Which entirely normal

Volna-9 50mm f2.8. Il s'agit de l'unique ancien objectif russe produit pour la photo macro. Ce 50mm s'allonge pour obtenir un rapport de grossissement 1:2 à 24cm. Il est réputé pour son piqué en fermant un peu (ce qui est normal pour un macro) et pour son bokeh original: à f2.8 le bokeh est plutôt doux (en proxy), à f4 légèrement hexagonal, mais à f5.6/f8 il prend la forme d'une étoile.  Cet objectif est avant tout conçu pour photographie les plantes, les insectes et petits objets, mais il excelle aussi en portrait. En usage généraliste, il devient bon en fermant (homogène en paysage à f11). C'est un 50mm en plein format (75mm en APS-C, ce qui peut être encore plus intéressant en macro). Il est entièrement manuel. La monture m42 s'adapte sur les appareils photo numériques, en particulier les hybrides, avec une bague d'adaptation (pas cher sur internet). L'objectif est dans un excellent état extérieur et mécanique (comme neuf). Les optiques sont claires (à la loupe peut-être une minuscule marque à l'intérieur sans conséquences). Il a très peu servi. Il est complet avec son capuchon frontal, sa boîte d'origine (il se visse sur le couvercle) et même les instructions...  en russe ! ----------------------- Volna-9 50mm f2.8. This is the only old Russian lens produced for macro photography. This 50mm extends to a magnification ratio of 1:2 at 24cm. It is known for its sharpness when closing a little (which is normal for a macro) and for its original bokeh: at f2.8 the bokeh is rather smooth (in proxy), at f4 slightly hexagonal, but at f5.6/f8 it takes the shape of a star.  This lens is primarily designed to photograph plants, insects and small objects, but it also excels in portrait. In general use, it becomes good when closed (homogeneous in landscape at f11). It is a 50mm in full frame (75mm in APS-C, which can be even more interesting in macro). It is entirely manual. The m42 mount fits on digital cameras, especially mirrorless, with an adapter ring (cheap on the internet). The lens is in excellent external and mechanical condition (like new). The optics are clear (with a magnifying glass maybe a tiny mark inside without consequences). It has been used very little. It is complete with its front cap, its original box (it is screwed on the lid) and even the instructions... in Russian !

Hi ! I am selling my 50mm f4 MACRO-TAKUMAR SMC lens. It comes in M42 mount. It is in incredibly good shape, I am unsure wether the previous owner did use it at all, and i used it very little hence why I am selling it now. There are no dents, scratches or anything really. The focus is smooth and the glass is clean with only a couple of extremely small dust particles which is normal for this lens and has no effect on pictures at all. This lens is famous for its sharpness and contrast and from the shots I have taken with it, I can absolutely confirm this. It goes up to 1:2 magnification on its own and reaches 1:1 with a small and cheap extension ring with no sharpness loss compared to non-macro lenses. It comes with both front and rear caps as well as its original case. Thanks for reading !

SEAGULL 4 Serial number: 4-63148628 Shooting lens: HAIOU-31 1:3.5 f=75mm, SA-2778845 Viewfinder lens: 1:2.8 f=75mm, 31138812 Year of production: 1968 Shanghai Camera Factory The SEAGULL type 4 is relatively rare, SEAGULL 4 is basically the same as the SHANGHAI type 4. In 1968, the SHANGHAI brand was officially replaced by SEAGULL brand. But after the SEAGULL 4 was quickly discontinued, SEAGULL soon launched the 4A type camera. SEAGULL 4 TLR camera, for 120 roll film. It comes with original leather case, lens cap and strap. The appearance of the camera is near mint, the shutter fire in all speeds, all apertures are operating properly, selftimer works well. The focusing is smooth, and the viewfinder is clean. Both lens are not scratched, there are not fungus / haze, there may be some small dust in the lens, which is normal for the age of the camera. Please see photos for details. If you have any questions, please contact me. NB:  For shipping to countries outside of European Union and UK, the postage is 40 euros. Import duties, taxes, and charges are not included in the item price or shipping cost.These charges are the buyer's responsibility.

SMC Pentax-M 50mm f1.7 Pk Mount (pentax) Très bon état. Très pratique et lumineux, ça marche avec tous les boîtiers modernes (sony, nikon, canon, panasonic, etc.) avec un adaptateur pas cher Très bon état,pas de problèmes majeures dans l’utilisation. Bague de mise au point souple, pas de champignons ni de rayures, possibles micro poussières à l’intérieur de l’optique, ce qui est normale pour des objectifs de cet age, qui n’affectent pas la prise de vue. Capuchons avant et arrière fourni. SMC Pentax-M 50mm f1.7 Pk Mount (pentax) Works nicely on any modern DSLR (sony,nikon, canon, panasonic, etc) with a cheap adapter Near mint condition, no major faults. Smooth focus ring, no fungus norscratches, just some micro dust inside theoptics, which is normal for lenses of its age, not visible on pictures. It comes with front and back cap.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

Le payement pay-pal est acepté dans certaines conditions Contactez-moi pour toutes explications. The pay-pal buy is accepted but only conditons. Contated-me for all informations. En vente, rare en occasion avec les options embarqués. Pavane Level 3 (Silver) avec sa boite originale + carte I2s (déjà monté, parfait avec le streamer Ambre ou d'autres streamer compatible) + carte USB + carte MQA (installé, idéale avec Tidal) Prix neuf 6400€ avec les 3 cartes. Si vous recherchez un son naturel, non mécanique, avec tous les détails, le Pavane devra être dans votre liste. Frais de pay-pal 4% à la charge de l'acheteur Metrum Pavane Level 3 DAC silver for sale, Includes original box and accessories and card USB + card i2s (installed, compatibility with streamer Ambre ou other streamer compatiblity) + card MQA (installed for Tidal) Price new 6400€ with 3 cards. If you are seeking a natural, non mechanical sound, with all the detail I believe the Pavane is the one. Should you need any information and for shipping cost,  please contact us directly. Payments bank transfer or PayPal add 4% for the buyer Thanks for looking. Description With the goal of creating a very special DAC in mind the designers of Metrum Acoustics have developed a new DAC. It was an unprecedented challenge, which was eventually solved by introducing an entirely new chip, which has been exclusively developed by Metrum Acoustics. Behind the luxurious front more than new chips are concealed: The parallel driven R2R ladder networks as used in the eight DAC modules performs, especially when combined with our FPGA-driven “forward correction module”, on a higher level. This module splits up the audio samples for each channel into new separate data streams. Each dac cluster processes a portion of the data in the most linear region of the dac chips. The result of this process is an extremely high linearity, right down to -140 dB, which gives the Pavane a realistic 24 bit dynamic range. Due to the dual mono design over the entire frequency range an extremely high channel separation of 120 dB is realized. This contributes to the flawless positioning of instruments. In short, the Pavane is a DAC that has taken all the lessons and experiences that her designer has learned over the years, and combined them in an ambitious DAC that can fit in every system. It is musical, honors the Non-oversampling principle while simultaneously incorporating the technological progress that has been made over the years. Extreme NOS The Pavane by Metrum Acoustics Pavane is the