Ets Malerne et Cie having been provided in 1975 by Ets Strasser Marigaux Lemaire (SML). The production of the Couture Boussey workshops was distributed in the USA by Carl Fisher, who has been living in New York since 1872.