Young idea with little

45 TOURS FRANCE THE YOUNG IDEA With a little help from my friends / Colours of darkness Ref POLYDOR 421155 Condition: Cover: EX- / Disc: EX.  Frais d’envoi : France : Lettre suivie : 3,60 euros. Postage : Europe (with tracking number) : 9,20 euros. World (with tracking number) : 9,70 euros. PAYMENT : PAYPAL

Little Jazz (Compil "Génies du Jazz") (1935 with Joe Marsala / Carmen Mastren / Sid Weiss):Swingin' on the famous door - Farewell blues (1937 with Scoops Carey / Joe Eldridge / Dave Young / John Collins / Teddy Cole / Truck Parham / Zutty Singleton): Wabash stomp - Florida stomp - Heckler's hop - That thing - After you've gone (1938 with Chu Berry / Danny Barker / Clyde Hart / Artie Shapiro / Sid Catlett): Sittin' in - Stardust - Body and soul - 46th west 52nd (1939 with Laurel Watson, voc): High society (1940 with Benny Carter / Coleman Hawkins / Bernard Addison / John Kirby / Sid Catlett):Smack - I surrender dear - I can't believe that you're in love with me (1941 Live (Anita O'Day, voc): Let me off uptown

Five Little Monkeys 5-Minute Stories (Anglais) Relié – 13 mars 2018 Description du Produit Eight exciting adventures with the five little monkeys are packed into one beautiful treasury. Each story can be read aloud in just five minutes! There’s plenty of monkey business in this collection of eight funny stories about the five little monkeys by best-selling author-illustrator Eileen Christelow. Come along with the lovable monkeys on their mischievous adventures as they do everything from jump on the bed to bake a cake to tease a hungry crocodile—and much more. With a padded cover, full-color illustrations, and stories that can be read aloud in just five minutes, this is the perfect book for bedtime, storytime, anytime! Caractéristiques: Détails du Produit: Relié: 256 pages Editeur: HMH Books for Young Readers (13 mars 2018) Collection: A Five Little Monkeys Story Langue: Anglais ISBN-13: 978-1328453594 Dimensions du produit: 19,7 x 2,4 x 26,7 cm Moyenne des commentaires client: Soyez la première personne à écrire un commentaire sur cet article n°178 dans Children's Ape & Monkey Books (Livres anglais et étrangers) n°522 dans Children's Short Story Collections (Livres anglais et étrangers) n°5064 dans Children's Humorous Literature (Livres anglais et étrangers) Traitement Nous expédierons toutes les commandes dans un délai de 1 jour ouvrable du paiement. Livraison Nous ne livrons pas en dehors de la france métropolitaine. Politique de Retour Tous les articles sont admissibles aux retours dans les 30 jours suivant leur réception. Veuillez discuter avec nous des options de retour avant de renvoyer l'article. Évaluations Nous prenons notre réputation au sérieux, nous achetons et vendons en ligne, nous comprenons donc la valeur de la confiance. Si vous n'êtes pas satisfait de votre commande, veuillez nous contacter et nous travaillerons avec vous pour le résoudre à votre satisfaction.

Children's book: Honey Bunch, her first little garden (1924), en anglais  by  Helen Louise Thorndyke Hard cover. Pages yellow with age. 1924. 182 pages. Dimensions: 19cm x 13cm x 3cm Still readable, ideal for a collector. Young Gertrude Marion Morton, known as “Honey Bunch,” lives with her father and mother  somewhere  in the northeastern United States. Her best friend is Ida Camp, and the neighbor boy is Norman Clark.  The “Honey Bunch” series, from the publisher of Nancy Drew, the Hardy Boys, and the Bobbsey Twins, was written under the pseudonym  Helen Louise Thorndyke.  The first sixteen were actually written by Josephine Lawrence,  beginning in 1923 with Honey Bunch: Just a Little Girl,  and chronicled Honey Bunch on various trips and adventures throughout the series. The  34th book was published in 1955.   Honey Bunch: Her First Little Garden, #5 in the series, was obviously intended for a younger set than Nancy Drew or the Hardy Boys,  Maison sans animaux ni fumée. Emballage soigné. Envoi rapide.     Envoi lettre verte ou Colissimo (en fonction du poids, tarif de La Poste) ou par Mondial Relais.  Remise en main propre possible sur Remiremont ou Nancy.  

