These are and sound

"The A-3s are the most perfect embodiment to date of my ideal loudspeaker system. Never in my life have I lived with a speaker that has brought, and continues to bring, as much pleasure, excitement, and satisfaction. In short, I am madly, passionately in love with their sound, and I hereby give notice to Roger West that he is going to have a hell of a hard time prying them loose from me." J. Gordon Holt - The founder of Stereophile I'm selling a beautiful pair of Sound Lab A-3 electrostatic speakers in better-than-new condition. New mylar membranes have been installed the last year. Electronic parts have been upgraded by Roger West himself to Toroid 2 level one month ago. I've made a custom wood frame to accomodate new transformers (which are too big to get inside the original frame). Speaker's impendance has been raised as well.   This is the only pair of A3 upgraded to Toroid 2 level worldwide (as Toroid 2 upgrade has never been made before for A3 speakers). New toroidal transformers and higher sensibility make them easy to drive with any decent amplifier. So, this particular pair of A3 is not only in a virtualy new condition, they also sound better than new. The sound can be described by one word only: glorious !  I have compared Soundlab A3 to Quad ESL 2912 and Stax ELS 8X in my room. Soundlab are MUCH better in every possible way. They have completely different sound dispersion pattern, which makes them sound more lively, more organic, more life-like, and more dynamic. They will create in your room a spectacular gigantic immersion-space, much bigger and more lively than any other speaker regardless of the price. I have original crates so I can ship anywhere (on two pallets). Please contact me to discuss about shipping options and costs. If you live in Paris, you are welcome to test them in my home. After hearing them you will immediately sell your Quad, Martin Logan, Apogee, Magnepan... or any other speakers you currently have. Keep in mind that the current line of Soundlab speakers starts at 22.000 $ price tag.

Vend mixette de reportage Sound Devices 442 + sacoche Petrol + 2 cables de connection camera 4 Balanced XLR Inputs The mixer's flexibility begins with it's 4 balanced XLR inputs. All 4 inputs are individually switchable to accept line or microphone level signals. Direct Outputs Every input features a dedicated output via TA3-male connectors. The direct outs are ideal for feeding individual channel signal to external devices. M-S Decoding Channels 1-2 can be linked for stereo capturing and M-S stereo monitoring. Channel 1 features a phase reverse switch. Variable Gain Continuously variable gain allows level contouring on every channel, resulting in higher signal to noise ratio. Variable Low-Cut Filter Continuously variable low-cut filter dials are located on each channel, eliminating low frequency noise between 80 - 240Hz Peak Limiting Input and output peak limiters eliminate signal over load that can cause noise and distortion.

ROTEL RSP-1098 SURROUND SOUND PROCESSOR Fonctionne parfaitement, bon état ! Works perfectly, good condition ! * Vendu comme sur les photos - Sold as in the photo * Achat hors Union Européenne me contacter - Buy outside the European Union contact me- Possibilité de livraison international économique réalisé par Mondial Relay en point de retrait, à demander pour ces pays:  Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Portugal, Royaume-Uni Possibility of economic international delivery made by Mondial Relay at a collection point, to request for these countries: Allemagne, Autriche, Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Portugal, Royaume-Uni Condition General de Vente - General Condition of Sale: Mode de réglement – Payment choice: Paiement par virement bancaire et Paypal, (chèque bancaire: France uniquement). ====== Payment by bank transfer and Paypal (bank check: French only). ====== Pour les règlements par chèque bancaire (France) et après encaissement de celui-ci, un délai de 8 jours  supplémentaires sera appliqué avant l’envoi de la marchandise. Expédition - insurance: Les envois sont expédiés 3 jours après validation du paiement (hors week-end et jours fériés). Un numéro de suivi sera communiqué par le biais d’. Aucune responsabilté ne sera assumé concernant les dommages et ou pertes pouvant survenir pendant le transport. Aucun remboursement ne pourra être réclamé, sauf si vous avez assurer votre envoi. Si vous souhaitez assuré votre envoi il vous faudra en faire la demande avant de valider votre panier. Le cout de celle-ci vous sera alors transmit. l'assurance couvre uniquement le prix d'achat de l'objet commandé si le colis est perdu seulement. ====== Shipments are dispatched 3 days after payment validation (excluding weekends and holidays). A tracking number will be communicated through. No liability will be assumed for damages and / or losses that may occur during transport. No reimbursement can be claimed, unless you have insured your shipment .If you want to insure your shipment, you will need to request it before validating your basket. The cost of this will then be transmitted to you. the insurance only covers the purchase price of the item ordered if the package is lost only. Autres – Others: A l'attention de la clientèle un peu trop exigeante: Vous êtes ici sur une plateforme spécialisé dans la vente d'occasion !! Les instruments proposés ici ont parfois plusieurs décennies d'existence. Même si ces derniers sont nettoyés et révisés globalement il est probable qu'il y ai de légère déviance; à méditer… ====== For the attention of customers a little too demanding: You are here on a platform specialized in second hand sales !! The instruments proposed here sometimes have several decades of existence. Even if these are cleaned and revised globally it is likely that there is slight deviance; to meditate… Les demandes de retours de marchandise ne sont pas acceptées. Aucune garantie sur les articles vendus ici. ====== Requests for merchandise returns are not accepted. No warranty on the items sold here.