company’s flagship DAC. The Forward correction module is splitting the 24 bit format into two new 12 bit streams. So you have a 12 bit stream which is the LSB (least significant bits) and the 12 bit DAC (most significant bits). The problem with 24 bits R2R ladder DAC is linearity and switching noise of the ladder network in the lower ranges. Therefore the LSB part will be pushed to the upper part of the ladder by the forward correction module. In other words, the LSB will be processed as MSB data. The advantage is that it will be processed in the area having the lowest noise, the best linearity and the lowest distortion. The result however is that on the analog side of these two clusters the volume of the LSB is equal to the MSB part which is wrong, of course. Therefore we have to attenuate the LSB part with 67 dB (equal to 12 bits) to let it match with the MSB part. The result of this attenuation is that switching noise is also attenuated for 67dB and that distortion and linearity in this range is the same as in the MSB part. All incoming data is passed through this “forward correction module” and the answer to “What’s it correcting?” is essentially low level linearity and noise. The USB receiver comes courtesy of M2TECH’s hiFaceTWO that supports up to 384kHz over I²S, which is fed di

Hi, I'm selling the wonderful Pentax 645D medium format digital camera SLR - 40 megapixels in used condition.  Shutter count is around 6000 (currently show 2497, was around 3500 before servicing).  Cosmetic condition is good with normal traces of use.  The camera has been serviced and fixed entirely by Pentax Japan in 2017 (bill available). It comes with its original kit lens the excellent Pentax SMC-D-FA 645 55mm F2.8 AL (IF) SDM, in good condition, perfect working order. On top of that, an extra battery and light charger and a remote will come as well ! (charger included of course) The image quality from this camera is superb (old school CCD sensor which is somewhat softer and more organic than the more modern CMOS).  I'm only selling my gear to move on to something more lightweight !It's a geat camera and lens for shooting digital medium format on a budget ! Everything will be carefully packed. Thank you

BeoLab 6000 represents both the engineering skills as well as the design capabilities from Bang & Olufsen.  BeoLab 6000 is probably one of the most famous speakers around today being a part of the standard exhibition at the Museum of Modern Art in New York.  A great advantage with the BeoLab 6000 is the fact that it has two PowerLink connections giving the possibility to loop-through the signal to the second speaker directly.  Features: BeoLab 6000 fills the room with sound The choice is simple - you can fill your home with big black boxes, or you can make a stand with BeoLab 6000 and fill it with beautiful sound and beautiful looks. Aluminium Formed from a single piece of aluminium, BeoLab 6000 is shaped to stand out from its surroundings, but coloured to match any Bang & Olufsen audio or video setup. Active loudspeaker benefits How does B&O reduce the overall size of a loudspeaker, but improve its sound performance? It can only be done by placing the amplifiers directly into the loudspeaker cabinet. It's called 'Active Loudspeaker Technology' and is used to combine the purest of sounds with the smallest and simplest of shapes. Fits any room With a height of just 110cm and a depth of 10cm, finding space for a pair of BeoLab 6000 speakers is never going to be a problem. Its superior sound capabilities ensure that its performance will never dictate your placement options. The polished aluminium cabinet is available in a range of colours - black, blue, green, red and natural - that will match any Bang & Olufsen audio or video setup. Materials and finish The deliberate choice of material, and the final surface treatment of the products’ finish, are characteristic of Bang & Olufsen and one of their true core competences. B&O's designers know that people use several of their senses in experiencing a product. They therefore derive great pleasure from tactile experiences, whether they are touching a cold or a warm surface, or one that is smooth or textured. The span of materials used for Bang & Olufsen products is wider than that of any other company within the trade, and they are carefully selected for their high quality and their ability to fit naturally into a home environment. The finish is then refined to perfection and created to provide a tangible experience that supports the visual impression. Why build amplifiers into the loudspeakers instead of keeping them separate? Because you can reduce the size of the cabinet volume to one-third of the size of a conventional loudspeaker with the same sound capacity. The principle is called Active Loudspeakers, and what you get is a compact loudspeaker that can play at high volume without distortion or damage to its drive units. Furthermore, when amplifier, treble and bass units are paired for the same task, they can be tailored to compensate for each other's shortcomings. What you hear is music that sounds exactly like the instrument it originally came from (See active speakers) Deep bass: how to make deep bass with a shallow cabinet All loudspeakers, regardless of brand, size or construction, make sound by converting electric energy into acoustic energy. They push air in waves, which is what our ears pick up. To get high sound pressure, you need to move a lot of air. You can use a very large diameter loudspeaker membrane, which moves a very short distance. Or (as Bang & Olufsen prefer), you can make the membrane "deeper", in other words, make it move a greater distance with a smaller diameter. Imagine two balloons, one round and shaped like a ball, the other long and tubular. Both contain the same amount of air; it's simply their shapes that are different. A side benefit to the deeper membrane is that it allows a smaller cabinet, with greater freedom as far as form and function are concerned. Since no two loudspeaker units have exactly the same physical characteristics, Bang & Olufsen calibrate them individually to make certain that the sound of each and every loudspeaker leaving our factory is identical. By employing an active electronic crossover network with equalization, we're able to adjust frequencies before they're amplified. The signal from the sound source is shaped before distribution to the separate power amplifiers for bass and treble. In this way, the performance of the various components is "fine-tuned", until they produce an ideal, harmonised output, which will be the same, no matter which BeoLab loudspeaker you feast your eyes upon. The custom made driver units of a BeoLab loudspeaker feature extra-heavy membranes with longer movement, which help produce a deeper bass. Adaptive Bass Linearisation Adaptive Bass Linearisation (ABL) is a process patented by B&O and is incorporated in BeoLab loudspeakers. The idea is to use the surplus capacity in amplifiers and driver units, arising by normal listening levels, for a bass extension - a sound reproduction with more bass, than the loudspeaker otherwise would be able to produce. The function is adaptive. This means that the loudspeaker adapts to the signal it receives. Loudspeaker drivers are therefore fully exploited, without suffering mechanical or electronic abuse, and the built in amplifiers are not subjected to signals would otherwise create an overload situation. ABL  gives stunning bass reproduction considering the size of the loudspeaker in which it is incorporated, under normal listening levels. BeoLab 6000: active loudspeaker, 2 power amplifier modules, adaptive bass linearisation and aluminium cabinet.

