Which entirely normal

Volna-9 50mm f2.8. Il s'agit de l'unique ancien objectif russe produit pour la photo macro. Ce 50mm s'allonge pour obtenir un rapport de grossissement 1:2 à 24cm. Il est réputé pour son piqué en fermant un peu (ce qui est normal pour un macro) et pour son bokeh original: à f2.8 le bokeh est plutôt doux (en proxy), à f4 légèrement hexagonal, mais à f5.6/f8 il prend la forme d'une étoile.  Cet objectif est avant tout conçu pour photographie les plantes, les insectes et petits objets, mais il excelle aussi en portrait. En usage généraliste, il devient bon en fermant (homogène en paysage à f11). C'est un 50mm en plein format (75mm en APS-C, ce qui peut être encore plus intéressant en macro). Il est entièrement manuel. La monture m42 s'adapte sur les appareils photo numériques, en particulier les hybrides, avec une bague d'adaptation (pas cher sur internet). L'objectif est dans un excellent état extérieur et mécanique (comme neuf). Les optiques sont claires (à la loupe peut-être une minuscule marque à l'intérieur sans conséquences). Il a très peu servi. Il est complet avec son capuchon frontal, sa boîte d'origine (il se visse sur le couvercle) et même les instructions...  en russe ! ----------------------- Volna-9 50mm f2.8. This is the only old Russian lens produced for macro photography. This 50mm extends to a magnification ratio of 1:2 at 24cm. It is known for its sharpness when closing a little (which is normal for a macro) and for its original bokeh: at f2.8 the bokeh is rather smooth (in proxy), at f4 slightly hexagonal, but at f5.6/f8 it takes the shape of a star.  This lens is primarily designed to photograph plants, insects and small objects, but it also excels in portrait. In general use, it becomes good when closed (homogeneous in landscape at f11). It is a 50mm in full frame (75mm in APS-C, which can be even more interesting in macro). It is entirely manual. The m42 mount fits on digital cameras, especially mirrorless, with an adapter ring (cheap on the internet). The lens is in excellent external and mechanical condition (like new). The optics are clear (with a magnifying glass maybe a tiny mark inside without consequences). It has been used very little. It is complete with its front cap, its original box (it is screwed on the lid) and even the instructions... in Russian !

Reflex Argentique SLR Film 35mm MINOLTA XG-1 MF + BOUCHON/SANGLE/PILES Description: Reflex argentique à mise au point manuelle et à obturateur électromécanique sorti en 1981. Etat mécanique: Très bon état de fonctionnement. Toutes les fonctions sont opérationnelles. Il y a des micro-grains de poussière à l’intérieur du viseur, ce qui est normal pour un appareil de cet âge, sans incidence. Je n’ai pas remplacé les joints. Etat esthétique: des traces d'utilisation visibles sur les photos de l’annonce sans incidence sur les performances générales de l'appareil. Livré avec: bouchon, sangle d’épaule, piles neuves Je vous invite à consulter mes autres ventes Description: This is a manual focusing SLR with electromecanical shutter introduced in 1981. Mecanical condition: Fully operational. There are just some tiny dust specs inside the viewfinder, which is normal for a camera of this age, with no incidence of course. I have not replaced the seals. Aesthetical condition: You may have an idea on the general shape of the camera from pictures. It does have minor marks of use, but nothing tragic. Lot includes: Ca, stap and new batteries _gsrx_vers_1436 (GS 9.0.5 (1436)) En savoir plus Collaboration commerciale.

SEAGULL 4 Serial number: 4-63148628 Shooting lens: HAIOU-31 1:3.5 f=75mm, SA-2778845 Viewfinder lens: 1:2.8 f=75mm, 31138812 Year of production: 1968 Shanghai Camera Factory The SEAGULL type 4 is relatively rare, SEAGULL 4 is basically the same as the SHANGHAI type 4. In 1968, the SHANGHAI brand was officially replaced by SEAGULL brand. But after the SEAGULL 4 was quickly discontinued, SEAGULL soon launched the 4A type camera. SEAGULL 4 TLR camera, for 120 roll film. It comes with original leather case, lens cap and strap. The appearance of the camera is near mint, the shutter fire in all speeds, all apertures are operating properly, selftimer works well. The focusing is smooth, and the viewfinder is clean. Both lens are not scratched, there are not fungus / haze, there may be some small dust in the lens, which is normal for the age of the camera. Please see photos for details. If you have any questions, please contact me. NB:  For shipping to countries outside of European Union and UK, the postage is 40 euros. Import duties, taxes, and charges are not included in the item price or shipping cost.These charges are the buyer's responsibility.