WINGER In The Heart Of The Young CD 1990  Atlantic 7567-82103 CONDITION: CD*:    ex++                       TOP SURFACE:      MINT BOOKLET:   mint  back inlay: mint SHIPPING  WITHOUT CASE*   *between 2 pieces of strong cardboard (safe delivery) 1 or 2 cds:     3€                   *********************************************** If you want the jewel case, please ask and use these costs: WITH JEWELCASE REGISTERED WITH TRACKING NUMBER:  1 or 2 cds:     12.9$     3 / 4  cds:          EUROPE*:  14$           REST OF THE WORLD (include USA):  16$  5 / 7  cds:          EUROPE*:  18$           REST OF THE WORLD (include USA):  22$            *EUROPE = EU & switzerland  (NB: for Norway cost is 9$ --> please wait invoice) *CD: MINT/MINT- is like new, without any visible surface marks on the cd most of time I prefer grade the cd mint- (Near mint) because I can miss a minor detail and somebody could tell me the cd is not perfectly mint... EX++ the cd looks really fine but you can see (under a light if you check carefully) few minor surface marks. Usually light details but that is enough to see the cd not new. EX+ the cd is still in great condition but you can see more little surface marks (always light, not deep) and they are easier to see. EX or EX- cd has many scratches but still not deep. no damage. Cd plays fine. less than EX- when the condition is less than EX I don t grade it VG because in french "VG" means "VERY GOOD" and I can t say a cd with many visible scratches is in very good condition. so under Ex/EX-, I will only describe the cd condition with words like: "many visible surface marks or many scratches or deep scratches" all the CD I list plays fine despite their condition less than EX. anyway if one day a cd doesn t play fine, the buyer can send it back and get a refund. if a cd has scratches they go through silver layer and usual we can see they from both sides of the CD I usually don t sell it or damages will be described in item s condition. I use to check cd condition as well as I can but, anyway, if one day I miss this kind of damage, the buyer can send it back and get a refund. ***************************************************************************************************************************************** HANDLING TIME: 5 business days  I can go to post office usually once a week (most of the time monday or tuesday) if for a particular reason you need a quicker shipping, please get in touch & let me know. **************************************************************************************************************** DISCOUNT / BEST OFFER if the "best offer" option is available, you re welcome to send your offer. I may agree to offer some discount for 1 cd,   but discounts are more for multiples offers than for only one. PORT FRANCE: france (1 or 2 cds):     sans boitier 2.6€     /     avec boitier 4.6€    (lettre suivie)

Chattanooga - ESRF 1580 Genie with the light... - ESRF 1651 Atlantis - ESRF 1405 Apache - ESDF I336 The Boys - SEG 8193 F.B.I. - ESRF 1432 Wonderful land - ESDF 1404 Dance with - ESDF 1434 Danc on with - ESDF 1457 Guitar Tango - ESDF 1437 Theme for young Lovers - ESRF 1524 Little Princess - DB7416 - Démo ? "Not for sale" The Miracle - DB 7342 My Grandfather's clock - DB7650 - Démonstration ? Possibilité d'expédition à l'international.Après étude possibilité et coût d'expédition Nombreux autres lots en vente sur (BD, CD, 45 Tours). Réajustement des frais de port au plus juste si achats groupés (forte réduction possible...)

