Things that were lost

CD Album CD Code EAN: 3700398722696 Genre musical: Pop rock Rubrique principale CD: CD Album Crawler: Spyfind Nouveauté: Nouveauté Titre: Things that were lost in the fire Disponibilité: Disponible

POUR LES FANS D'ELVIS PRESLEY JE VOUS PROPOSE CE CD IMPORT : ALL THINGS ARE POSSIBLE ELVIS EN CONCERT A LAS VEGAS (NEVADA) LE 27 JANVIER 1971 LORS DE 4e SAISON A VEGAS UN EXCELLENT SHOW EN SON PARFAIT ! INDISPENSABLE Also Sprach Zarathustra (*) That's All Right (*) You Don't Have To Say You Love Me Love Me Tender There Goes My Everything Sweet Caroline You've Lost That Lovin' Feelin' Polk Salad Annie Only Believe How Great Thou Art Introductions Johnny B. Goode The Wonder Of You Something Make The World Go Away Love Me One Night Blue Suede Shoes Hound Dog Mystery Train/Tiger Man (*) Love Me Tender (*) Can't Help Falling In Love (*)  LUXOR- NO CDR- TRÈS BON ÉTAT A NE PAS MANQUER ! FRAIS DE PORT: GRATUITS POUR LA FRANCE METROPOLITAINE DECOUVREZ MA BOUTIQUE DREAMS OF AMERICA !!!!

PLEASE WAIT THE INVOICE BEFORE SENDING PAYMENT !!!!!!!!  INFORMATIONS: ITALIAN press GRADING COVER/RECORD:  SEALED SHIPPING COST:  to France:  8€ for 1 record; 1€ per additionnal item to Europe:   14€ for 1 record; 1€ per additionnal item  to Rest of the world: 24€ for 1 record; 2€ per addtionnal item ALL shipping are REGISTRED with TRACKING NUMBER.   RECORD AND COVER GRADING: MINT (M) These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller. NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a NM record — are among the biggest bargains in record collecting, because most of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would resid

33 Tours LP   BLACK SHEEP NON-FICTION  MERCURY 314 522 685-1  2 LP USA Year: 1994 Hip Hop Cover: NM Record: NM See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cove

33 Tours LP   DON CHERRY & The Jazz Composer's Orchestra RELATIVITY SUITE JCOA Records VIRGIN JLP 2001 Dischi Ricordi ITALY Year: 1974 Jazz Free Jazz Cover: VG++ Record: NM Back cover a bit dirty and with ring wear. See photos. My grading criteria are based on the Goldmine® Grading Guide: MINT (M)* These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition. *Note: I almost never use MINT grade, I think it should only be used for perfect new sealed records or perfect "still in shrink" records. I could occasionally add an additional conservative grade of [NM+] to this guide to describe perfect records, even if not new sealed or not "still in shrink". NEAR MINT (NM OR M-)** A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. Major factory defects also must be absent; a record and label obviously pressed off center is not Near Mint. If played, it will do so with no surface noise. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.) NM covers are free of creases, ring wear and seam splits of any kind. **Note: Sometimes I can add an additional conservative grade of [NM-] or [VG++] to this guide to describe records just under [NM] or "almost [NM] perfect with a few minor flaws". VERY GOOD PLUS (VG+) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint.” Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++). VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that do not affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, but repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable. VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint. Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape. VG cov