Epiphone Original Locktone Bridge and Tailpiece Gold with Studs and Anchors. These are original parts from Epiphone, made in Korea. Doesn't come in retail packaging. *Epiphone locktone bridge with studs and anchors *Epiphone locktone tailpiece with studs and anchors Ships from France with economy mail to the European Union. Note: these parts' plating might have different hues of gold color

Epiphone Original Locktone Bridge And Tailpiece Nickel with Studs and Anchors These are original parts from Epiphone, made in Korea. Doesn't come in retail packaging. *Epiphone locktone bridge with studs and anchors *Epiphone locktone tailpiece with studs and anchors May have slight signs of use but no scratches or dents. Ships from France with economy mail to the European Union

Epiphone Original Strap Buttons Nickel With Screws And Felt Washers These are original parts from Epiphone, made in Korea. Doesn't come in retail packaging. Taken from an Epiphone standard Guitar. *2x Epiphone nickel strap buttons with mounting screws and felt washers Ships from France with economy mail to the European Union.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

A beautiful old violin labelled « ANSALDO POGGI/ DA VILLA FONTANA/ fece in BOLOGNA anno 1952». In very good condition, 2 pieces back, total length 595 (mm), LOB 358, upper/ lower boat/ waist 164/ 204/ 108, thickness at the ribs/ at the centre 39/ 60. Also stamped A. POGGI on the bottom rib. Presents some traces of age and use! See also the pictures and the UV photos for the label! Ready to play, warm and powerful sound! (bridge down for the shipping) The violin will be well shipped and packed in a vintage case and will be assured! Feel free to ask! I guarantee that all pictures are actual, you will receive what you see. Any defects not mentioned but visible on the pictures will be considered as described. I can't guarantee the authenticity of the violin! If you wish, do not hesitate to ask for additional photos! Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. We shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of ageing. International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Because the announce is posted on several sales websites, I have to reserve the right to suppress it at anytime ! Thanks for watching and for understanding!

FICHIERS ROLAND ORIGINAUX, VENDU SUR UNE CLÉ  USB GÉNÉRIQUE GENUINE ROLAND FILES, SOLD ON A GENERIC USB DRIVE  The Alpine expansion for the FR-7x, FR-8x, FR-4X, FR-1X, FR-3x,FR-7xb, FR-8xb, FR-4Xb, FR-1Xb, FR-3xb and FR-18 diatonic V-Accordions contains the sounds of German folk acoustic accordions and typical Oberkrainer orchestral instruments. These sounds are dedicated to Oberkrainer music, the traditional music genre of Slovenia, Austria, and Germany. This sound expansion contains special samples of characteristic instruments for this kind of music, like baritone horn, clarinet, guitar, trumpet, and bass tuba. Dedicated sets are also included so users can play Oberkrainer music without any pre-programming work. Sur le lien ci dessous vous trouverez le detail de tous les sons et styles: On link below you will find all details about the sounds and styles on the Alpine Roland V Accordeon Extension: ///////////////////////////////////////////// https://www.dropbox.com/s/lqwtikeea6f85up/Alpine%20Exp%20Manual01.pdf?dl=0 ////////////////////////////////////////////