Amplificateur stéréo intégré  Technics SU-V3 Révisé et nettoyé entièrement intérieur & extérieur "potentiomètres, fiches etc..." Fonctionne entièrement et parfaitement En très bon état cosmétique " à noté un  petits coups sur les coins gauche voir photos. Et de petites trace de corrosions à l'arrières "voir photos". C'est un ampli au son clair, sans résonances néfastes avec une dynamique incroyable.  Pêche, hauteur, largeur et profondeur du son au rendez-vous. Sur certains disques vinyl: c'est carrément la 3ème dimension qui prône, ce qui est rare. New class A au RDV "  Classe inventée par technics qui atteint sont sommet ici même avec cette gamme SUV". Technics SU-V3 Integrated Stereo Amplifier Revised and cleaned entirely inside & outside "potentiometers, plugs etc..." Works right In very good cosmetic condition "not to give small blows on the left coins see photos. And small trace of corrosion in the back "see photos". It is an amp with a clear sound, without harmful resonances with incredible dynamics. Fishing, height, width and depth of sound to go. On some vinyl discs: it is squarely the 3rd dimension which prevails, which is rare. New class A at the RDV " Class invented by technics that reaches its peak here even with this range SU World shipping 98,90 € Europe 38,90 € Specifications Power output: 40 watts per channel into 8Ω (stereo) Frequency response: 2Hz to 100kHz Total harmonic distortion: 0.03% Damping factor: 40 Input sensitivity: 2.5mV (MM), 150mV (DIN), 150mV (line) Signal to noise ratio: 82dB (MM), 100dB (line) Channel separation: 55dB (line) Output: 150mV (line), 30mV (DIN) Speaker load impedance: 4Ω to 16Ω Dimensions: 430 x 97 x 310mm Weight: 7.2kg)

If you live outside EU, ask for post charges before buying, else I will cancel the transaction. ---------------------------------------------------------------- I sell a large part of my studio equipment. This auction is for  a Roland Boutique TB-3 AIRA. The Roland TB-303 emulation with a tactile screen. Like new - Hardly used.  Including box, original power supply and all packing. The TB-3 is a bass line, able to record 64 Patterns (8 banks of 8) from 1 to 32 steps (16 by default), with a grid at sixteenth note or eighth note triplet.  In playback, you can transpose on the fly or play over the sequence with the pad.  It is possible to chain several consecutive patterns from the same bank by sliding your finger on the pad The great strength of the TB-3 is that it can be played and programmed both step by step and in real time, without stopping the creative flow. In step-by-step mode, you can enter notes, rests, accents, slides and linked notes. All this is done entirely on the pad, which acts as a virtual keyboard (with octave transposition) and modulations input. Step by step, you can program with the Pattern running or stopped. The sonic territory covered is vast and well chosen, ranging from acidic vintage tones to very contemporary detuned stacks. The TB-303 is really well simulated, the sound coloration and the behavior are very close. I particularly appreciate the faithful reproduction of sawtooth/square waves, as well as the natural saturation and smooth response of the 3-pole ladder filter, even at high resonance, which does not crush low frequencies. The effects help to vary the colors and styles covered: there are different types of reverbs, delays, chorus, phaser, distortions !

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jQuery('.menuES').css('display','none'); jQuery('.menuDE').css('display','none'); jQuery('.menuIT').css('display','block'); jQuery('.mfr').css('display','none'); jQuery('.men').css('display','none'); jQuery('.mes').css('display','none'); jQuery('.mde').css('display','none'); jQuery('.mit').css('display','block'); } Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store $(document).ready(function(){ //gestion JS du libeler du menu if (navigator.appName=="Microsoft Internet Explorer"){ topValeur = '162px'; topValeurBis = '156px'; jQuery('#messageTopChange').css('top',topValeurBis); } else{ topValeur = '150px'; topValeurBis = '144px'; } jQuery('#menu a').mouseover(function(){ var nom = jQuery(this).text(); jQuery('#messageTopChange').text(nom); jQuery('#messageTopChange').css('font-size','35px'); jQuery('#messageTopChange').css('top',topValeur); }); jQuery('#menu a').mouseout(function(){ jQuery('#messageTopChange').text('Global-Audio-Store'); jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 6 D - Table de mixage 6 voies avec effets Référence: LDVIBZ6D 148,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems - VIBZ 6 D - Table de mixage 6 voies avec effets La VIBZ 6 D est une  table de mixage 6 canaux compacte, parfaitement adaptée aux besoins des artistes solo ou en duo, des petits groupes, du home studio et des installations. Elle offre  2 entrées Micro symétriques  équipées de préamplis de haute qualité,  une alimentation fantôme et des égaliseurs 3 bandes avec +/- 15 dB de gain, 2 entrées ligne stéréo avec correcteur grave/aigu  compatibles mono et un départ effet. La section Master de la VIBZ 6 D possède des  sorties Monitor de niveau réglable, une sortie casque et un multieffet numérique à 16 presets, avec commutation au pied. La console possède de plus une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser et possède un son d'une grande chaleur et très détaillé. L'alimentation externe se visse facilement sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 6 D sur un pied de micro. Référence: LDVIBZ6D Type de Produit: console de mixage Type: optimisée Live Nombre de Canaux: 6 Nombre de Voies Micro/Ligne Mono: 2 Connecteurs Entrée