Fred Astaire – Golden Greats. Particularité:  Boitier et CD en très bon état. Titres du CD: Cd1 1 Cheek To Cheek2 Let's Face The Music And Dance3 Let's Call The Whole Thing Off4 Never Gonna Dance5 A Fine Romance6 They All Laughed7 The Way You Look Tonight8 A Foggy Day9 Nice Work If You Can Get It10 Let Yourself Go11 I'M Putting All My Eggs In One Basket12 Top Hat, White Tie And Tails13 Isn'T This A Lovely Day14 Change Partners15 They Can'T Take That Away From Me16 I Can't Be Bothered Now17 Things Are Looking Up18 Pick Yourself Up19 Slap That Bass20 (I've Got) Beginner'S Luck21 Bojangles Of Harlem22 No Strings23 The Piccolino24 We Saw The Sea25 Shall We Dance? Cd2 1 Night And Day2 After You, Who?3 I'm Building Up To An Awfull Let-Down4 I'd Rather Lead A Band5 I Used To Be Color Blind6 The Yam7 The Yam Step8 High Hat9 My One And Only10 The Half Of It Dearie Blues11 The Babbit And The Bromite12 Hang On To Me13 I Love Louisa14 Fascinatin' Rhythm15 Funny Face16 I'D Rather Charleston17 White Heat...Dancing In The Dark (Orchestra Only)18 Hoops19 Sweet Music (To Worry The Wolf Away)20 Louisiana21 Not My Girl22 Maybe It'S Because (I Love You Too Much)23 The Gold Digger's Song24 I'Ve Got You On My Mind25 Crazy Feet Cd3 1 Puttin' On The Ritz2 Dearly Beloved3 Who Cares?4 You'Re Easy To Dance With5 You Were Never Lovelier6 Flying Down To Rio7 Music Makes Me8 I'll Capture You're Heart9 Dream Dancing10 This Heart Of Mine11 Since I Kissed My Baby Goodbye12 I'M Old Fashioned13 A Couple Of Song And Dance Men14 Love Of My Life15 On The Beam16 So Near And Yet So Far17 The 'Shorty George'18 I Can'T Tell A Lie19 Me And The Ghost Upstairs20 Just Like Taking Candy From A Baby21 Poor Mister Chisholm22 (I Ain't Hep To That Step, But I'll) Dig It23 The Wedding Cake Walk24 Wedding In The Spring 25 If Swing Goes, I Go Too (Box-CD- 04)