Photo originale, tirage argentique d'époque Please read below english translation and bid with confidence Nos photos sont en provenance majoritairement de la collection G. Troussier / Cinemagence, constituée d'un fonds photos (photos de presse dont photos de tournages, photos d'exploitation originales en tirage argentique ou offset, cartes postales) couvrant la période de production cinématographique 1964 - 1994.   La majorité des photos comporte au verso des tirages un tampon "collection G. Troussier" et / ou "Cinemagence". Elle comporte souvent une mention manuscrite du nom de du comédien et / ou du film concerné et parfois des crayonnés de maquette de presse. 1 - QUALITE DES TIRAGES ARGENTIQUES Nous notons subjectivement la qualité des tirages sur une échelle de 1 à 10: -10/10: Tirage d'artiste signé qualité exceptionnelle. -9/10: Tirage parfait comme sorti du laboratoire de développement. -8/10: Tirage excellent comportant des traces peu sensibles de manipulation -7/10: Tirage de très bonne qualité ayant néanmoins visiblement servi et présentant des traces moyennes de manipulation. - -6/10: Tirage de bonne qualité mais avec défaut mineur visible de petite pliure, de rayure ou de qualité de bain,de présence fine de marque de punaise. -5/10: Tirage très correct mais avec défaut visible de pliure, de qualité de bain (de type coulure) de marque notable de punaise. -4/10: Tirage correct mais avec défaut important, de pliure, de rayure franche, de qualité de bain (de type coulure) de marque notable de punaise. -1 à 3: Noté 1 systématiquement - Seul l'intérêt historique de la photo mérite qu'on s'y arrête - nous ne commercialisons pas ce type de photos. Merci de noter que ces notes sont subjectives et n'engagent que le vendeur, fiez vous au scan: nous ne retravaillons jamais les photos scannées effectuées sur un scanner Epson Perfection V600 Photo en scan de base de 24-bit Color (24-bits Couleur) - 300 ppp pour les photos couleur et 16-bit Grayscale (16-bits Gris) - 720 ppp pour les photos Noir & Blanc. Le filigrane n'est rajouté que pour une publication web lors de la vente en vue de protection des droits et de votre futur achat, bien évidemment il n'apparaît pas sur le tirage argentique. 2 - INFORMATION SUR LE PRODUIT Reportez vous aux caractéristiques de l'objet dans l'annonce pour une information complète (format - état - condition en particulier) et lisez les attentivement avant d'enchérir. Nous ne vendons pas de copies numériques uniquement des tirages argentique, l'objet que vous achetez est destiné à la collection pour un usage personnel en aucun cas la ou les photos achetées ne peuvent être destiné à la reproduction en vue de leur commercialisation sous quelque forme que ce soit. Un certificat d'authenticité vous est fourni sur simple demande. Les droits d'auteur s'appliquent pour les ayant droits tant au niveaux des photographes, artistes et producteurs, la présente photo étant cédée comme objet de collection à usage strictement personnel. 3 - ENVOI Nous sécurisons au maximum nos envois et votre achat, chaque photo est envoyée sous pochette protectrice de protection avec renfort cartonné pour ne pas permettre de dommages lors du transport par voie postale. Tous nos envois sont faits en lettre ou colis recommandé ou pour les montants faibles en lettre suivi, vous ne payez pas de supplément pour chaque photo supplémentaire achetée, nous ne pratiquons pas la remise en mains propres. Vous êtes totalement assurés pour l'envoi. La date et le n° de recommandé vous sont transmis lors de l'envoi. Nous vendons dans le monde entier et assurons un support en français, anglais et espagnol.  4 - INFORMATION LEGALE N° SIREN 53895309200011 Règlement par chèque privilégié pour les acheteurs français. -------------------------------------------------------------- Original photo, argentic print. All our photos are mainly from the collection G. Troussier / Cinemagence, established in Paris covering mainly the period of film production from  1964 to 1994. We are absolutely certain it is authentic. This is NOT a reprint or reproduction set! It is a REAL MEMORABILIA. Please read carefully item description for full information  about our movie memorabilia. We rate photo quality from 10/10 to 1/10 : -10/10: artist proof, signed. -9/10: Perfect print. -8/10: Excellent print containing little sensitive tracks of manipulation -7/10: Very good print having served nevertheless and presenting average tracks of manipulation. -6/10: Good quality print with visible minor defect of small fold, scratch or quality of bath, fine leading presence of thumbtack. -5/10: Very correct print but with visible defect of fold, quality of bath of huge mark of thumbtack. -4/10: Correct print but with important defect, of fold, scratch, quality of bath considerable mark of thumbtack. -1 to 3: poor. We never work again the scanned photos made on a scanner Epson Perfection V600 Photo in basic scan of 24 - bit Color (24 - Color bits) - 300 ppp for the color photos and the 16 - bit Grayscale (16 - Grey bits) - 720 ppp for photos Black and white. Copyright applies, the present photo being given up as collector's item to strictly personal use.   SHIPPING   We will combine shipping for multiple wins/purchases at no extra charge.   If your items can be shipped together in the same package we will ship them together at no extra charge.   Please see the link above provided by for the exact shipping cost.     We use super strong hi-quality packaging materials including thick cardboard,. All photos  are shipped fully insured and guaranteed to arrive safely.