Micro/Ligne Mono: jack TRS 6,35 mm, XLR Type d'Entrée Micro Mono: symétrie électronique Réponse en Fréquence Entrée Micro Mono:  10 Hz - 45 kHz Gain d'Entrée sur Entrée Micro Mono: 0 à +50 dB Point d'Insertion: non applicable Séparation des Canaux: 62 dB THD sur Entrée Micro Mono: 0,0058 % Impédance d'Entrée Micro Mono: 4 kohms Rapport Signal/Bruit Entrée Micro Mono: 113 dB Type d'Entrée Ligne Mono: symétrie électronique Gain d'Entrée sur Entrée Ligne Mono: 0 à +50 dB THD sur Entrée Ligne Mono: 0,0045 % Impédance Entrée Ligne Mono: 21 kohms Rapport Signal/Bruit Entrée Ligne Mono: 116 dB Réponse en Fréquence Entrée Ligne Mono: 10 Hz - 45 kHz Égaliseur Aigus Voie Mono:    +/- 15 dB à 12 kHz Égaliseur Médiums Voie Mono: +/- 15 dB à 2,5 kHz Égaliseur Graves Voie Mono: +/- 15 dB à 80 Hz Contrôles Voie d'Entrée Mono Micro/Ligne: Réglage de niveau et de panoramique, départ DFX/AUX (Post fader), égaliseur 3 bandes (Low, Mid, High), Gain Alimentation Fantôme: tension continue 48 volts commutable Filtre passe-haut: N/A Compresseur: N/A Voie Stéréo: Nombre de Voies d'Entrée Ligne Stéréo:    2 Connecteurs Entrée Ligne Stéréo:    2 x jacks 6,35 mm stéréo, (L/mono, R) Type Entrée Ligne Stéréo: asymétrique Réponse en Fréquence Entrée Ligne Stéréo: 10 Hz - 45 kHz Séparation des Canaux: 62 dB THD sur Entrée Ligne Stéréo: 0,0045 % Impédance d'Entrée Ligne Stéréo: 3,7 kohms Rapport S/B Entrée Ligne Stéréo: 116 dB Égaliseur Aigus Voie Stéréo: +/- 15 dB à 12 kHz Égaliseur Médiums Voie Stéréo: N/A Égaliseur Graves Voie Stéréo: +/- 15 dB à 80 Hz Contrôles Voie Entrée Ligne Stéréo: Réglage de niveau et de Balance, départ DFX/AUX (post fader), correcteur grave/aigu Section Généraux: Nombre de Départs AUX/Effet:    1 Connecteurs Départ AUX/Effet:    jack stéréo 6,35 mm asymétrique Nombre de Retours AUX/Effet: 1, stéréo Connecteurs Retour AUX/Effet: 2 x jack stéréo 6,35 mm Sortie Stereo Tape: 1, stéréo Connecteurs Sortie Stereo Tape: 2 x RCA (cinch) Entrée Stereo Tape: 1, stéréo Connecteurs Entrée Stereo Tape: 2 x RCA (cinch) Sortie Stéréo Généraux Asymétrique: 1 Connecteur Sortie Généraux Asymétrique: jack stéréo 6,35 mm asymétrique Impédance Sortie Généraux Asymétrique: 120 ohms Niveau Maximal Sortie Généraux Asymétrique:    +20 dBV Nombre de Sorties Stéréo Control Room: 1 Connecteurs Sortie Stéréo Control Room: jack stéréo 6,35 mm asymétrique Sortie Casque: 1 Impédance Minimale Casque: 30 ohms Connecteur Sortie Casque: jack stéréo 6,35 mm Processeur d'Effet Numérique Intégré: résolution A/N et N/A 24 bits Nombre de Presets: 16 Sélecteur au Pied DFX Mute: jack stéréo 6,35 mm Contrôles Section Généraux: Volume casque/Control Room, réglage de niveau retour stéréo, niveau DFX To Main, DFX Presets, niveau Master, assignation 2TR (Main ou CTRL Room), niveau 2TK In, alimentation fantôme, touche DFX Mute Indicateurs: Vumètres 4 segments, activation alimentation fantôme, DFX Peak / Mute, Power, Peak sur voie Alimentation: 18 V AC, 1 A,, par bloc secteur externe Largeur: 209 mm Hauteur: 68 mm Profondeur: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Reference: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Referencia: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Artikel-Nr: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX Riferimento: LDVIBZ6D 148,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems - VIBZ 6 D - 6 channel Mixing Console with DFX The VIBZ 6 D is a  compact 6-channel mixer  which is perfectly suited to entertainers, small bands, home recording and installations. It features  two balanced microphone inputs  with high quality preamps,  phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible, and an effects loop. The master section of the VIBZ 6 D is equipped with  adjustable monitor outputs, a headphone jack and 16 digital effects presets, which are foot-switchable. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. A foot switch for the effects section and an adapter for mounting the VIBZ 6 D on microphone stands are available as accessories. Item Number: LDVIBZ6D Product Type: mixer Type: live Number of Channels: 6 Mono Mic/Line Input Channels: 2 Mono Mic/Line Input Connections: 6.3 mm stereo jack, XLR Mono Mic Input Type: electronically balanced Frequency Response Mono Mic Input: 10 - 45,000 Hz Amplification Range Mono Mic Input: 0 - +50 dB Insert:    n/a Channel Crosstalk: 62 dB THD Mono Mic Input 0.0058 % Impedance Mono Mic Input: 4 kOhm S/N Ratio Mono Mic Input: 113 dB Mono Line Input Type: electronically balanced Amplification Range Mono Line Input: 0 - +50 dB THD Mono Line Input: 0.0045 % Impedance Mono Line Input: 21 kOhm S/N Ratio Mono Line Input: 116 dB Frequency Response Mono Line Input: 10 - 45,000 Hz Mono Channel Equalizer Treble:    +/- 15 dB  12,000 Hz Mono Channel Equalizer Mids: +/- 15 dB  2,500 Hz Mono Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Mono Mic and Line Input Channels: Channel volume,  PAN, DFX/AUX (Post), 3 Band-EQ (Low, Mid, High), Gain Phantom Power: +48 V DC switchable Low Cut: n/a Compressor: n/a Stereo Channels: Stereo Line Input Channels:    2 Stereo Line Input Channels:    6.3 mm mono jack (Lmono, R) Stereo Line Input Type: unbalanced Frequency Response Stereo Line Input: 10 - 45,000 Hz Channel Crosstalk: 62 dB THD Stereo Line Input: 0.0045 % Impedance Stereo Line Input: 3.7 kOhm S/N Ratio Stereo Line Input: 116 dB Stereo Channel Equalizer Treble: +/- 15 dB  12,000 Hz Stereo Channel Equalizer Mids: n/a Stereo Channel Equalizer Bass: +/- 15 dB  80 Hz Control Elements Stereo Line Input Channels: Channel volume, Balance, DFX/AUX (Post), 2 Band-EQ (Low, High) Main Section: AUX/Effect Send Channels:    1 AUX/Effect