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Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.

Like the other lenses in the L series designed by Canon, this CANON EF 11-24 mm F4 USM zoom lens is robust, efficient and bright. Intended for both photography and video, this ultra-wide-angle EF-mount zoom offers the ability to capture magnificent images in very high resolution. Its short focal length makes it a lens resolutely oriented towards landscape shooting and photography of small-scale interiors. An adaptable and ergonomic Canon EF mount. The CANON EF 11-24mm F4 USM is an ultra-wide angle lens specifically designed for EF mount cameras with Full Frame, Super 35mm or APS-C sensors. This lens is perfectly suited to Canon products such as EOS digital SLRs or EOS Cinema cameras (see below). Focusing is as fast as it is quiet and precise thanks to the integrated annular USM motor whose characteristic is to operate based on ultrasonic frequency vibrations. Note that a focusing ring is also present if you wish to focus manually. In addition to having an integrated lens hood offering protection to the front lens while maintaining an excellent level of contrast, the CANON EF 11-24 mm F4 USM is “tropicalized”, in other words, it is resistant to dust and humidity. A high-end zoom for exceptional shots. This ultra wide angle lens is the optical result of a combination of three specific types of lenses. On the one hand, in order to compensate and correct the sphericity aberration, the optics include aspherical lenses; on the other hand, the presence of UD and Super UD glass lenses (in other words ultra-low dispersion glass) helps eliminate chromatic aberration. Thus, thanks to this intelligent lens assembly, the CANON EF 11-24 mm F4 USM offers the operator the possibility of obtaining excellent contrasts and great image sharpness, without fear of distortion. It is good to add to this optical formula the presence of the Super Spectra treatment which offers the possibility of obtaining an image with powerful contrasts while preserving a very good chromatic balance and eliminating the so-called “ghost” images produced by light. An 11-24mm lens for landscape and small spaces. With the widest viewing angle of the Canon L series, the 11-24 mm F4 USM has a variable focal length of 11 to 24 mm resolutely geared towards landscape shooting, but also for capturing images. images in places with limited space. In addition to being particularly compact and light, this lens adapts to a large number of accessories (from the Canon range and more) and has a very wide range of applications. It offers the operator extremely precise control of focus and depth of field while maintaining good low-light performance. En savoir plus Collaboration commerciale.

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Wireless Earbud, Bluetooth 5.1 Headphones Sport Wireless Bluetooth Earphones in   Description Hi-Fi Stereo Deep Bass and CVC8.0 Noise Cancelling: Equipped with advanced chip with AAC audio codex and premium 14.2mm dynamic driver, wireless earbud deliver professionally-tuned immersive crystal-clear sound with a silky treble, smooth mid and punchy bass. Bluetooth headphones are also combined with CVC8.0 noise reduction design and high quality microphone which can filter out outside noise, allowing you to fully enjoy crystal clear calls and immerse yourself in the wonderful world of music.,Bluetooth 5.1 Technology [2021 New] and One-Step Auto Pairing: Wireless headphones adopt advanced Bluetooth 5.1, which offers you an unparalleled audio experience with faster transmission speed, stronger connection stability, and longer range of bluetooth with no signal loss. Taken from the charging case, bluetooth earbud will be paired with each other automatically, and just select i21 on bluetooth list on your device to connect. In a matter of seconds, you are in euphonic music world.,Ultra-lightweight Earhook Original Designed for Sport: Adjustable, soft and secure fit silicone ear hooks ensure the sports earbud stay comfortably firm in place when doing sports. Equipped with 3 pairs of different sizes of spare ear caps. Even do strenuous exercise, the wireless earphones will not fall off. IPX7 waterproof effortlessly protects the sport headphones from heavy rain or sweat during intense workouts and all-weather conditions. Ideal for sports, running, jogging, travel etc.,Type-C Fast Charge and Individual LED Power Display: Bluetooth headset can get 8 hours play back from a single charge. Lightweight charging case supports 5 times of recharging for earbud wireless headphones, gives up to 48 hours continuous music time. The upgraded Type-C charging port can provide faster and safer charging. LED power display on the case can help check the charging status of ear buds wireless earbud and charging case. Free to enjoy songs, movies and gaming that will never stop!,Touch Control, Stereo and Mono Mode: Features with touch control sensors, bluetooth headphones wireless allows you to conveniently power on/off, play/pause, skip songs, answer/hang up, adjust volume and access other functions at the touch of a button. Free your hands completely when youre busy doing exercise, driving or running. Besides, bluetooth earbud wireless not only can be worked together for stereo music, but also can be worked independently. Design for business and commute. About us Payment Nous acceptons les paiements par l'une des méthodes suivantes: PayPal Shipping Nous expédions dans les 1 à 3 jours ouvrables suivant le paiement, généralement plus tôt. Nous utilisons une sélection de services d'expédition locaux. Nous ne livrons pas à des boîtes postales. Livraison Gratuite en France Métropolitaine Via Service postaux / Colissimo / Chronopost / UPS / Colis privé / DHL / royal Mail / amz logistics Free Delivery in Metropolitan France Return Bonjour, pour un retour produitVous devez:Accéder à votre historique et détails de commandes, depuis votre compte client.Sélectionner la commande contenant le produit que vous souhaitez renvoyer.Ajouter une explication dans message.Puis validez "Retour produit" Un message de validation de votre demande, vous sera confirmé ou refusé dans la page "Retour produit" de votre compte, dans les plus brefs délais.N'oubliez pas queLe produit doit être neuf, non porté et dans son état d'origine.L'étiquette comportant la description de la matière ainsi que son code-barres doit être présent sur le produit.Le carton (ou enveloppe) de transport doit être retourné par celui-ci.Votre nom, prénom et adresse ainsi que votre numéro de commande doit figurer dans votre colis.Tout objet retourné fera l'objet d'une inspection par nos soins, nous nous réservons le droit de vous retourner le produit sans le rembourser si celui-ci ne respecte pas ces conditions Copyright © GetProduct.io 2020.