SILENT RUNNING: Young Hearts    MAXI 12"  ANNEE / YEAR: 1984 PRESSAGE / PRINTED: United Kingdom Pochette: VG++ Vinyl: VG++ REF: 12R 6073 Records  Codes Definitions des codes Grading definitions S Le disque est neuf et scellé. The record still sealed. NM Le disque est comme neuf, une seconde-main qui a été joué très peu de fois. The record is in beautiful shape but is 2nd hand and is in new condition  EX Le disque est en excellent etat, il peut présenter une ou deux légères marques qui n’altèrent pas l’écoute. The record is in excellent condition, the record shows some signs of having been played, but there is very little lessening in sound quality VG+ Le disque est en bon etat, quelques légères rayures (cheveux) peuvent entrainer des légers grésillements. The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratches. VG Le disque a été ecouté de nombreuses fois, L’ecoute est altérée mais le disque ne saute pas.  Des rayures d’usages entrainent des grésillements et craquements. The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches  Covers  Codes Definitions des codes Grading definitions S La pochette est neuve et scellée. The cover still sealed. NM La pochette est comme neuve, une seconde main qui peut présenter un défaut minime. The cover is near mint. the cover is in beautiful shape but is 2nd hand and might have minor cut, very    light cover wear or very small signs of use. EX La pochette est en excellent état, mais présente des petits défauts : légère pliure, petit frottement sur une tranche. The cover and packaging might have slight wear and/or creasing. VG+ La pochette est en bon état générale, elle comporte quelques pliures, petits frottements ou écritures.  Les défauts sont détaillés dans les annonces. The cover have normal wear and tear on the cover, without any major defects, is acceptable. VG La pochette est en état correcte,  elle peut être fendue sur les tranches, scotchées, nombreuses pliures où petites déchirures. Les défauts sont détaillés dans les annonces. The cover and the contents suffer from folding, scuffing of edges, spine splits, discoloration, etc. B La pochette est en mauvais état, elle est déchirée et très usée. Les défauts sont détaillés dans les annonces. The cover looks pretty bad and has lots of wear and cut. Regardez mes autres ventes !!!!

Lester Young – Vol. 2 - Live Recordings 1948-1956 Label: Musidisc – 30 JA 5174, Musidisc – JA 5174 Série: Jazz Anthology Format: Vinyle, LP Pays: France Sortie: Genre: Jazz Style: Swing Tracklist A1Up The Atom3:42A2Too Marvelous For Words5:33A3Back Home In Indiana4:06A4Improvisation3:21B1Pennies From Heaven2:48B2Polka Dots And Moonbeams3:24B3Jumpin' With Symphony Sid3:21B4These Foolish Things3:34B5Three Little Words4:12 POCHETTE ET DISQUE EN TRES BON ETAT PAS DE RAYURES   PAS DE CHEVEUX.      NO SCRATCHES   NO HAIRLINES. VOIR MES AUTRES VENTES MÊME SUJET.     ACHATS GROUPES = FRAIS DE LIVRAISON RÉDUITS. En cas d'achats groupés merci de me contacter avant de payer afin que je recalcule les frais de livraison au plus juste. ENVOI EN COLISSIMO FRANCE ou INTERNATIONAL AVEC N° DE SUIVI TRANSMIS A L'ACHETEUR  Vous pouvez me poser des questions et me demander d'autres photos pour plus de détails ou pour juger de l'état.. Je ne suis pas infaillible et en cas de litige je serais heureux de résoudre tout problème avec vous, aussi n'hésitez pas à me contacter. Merci d'utiliser les évaluations avec recul et discernement. CONTACT: 06 88 96 58 58      cophil.millot@gmail.com PAYPAL OU CHÈQUE.