Send Connections:    6.3 mm stereo jack, unbalanced Stereo AUX Return Channels: 1 x stereo Stereo AUX Return Connections: 2 x 6.3 mm stereo jack Stereo Tape Output Channel: 1 x stereo Stereo Tape Output Connections: 2 x RCA (Cinch) Stereo Tape Input Channel: 1 x stereo Stereo Tape Input Connections: 2 x RCA (Cinch) Unbalanced Stereo Main Outputs: 1 Unbalanced Stereo Main Output Connections: 6.3 mm stereo jack, unbalanced Impedance Unbalanced Stereo Main Outputs: 120 Ohm Max. Level Unbalanced Stereo Main Outputs:    +20 dBV Stereo Control Room Outputs: 1 Stereo Control Room Output Connections: 6.3 mm stereo jack, unbalanced Headphone Output: 1 Minimum Headphone Impedance: 30 Ohm Headphone Output Connections: 6.3 mm stereo jack Digital Effects Processor: Yes, 24-bit AD/DA Resolution No. of Presets: 16 Footswitch Connection DFX Mute: 6.3 mm stereo jack Control Elements Main Section: Headphones / Control Room Volume, Stereo Return Volume, DFX To Main Volume, DFX Presets, Master-Volume, 2TR assignment (Main, CTRL Room), 2TK Volume, Phantom Power, DFX Mute switch Display Elements: 4-segment Level Meter, Phantom Power, DFX Peak / Mute, Power, Channel Peak Power Supply: 18 V AC - 1 A, External Power Pack Width: 209 mm Height: 68 mm Depth: 260 mm Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

Hifime UH1 Digital permet d'écouter de la musique en qualité (horloges TCXO, isolement galvanique) depuis un ordinateur via la sortie USB de celui-ci. La sortie HDMI I2S est compatible avec les 3D LAB Nano DAC. Entrées: optique, HDMI (I2S) et USB: un switch permet le choix entre Low (limite la fréquence à 96 kHz mais ne nécessite aucun driver sous windows) et High (driver windows 10 disponible sur le site de Hifime). Sorties: coaxial, optique, HDMI I2S compatible avec le 3D LAB Nano DAC. Un switch à 2 positions permet de rendre le DSD compatible avec plusieurs marques (pas essayé avec le 3D LAB). Spécifications (issues du site de Hifime): This is the UH1 without the DAC part. It is a pure high quality USB to i2s/DSD (over HDMI), COAX and OPT. This also has i2s/HDMI input (HDMI to USB). It is based on the Savitech SA9227 asynchronous USB receiver clocked by two TCXO oscillators which are used as the master clock to control the timing. This asynchronous USB transfer mode will give this device the responsibility to clock the data transfer instead of of your computer which has a clock of lesser quality with more noise and jitter introduced. It accepts up to 384kHz sample rates and 16/24/32 bit. No drivers are necessary on MAC and linux computers ! On Windows it can work without drivers up to 96kHz/24bit and with ASIO drivers up to 384/32. (Note that not all programs support ASIO). There is a switch that switches between Low and High sample rate mode. When set to Low, it works up to 96/24 with no drivers needed in Windows. It utilises the USB port for power, so no external power supply is required. Also the outputs and inputs are ground isolated from USB. USB INPUT: Asynchronous USB transfer with two TCXO as master clock USB receiver Savitech SA9227 Inputs are ground isolated from USB Supported sample rates: 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384kHz Supported bitrates: 16, 24 and 32 bits Works in either Full speed or High Speed USB transfer mode selectable with a switch (“L” “H”). No drivers required in MAC/Linux in both full and high speed modes. Windows ASIO needs drivers for High Speed mode only. We are using two (expensive) TCXO to act as master clock. 45.1584MHz for 44.1, 88.2, 176.4, 352.8MHz sample rates, and 49.152MHz for 32,48, 96, 192, 384kHz sample rates. The USB transfer is clocked by the TCXO directly. This is better than PLL async mode and offers close to zero jitter. PLL async mode has ~30ps jitter, which is already quite low, but not as good as when clocked from TCXO directly. SPDIF/OPTICAL/i2s(HDMI) INPUT: To USB/computer only! It doesn’t convert i2s to the COAX/SPDIF outputs. SPDIF Support samples rates up to 192kHz and 16/24/32 bit. DIGITAL OUTPUTS: DSD/I2S using HDMI port. Here is a linked drawing with the pinout for DSD and I2s. Note – this it not compatible with “normal” HDMI devices. The HDMI port is only used as a convenient connector and a way to send i2s balanced which improves signal quality. The DSD signal is also balanced. The pinout is made so that there is no harm done if you should connect it to a normal HDMI device. Optical output Coaxial output? Outputs are ground isolated from USB Size: 85x70x24mm

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jQuery('#messageTopChange').css('font-size','42px'); jQuery('#messageTopChange').css('top',topValeurBis); }); }); STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES LD Systems - VIBZ 6 Référence: LDVIBZ6 124,00 € Disponibilité:    Disponible en stock fournisseur Livraison:   Sous 4 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus LD Systems -  VIBZ 6 - Table de mixage 6 voies La VIBZ 6 est une table de mixage 6 canaux compacte, parfaitement adaptée aux besoins des artistes solo ou en duo, des petits groupes, du home studio et des installations. Elle offre 2 entrées Micro symétriques équipées de préamplis de haute qualité, une alimentation fantôme et des égaliseurs 3 bandes avec +/- 15 dB de gain, 2 entrées ligne stéréo avec correcteur grave/aigu compatibles mono. La section Master de la VIBZ 6 possède des sorties Monitor de niveau réglable, une sortie casque et un multieffet numérique à 16 presets, avec commutation au pied. La console possède de plus une entrée/sortie pour enregistreur/lecteur; elle est très facile à utiliser et possède un son d'une grande chaleur