SMC Pentax-M 50mm f1.7 Pk Mount (pentax) Très bon état. Très pratique et lumineux, ça marche avec tous les boîtiers modernes (sony, nikon, canon, panasonic, etc.) avec un adaptateur pas cher Très bon état,pas de problèmes majeures dans l’utilisation. Bague de mise au point souple, pas de champignons ni de rayures, possibles micro poussières à l’intérieur de l’optique, ce qui est normale pour des objectifs de cet age, qui n’affectent pas la prise de vue. Capuchons avant et arrière fourni. SMC Pentax-M 50mm f1.7 Pk Mount (pentax) Works nicely on any modern DSLR (sony,nikon, canon, panasonic, etc) with a cheap adapter Near mint condition, no major faults. Smooth focus ring, no fungus norscratches, just some micro dust inside theoptics, which is normal for lenses of its age, not visible on pictures. It comes with front and back cap.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Hi, I'm selling the wonderful Pentax 645D medium format digital camera SLR - 40 megapixels in used condition.  Shutter count is around 6000 (currently show 2497, was around 3500 before servicing).  Cosmetic condition is good with normal traces of use.  The camera has been serviced and fixed entirely by Pentax Japan in 2017 (bill available). It comes with its original kit lens the excellent Pentax SMC-D-FA 645 55mm F2.8 AL (IF) SDM, in good condition, perfect working order. On top of that, an extra battery and light charger and a remote will come as well ! (charger included of course) The image quality from this camera is superb (old school CCD sensor which is somewhat softer and more organic than the more modern CMOS).  I'm only selling my gear to move on to something more lightweight !It's a geat camera and lens for shooting digital medium format on a budget ! Everything will be carefully packed. Thank you

Hifime UH1 Digital permet d'écouter de la musique en qualité (horloges TCXO, isolement galvanique) depuis un ordinateur via la sortie USB de celui-ci. La sortie HDMI I2S est compatible avec les 3D LAB Nano DAC. Entrées: optique, HDMI (I2S) et USB: un switch permet le choix entre Low (limite la fréquence à 96 kHz mais ne nécessite aucun driver sous windows) et High (driver windows 10 disponible sur le site de Hifime). Sorties: coaxial, optique, HDMI I2S compatible avec le 3D LAB Nano DAC. Un switch à 2 positions permet de rendre le DSD compatible avec plusieurs marques (pas essayé avec le 3D LAB). Spécifications (issues du site de Hifime): This is the UH1 without the DAC part. It is a pure high quality USB to i2s/DSD (over HDMI), COAX and OPT. This also has i2s/HDMI input (HDMI to USB). It is based on the Savitech SA9227 asynchronous USB receiver clocked by two TCXO oscillators which are used as the master clock to control the timing. This asynchronous USB transfer mode will give this device the responsibility to clock the data transfer instead of of your computer which has a clock of lesser quality with more noise and jitter introduced. It accepts up to 384kHz sample rates and 16/24/32 bit. No drivers are necessary on MAC and linux computers ! On Windows it can work without drivers up to 96kHz/24bit and with ASIO drivers up to 384/32. (Note that not all programs support ASIO). There is a switch that switches between Low and High sample rate mode. When set to Low, it works up to 96/24 with no drivers needed in Windows. It utilises the USB port for power, so no external power supply is required. Also the outputs and inputs are ground isolated from USB. USB INPUT: Asynchronous USB transfer with two TCXO as master clock USB receiver Savitech SA9227 Inputs are ground isolated from USB Supported sample rates: 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384kHz Supported bitrates: 16, 24 and 32 bits Works in either Full speed or High Speed USB transfer mode selectable with a switch (“L” “H”). No drivers required in MAC/Linux in both full and high speed modes. Windows ASIO needs drivers for High Speed mode only. We are using two (expensive) TCXO to act as master clock. 45.1584MHz for 44.1, 88.2, 176.4, 352.8MHz sample rates, and 49.152MHz for 32,48, 96, 192, 384kHz sample rates. The USB transfer is clocked by the TCXO directly. This is better than PLL async mode and offers close to zero jitter. PLL async mode has ~30ps jitter, which is already quite low, but not as good as when clocked from TCXO directly. SPDIF/OPTICAL/i2s(HDMI) INPUT: To USB/computer only! It doesn’t convert i2s to the COAX/SPDIF outputs. SPDIF Support samples rates up to 192kHz and 16/24/32 bit. DIGITAL OUTPUTS: DSD/I2S using HDMI port. Here is a linked drawing with the pinout for DSD and I2s. Note – this it not compatible with “normal” HDMI devices. The HDMI port is only used as a convenient connector and a way to send i2s balanced which improves signal quality. The DSD signal is also balanced. The pinout is made so that there is no harm done if you should connect it to a normal HDMI device. Optical output Coaxial output? Outputs are ground isolated from USB Size: 85x70x24mm