Yes, this album is one of the most sought-after garage psych and pop LPs in the world, period. For good reason, The Dynamites were one of the best GS bands in Japan. From 1967 to 1969, they released only one LP and a handful of singles, all very coveted. This copy is a rare reissue from the late eighties, it contains the same track listing as their first LP ranging from R&B, soul, garage and psych numbers. A must-have! Listen to Tunnel Tengoku, Nobosecha Ikenai, Koi Wa Mo Takusan. -------------------------------- Shipping rates of Nezumi Records with La Poste: I will ship from south of France twice a week (more if possible). Europe, USA, Japan, Russia, India, Africa, South America, Australia: - 7’/45 RPM – International letter + tracking (up to 3): 10,00€ - 7’/45 RPM – International letter + tracking (from 3 to 6): 14,00€ - LP – International letter + tracking (x1): 14,00€ - LPs (+doubles) – International letter + tracking (up to 3): 22,00€ - For more quantities, please email me before checking out. For International registered rates (much higher), please email me before checking out. Now shipping with Mondial Relay (Europe): Only to Germany, Austria, Belgium, Spain, Italy, Portugal, Deutschland, UK and Luxembourg (please ask beforehand). France (Mondial Relay et La Poste): - 45 tours et LP (jusqu'à 500g) via Mondial Relay: 5 euros. - 45 tours (jusqu’à 3) – Lettre suivie: 5,00€ - 45 tours (de 3 à 6) – Lettre suivie: 6,50€ - 45 tours (jusqu’à 3) – Lettre recommandée: 7,00€ - 45 tours (de 3 à 6) – Lettre recommandée: 8,50€ - LP (x1) – Lettre suivie: 6,50€ - LP simple et double LP (jusqu’à 3) – Lettre suivie: 8,50€ - LP (x1) – Lettre recommandée: 8,00€ - LP simple et double LP (jusqu’à 3) – Lettre recommandée: 10,00€ * Please bear in mind that because of the current sanitary issues, your package may take a little longer than expected to reach its final destination. Thank you!!!

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

ERIC CLAPTON & THE FRIENDS STRICTLY THE BLUES PULSE PLS CD 103 20 TRACKS MADE IN ENGLAND 1996       LES TITRES DU CD SONT : 1 –Eric Clapton With The Yardbirds Got To Hurry Written-By – Rasputin*   2 –Eric Clapton With The Yardbirds I Ain't Got You Written-By – Carter*   3 –Eric Clapton With The Yardbirds Good Morning Little Schoolgirl Written-By – Williamson*   4 –Eric Clapton With The Yardbirds Let It Rock Written-By – Berry*   5 –Eric Clapton With The Yardbirds A Certain Girl Written-By – Neville*   6 –Eric Clapton With The Yardbirds Take It Easy Baby Written-By – Williamson*   7 –Eric Clapton With The Yardbirds Too Much Monkey Business Written-By – Berry*   8 –Eric Clapton With The Immediate All-Stars Draggin' My Tail Written-By – Clapton*, Page*   9 –Eric Clapton With The Immediate All-Stars Tribute To Elmore Written-By – Clapton*, Page*   10 –Eric Clapton With The Immediate All-Stars Snake Drive Written-By – Clapton*, Page*   11 –Eric Clapton With The Immediate All-Stars West Coast Idea Written-By – Clapton*, Page*   12 –Eric Clapton With The Immediate All-Stars Choker Written-By – Clapton*, Page*   13 –Eric Clapton With The Immediate All-Stars Freight Loader Written-By – Clapton*, Page*   14 –Jimmy Page With The Immediate All-Stars Down In The Boots Written-By – Page*   15 –Jimmy Page With The Immediate All-Stars L.A. Breakdown Written-By – Page*   16 –Jeff Beck With The Immediate All-Stars Steelin' Written-By – Page*   17 –Jeff Beck With The Immediate All-Stars Chuckles Written-By – Page*   18 –Eric Clapton With John Mayall's Bluesbreakers* I'm Your Witchdoctor Written-By – Mayall*   19 –Eric Clapton With John Mayall's Bluesbreakers* Telephone Blues Written-By – Mayall*   20 –Eric Clapton With John Mayall's Bluesbreakers* On Top Of The World Written-By – Mayall*         ETAT CD: Bon état général. Good general condition.