et très détaillé. L'alimentation externe se visse facilement sur la console. Sont disponibles en option un sélecteur au pied (Footswitch) pour la section effets et un adaptateur pour montage de la VIBZ 6 sur un pied de micro. Caractéristiques: Console de mixage 6 canaux 2 voies Micro avec égaliseur 3 bandes 2 voies ligne stéréo compatibles mono, avec égaliseur grave/aigu Sorties Master, Monitor et casque Alimentation par bloc secteur externe facilement vissable sur la console Spécifications: Type de produit Consoles de mixage Type Live Nombre d’Entrées 6 Voies mono: Voies d'entrée mono Micro/Ligne 2 Connecteurs d'entrée mono Micro Jack 6,35 mm stéréo, XLR Type d'entrée mono Micro Symétrei électronique Réponse en fréquence entrée micro mono 10 - 45000 Hz Valeurs de gain entrée micro mono - 50 dB Taux de distorsion harmonique (THD) entrée micro mono 0,0058% Impédance entrée micro mono 4k Ohm(s) Rapport Signal/Bruit entrée micro mono 113 dB Type d'entrée mono Ligne Symétrei électronique Réponse en fréquence entrée ligne mono 10 - 45000 Hz Valeurs de gain entrée ligne mono - 50 dB Taux de distorsion harmonique (THD) entrée ligne mono 0,0045 % Impédance entrée ligne mono 21k Ohm(s) Rapport Signal/Bruit entrée ligne mono 116 dB Correcteur médium voie mono +/- 15 dB @ 12000 Hz Correcteur aigus voie mono +/- 15 dB @ 2500 Hz Correcteur graves voie mono +/- 15 dB @ 80 Hz Contrôles voies d'entrée mono Micro/Ligne Égaliseur 3 bandes (High, Mid, Low), Gain, Pan (panoramique), Sélecteur AUX Post, Volume de voie Alimentation fantôme Tension continue 48 Volts commutable Voies stéréo: Voies d'entrée ligne stéréo 2 Connecteurs d'entrée ligne stéréo Jack 6,35 mm mono Type d'entrée ligne stéréo asymétrique Réponse en fréquence entrée ligne stéréo 10 - 45000 Hz Taux de distorsion harmonique (THD) entrée ligne stéréo 0,0045 % Impédance entrée ligne stéréo 3,7k Ohm(s) Rapport Signal/Bruit entrée ligne stéréo 116 dB Correcteur aigus voie stéréo +/- 15 dB @ 12000 Hz Correcteur graves voie stéréo +/- 15 dB @ 80 Hz Contrôles voies d'entrée stéréo Ligne Balance, Égaliseur 2 bandes (grave/aigu), Sélecteur AUX Post, Volume de voie Section généraux: Bus départs AUX/Effet 1 Connecteurs départs AUX/Effet jack stéréo 6,35 mm asymétrique Entrée retour AUX stéréo 1 x Stéréo Connecteurs retour AUX stéréo 2 jacks stéréo 6,35 mm Sortie Stereo Tape 1 x Stéréo Connecteurs de sortie Stereo Tape 2 x RCA (Cinch) Entrée Stereo Tape 1 x Stéréo Connecteurs d'entrée Stereo Tape 2 x RCA (Cinch) Sorties stéréo généraux asymétriques 1 Connecteurs sorties stéréo généraux asymétriques Jack 6,35 mm stéréo Impédance sorties stéréo généraux asymétriques 120 Ohm(s) Niveau de sortie maxi, sorties stéréo généraux asymétriques +20 dBu Sorties stéréo Control Room 1 Connecteurs sorties stéréo Control Room jack stéréo 6,35 mm asymétrique Sortie casque 1 Connecteur sortie casque Jack 6,35 mm stéréo Processeur d'effets numérique Non Réglages Main-Section Affectation 2 Track (Main, Contr. Room), Alimentation fantôme, Niveau d'écoute entrée 2-Track, niveau Stereo Return, Volume casque / Control Room, Volume Master Indicateurs Alimentation fantôme, Écrêtage voie, Indicateur de niveau 4 segments, Power Tension secteur 18V AC / 1A External PSU Largeur 210 mm Hauteur (mm) 67 mm Profondeur 262 mm Poids 1,45 kg LD Systems - VIBZ 6 Reference: LDVIBZ6 124,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer More info LD Systems -  VIBZ 6 - 6 channel Mixing Console The VIBZ 6 is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible. The master section of the VIBZ 6 is equipped with adjustable monitor outputs and a headphone jack. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. An adapter for mounting the VIBZ 6 on microphone stands are available as accessories. Features: 6-channel mixer 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply Spécifications: Product type Mixers Type Live Channels 6 Mono Channels: Mono Mic and Line Input Channels 2 Mono Mic input connectors 6.3 mm TRS, XLR Mono Mic Input Type electronically balanced Mono Mic Input Frequency Range 10 - 45000 Hz Amplification Range mono Mic Input - 50 dB Mono Mic Input Input THD-N 0.0058% Mono Mic Input Impedance 4k Ohm(s) Mono Mic Input S/N Ratio 113 dB Mono Line Input Type electronically balanced Mono Line Input Frequency Range 10 - 45000 Hz Amplification Range mono Line Input - 50 dB Mono Line Input Input THD-N 0.0045 % Mono Line Input Impedance 21k Ohm(s) Mono Line Input S/N Ratio 116 dB Mono Channel Equalizer High +/- 15 dB @ 12000 Hz Mono Channel Equalizer Mid +/- 15 dB @ 2500 Hz Mono Channel Equalizer Low +/- 15 dB @ 80 Hz Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low), AUX Post, Channel Volume, Gain, pan Phantom power 48 V DC switchable Stereo Channels: Stereo Line Input Channels 2 Stereo Line Input Connectors 6.3 mm TS Stereo Line Input Type unbalanced Stereo Line Input Frequency Range 10 - 45000 Hz Stereo Line Input Input THD-N 0.0045 % Stereo Line Input Impedance 3,7k Ohm(s) Stereo Line Input S/N Ratio 116 dB Stereo channel equalizer treble +/- 15 dB @ 12000 Hz Stereo channel equalizer bass +/- 15 dB @ 80 Hz Controls Stereo Line Input Channels 2-band EQ (High,Low), AUX Post, Balance, Channel Volume Main Section: AUX / Effects Send Channels 1 AUX / Effects Send Connectors 6.3 mm stereo jack unbalanced Stereo AUX Return Channels 1 x stereo Stereo AUX Return Connectors 2 x 6.3 mm TRS Stereo Tape Out Channel 1 x stereo Stereo Tape Out Connectors 2 x RCA (Cinch) Stereo Tape In Channel 1 x stereo Stereo Tape In Connenctors 2 x RCA (Cinch) Unbalanced stereo Main Outputs 1 Unbalanced stereo Main Output Connections 6.3 mm TRS Unbalanced Stereo