If you live outside EU, ask for post charges before buying, else I will cancel the transaction. ---------------------------------------------------------------- I sell a large part of my studio equipment. This auction is for  a Roland Boutique TB-3 AIRA. The Roland TB-303 emulation with a tactile screen. Like new - Hardly used.  Including box, original power supply and all packing. The TB-3 is a bass line, able to record 64 Patterns (8 banks of 8) from 1 to 32 steps (16 by default), with a grid at sixteenth note or eighth note triplet.  In playback, you can transpose on the fly or play over the sequence with the pad.  It is possible to chain several consecutive patterns from the same bank by sliding your finger on the pad The great strength of the TB-3 is that it can be played and programmed both step by step and in real time, without stopping the creative flow. In step-by-step mode, you can enter notes, rests, accents, slides and linked notes. All this is done entirely on the pad, which acts as a virtual keyboard (with octave transposition) and modulations input. Step by step, you can program with the Pattern running or stopped. The sonic territory covered is vast and well chosen, ranging from acidic vintage tones to very contemporary detuned stacks. The TB-303 is really well simulated, the sound coloration and the behavior are very close. I particularly appreciate the faithful reproduction of sawtooth/square waves, as well as the natural saturation and smooth response of the 3-pole ladder filter, even at high resonance, which does not crush low frequencies. The effects help to vary the colors and styles covered: there are different types of reverbs, delays, chorus, phaser, distortions !

IShoot IS-N250 pour Nikon AF-S Nikkor 200–500 mm f5.6E ED VR arca-swiss compatible avec dégagement rapide (39mm). Poids environ 250 grammes. A noter: Le collier ne s'ouvre pas complètement (mais c'est normal). C'est étonnant vu l'articulation qui se trouve sur celui-ci, mais celle ci ne présente pas de séparation à l'intérieur. La conception de l'objectif avec des butées de positionnement qui s'insèrent dans une rainure sur le collier, doit certainement être incompatible avec l'ouverture de celui ci. Bon état général. --------------------------------------------------ENGLISH------------------------------------------------------------- IShoot IS-N250 for Nikon AF-S Nikkor 200–500 mm f5.6E ED VR arca-swiss compatible with quick release (39mm). Weight about 250 grams. Note: The collar does not open completely (but this is normal). It is surprising given the articulation which is on this one, but this one does not present separation inside. The design of the lens with positioning stops which fit into a groove on the collar, must certainly be incompatible with the opening of the latter. Good condition.

Mamiya 645AF / Phase One - 150 mm f3.5 - Parfait état / Very good condition. Etat optique: Excellent, propre, sans rayure, sans poussière interne ni champignon Etat mécanique: Excellent, auto-focus et diaphragme fluides J’ai testé cet objectif avant mise en vente avec un PhaseOne XF 100 Mega, je n’ai constaté aucun défaut optique ni mécanique, voir photos jointes. Captures haute résolution sur demande Etat esthétique: légères traces d’usage normal Voir photos jointes de l’objectif qui porte le numéro de série TH1055 Inclus bouchons avant, arrière et pare soleil. Je suis photographe et j’ai utilisé cet objectif il y a encore quelque temps, je ne revends pas un objectif d’origine et usage inconnus. Pour les envois internationaux, il est à la charge de l’acheteur de vérifier si des taxes ou frais de douane sont applicables, ils ne sont pas inclus dans le prix de vente. Emballer avec soin. Je vous invite à consulter l’ensemble de mes ventes: Mamiya 645AF/Phase One 35 mm, 55 mm, 80 mm et 150 mm                         - - - - - - - - - - - - - Optical condition: Excellent, clean, without scratch, internal dust or fungus   Mechanical condition: Excellent, AF and diaphragm smooth   I personally tested before selling with a PhaseOne XF 100 Mega and did not notice any optical or mechanical issue, see the attached pictures Cosmetic condition: Small sign of normal use See attached pictures of the lens which has the serial number TH1055 Include front, rear caps and lens Hood. I am photographer and have used this lens some time ago, I am not reselling a lens with unknown origin and usage. For international shipment it is the responsibility of the buyer to check which customs and import charges may apply, and to pay them. There are not included in the selling price. Packaged carefully in box. You are invited to look at the set of lenses that I sell: Mamiya 645AF/Phase One 35 mm, 55 mm, 80 mm et 150 mm