iZotope RX 7 Audio Editor Advanced VST Overview: iZotope RX 7 Audio Editor Advanced VST is a very powerful as well as easy to use application which will enable you to eliminate the recording and encoding errors which can steal away the quality from your audio tracks. It can improve the sound quality and audio issues like noise distortions and the faulty recordings. This application offers professional tools for repairing the audio tracks and streams from the media files. iZotope RX 7 Audio Editor Advanced VST lets you manipulate the audio streams like the professional editor with a very high accuracy. This application also lets you apply declipping filters and declicking, remove humming, audio noise or the repair the audio specter. You can adjust the audio gain, equalizer, resampling rates, channels and the dithering. This application enables you to manipulate the sound from one or several audio tracks simultaneously. You can also copy, cut and paste the pieces from one stream onto another. This application also allows you to perform a precise pitch adjustment with the hum removing tool or the denoising option. The Denoise module lets you to view the track as noise profile, residual noise as well as curve lines which can be modified individually. All in all iZotope RX 7 Audio Editor Advanced VST is a very handy and easy to use application which will enable you to eliminate the recording and encoding errors which can steal away the quality from the audio tracks. Features of iZotope RX 7 Audio Editor Advanced VST: - A very powerful as well as easy to use application which will enable you to eliminate the recording and encoding errors which can steal away the quality from your audio tracks. - Can improve the sound quality and audio issues like noise distortions and the faulty recordings. - Offers professional tools for repairing the audio tracks and streams from the media files. - Lets you manipulate the audio streams like the professional editor with a very high accuracy. - Lets you apply declipping filters and declicking, remove humming, audio noisse or the repair the audio specter. - Can adjust the audio gain, equalizer, resampling rates, channels and the dithering. - Enables you to manipulate the sound from one or several audio tracks simultaneously. - Can also copy, cut and paste the pieces from one stream onto another. - Allows you to perform a precise pitch adjustment with the hum removing tool or the denoising option. - The Denoise module lets you to view the track as noise profile, residual noise as well as curve lines which can be modified individually. System Requirements For iZotope RX 7 Audio Editor Advanced VST: - Operating System: Windows XP/Vista/7/8/8.1/10 - Memory (RAM): 1 GB of RAM required. - Hard Disk Space: 500 MB of free space required. - Processor: Intel Pentium 4 or later.

. Good day, For sale, a  Aputure Amaran AL-M9  Mini Sized CRI/TLCI 95 LED Video On-camera Light The Amaran AL-M9 is a pocket sized LED fill light. It is incredibly compact and lightweight with 9 SMD bulbs  that are powerful in the palm of your hand. It provides a max of 900lux that is able to do close-up fill light.  It’s  flexibility makes it suitable for a wide variety of applications from run and gun video to macro product photography,  the possibilities are end-less for how this light can be used. Feature： 1. High Color Restoration, with CTO and CTB The Amaran AL-M9 inherits the belief of true color pursuit of the Ama-ran series. It features an exceptionally  high color accuracy rating in both CRI and TLCI (Television Lighting Color Index) of 97+, which means it will display natural,  pristine color in both photo and video applications. In addition, The AL-M9 offers gels filters allowing for both tungsten (CTO)  and daylight diffusion (3200-5600K), controlling the color or characteristics of the light. 2. 9 Steps Dimming, good fill light for Narrow place The Amaran AL-M9 has a dimmer with 9 levels of power that allows you to adjust brightness more conveniently.  With the diffuser attached it’s possible to soften the subject lighting and decrease the shadows conve-niently.  Also, when user making a shot in tough small shooting environ-ments, the Amaran AL-M9 become a good helper for user.  For example, you could use Velcro to attach the AL-M9 to the visor or ceiling inside a car create a unique and  effectively lit scene great for both interior and exterior shots. 3. Internal Battery with Micro-USB Charging and university adapter The AL-M9 offers an internal lithium-ion battery that can be recharged using the 5 volts Micro-USB cable (included).  And it can last up to 1.5 hrs at 100%. Beside this, Amaran AL-M9 Lighting Up includes universal adapter that  offers you the ability to mount it on the hot-shoe of a camera, tripod, light stand or other supports using the  1/4inch screw thread on the underside. 4. A tiny design with huge ambitions The Amaran AL-M9 takes its surprisingly tiny and innovative design to a level of versatility not seen in another LED light.  It has a credit card size, weighing only 140g which is quite comfortable to fit in your hand and just throw it into your pocket  until you need it. With a smooth surfaced back you can use all sorts of adhesives to mount this light on or  under nearly any surface! 5. Lighting your inspiration                                                With the Amaran AL-M9 Lighting Up, you can be sure to fill in light with a large measure of flexibility.  Moreover, using more than one together will really expand the flexibility of your lighting!      Color Temperature 5500 +/- 200K CRI 95 + TLCI 95 + Illuminance Distance 0.3m 0.5m 1m Brightness More than 900LUX More than 350LUX More than 80LUX Number of LEDs 9 Battery Type Lithium-polymer battery (3.7V 1800mAh) Voltage DC 5V Current 1A Battery  Working Time More than 1.75h (maximum brightness) Dimension 87 * 56 * 11 mm   Package contain: 1* Amaran AL-M9 fill light 1* Universal Adapter (with Fastener, Thumbscrew and Cold Shoe) 1* USB Charging Cable 1* Product Manual 1* Warranty Card 1* Carrying Case Please take a look at my other items for more camera stuff. Thank you! --------------------------------------------------------------------------------------------------------------------------------------------------------------------- Payment: PayPal is accepted. Immediate payment is required. Shipping: Worldwide, fully insured & signed-for shipping is provided. These options are incl