Unforgettable - The Great Standards 1-1 –Kenny Rogers Unforgettable 3:21 1-2 –Vic Damone Begin The Beguine 4:43 1-3 –Tony Bennett Isn't It Romantic? 3:24 1-4 –Mel Tormé I Can't Give You Anything But Love 2:03 1-5 –Lena Horne You Go To My Head 2:59 1-6 –Engelbert Humperdinck A Lovely Way To Spend An Evening 3:33 1-7 –Judy Collins Bewitched 3:39 1-8 –Kenny Rogers My Funny Valentine 4:07 1-9 –Vic Damone Blue Moon 3:32 1-10 –Engelbert Humperdinck Stardust 2:33 1-11 –Ed Ames & Margaret Whiting Tea For Two 3:38 The Greatest Love Songs 1-12 –Vic Damone It's Impossible 4:30 1-13 –Petula Clark The First Time Ever I Saw Your Face 4:02 1-14 –Kenny Rogers Love is A Many Splendoured Thing 2:40 1-15 –Vince Hill Touch Me In The Morning 3:50 1-16 –Sacha Distel Darling, je Vous Aime Beaucoup 2:44 1-17 –Ken Barrie Mona Lisa 4:20 1-18 –Kenny Rogers She Believes In Me 4:19 1-19 –Peters & Lee Always On My Mind 3:26 1-20 –Judy Collins Till There Was You 2:52 1-21 –Vic Damone Our Love Is Here To Stay 4:01 Legendary Singers Of The Century 2-1 –Frank Sinatra & Harry James And His Orchestra If I Didn't Care (Live Opname) 3:28 2-2 –Doris Day & Les Brown And His Orchestra Sentimental Journey 2:50 2-3 –Frankie Laine That's My Desire 2:31 2-4 –Peggy Lee What Is This Thing Called Love 2:15 2-5 –Patti Page Let Me Call You Sweetheart 1:56 2-6 –Bing Crosby Talk To The Animals 3:09 2-7 –Carmen McRae All The Things You Are 4:02 2-8 –June Christy & Les Brown And His Orchestra It Don't Mean A Thing 2:07 2-9 –Bob Eberly & Jimmy Dorsey And His Orchestra Fools Rush In 3:18 2-10 –Helen Forrest I Only Have Eyes For You 2:08 2-11 –Rosemary Clooney I get A Kick Out Of You 2:45 Great Singers - Great Songs 2-12 –Engelbert Humperdinck I'm Getting Sentimental Over You 4:15 2-13 –Tony Bennett This Can't Be Love 1:42 2-14 –Sacha Distel Can't Take My Eyes Off You 3:14 2-15 –Barbara Dickson There Goes That Song Again 3:52 2-16 –Vic Damone Night And Day 3:44 2-17 –Petula Clark I Dreamed A Dream 3:35 2-18 –Vince Hill Roses Of Picardy 2:46 2-19 –Kenny Rogers Lady 3:54 2-20 –Shirley Bassey Still 5:49 Great Songwriters Of The Century 3-1 –Kenny Rogers Always 2:47 3-2 –Judy Collins Enbraceable You 3:08 3-3 –Tony Bennett The Lady Is A Tramp 2:29 3-4 –Helen Forrest Come Rain Or Come Shine 2:19 3-5 –Kenny Rogers When I Fall In Love 3:25 3-6 –Bryan Johnson (2) September Song 2:55 3-7 –Harry Secombe Gigi 3:39 3-8 –Ivor Emmanuel Ol' Man River 3:28 3-9 –Engelbert Humperdinck My Foolish Heart 2:52 3-10 –Helen Forrest I'll Never Smile Again 2:59 3-11 –Sandie Shaw Ev'ry Time We Say Goodbye 2:59 A Tribute To Today's Great Songwriters 3-12 –Mike Sammes Singers Trains And Boats And Planes 3:31 3-13 –Roger Miller Me And Bobby McGee 3:18 3-14 –Sacha Distel You Are The Sunshine Of My Life 3:06 3-15 –Judy Collins Blowin' In The Wind 4:21 3-16 –Betty Buckley With One Look (Live Opname) 3-17 –Madeline Bell A Natural Woman 3:33 3-18 –Vince Hill You Don't Bring Me Flowers 3:05 3-19 –Stephanie Lawrence Candle In The Wind 4:16 3-20 –Judy Collins Let It Be 4:17      4-1 –Vic Damone What Now My Love 3:19 4-2 –Demis Roussos No More Boleros 4:14 4-3 –Sacha Distel Monsieur Cannibale 3:24 4-4 –José Carreras Amapola 3:57 4-5 –Simone Langlois Pigalle 2:55 4-6 –Acker Bilk Stranger On The Shore 2:52 4-7 –Carlo Bergonzi Torna A Surriento (Come Back To Sorrento) 4:35 4-8 –Marie-Paule Belle Milord 4:39 4-9 –André Brasseur Early Bird 2:56 4-10 –Vince Hill You've Lost That Loving Feeling 4:19 Somewhere, My Love - Movie Classics 4-11 –Kenny Rogers Somewhere, My Love 2:44 4-12 –Sylvia Cheyenne & Gilles Olivier Un Homme Et Une Femme 2:42 4-13 –Henry Mancini And His Orchestra Love Story 2:50 4-14 –Kenny Rogers I Will Always Love You 2:59 4-15 –Shirley Bassey Wind Benauth My Wings 4:20 4-16 –Henry Mancini And His Orchestra The Entertainer 3:31 4-17 –Helmut Zacharias Schindler's List 3:53 4-18 –Vince Hill Bright Eyes 3:33 4-19 –Berdien Stenberg When You Wish Upon A Star 2:50 4-20 –Kenny Rogers Un