Main Out Impedance 120 Ohm(s) Max. Unbalanced Stereo Main Out Level +20 dBu Stereo Control Room Out 1 Stereo Control Room Out Connectors 6.3 mm stereo jack unbalanced Headphones ouput 1 Headphones outputs 6.3 mm TRS Digital Effects Processor no Main section controls 2-track Assignment (Main, Contr. Room), 2-track In Volume, Master Volume, Phantom Power, Phones / Control Room Volume, Stereo Return Volume Indicators 4-segment Level Meter, Channel Peak, Phantom Power, Power Operating voltage 18 V AC - 1 A, External PSU Width 210 mm Height 67 mm Depth 262 mm Weight 1,45 kg LD Systems - VIBZ 6 Referencia: LDVIBZ6 124,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Más LD Systems -  VIBZ 6 - 6 channel Mixing Console The VIBZ 6 is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible. The master section of the VIBZ 6 is equipped with adjustable monitor outputs and a headphone jack. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. An adapter for mounting the VIBZ 6 on microphone stands are available as accessories. Features: 6-channel mixer 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply Spécifications: Product type Mixers Type Live Channels 6 Mono Channels: Mono Mic and Line Input Channels 2 Mono Mic input connectors 6.3 mm TRS, XLR Mono Mic Input Type electronically balanced Mono Mic Input Frequency Range 10 - 45000 Hz Amplification Range mono Mic Input - 50 dB Mono Mic Input Input THD-N 0.0058% Mono Mic Input Impedance 4k Ohm(s) Mono Mic Input S/N Ratio 113 dB Mono Line Input Type electronically balanced Mono Line Input Frequency Range 10 - 45000 Hz Amplification Range mono Line Input - 50 dB Mono Line Input Input THD-N 0.0045 % Mono Line Input Impedance 21k Ohm(s) Mono Line Input S/N Ratio 116 dB Mono Channel Equalizer High +/- 15 dB @ 12000 Hz Mono Channel Equalizer Mid +/- 15 dB @ 2500 Hz Mono Channel Equalizer Low +/- 15 dB @ 80 Hz Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low), AUX Post, Channel Volume, Gain, pan Phantom power 48 V DC switchable Stereo Channels: Stereo Line Input Channels 2 Stereo Line Input Connectors 6.3 mm TS Stereo Line Input Type unbalanced Stereo Line Input Frequency Range 10 - 45000 Hz Stereo Line Input Input THD-N 0.0045 % Stereo Line Input Impedance 3,7k Ohm(s) Stereo Line Input S/N Ratio 116 dB Stereo channel equalizer treble +/- 15 dB @ 12000 Hz Stereo channel equalizer bass +/- 15 dB @ 80 Hz Controls Stereo Line Input Channels 2-band EQ (High,Low), AUX Post, Balance, Channel Volume Main Section: AUX / Effects Send Channels 1 AUX / Effects Send Connectors 6.3 mm stereo jack unbalanced Stereo AUX Return Channels 1 x stereo Stereo AUX Return Connectors 2 x 6.3 mm TRS Stereo Tape Out Channel 1 x stereo Stereo Tape Out Connectors 2 x RCA (Cinch) Stereo Tape In Channel 1 x stereo Stereo Tape In Connenctors 2 x RCA (Cinch) Unbalanced stereo Main Outputs 1 Unbalanced stereo Main Output Connections 6.3 mm TRS Unbalanced Stereo Main Out Impedance 120 Ohm(s) Max. Unbalanced Stereo Main Out Level +20 dBu Stereo Control Room Out 1 Stereo Control Room Out Connectors 6.3 mm stereo jack unbalanced Headphones ouput 1 Headphones outputs 6.3 mm TRS Digital Effects Processor no Main section controls 2-track Assignment (Main, Contr. Room), 2-track In Volume, Master Volume, Phantom Power, Phones / Control Room Volume, Stereo Return Volume Indicators 4-segment Level Meter, Channel Peak, Phantom Power, Power Operating voltage 18 V AC - 1 A, External PSU Width 210 mm Height 67 mm Depth 262 mm Weight 1,45 kg LD Systems - VIBZ 6 Artikel-Nr: LDVIBZ6 124,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Produktinfos LD Systems -  VIBZ 6 - 6 channel Mixing Console The VIBZ 6 is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible. The master section of the VIBZ 6 is equipped with adjustable monitor outputs and a headphone jack. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. An adapter for mounting the VIBZ 6 on microphone stands are available as accessories. Features: 6-channel mixer 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply Spécifications: Product type Mixers Type Live Channels 6 Mono Channels: Mono Mic and Line Input Channels 2 Mono Mic input connectors 6.3 mm TRS, XLR Mono Mic Input Type electronically balanced Mono Mic Input Frequency Range 10 - 45000 Hz Amplification Range mono Mic Input - 50 dB Mono Mic Input Input THD-N 0.0058% Mono Mic Input Impedance 4k Ohm(s) Mono Mic Input S/N Ratio 113 dB Mono Line Input Type electronically balanced Mono Line Input Frequency Range 10 - 45000 Hz Amplification Range mono Line Input - 50 dB Mono Line Input Input THD-N 0.0045 % Mono Line Input Impedance 21k Ohm(s) Mono Line Input S/N Ratio 116 dB Mono Channel Equalizer High +/- 15 dB @ 12000 Hz Mono Channel Equalizer Mid +/- 15 dB @ 2500 Hz Mono Channel Equalizer Low +/- 15 dB @ 80 Hz Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low), AUX Post, Channel Volume, Gain, pan Phantom power 48 V DC switchable Stereo Channels: Stereo Line Input Channels 2 Stereo Line Input Connectors 6.3 mm TS Stereo Line Input Type unbalanced Stereo Line Input Frequency Range 10 - 45000 Hz Stereo Line Input Input THD-N 0.0045 % Stereo Line Input Impedance 3,7k Ohm(s) Stereo Line Input S/N Ratio 116 dB Stereo channel equalizer treble +/- 15 dB @ 12000 Hz Stereo channel equalizer bass +/- 15 dB @ 80 Hz Controls Stereo Line Input Channels 2-band EQ (High,Low), AUX Post, Balance, Channel Volume Main Section: AUX / Effects Send Channels 1 AUX / Effects Send Connectors 6.3 mm stereo jack unbalanced Stereo AUX Return Channels 1 x stereo Stereo AUX Return Connectors 2 x 6.3 mm TRS Stereo Tape Out Channel 1 x stereo Stereo Tape Out