Excellent objectif d'agrandisseur Nikon EL-NIKKOR 50mm N f/2.8 (N pour nouvelle version) Distance focale 50mm et ouverture max f/2.8 Excellentes performances optiques pour cet objectif qui fait référence. Il peut être utilisé en macrophotographie en montage inversé sur l'appareil photo. Permet d'obtenir des grandissements de X2 à X8 avec des bagues allonge ou bien un soufflet macro. Monture M39 Diamètre du filtre M40.5 Focalisation manuelle Bague de diaphragme crantée Livré dans sa boite d'origine et son container plastique Nikon Excellent état. Lentilles sans rayure ou moisissure. Très très légères marques d'usage normal sur le corps, voir les photos. IMPORTANT: N'hésitez pas à poser vos questions, j'y répondrai avec plaisir.  Objectif vendu en l'état, pas de retour. Enchérissez uniquement et seulement si vous acceptez ces conditions. Remarque: Je ne contrôle pas les moyens de transport de la poste, et donc ne peut pas être tenu responsable pour toute perte ou dommage du colis. Au moment de la livraison vérifiez l'état de l'emballage et refusez pour les dommages en faisant une plainte immédiate avec le bureau de poste, car après avoir accepté la livraison ne sera plus possible.  Vous pouvez demander un envoi avec une assurance qui sera en supplément des frais d'expéditions. Paiement uniquement avec PayPal, merci. ~~ Livraison colissimo ~~ France: 10.00 Euros ------------------------------------------------ Excellent lens Nikon EL-NIKKOR 50mm N f/2.8 (N for new version) Focal lenght 50mm and aperture f2.8  Excellent optical performances for this enlarger lens. It which can be used in macro photography in reverse mounted on the camera. Allows to obtain magnifications from X2 to X8 with extension rings or a macro bellows. Mount M39 Filter thread M40.5 Manual focus Notched diaphragm ring Come inside its Nikon plastic box and all in the Nikon original box. Excellent cosmetic aspect. Lens without scratch or fungus Very very slight marks of normal use on the body, please see pictures. IMPORTANT: Do not hesitate to ask your questions, I will answer them with pleasure. Lens sold as is, no return.Bid only and only if you agree to these conditions. Payment only with PayPal, thank you. Shipping Europe: 16,95  EurosShipping world: 32.25 Euros Remark: I do not control the means of transport of the post office, and therefore cannot be held responsible for any loss or damage to the package.At the time of delivery check the condition of the packaging and refuse for damage by making an immediate complaint with the post office, because after accepting the delivery will no longer be possible.You can request a shipment with insurance which will be in addition to the shipping costs.