Various - A Motown Special Disco Album Motown - 2C 066 - 98729 1977 FRANCE LP DISCO SOUL COMPIL Bon état général, bonne écoute, pochette/disque: VG++/VG++. La pochette présente quelques usures. Quelques très très légers crépitements, proche du EX. Voir photo A1    –Thelma Houston    Don't Leave Me This Way Arranged By – Art Wright*Producer – Hal DavisWritten-By – C. Gilbert*, K. Gamble*, L. Huff* 5:39 A2    –The Originals    Down To Love Town Producer – Frank Wilson, Michael Sutton*Written-By – D. Daniels*, K. Wakefield*, M. B. Sutton* 5:55 A3    –Dynamic Superiors    Stay Away Arranged By – Art Wright*Producer – Hal DavisWritten-By – A. Posey*, J. Powell*, J. Gatlin* 5:32 A4    –Jermaine Jackson    Let's Be Young Tonight Co-producer – Don DanielsProducer, Arranged By – Michael L. SmithWritten-By – D. Daniels*, M. L. Smith* 5:07 B1    –Diana Ross    Love Hangover Arranged By – Dave Blumberg*Executive Producer – Berry CordyProducer – Hal DavisWritten-By – M. McLeod*, P. Sawyer* 7:48 B2    –Eddie Kendricks    Goin' In Up In Smoke Producer, Arranged By – Norman HarrisWritten-By – A. Felder*, N. Harris* 4:30 B3    –The Supremes    You're My Driving Wheel Arranged By – James Carmichael*Executive Producer – Edward J. Holland Jr.Producer – Brian Holland, Holland-Dozier-Holland Productions Inc.Written-By – B. Holland*, H. Beatty*, R. Brown*, F. Stafford* 4:20 B4    –Tata Vega    Full Speed Ahead Arranged By – Al "The Genius" Johnson*Producer – Winston Carlos Monseque*Written-By – D. Jones Jr.*, W. Brown* 4:50 https://www.youtube.com/watch?v=823mRp7XSOw https://www.youtube.com/watch?v=niEYaeYa72U https://www.discogs.com/fr/Various-A-Motown-Special-Disco-Album/release/473995 LISEZ BIEN LA DESCRIPTION READ DESCRIPTION CAREFULLY Mint: Disque Scellé/Sealed Record Nm: Disque avec encore le cellophane/Record still in shrink and listened only once or twice EX: Disque sans crépitements pochette sans usures/Record with no scratch, no tic, no nothing to declare and sleeve with no wear and tear VG++: Disque allant de très très légers crépitements à quelques crépitements et pochette ayant des usures allant des très très légères usures sur les bords à pochette usée selon la description/Record from a little bit crackles to crackles and sleeve from a little bit wear and tear to sleeve used see description VG+: Disque avec des crépitements et pochette déchirée, très usée/Record with crackles and sleeve torned VG: Disque avec bruit de fond et pochette pratiquement complètement abîmée/Record with background noise and sleeve destroyed FAITES MOI UNE OFFRE ACCEPTABLE ET JE L'ACCEPTERAIS. POUR RAPPEL LES FRAIS D' EXPÉDITION SONT A LA CHARGE DE L'ACHETEUR ET NE SONT PAS NÉGOCIABLES. MAKE ME AN ACCEPTABLE OFFER AND I'LL ACCEPT IT. AS A REMINDER, SHIPPING COSTS ARE AT THE BUYER'S EXPENSE AND ARE NOT NEGOTIABLE. Frais d'emballage et d'expédition: Pour information un double album est compté comme 2 albums simples, et un album Gatefold est compté comme  1,5 album France Métropolitaine - Belgique - Luxembourg: 1 à 3 LP-------> 6,90 Eur 4 à 7 LP-------> 7,90 Eur France Outre-Mer: 1 à 2 LP-------> 8,80 Eur 3 à 5 LP-------> 9,90 Eur 6 à 11 LP-------> 16,50 Eur UNE FOIS LA COMMANDE PASSÉE, DEMANDEZ LA FACTURE AVANT DE PAYER AFTER PROCESSING PURCHASE, PLEASE ASK FOR THE INVOICE BEFORE PROCESSING PAYMENT Allemagne - Pays-Bas: 1 à 3 LP-------> 11,00 Eur 4 à 7 LP-------> 13,00 Eur Espagne: 1 à 3 LP-------> 12,50 Eur 4 à 7 LP-------> 14,00 Eur Italie - Portugal - Autriche: 1 à 3 LP-------> 13,60 Eur 4 à 7 LP-------> 15,20 Eur Royaume Uni: CONCERNING GREAT BRITAIN BUYERS, BE INFORMED THAT FROM 01/01/21 YOU WILL HAVE TO PAY VAT CORRESPONDING TO 20% OF THE TOTAL AMOUNT 1 LP 