Connectors 2 x RCA (Cinch) Stereo Tape In Channel 1 x stereo Stereo Tape In Connenctors 2 x RCA (Cinch) Unbalanced stereo Main Outputs 1 Unbalanced stereo Main Output Connections 6.3 mm TRS Unbalanced Stereo Main Out Impedance 120 Ohm(s) Max. Unbalanced Stereo Main Out Level +20 dBu Stereo Control Room Out 1 Stereo Control Room Out Connectors 6.3 mm stereo jack unbalanced Headphones ouput 1 Headphones outputs 6.3 mm TRS Digital Effects Processor no Main section controls 2-track Assignment (Main, Contr. Room), 2-track In Volume, Master Volume, Phantom Power, Phones / Control Room Volume, Stereo Return Volume Indicators 4-segment Level Meter, Channel Peak, Phantom Power, Power Operating voltage 18 V AC - 1 A, External PSU Width 210 mm Height 67 mm Depth 262 mm Weight 1,45 kg LD Systems - VIBZ 6 Riferimento: LDVIBZ6 124,00 € Availability:    Available in supplier stock Processing time:   Under 4 working days Guaranty: 2 years by manufacturer Dettagli LD Systems -  VIBZ 6 - 6 channel Mixing Console The VIBZ 6 is a compact 6-channel mixer which is perfectly suited to entertainers, small bands, home recording and installations. It features two balanced microphone inputs with high quality preamps, phantom power and 3-band EQ with +/-15 dB adjustment scope, two stereo line inputs with 2-band EQ, which are mono-compatible. The master section of the VIBZ 6 is equipped with adjustable monitor outputs and a headphone jack. The mixer also has inputs and outputs for recording and playback devices, is extremely easy to use and offers a warm differentiated sound. The external power supply can be screwed on tightly. An adapter for mounting the VIBZ 6 on microphone stands are available as accessories. Features: 6-channel mixer 2 microphone channels with 3-band EQ 2 mono-compatible stereo line channels with 2-band EQ Master, Monitor and headphone outputs Securely fastening external power supply Spécifications: Product type Mixers Type Live Channels 6 Mono Channels: Mono Mic and Line Input Channels 2 Mono Mic input connectors 6.3 mm TRS, XLR Mono Mic Input Type electronically balanced Mono Mic Input Frequency Range 10 - 45000 Hz Amplification Range mono Mic Input - 50 dB Mono Mic Input Input THD-N 0.0058% Mono Mic Input Impedance 4k Ohm(s) Mono Mic Input S/N Ratio 113 dB Mono Line Input Type electronically balanced Mono Line Input Frequency Range 10 - 45000 Hz Amplification Range mono Line Input - 50 dB Mono Line Input Input THD-N 0.0045 % Mono Line Input Impedance 21k Ohm(s) Mono Line Input S/N Ratio 116 dB Mono Channel Equalizer High +/- 15 dB @ 12000 Hz Mono Channel Equalizer Mid +/- 15 dB @ 2500 Hz Mono Channel Equalizer Low +/- 15 dB @ 80 Hz Controls Mono Mic and Line Input Channels 3-band EQ (High, Mid, Low), AUX Post, Channel Volume, Gain, pan Phantom power 48 V DC switchable Stereo Channels: Stereo Line Input Channels 2 Stereo Line Input Connectors 6.3 mm TS Stereo Line Input Type unbalanced Stereo Line Input Frequency Range 10 - 45000 Hz Stereo Line Input Input THD-N 0.0045 % Stereo Line Input Impedance 3,7k Ohm(s) Stereo Line Input S/N Ratio 116 dB Stereo channel equalizer treble +/- 15 dB @ 12000 Hz Stereo channel equalizer bass +/- 15 dB @ 80 Hz Controls Stereo Line Input Channels 2-band EQ (High,Low), AUX Post, Balance, Channel Volume Main Section: AUX / Effects Send Channels 1 AUX / Effects Send Connectors 6.3 mm stereo jack unbalanced Stereo AUX Return Channels 1 x stereo Stereo AUX Return Connectors 2 x 6.3 mm TRS Stereo Tape Out Channel 1 x stereo Stereo Tape Out Connectors 2 x RCA (Cinch) Stereo Tape In Channel 1 x stereo Stereo Tape In Connenctors 2 x RCA (Cinch) Unbalanced stereo Main Outputs 1 Unbalanced stereo Main Output Connections 6.3 mm TRS Unbalanced Stereo Main Out Impedance 120 Ohm(s) Max. Unbalanced Stereo Main Out Level +20 dBu Stereo Control Room Out 1 Stereo Control Room Out Connectors 6.3 mm stereo jack unbalanced Headphones ouput 1 Headphones outputs 6.3 mm TRS Digital Effects Processor no Main section controls 2-track Assignment (Main, Contr. Room), 2-track In Volume, Master Volume, Phantom Power, Phones / Control Room Volume, Stereo Return Volume Indicators 4-segment Level Meter, Channel Peak, Phantom Power, Power Operating voltage 18 V AC - 1 A, External PSU Width 210 mm Height 67 mm Depth 262 mm Weight 1,45 kg Global Audio Store, Revendeur LD Systems agréé Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer Global Audio Store, Authorized LD Systems Dealer)

Je vends de ma collection ce magnifique et rare LEICA M6. Il avait été commandé neuf par le propriétaire avant moi, avec le cuir rouge, à Leica Suisse. Il a entièrement été révisé en 2013 chez Leica Suisse, je fournis la facture de révision lors de la vente. Depuis, il a fait de la vitrine et une pellicule par année. Il est comme neuf, voir photos !!! Il sera livré avec sa boite d'origine, la facture de révision et une superbe sangle rouge Leica, qui est neuve. Merci de consulter mes évaluations et n'hésitez pas à poser vos questions. --------------------------------------------------------------------------------------------------------------------------------------- I sell from my collection this beautiful and rare LEICA M6.  It had been ordered nine by the owner before me, with the red leather, to Leica Suisse.  It was entirely revised in 2013 at Leica Suisse, I provide the invoice for revision at the time of sale.  Since then he has made the showcase and film a year. It's like new, see photos!!!  It will be delivered with its original box, the revision invoice and a superb red Leica strap, which is new.  Thank you for consulting my evaluations and do not hesitate to ask your questions.