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

Appareil surprenant d’efficacité. Très peu utilisé, mais longuement servi récemment pour numériser des vinyles. Avec son alimentation externe et son convertisseur 220/110VAC (N'a jamais été produit en version 220V) L’emballage sera soigné Supporte le 20 bits en entrée ET en sortie, convertisseur A/D ADMOD79, D/A l'excellent TDA1547, DSP géré par PCF5020D, fonction ADOC CS8402, ADIC & ré-échantillonneur TDA1373, entrée SPDIF AES/EBU de 15 à 50 kHz, sortie 'switchable' de 44.1 à 48 kHz au dos par simple bouton... En français, transforme un Signal mono en stéréo, améliore le Son en provenance des vinyles (notamment 78 tours, mais les 45 et 33 aussi)), des disques compacts audionumériques (passe de 44.100 Hz à 48 kHz), supprime le Scratch, filtre (comme un Dolby, mais mieux)), améliore le rendu stéréo, élargit ou réduit l'effet stéréophonique, compresse/expand (les radioteurs comprendront), règle finement graves et aigus par pas de 1 dB, gère le fading, la balance et bien sûr le volume, etc.(Citation du site hifi vintage audiophile) "This product offers recording studio engineers, home studios owners, post production facilities, corporate A/V centers, archivist, and broadcast professionals unmatched performance and value for an integrated set of advanced sound processing technologies developed by Philips." The IS5021 include the following: - - 20-bit A/D converters (ADMOD79) - - High quality D/A converter (based on the Philips DAC7) - - Sample rate converter for interfacing between digital equipment operation at different sample rates. Digital Sound Processing including:  - - Jitter Removal (for cleaning up DAT recordings - - Compression/Expansion - - Noise reduction (comprising a low-pass filter with adjustable cut-off) - - QNI (Quantization Noise Imaging) - - Slave Mode (for external synchronization) - - Varispeed (pitch variation can be processed without effecting output sample rates) - - Scratch Suppression (de-clicking) - - Stereo Enhancement (stereo effect from mono) - - Spatial Stereo (widen or narrow the sound stage) - - Bass, Treble, Balance and Volume Control - - Digital Level Indication & Control (for monitor of the overall input level) These features offer the professional studio engineers tremendous versatility in the creation of digital recordings, whether from analog or digital source material. Typical applications for the IS5022 include the following:  Recording Studios/Music Production Facilities:  The 20-bit A/D converter in combination with the sample rate converter will permit the user to choose a 44.1 or 48kHz sampling frequency for the transfer of older DAT recording. Actually, any input sampling frequency between 15kHz and 50kHz will be accepted.  Broadcast Professionals/Archivists/Home Studios: The IS5022 offer a tremendous variety of easy to use tools to enhance the sound of older recordings (tape and vinyl) from the stereo enhancement capability that permits a monaural recording to be "converted" into stereo (through phase shift), to spatial stereo that widens or narrows the recording, to noise reduction and scratch suppression filters.  These capabilities, along with the D/A converter and QNI will permit recording professionals to create enhanced digital recordings, as well as transfer back to analog cassette format for substantially enhanced quality for use in portable listening applications.  Audio Post Production Facilities: Recordings made in-the-field with most commonly available portable DAT recorders can now be edited into recordings that offer improved resolution and richness along with substantially reduced jitter distortion.  Technical specifications Inputs Digital: 15-50kHz sample rate s/pdif: RCA Analog Unbalanced: RCA (L/R) Outputs Digital: 44/1/48kHz switchable s/pdif: RCA Analog Unbalanced: RCA (L/R) Performance (complete Analog Path-analog IN to OUT) Balanced S/N Ratio: 94dB (A-weighted)

Sony DAT TCD-D100 Walkman - Fully tested and working Shiny. État : Occasion Service de livraison : Colissimo Sony TCD-D100 Walkman What you see on pictures is what you'll get Listing includes: - Original box (used, see pictures) - Sony TCD-D100 with original leather soft case (tested and working) - Original remote control (tested and working) - Original AC-E45HG power supply for charger (tested and working)(European) Listing doesn't includes: - Original user manual - Original AA Charger Returns are not accepted Due to current pandemic, some delays may occur If I can ship for less than 40€, I'm gonna refund the difference Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.

I am selling a 50mm f1.2 L39 original lens hood with original Canon UV filter and leather case.. Very clean, see photos ! Shipped in sturdy packaging. I enclose the tracking number. Please note that any address not registered in is not acceptable for shipping. Please check the photos and don't hesitate to ask questions about the item! Please note: Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to buying. - Attention ! If you are a buyer with a 0 rating profile or new registered on, please contact me before bidding, if you do not do so the transaction will be automatically canceled. Je vends un pare soleil pour Canon LENS 50mm f1.2 LTM avec le filtre UV Canon et l'étui en cuir d'origine. Expédié dans un emballage solide. Je joins le numéro de suivi. Veuillez noter que toute adresse non enregistrée dans n'est pas acceptable pour l'expédition. Veuillez vérifier les photos et n'hésitez pas à poser des questions sur l'article ! Veuillez noter: Les droits d'importation, les taxes et les frais ne sont pas inclus dans le prix de l'article ou les frais d'expédition. Ces charges sont sous la responsabilité de l'acheteur. Veuillez vérifier auprès du bureau de douane de votre pays pour déterminer quels seront ces coûts supplémentaires avant d'acheter. - Attention ! Si vous êtes un acheteur avec un profil d'évaluation 0 ou nouvel inscrit sur, merci de me contacter avant d'enchérir, si vous ne le faites pas la transaction sera automatiquement annulée. En savoir plus Collaboration commerciale.