TITRES 1. No Sense - (featuring Layzie Bone/Ken Dawg) 2. Thinkin' Bout It 3. Point The Finger - (featuring Sean Levert) 4. Breaking My Heart 5. That's The Way I Feel About You - (featuring Mary J. Blige) 6. It's Your Turn 7. No I'm Not To Blame 8. No Man's Land 9. Men Like Us 10. Taking Everything 11. What About Me 12. Definition Of A Man 13. Humble Me - (featuring Lemicah Levert) Details Contributing artists: Antoinette Roberson, Ken Dawg, Layzie Bone/Young Noble, Lincoln "Link" Browder, Mary J. Blige, Roger Troutman, Sean LeVert Distributor: WEA Recording type: Studio Recording mode: Stereo SPAR Code: n/a Album notes Personnel includes: Gerald Levert (vocals, keyboards, drums, keyboard programming); Sean Levert (vocals); Lazy Bone, Ken Dawg, Shaqueen (rap vocals); Edwin "Tony" Nicholas (talk box, keyboards, drums, keyboard programming); Roger Troutman (talk box); Darrell "Delite" Allamby, Flavahood, R. Kelly (various instruments); Manuel Seal (guitar, keyboard programming, background vocals); Randy Bowland (guitar); Laura Russell, Mary Beth Ion, Janice Fields, Susan Britton (violin); Lisa Grossman (viola); Linda Anderson (cello); Sherry Luchette (bass); Joe Little III (keyboards, drums, programming); Allstar (keyboard & drum programming, background vocals); Stephen George (programming); Lincoln "Link" Browder, Antoinette Roberson (background vocals). Producers include: Gerald Levert, Edwin "Tony" Nicholas, Darrell "Delite" Allamby, Joe Little III, Manuel Seal. Engineers include: Ivan "St. Ives" Walker, Steve Croom, Darrell "Delite" Allamby, Paul Osborne, Angelo Quiglin. Spawned from a legendary musical father (Eddie Levert, Sr., founder of the O'Jays), Gerald Levert has achieved some major success of his own. LOVE & CONSEQUENCES tackles issues about love and relationships without ever sounding sappy. Levert belts a combination of sexually-charged yet vulnerable lyrics over various types of tracks. There are ballads ("Thinkin' Bout It"), Jeep- thumpers ("No Man's Land," which features Wyclef Jean) and mainstream R&B creations ("Point The Finger" and "Men Like Us," written by R. Kelly). LOVE & CONSEQUENCES also features contributions from some of R&B's hottest artists. "That's The Way I Feel About You" is an edgy re-make of the Bobby Womack classic, and features an appearance from Mary J. Blige. On "No Sense," Lazie Bone from BoneThugs rips the chorus into something unheard of on any previous Levert album. Although the album is filled with stellar additions from his music biz pals, Levert's powerful voice is the main attraction here. Editorial reviews...LOVE & CONSEQUENCE is more than just an homage to the glory days of yore....Gerald meshes his loverman attitude with a b-boy bounce... The Source  (09/01/1998) CD ........TRES    BON  ETAT BOITIER  CRISTALE.....il y a quelques petites traces de frottements   REGROUPER LES ACHATS (cela reduit les frais de poste)