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Le lecteur SACD multi-sources English description at the end Le MP 2500 R est le plus récent et le plus sophistiqué des lecteurs multi-sources et PCM / DSD DAC série R.  Le MP 2500 R est construit conceptuellement et technologiquement comme le MP 2000 R MKII. Les deux appareils sont spécialement conçus pour la lecture sans compromis de données audio haute résolution. Au lieu d'un lecteur de CD, nous avons équipé le MP 2500 R de notre tout nouveau lecteur SACD du SACD MP 3100 HV haut de gamme. Comme dans le MP 2000 R, nous utilisons notre convertisseur quadruple différentiel double supérieur avec traitement de tous les signaux numériques pour convertir les données PCM. Pour les données DSD, le convertisseur DSD analogique 1 bit T + A True unique est utilisé, qui ne convertit pas les données DSD mais les traite nativement en flux binaire. Cela signifie que même les données DSD jusqu'au DSD 512 provenant de l'entrée USB du tableau de connexion numérique peuvent être reproduites avec la meilleure qualité. En tant que client de streaming, le député a 2 500 R obtenir le T + un conseil en continu de haute résolution, qui permet non seulement la plus haute résolution, mais aussi l'utilisation de différents services de musique, radio Internet et la connexion au réseau domestique via LAN et WLAN, le mode maître USB et streaming HD à partir de serveurs de réseau.L'excellent accordeur sonore est compatible FM, FM-HD et DAB +. Un module de diffusion Bluetooth de haute qualité pour la transmission de musique depuis des appareils mobiles est également installé. Le fonctionnement du PM 2500 R, ou même un système R ensemble, via le FM1000 de commande à distance infrarouge ou au mieux sur l'application de contrôle T + A. Cela a servi, par opposition aux applications de nombreux autres fabricants, notre équipement est complet dans toutes les fonctions et montre non seulement les informations du client de streaming, mais aussi le contenu d'affichage de toutes les sources, telles que le nom de la station et le texte de la radio lors de l'opération FM. En option, la télécommande bidirectionnelle FD 100 peut être utilisée. Il ne représente pas seulement l'affichage de l'appareil, mais couvre également l'art. lecteur SACD drive Précision entraînement linéaire. Système laser double: SACD: 650 nm, CD: 785 nm formats SACD Stéréo, CD / DA, CD-R, CD-RW, SACD / CD Text Réponse en fréquence et dynamique SACD: 2 Hz - 44 kHz / 110 dB, CD: 2 Hz - 20 kHz / 100 dB Streaming client formats MP3, WMA, AAC, OGG Vorbis, FLAC, WAV, AIFF, ALAC débits de données PCM 32... 192 kHz, 16/24 bit; MP3 jusqu'à 320 kbits, débit constant et variable traits Lecture Gapless pour MP3 (Lame), WAV, FLAC T + Une application de contrôle pour iOS et Android normes Contrôle UPnP AV, T + A services: Tidal, Deezer, qobuz (abonnement requis) interfaces LAN: Fast Ethernet 10/100 Base-T, WLAN: 802.11 b / g / n Tableau de connexion numérique Entrées numériques S / P-DIF 1x AES-EBU, 1x coaxial, 2x BNC, 2x TOS-Link USB (mode périphérique) 1x mode périphérique USB asynchrone USB (mode maître) 2 x mode maître USB pour le stockage de masse USB Tuner FM norme de réception: FM, FM-HD gamme de fréquences: 87,5-108 MHz; sensibilité (> 65 dBA S / N) 1 μV Headroom: 103 dB uV THD: 0,1% Signal / bruit distance mono / stéréo 72/62 dB séparation stéréo 50 dB Deemphasis (version Europe / États-Unis) 50/75 nous services de données:RDS / RDBS, nom de la station (PS), type de programme (PTY), texte radio (RT) Tuner DAB norme de réception DAB, DAB + gamme de fréquences 168-240 MHz (Volume III) Sensibilité (BER = 10 - 4) 2,0 μV Headroom 103 dB uV Bluetooth A2DP (audio), AVRCP 1.4 (contrôle) / aptX®, MP3, SBC liens Sorties analogiques haut niveau (RCA):2,5 Vrms / 50 ohms Sortie analogique symétrique (XLR):5.0 Vrms / 50 ohms Sorties numériques:1 x coaxial, IEC 60958 S / P-DIF (LPCM) Convertisseur N / A PCM quad différentiel double convertisseur avec 4 convertisseurs N / A par canal, 32 bits Delta Sigma, 352,8 KSPS / 384 KSPS DSD Convertisseur N / A DSD T + A-True-1Bit jusqu'à DSD 512 (22 MHz) Réponse en fréquence PCM 44,1 kSps 2 Hz - 20 kHz Réponse en fréquence PCM 48 ksps / dsd 64 2 Hz - 22 kHz / 2 Hz - 44 kHz Réponse en fréquence PCM 96 kSps / DSD 128 2 Hz - 40 kHz / 2 Hz - 60 kHz Réponse en fréquence PCM 192 kSps / DSD 256 2 Hz - 80 kHz / 2 Hz - 80 kHz Réponse en fréquence PCM 384 kSps / DSD 512 2 Hz - 100 kHz / 2 Hz - 100 kHz filtre analogique Filtre Bessel linéaire symétrique, phase 3, 100 kHz THD Signal to Noise Ratio 116 dB la séparation des canaux 110 dB Connexion / Accessoires / Dimensions Interface de contrôle R2-Link contrôle à distance FM 1000, T + A Control APP, télécommande d'affichage optionnelle FD 100 raccordement au secteur:100-240 V, 50-60 Hz Consommation électrique max.:40 watts Eco veille:0,3 watts fonction de mise hors tension automatiqueoui (après 90 minutes sans signal audio) Dimensions (H × W × D):16,5 × 46 × 40 cm poids: 11,3 kg T+A MP-2500R Media Player SACD/CD/DAC/Streamer/Radio The Multi Source SACD Player The MP 2500 R is T+A's newest and most sophisticated Multi Source Player and PCM / DSD DAC in the R-Series. The MP 2500 R has the same overall design philosophy and technical facilities like the smaller MP 2000 R MK II player. Both have been developed to reproduce high-res audio files without any trace of compromise. Instead of a CD mechanism T+A have equipped the MP 2500 R with the SACD drive from T+A's High-End SACD player MP 3100 HV which is a completely new development.  As in the MP 2000 R MK II, PCM data is converted using T+A's outstanding double differential quadruple converter with all it‘s sophisticated digital signal processing. DSD data are handled by the unique analogue T+A true 1-bit DSD converter from the PDP 3000 HV, which processes the DSD data in native form as a bitstream rather than converting them. This makes it possible to reproduce DSD data up to DSD 512, as delivered by the USB input of the digital connecting board, to the highest level of quality.  The machine’s streaming client takes the form of the new T+A high-res streaming board, which provides maximum resolution as well as the facility to access various music services, Internet radio, inclusion in the home network via LAN and WLAN, USB Master Mode and HD streaming from network servers. The digital tuner offers FM, FM-HD and DAB+ capability, and delivers excellent sound. The T+A MP 2500 R also includes a high-quality Bluetooth streaming module for transferring music from mobile devices.  The machine is controlled using the FM1000 infra-red remote control handset, or – ideally – the T+A Music Navigator App. In contrast to many manufacturers’ Apps, this is capable of controlling every element of every function of T+A's machines. Not only does it display the information pertaining to the streaming client, but also the screen content of all sources, such as the station name and radio text when used in FM radio mode. As an option the FD 100 bi-directional RF remote control system can be used as well. It displays the full content of the device screen and coverart as well. Technology It is only natural that the SACD and CD continue to lose significance, as they are increasingly superseded by streamed content; a trend reflected very clearly in the huge success of T+A's multi-source players with their extensive streaming facilities. However, it is clear that T+A audiophile customers still wish to be able to play music from CD and SACD, because none of us wants to throw away our old collection, and in any case there is an undeniable charm in owning a tangible data medium. Infact the SACD is currently experiencing what we can only term a renaissance all over the world. Therefore T+A decided to develop a completely new, modern SACD mechanism incorporating the latest decoder technology, offering very short access times and outstanding error correction. It is capable of reading CD (PCM 44.1 kSps) and SACD (DSD 64 2.8 MHz) discs at the highest possible quality. T+A have invested a huge amount of effort in the mechanical design of the drive unit, incorporating a high-quality drive, double laser optics and heavy-duty motors. With the aim of eliminating all traces of interaction between the moving parts of the disc drive and the remainder of the player T+A's disc mechanism features a mechanical isolation. A heavy aluminium plate and a solid case, which act as a mass damping devices, thereby preventing any structural sound from the mounting surface finding its way to the electronics and the disc mechanism. The disc drawer runs on two accurately machined stainless steel pushrods, while the disc rests in a specially coated, high-quality ABS cradle.