Le Fujinon 50mm f/1.4 est un standard lumineux produit au Japon au milieu des années 1970. Il est réputé pour sa colorimétrie riche, ses contrastes assez élevés en fermant un peu. À pleine ouverture, le rendu est un peu plus doux, mais le piqué est suffisant pour du portrait. Le bokeh est généralement doux, avec un peu de caractère, jusqu'à f4. C'est un bel objectif polyvalent, qui fonctionne également sur les appareils photos modernes. La couche supérieure EBC garantit une meilleure protection contre les reflets. L'objectif a une monture M42, ce qui le rend très facile à adapter sur un appareil photo numérique (en particulier hybride), en achetant une bague à petit prix sur internet. L'objectif est globalement en bon état. Il y a des signes d'usure évidents à l'extérieur. Il fonctionne normalement, mais la bague de mise au point est devenue un peu dure. Les optiques sont assez claires, sans rayures, brume ni champignons. On voit quelques poussières et un peu de saleté et de micros dépôts uniquement sur les bords. Rien n'affecte le rendu normal de l'objectif. L'objectif est livré (avec un capuchon) monté sur le boitier Fujica ST801. Il est à noter que je n'ai jamais utilisé l'appareil et que je ne peux pas garantir son fonctionnement. Par conséquent le prix et l'offre ne concernent que l'objectif et il faut considérer l'appareil comme un bonus. Extérieurement, on voit quelques signes d'usage, mais il semble en bon état. Le déclencheur fonctionne et le rideau se ferme normalement. Le viseur contient quelques poussières, mais l'appareil semble normalement utilisable, compte tenu de son âge. --------------- The Fujinon 50mm f/1.4 is a luminous standard produced in Japan in the mid-1970s. It is renowned for its rich colourimetry and fairly high contrast when closed a little. At full aperture, the rendering is a little softer, but the sharpness is sufficient for portraiture. Bokeh is generally soft, with a little character, up to f4. This is a fine all-round lens, which also works on modern cameras. The EBC coating ensures better protection against reflections. The lens has an M42 mount, which makes it very easy to adapt to a digital camera (especially a mirrorless), by buying a low-cost adapter ring on internet. The lens is in generally good condition. There are obvious signs of wear on the outside. It works normally, but the focus ring has become a little hard. The optics are fairly clear, with no scratches, haze or fungus. There is some dust and a little dirt and micro deposits only around the edges. Nothing affects the normal rendering of the lens. The lens is supplied (with a cap) mounted on the Fujica ST801 body. It should be noted that I have never used the camera and cannot guarantee that it will work. As a result, the price and offer only apply to the lens and the camera should be considered as a bonus. Externally, there are a few signs of use, but it appears to be in good condition. The shutter release works and the shutter curtain closes normally. There is some dust in the viewfinder, but the camera seems normally usable, given its age. En savoir plus Collaboration commerciale.

PROCO FAT RAT (LM308) Condition: Mint condition (home use only) Year: 2017 Serial no.: 372671 Modification: Op Amp LM308; like the historical one; stock chip OP07DP included. Made in USA The FATRAT uses the highly acclaimed '85 Whitefact Reissue RAT as our platform, adding a bass enhancement circuit, a brand new switchable clipping section, and a whole lot more Description: Clipping Section: Switchable between silicon clipping, as in the classic RAT, and a mosfet/germanium clipping section, which is entirely new to the RAT line. The mosfet clipping section gives you subtle scoop and smoothing in the upper mids throughout the entire gain range of the pedal, and makes the pedal sound more amp-like and natural. Socketed Op amp: The pedal will ship with the current stock chip (OP07DP). However, changing over to the mythical LM308, or other compatible chips will be a quick and simple mod that you can do solder-free. Large, CTS Pots: They give you a smooth, even sweep throughout the range of the Distortion, Filter, and Volume controls, allowing you easy access to the myriad of sweet spots in the tone machine. Fat Switch: Provides a significant bass boost and simultaneous high cut – this makes the pedal more suitable for bass guitar, lower tunings, as well as fattening up and smoothing low gain settings, making this a good candidate for overdrive use. 9 – 18V Operation: Increased headroom and fidelity with 18V operation and less “sagging” as compared to older RATs. Specs: 100% analog signal path Classic, virtually indestructible steel enclosure Heavy-duty, industrial footswitches, knobs, and jacks On/Off LED indicator Military-spec glass-epoxy circuit board “No tools required” battery compartment (battery not included) 2.1mm standard barrel jack (9 or 18V operation)

AUDIO SYNTHESIS PASSION ULTIMATE PASSIVE PREAMP. État : "Occasion" State-of-the-art remote controlled passive preamp! The name speaks for itself. This is one of the finest passive preamps, being the ultimate for sonic CLARITY, TRANSPARENCY and RESOLUTION, with no active components in the signal path to pollute the delicate audio signal. If you find solid state preamps to suffer from bleached tonality and flat lifeless soundstage and also tube preamps to have high residual noise, the Passion Ultimate may be the perfect solution at the fraction of the cost of world-class preamps. Features: Entirely passive audio path with highest quality VISHAY Bulk-Foil resistors NO switches in the signal path for volume adjustment PCB mounted WBT connectors All aluminum, non-magnetic chassis Inputs: 3 line level plus direct, which bypasses input selector Volume adjustment range: 0 to -60 dB, in 60 1.0 dB steps