A classic work of World War II history that brings to vivid, dramatic life one of the bloodiest battles ever fought - and the beginning of the end for the Third Reich. On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of the 6th Army, an elite German combat unit dispatched by Hitler to capture the industrial city of Stalingrad and press on to the oil fields of Azerbaijan. The Germans were supremely confident; in three years, they had not suffered a single defeat. The Luftwaffe had already bombed the city into ruins. German soldiers hoped to complete their mission and be home in time for Christmas. The siege of Stalingrad lasted five months, one week, and three days. Nearly two million men and women died, and the 6th Army was completely destroyed. Considered by many historians to be the turning point of World War II in Europe, the Soviet Army's victory foreshadowed Hitler's downfall and the rise of a communist superpower. Best-selling author William Craig spent five years researching this epic clash of military titans, traveling to three continents in order to review documents and interview hundreds of survivors. Enemy at the Gates is the enthralling result: the definitive account of one of the most important battles in world history. The book was the inspiration for the 2001 film of the same name, starring Joseph Fiennes and Jude Law. Stalingrad, one of the bloodiest battles in the history of warfare, cost the lives of nearly two million men and women. It was perhaps the single most important engagement of World War II and signaled the beginning of the end of the Third Reich of Adolf Hitler. Based on 100s of interviews with survivors of the battle, this text presents the story of the bloody battle. A Shocking, Epic Tale It is hard to put into words this tremendous epic of a book. Beginning with the German 6th Army's confident march towards Hitler's "prize", Stalingrad, the book carefully and descriptively moves through stages the battle from both German and Russian accounts, drawing in the reader from one heart-stopping moment to the next. William Craig does a masterful job of describing the deteriorating situation in the city, the countless lives lost, and the tragedy that occurs during the capitulation and capture of the German 6th Army and its Italian and Romanian allies. All armies involved in the battle suffered immeasurably for what they believed in, and the human cost and brutality described during the battle and its aftermath is breath-taking. Craig also did an unbelievable job of gathering first-hand accounts from the survivors to put the reader directly on the front lines. To learn the whole truth about this tragedy of WWII history I highly recommend this book.