Hifime UH1 Digital permet d'écouter de la musique en qualité (horloges TCXO, isolement galvanique) depuis un ordinateur via la sortie USB de celui-ci. La sortie HDMI I2S est compatible avec les 3D LAB Nano DAC. Entrées: optique, HDMI (I2S) et USB: un switch permet le choix entre Low (limite la fréquence à 96 kHz mais ne nécessite aucun driver sous windows) et High (driver windows 10 disponible sur le site de Hifime). Sorties: coaxial, optique, HDMI I2S compatible avec le 3D LAB Nano DAC. Un switch à 2 positions permet de rendre le DSD compatible avec plusieurs marques (pas essayé avec le 3D LAB). Spécifications (issues du site de Hifime): This is the UH1 without the DAC part. It is a pure high quality USB to i2s/DSD (over HDMI), COAX and OPT. This also has i2s/HDMI input (HDMI to USB). It is based on the Savitech SA9227 asynchronous USB receiver clocked by two TCXO oscillators which are used as the master clock to control the timing. This asynchronous USB transfer mode will give this device the responsibility to clock the data transfer instead of of your computer which has a clock of lesser quality with more noise and jitter introduced. It accepts up to 384kHz sample rates and 16/24/32 bit. No drivers are necessary on MAC and linux computers ! On Windows it can work without drivers up to 96kHz/24bit and with ASIO drivers up to 384/32. (Note that not all programs support ASIO). There is a switch that switches between Low and High sample rate mode. When set to Low, it works up to 96/24 with no drivers needed in Windows. It utilises the USB port for power, so no external power supply is required. Also the outputs and inputs are ground isolated from USB. USB INPUT: Asynchronous USB transfer with two TCXO as master clock USB receiver Savitech SA9227 Inputs are ground isolated from USB Supported sample rates: 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8 and 384kHz Supported bitrates: 16, 24 and 32 bits Works in either Full speed or High Speed USB transfer mode selectable with a switch (“L” “H”). No drivers required in MAC/Linux in both full and high speed modes. Windows ASIO needs drivers for High Speed mode only. We are using two (expensive) TCXO to act as master clock. 45.1584MHz for 44.1, 88.2, 176.4, 352.8MHz sample rates, and 49.152MHz for 32,48, 96, 192, 384kHz sample rates. The USB transfer is clocked by the TCXO directly. This is better than PLL async mode and offers close to zero jitter. PLL async mode has ~30ps jitter, which is already quite low, but not as good as when clocked from TCXO directly. SPDIF/OPTICAL/i2s(HDMI) INPUT: To USB/computer only! It doesn’t convert i2s to the COAX/SPDIF outputs. SPDIF Support samples rates up to 192kHz and 16/24/32 bit. DIGITAL OUTPUTS: DSD/I2S using HDMI port. Here is a linked drawing with the pinout for DSD and I2s. Note – this it not compatible with “normal” HDMI devices. The HDMI port is only used as a convenient connector and a way to send i2s balanced which improves signal quality. The DSD signal is also balanced. The pinout is made so that there is no harm done if you should connect it to a normal HDMI device. Optical output Coaxial output? Outputs are ground isolated from USB Size: 85x70x24mm

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

Allen & Heath Xone:23C The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format. This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n’ play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer. Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4. FEATURES At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls. The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters. Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory. *Requires reconfiguration of internal jumpers. 4 STEREO CHANNEL USB SOUNDCARD 96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer. USB X:LINK X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control. VCF FILTER SYSTEM At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. EXTERNAL FX LOOP Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching. 3 BAND TOTAL KILL EQ Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control. • 4 stereo channel 96kHz 24bit internal soundcard • X:LINK for plug n' play connection to Xone:K series controllers • 2 channels with dual phono/line inputs • VCF Filter system -- low-pass + high-pass filters plus frequency and resonance controls • 3-band true total kill EQ • External FX loop • Mic input on balanced XLR, with 2-band EQ • Balanced main mix out on XLR • Independent booth out • Record out • 3.5mm and 1/4" headphone outputs • Touring grade build quality • Super smooth VCA channel faders • User changeable crossfader • Innofader compatible • Crossfader curve switch • 20dB pro standard headroom • Ultra low distortion • 2mm Steel face plate • 9-segment signal level monitoring

Neumann KM 84 Small Diaphragm Cardioid Condenser Microphone. The Neumann KM 84 i and KM 84, a classic small diaphragm FET condenser microphone, is the result of a visit to Norwegian State Television by Neumann engineers in the mid-1960s. NST wanted smaller, transistor-based microphones for a new studio but needed these microphones to run off of their central 48V DC power system rather than 12V T-Power. Neumann's engineers devised a plan for powering a microphone in this way and a major innovation, which we now know as phantom power, was born. The KM 84 i and KM 84 uses the KK 64 capsule from the tube-amplified KM 64 microphone. This capsule produces a near-perfect cardioid pattern which maintains frequency response even 130-degrees off-axis and yields a very natural sound without comb-filtered artifacts due to bleed from other instruments. The FET and transformer-output amplifier of the KM 84 i offers very high headroom, which makes the microphone widely used as a close microphone for drums, particularly snare drum. A -10dB pad is switchable on the body of the mic for recording especially hot signal sources. As is the case with all Neumann products, the b'"'ib'"' designation is for microphones that shipped with an XLR output connector for export to the US. KM 84 (no i) is electrically the same, but has a din-type Tuchel connector for the output. This one is in perfect state. Neumann KM 84, Microphone à condensateur cardioïde à petit diaphragme. Le Neumann KM 84 i et KM 84, un microphone à condensateur FET à petit diaphragme classique, est le résultat d'une visite à la télévision d'État norvégienne des ingénieurs de Neumann au milieu des années 1960. NST souhaitait des microphones plus petits à transistors pour un nouveau studio, mais avait besoin que ces microphones fonctionnent sur leur système d'alimentation central de 48 V CC plutôt que sur une alimentation T de 12 V. Les ingénieurs de Neumann ont conçu un plan pour alimenter un microphone de cette manière et une innovation majeure, que nous connaissons aujourd'hui sous le nom d'alimentation fantôme, est née. Le KM 84 i et KM 84 utilise la capsule KK 64 du microphone KM 64 amplifié à tube. Cette capsule produit une directivité cardioïde presque parfaite qui maintient la réponse en fréquence même à 130 degrés hors axe et produit un son très naturel sans artefact et sans filtrage. Le FET et l'amplificateur de sortie du transformateur du KM 84 i offrent une réserve très élevée, ce qui rend le microphone largement utilisé comme microphone de proximité pour les batteries, en particulier la caisse claire. Un atténuateur de -10 dB est commutable sur le corps du micro pour enregistrer des sources de signaux particulièrement chaudes. Comme c'est le cas pour tous les produits Neumann, la désignation « i » concerne les microphones livrés avec un connecteur de sortie XLR pour l'exportation aux États-Unis. Le KM 84 (non i) est électriquement le même, mais dispose d'un connecteur Tuchel de type DIN pour la sortie. Celui-ci est en parfait état. En savoir plus

Tamron SP 90mm F2.8 Di Macro 1:1 Lens - Pentax Fit The legendary Tamron 90mm F2.8 has been available in different improved versions for over 30 years, and therefore stands in a long macro tradition in the super performance series. This light super performance (SP) macro-lens offers a 1:1 magnification ratio and pin-sharp images with beautifully blurred backgrounds that make your subject stand out. The Di version was adapted to the demands of digital SLR cameras and characterized by a multi-coating with which the stray-light behavior of the lens was optimized. The Tamron 90mm is often called the "portrait macro", because the focal length is also ideally suited for portraits. Macro 1:1 This lens offers a 1:1 magnification ratio to enable you to focus in on even the smallest details. It is thus ideal for close-up photos of animals and plants, as well as for still life photography. As a result of the excellent image quality and high luminosity, the macro lens has also proved a popular choice for portrait photography. Super Performance Only two letters - but what an impact they have on the results. SP stands for Super Performance and represents the high-performance lens class from Tamron. Our engineers were given a free hand in the design of these lenses and left no stone unturned to produce the optimal performance characteristics in each case. Take your camera to new frontiers - and pave the way for Super Performance. Tamron SP 90mm F2.8 Di Macro 1:1 Lens Specifications: Maximum Aperture:F2.8.Minimum Aperture:F32.Minimum Object Distance:29cm.Angle of view:27°.Lens Construction:10 elements in 9 groups.Filter Size:55mm.Weight:400g.Dimensions:71.5mm x 97mm.Included accessories:Lens Hood, Lens Case, Front Cap, Rear Cap. Depuis plus de 30 ans, le légendaire 90 mm f/2,8 a été décliné en différentes versions à chaque fois améliorées et s'inscrit donc dans une longue tradition macro dans la catégorie des objectifs super performants. Cet objectif macro léger Super Performance (SP)* fournit un rapport de grossissement de 1:1 et des photos d'une excellente netteté avec des arrière-plans superbement flous qui mettent le sujet en valeur.   Le Tamron 90mm f/2.8 SP Di Macro est réputé dans le monde de la macro grâce à son piqué exceptionnel mais également pour faire du portrait. La mise au point précise, la bague permettant de passer du mode AF au mode manuel, sa très grande qualité d'image (contraste, piqué exceptionnel, flou de l'arrière plan), son ouverture à F2.8, son rapport 1/1 et surtout son prix très compétitif... bref, on comprend très vite pourquoi il est une référence.   La version Di a été adaptée aux exigences des boîtiers reflex numériques et se caractérise par un nouveau traitement multicouche qui optimise le comportement de l'objectif face à la lumière parasite. Le Tamron 90 mm est souvent baptisé le « macro portrait » car sa longueur focale est aussi idéale pour réaliser des portraits. La nouvelle version peut aussi être montée sur boîtier plein format ou 35 mm.   Caractéristiques: - Référence article: 272E - Groupes-Lentilles: 9-10 - Angle de champ: 27 - Lames Diaphragme: 9 - Ouverture Mini: 32 - Mise au point mini (m): 0.29 - Grossissement maxi: 1:1 - Diamètre filtre (mm): 55 - Poids (g): 405 - Diamètre x Longueur (mm): 71,5 x 97 - Ouverture Maxi: 2,8 - Longueur Focale [mm]: 90   *SP (Super Performance): cet objectif fait partie de la gamme des objectifs Tamron Super Performance (SP) qui se distingue par sa qualité optique et mécanique supérieure.