COUNT BASIE The Complete Count Basie Vol. 11 To 20 1941-1951 Box 10 Vinyles: Tracklist - XI-A1 Feedin' The Bean - XI-A2 Fiesta In Blue - XI-A3 Fiesta In Blue - XI-A4 Fiesta In Blue - XI-A5 Fiesta In Blue - XI-A6 Fiesta In Blue - XI-A7 Tom Thumb - XI-A8 Take Me Back Baby - XI-B1 King Joe (Part1) - XI-B2 King Joe (Part2) - XI-B3 King Joe (Part1) - XI-B4 King Joe (Part2) - XI-B5 Moon Nocturne - XI-B6 Something New - XI-B7 Something New - XII-A1 I Struck A Match In The Dark - XII-A2 Platterbrains - XII-A3 Platterbrains - XII-A4 Platterbrains - XII-A5 All Of Me - XII-A6 All Of Me - XII-A7 All Of Me - XII-B1 Feather Merchant - XII-B2 Feather Merchant - XII-B3 Feather Merchant - XII-B4 Down For Double - XII-B5 Down For Double - XII-B6 More Than You Know - XII-B7 More Than You Know - XII-B8 Harvard Blues - XII-9 Harvard Blues - XIII-A1 Coming-Out Party - XIII-A2 Coming-Out Party - XIII-A3 One O'clock Jump - XIII-A4 One O'clock Jump - XIII-A5 Blue Shadows And White Gardenians - XIII-A6 'Ay Now - XIII-A7 'Ay Now - XIII-A8 'Ay Now - XIII-B1 For The Good Of Your Country - XIII-B2 For The Good Of Your Country - XIII-B3 Basie Blues - XIII-B4 Basie Blues - XIII-B5 I'm Gonna Move To The Outskirts Of Town - XIII-B6 Time On My Hands - XIII-B7 How Long Blues - XIV-A1 Royal Garden Blues - XIV-A2 Bugle Blues - XIV-A3 Sugar Blues - XIV-A4 Farewell Blues - XIV-A5 Cafe Society Blues - XIV-A6 Way Back Blues - XIV-A7 St. Louis Blues - XIV-B1 Rusty Dusty Blues - XIV-B2 Ride On - XIV-B3 Lost In The Blackout Blues - XIV-B4 Time On My Hands - XIV-B5 It's Sand Man! - XIV-B6 Ain't It The Truth? - XIV-B7 Ain't It The Truth? - XIV-B8 Ain't It The Truth? - XV-A1 For The Good Of Your Country - XV-A2 Taps Miller - XV-A3 Jimmy's Blues - XV-A4 Jimmy's Blues - XV-A5 I Don't Know About You - XV-A6 Red Bank Boogie - XV-A7 Red Bank Boogie - XV-A8 Avenue C - XV-B1 Avenue C - XV-B2 Avenue C - XV-B3 Avenue C - XV-B4 This Heart Of Mine - XV-B5 That Old Feeling - XV-B6 That Old Feeling - XV-B7 Blue Skies - XV-B8 Jivin' Joe Jackson - XVI-A1 High Tide - XVI-A2 High Tide - XVI-A3 High Tide - XVI-A4 Queer Street - XVI-A5 Queer Street - XVI-A6 Queer Street - XVI-A7 Patience And Fortitude - XVI-B1 Patience And Fortitude - XVI-B2 Patience And Fortitude - XVI-B3 The Mad Boogie - XVI-B4 The Mad Boogie - XVI-B5 The Mad Boogie - XVI-B6 The Mad Boogie - XVI-B7 Lazy Lady Blues - XVII-A1 Lazy Lady Blues - XVII-A2 Lazy Lady Blues - XVII-A3 Rambo - XVII-A4 Rambo - XVII-A5 Rambo - XVII-A6 Rambo - XVII-A7 Stay Cool - XVII-B1 Stay Cool - XVII-B2 Stay Cool - XVII-B3 The King - XVII-B4 The King - XVII-B5 The King - XVII-B6 Hob Nail Boogie - XVII-B7 Hob Nail Boogie - XVIII-A1 Hob Nail Boogie - XVIII-A2 Danny Boy - XVIII-A3 Mutton Leg - XVIII-A4 Mutton Leg - XVIII-A5 Mutton Leg - XVIII-A6 Mutton Leg - XVIII-A7 Stay On It - XVIII-B1 Wild Bill's Boogie - XVIII-B2 Wild Bill's Boogie - XVIII-B3 Wild Bill's Boogie - XVIII-B4 Wild Bill's Boogie - XVIII-B5 Wild Bill's Boogie - XVIII-B6 Wild Bill's Boogie - XVIII-B7 Fla-Ga-La-Pa - XIX-A1 Don't Ever Let Me Be Yours - XIX-A2 Goodbye Baby - XIX-A3 Goodbye Baby - XIX-A4 Goodbye Baby - XIX-A5 Neal's Deal - XIX-A6 Neal's Deal - XIX-A7 Neal's Deal - XIX-B1 Neal's Deal - XIX-B2 Bluebeard Blues - XIX-B3 Bluebeard Blues - XIX-B4 Golden Bullet - XIX-B5 Golden Bullet - XIX-B6 Golden Bullet - XIX-B7 You're My Baby, You - XX-A1 You're My Baby, You - XX-A2 Song Of The Islands - XX-A3 These Foolish Things - XX-A4 I'm Confessin' - XX-A5 One O'clock Jump - XX-A6 I Ain't Got Nobody - XX-A7 Little White Lies - XX-B1 Little White Lies - XX-B2 I'll Remember April - XX-B3 Tootsie - XX-B4 Howzit - XX-B5 Nails - XX-B6 Little Pony - XX-B7 Beaver Junction