Tamron SP 90mm F2.8 Di Macro 1:1 Lens - Pentax Fit Made in JAPAN The legendary Tamron 90mm F2.8 has been available in different improved versions for over 30 years, and therefore stands in a long macro tradition in the super performance series. This light super performance (SP) macro-lens offers a 1:1 magnification ratio and pin-sharp images with beautifully blurred backgrounds that make your subject stand out. The Di version was adapted to the demands of digital SLR cameras and characterized by a multi-coating with which the stray-light behavior of the lens was optimized. The Tamron 90mm is often called the b'"'portrait macrob'"', because the focal length is also ideally suited for portraits. Macro 1:1 This lens offers a 1:1 magnification ratio to enable you to focus in on even the smallest details. It is thus ideal for close-up photos of animals and plants, as well as for still life photography. As a result of the excellent image quality and high luminosity, the macro lens has also proved a popular choice for portrait photography. Super Performance Only two letters - but what an impact they have on the results. SP stands for Super Performance and represents the high-performance lens class from Tamron. Our engineers were given a free hand in the design of these lenses and left no stone unturned to produce the optimal performance characteristics in each case. Take your camera to new frontiers - and pave the way for Super Performance. L'objectif 90mm Macro Tamron universellement réputé a évolué. Il est à présent aux normes Di, le rendant aujourd'hui parfaitement adapté à la photo argentique ou numérique. Il hérite de la même construction optique que son prédécesseur, La version « Di » (Digitally Integrated) reçoit un traitement de surface perfectionné. L'objectif est idéal pour faire du portrait en 24x36, et c'est un petit téléobjectif commode de 140mm (équivalent 24x36) sur un reflex numérique au format APS-C. Description: 90mm f/2.8 SP Di Macro Monture PENTAX fabriqué au JAPON La légendaire focale fixe de chez TAMRON Depuis plus de 30 ans, le légendaire 90 mm f/2,8 a été décliné en différentes versions à chaque fois améliorées et s'inscrit donc dans une longue tradition macro dans la catégorie des objectifs super performants. Cet objectif macro léger Super Performance (SP)* fournit un rapport de grossissement de 1:1 et des photos d'une excellente netteté avec des arrière-plans superbement flous qui mettent le sujet en valeur. Le Tamron 90mm f/2.8 SP Di Macro est réputé dans le monde de la macro grâce à son piqué exceptionnel mais également pour faire du portrait. La mise au point précise, la bague permettant de passer du mode AF au mode manuel, sa très grande qualité d'image (contraste, piqué exceptionnel, flou de l'arrière-plan), son ouverture à F2.8 et son rapport 1/1... bref, on comprend très vite pourquoi il est une référence. La version Di a été adaptée aux exigences des boîtiers reflex numériques et se caractérise par un nouveau traitement multicouche qui optimise le comportement de l'objectif face à la lumière parasite. Le Tamron 90 mm est souvent baptisé le « macro portrait » car sa longueur focale est aussi idéale pour réaliser des portraits. La nouvelle version peut aussi être montée sur boîtier plein format ou 35 mm. Caractéristiques: - Référence article: 272E - Groupes-Lentilles: 9-10 - Angle de champ: 27 - Lames Diaphragme: 9 - Ouverture Mini: 32 - Mise au point mini (m): 0.29 - Grossissement maxi: 1:1 - Diamètre filtre (mm): 55 - Poids (g): 405 - Diamètre x Longueur (mm): 71,5 x 97 - Ouverture Maxi: 2,8 - Longueur Focale [mm]: 90 Compatibilité capteur: APS-C - Plein Format Formats de Monture: Pentax K Ouverture maxi: f/2.8 Diamètre filtre: 55 mm Contenu de l'emballage: Objectif 90mm, bouchon avant, bouchon arrière, pare-soleil. Utilisation: Macro *SP (Super Performance): cet objectif fait partie de la gamme des objectifs Tamron Super Performance (SP) qui se distingue par sa q En savoir plus Collaboration commerciale.

Energy veritas v2.0r (Neuf).   The intriguing V2.0R ($1,000/pair) makes use of a 6.5-inch composite woofer and a 1-inch aluminum-dome tweeter on its front face, plus two side-firing 3-inch drivers. The V2.0R is switchable between dipolar and bipolar radiation, plus it offers a unique (as far as I know) twist with a third position called "corner." As you might anticipate, Energy designed this setting for setups in which the surrounds have to be placed in or near corners. To compensate for corner placement, this setting deactivates the side driver firing toward the rear wall, which eliminates the anomalies that result from a driver firing in such close proximity to a boundary. The hook is a level control that adjusts the output of the side drivers relative to those on the front baffle. At its highest setting, the side drivers are 1 decibel lower than the front drivers, while, at the lowest setting, the side drivers are completely off. Essentially, this means that you can run the V2.0R as a monopole, as well. To me, this is highly important for multichannel-music playback and cements this surround as one of the more-innovative ones I've ever come across. The V2.0R's dimensions are 14.5 inches high by 13 wide by 7.125 deep, with a weight of 38 pounds." SHIP WORLDWIDE. ASK FOR PRICE

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

OPTOMA EH415ST Near mint condition - Only 216 hours Sold without original packaging Sold with remote control, HDMI cable and power cord A compact and versatile package - Bright Full HD 1080p projector - 3500 ANSI lumens - Short throw lens - 100" image from just over a metre away - Ultimate Control - Crestron, Extron, AMX, PJ-Link and Telnet LAN commands - Easy connectivity - 2x HDMI and built-in 10W speaker The EH415ST is designed for delivering superior quality presentations in classrooms, small meeting rooms or training rooms. This full HD 1080p projector offers stunning image performance from a short distance. It also boasts a brightness rating of 3,500 ANSI lumens, which is ideal for use without dimming the lights. The projector can be managed and monitored remotely with Crestron RoomView®, Telnet, Extron IP Link, AMX and PJ-Link, which allow almost all aspects of the EH415ST to be controlled across a network. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris WORLDWIDE SHIPPING Please ask for a quote

OPTOMA EH415ST As new, only 75 hours Sold without original packaging Sold with remote control, HDMI cable and power cord A compact and versatile package Bright Full HD 1080p projector - 3500 ANSI lumens Short throw lens - 100" image from just over a metre away Ultimate Control - Crestron, Extron, AMX, PJ-Link and Telnet LAN commands Easy connectivity - 2x HDMI and built-in 10W speaker The EH415ST is designed for delivering superior quality presentations in classrooms, small meeting rooms or training rooms. This full HD 1080p projector offers stunning image performance from a short distance. It also boasts a brightness rating of 3,500 ANSI lumens, which is ideal for use without dimming the lights. The projector can be managed and monitored remotely with Crestron RoomView®, Telnet, Extron IP Link, AMX and PJ-Link, which allow almost all aspects of the EH415ST to be controlled across a network. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris WORLDWIDE SHIPPING Please ask for a quote

OPTOMA EH415ST As new, only 4 hours Sold without original packaging Sold with remote control, HDMI cable and power cord A compact and versatile package Bright Full HD 1080p projector - 3500 ANSI lumens Short throw lens - 100" image from just over a metre away Ultimate Control - Crestron, Extron, AMX, PJ-Link and Telnet LAN commands Easy connectivity - 2x HDMI and built-in 10W speaker The EH415ST is designed for delivering superior quality presentations in classrooms, small meeting rooms or training rooms. This full HD 1080p projector offers stunning image performance from a short distance. It also boasts a brightness rating of 3,500 ANSI lumens, which is ideal for use without dimming the lights. The projector can be managed and monitored remotely with Crestron RoomView®, Telnet, Extron IP Link, AMX and PJ-Link, which allow almost all aspects of the EH415ST to be controlled across a network. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris WORLDWIDE SHIPPING Please ask for a quote

Walimex pro 'mutabilis' Basic-Set 'Portable'  Excellent état Dans sa caisse en bois Quality "Made in Germany" 100 percent developed and manufactured in Germany, this system convinces with outstanding precision and workmanship, exceptional materials and well thought-out engineering skills. Due to the use of particularly light aircraft aluminium, this innovative rig system even withstands highest loads. Mutabilis – Latin for changeable The "Mutabilis" video rig system is, above all, characterized by its modular design. The base unit is the central element, which can be individually extended and adapted for any possible situation. With just a few flicks of the wrist this system can be converted from a tripod mounted unit to a very light shoulder rig. Due to the compatibility of the individual accessory parts, as well as the compliance with all applicable industrial standards, this system offers you full flexibility in use - no matter whether you work on your own, or in a team. Due to the continuous expansion of innovative accessories, this system will be your reliably companion in any possible situation for many years. The Basic-Set "Portable" If you are looking for a very light, but extremely loadable shoulder rig, the walimex pro "Mutabilis" Basic-Set "portable" is your first choice. With the angle piece for the shoulder support, which is included in the scope of delivery, you can change between a setup for Viewfinder or an external monitor with just the flick of a wrist. Due to its versatile and fully compatible accessories, the Basic-Set "portable" can be extended for various applications. The walimex pro "Mutabilis" Basic-Set "Portable" is ideal for mobile use. General information MaterialAviation aluminium, stainless steelProduct ColorBlackCage CompatibilityDSLR, CSC, Video camera, Production camerasWeight1500gHeight150mmWidth260mmLength630mmCompatible with AptarisYes Specifications Max. Capacity12kgRod diameter15mmmodular systemYes Livraison rapide et soignée

OPTOMA EH415ST 1067 hours Near mint cosmetic condition Sold without original packaging  and lens cap Sold with compatible remote control, HDMI cable and power cord A compact and versatile package - Bright Full HD 1080p projector - 3500 ANSI lumens - Short throw lens - 100" image from just over a metre away - Ultimate Control - Crestron, Extron, AMX, PJ-Link and Telnet LAN commands - Easy connectivity - 2x HDMI and built-in 10W speaker The EH415ST is designed for delivering superior quality presentations in classrooms, small meeting rooms or training rooms. This full HD 1080p projector offers stunning image performance from a short distance. It also boasts a brightness rating of 3,500 ANSI lumens, which is ideal for use without dimming the lights. The projector can be managed and monitored remotely with Crestron RoomView®, Telnet, Extron IP Link, AMX and PJ-Link, which allow almost all aspects of the EH415ST to be controlled across a network. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris WORLDWIDE SHIPPING Please ask for a quote

OPTOMA EH415ST 535 hours Near mint cosmetic condition Sold without original packaging Sold with compatible remote control, HDMI cable and power cord A compact and versatile package - Bright Full HD 1080p projector - 3500 ANSI lumens - Short throw lens - 100" image from just over a metre away - Ultimate Control - Crestron, Extron, AMX, PJ-Link and Telnet LAN commands - Easy connectivity - 2x HDMI and built-in 10W speaker The EH415ST is designed for delivering superior quality presentations in classrooms, small meeting rooms or training rooms. This full HD 1080p projector offers stunning image performance from a short distance. It also boasts a brightness rating of 3,500 ANSI lumens, which is ideal for use without dimming the lights. The projector can be managed and monitored remotely with Crestron RoomView®, Telnet, Extron IP Link, AMX and PJ-Link, which allow almost all aspects of the EH415ST to be controlled across a network. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris WORLDWIDE SHIPPING Please ask for a quote

OPTOMA EH415ST 291 hours Near mint cosmetic condition Sold without original packaging and lens cap Sold with compatible remote control, HDMI cable and power cord A compact and versatile package Bright Full HD 1080p projector - 3500 ANSI lumens Short throw lens - 100" image from just over a metre away Ultimate Control - Crestron, Extron, AMX, PJ-Link and Telnet LAN commands Easy connectivity - 2x HDMI and built-in 10W speaker The EH415ST is designed for delivering superior quality presentations in classrooms, small meeting rooms or training rooms. This full HD 1080p projector offers stunning image performance from a short distance. It also boasts a brightness rating of 3,500 ANSI lumens, which is ideal for use without dimming the lights. The projector can be managed and monitored remotely with Crestron RoomView®, Telnet, Extron IP Link, AMX and PJ-Link, which allow almost all aspects of the EH415ST to be controlled across a network. N'hésitez pas à me contacter si vous souhaitez des photos ou informations supplémentaires Arrivages réguliers, visitez notre boutique et ajoutez nous a vos vendeurs favoris WORLDWIDE SHIPPING Please ask for a quote

Epson Photo Fine P 2000 3.8 inch Multimedia Storage Viewer. État : "Occasion" Epson has launched the P-2000 Multimedia Storage Viewer which can store your images (it has a 40GB capacity), create slideshows and connect to a photo printer. The device has a large 3.8-inch Photo Fine LCD, which Epson says ‘ensures a sharp lifelike preview of recorded images unsurpassed by any other manufacturer’ and offers a resolution of 212 ppi. It can also playback movies, MP3 files and supports CompactFlash and SD memory cards. https://www.dpreview.com/articles/0621548297/epson-p2000

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

KLARK-TEKNIK DN9340 HELIX. Power-packed signal processor that can solve the most difficult sound problems. The DN9340 Helix EQ offers complete digital operation of an analog signal, with controls that are succinct. The first thing I noticed about the unit was the clean, clear, color display and arrangement of control knobs and touch pads. Navigation of the Helix is achieved through the touch pads initially, by deciding on the type of EQ or filter desired with the touch controls on the left side. Those controls are joined by several display lights that indicate the mode of operation the Helix is currently engaged in. There is also a bypass mode switch. On the right side of the display is the secondary touch pad, allowing for access to the parameters and additional functions, as well as storing and recall of up to 64 favorite EQ settings. Also incorporated into the touch control section is the Home/SetUp pad, which allows for instant menu access, as well as an escape from Store and Recall functions, in the event you get overwhelmed with the amount of functions at your disposal. Just below the right side touch controls are the three value/option controls that access the actual cut and boost, and frequency selection. Joining these controls on the right side is an attractive arrangement of LED meter stacks displaying the L/R input levels, the L/R output levels and the high and low-threshold level displays for the dynamic portion of the Helix. The Helix EQ is able to operate many functions simultaneously. For example, you can set the overall mains system through the use of the 12-band parametric EQ and then engage the 1/3 octave mode during performance for additional assistance and instant course correction. This can be done through the use of either the scroll and adjust knobs, or a sensitive touch pad just below each of 30 ISO standard frequencies on the 1/3 octave display. If that mode of display is not your fancy, you may engage the “Curve” display, which shows the actual shape of the waveform after the EQ is applied. Incidentally, you can scroll through the many functions of the Helix EQ and not affect the sound of the EQ until actually engaging that function.

Kimber Kable AGDL Silver Digital Cable, 0.5 Meter. 0.5M cable in perfect cosmetic and working condition. Kimber Ultraplate RCA type connector for digital and analog connections (75 ohms up to 400 MHz). The brass sleeve connected to the minus contact provides optimum shielding. Contacts utilize pure passivated fine silver. Silver conductors and advanced design give AGDL the performance edge over other digital cables. Highly recommended Kimber AGDL braided digital cable features silver conductors in a unique coaxial design. AGDL earns a nod from Stereophile's "Recommended Components" listing, which reports that AGDL excels "in the retrieval of detail" and offers "extended and powerful bass." AGDL's advanced construction features proven tri-braid field geometry, Varistrand conductor design, Teflon dielectric, and Hyper-pure silver conductors for maximum signal transfer. The result is exceptionally accurate, detailed and dynamic performance. This premium S/PDIF cable is terminated with Ultraplate RCA-type connectors. Silver Yields Sterling Performance (Cp) parallel capacitance: 37.10 pF @ 20kHz (Cs) series capacitance: 37.0 pF @ 20kHz (Lp) parallel inductance: 1.90 µH @ 20kHz (Ls) series inductance: 1.05 µH @ 20kHz (Rdc) dc resistance: 0.119Ω (Xt) total reactance: 0.132Ω @ 20kHz Frequency response ±0.5db dc-10Mhz

Control board SZTHTFTV1823_V1.3 for SE39UY04 TV The control board works perfectly. It was removed from a SE39UY04 TV which was updated with a X39 Rev2 Kit from Zisworks (http://www.zisworks.com). Foreign bidders are welcome! Do not hesitate to make offers!

Speaker set 10W 8Ω YX22167A 824-010-0050 33412 for SE39UY04 TV The speakers work perfectly. They were removed from a SE39UY04 TV which was updated with a X39 Rev2 Kit from Zisworks (http://www.zisworks.com). Foreign bidders are welcome! Do not hesitate to make offers!

Kurzweil Operating System 3.87C  (Calvin) update kit for K2000 and K2000R  Version 3.87 is the latest and the Best Operating System version for K2000 series synthesizers.   You will receive: - two brand new EPROMS - (K2000 Eng HI  and K2000 Eng LO), corresponding to the Operating System version 3.87 for K2000 K2000R (Calvin)  - integrated circuits extractor - phone or email support  Upgrading your K2000, K2000VP, or K2vx There are 2 different versions of the engine board and operating system - Calvin and Janis. If there is a "J" after the version number on the display on boot time, than you have a Janis unit, if there is no letter after the version number, you have a Calvin unit.                                                      Make sure to buy the right EPROM update kit corresponding to your board (Calvin or Janis) !!! Please note: If your K2000 system  directly from a version earlier than 2.0 (like 1.3 version) of the Kurzweil Operating System requires the additional purchase of new Setup EPROMs, which are NOT included with this operating system update kit but available on our shop.  K2000 Series - v3.87 Operating System New features and enhancements added when upgrading from version 3.54 - SCSI Speed Improvements. Now loads and saves twice as fast as previous versions. - Export to standard MIDI Type 1. Now the software can import and export both Type 0 and Type 1 MIDI files. - ISO 9660 format support. Adds ISO 9660 format support for CD's. This allows you to read CD's in the standard format. Previously we required an "image" of the hard disk format. - Supports looped WAV files, both import and export. Also correctly handles tuning of WAV and AIFF files. Saving a WAV file will now export the loop info, if any. Importing a looped WAV file will now get the loop data, if any. The software only handles one loop per sample, so the first loop found in a WAV file is used. - Now reads 2500 programs. Previously the 2000 would ignore programs containing 2500 specific parameters. Now it translates them, stripping out any KDFX or other 2500 parameters. - Improved object save and delete times. - Improved sample delete times.   New features and enhancements added when upgrading from version 3.01 or 3.18 All of the above, plus: - Eight 32-layer "drum" channels are now available. (PRAM option required). - A new option has been added for the sustain pedal (Program editor - LAYER page). When you select "On2," the sustain pedal will not catch the release of a note that is still sounding when the sustain message is received; this can be very useful in a program that uses amplitude envelopes with a long release time. - MIDI type 1 files can now be imported. - Verify option double-checks the data integrity of all your backup, copy, and save operations. - Info soft button on the Utilities page in Disk mode displays information about your disk drive(s). - Copy function now allows selection of multiple files. - You can now format multiple floppies without having to return to the initial Format command. - The K2000's SCSI subsystem has been enhanced to accept a greater variety of devices. In addition, the K2000 now supports disk drives of up to 2 Gigabytes (2048 Meg). V3.54 will work with drives larger than 2G but only the first 2 G will be utilized. (Drives larger than 1 gig will work externally, but are likely to draw too much power to be used internally. Please check our Hard Drive Compatibility List for power consumption specs. - Previous to v3.54, for the Backup and Copy functions, the combined size of both drives had to be under 1 gig unless PRAM was installed. This limitation no longer exists. - Compatibility with the PC Exchange program has been improved.   New features and enhancements added when upgrading from version 1 or 2 All of the above, plus: Version 3 operating system software for the K2000 offers majo