VARIOUS ‎ANECHOIC ORCHESTRAL MUSIC RECORDING CD PURE GOLD À CANNES

Various ‎ANECHOIC ORCHESTRAL MUSIC RECORDING CD Pure Gold Collection PG-6006. CD en excellent état. Fourreau cartonné avec des traces d'usure. I. ANECHOIC RECORDING PROGRAM - 1 MOZART: Overture - "Le Nozze di Figaro" 4:19 - 2 MENDELSSOHN: 4th mov. - Symphony No.3 in a minor, Op.56 "Scottish", bars 396-490 2:20 - 3 BIZET: Menuet - "L'Arlesienne" Suite No.2 4:13 - 4 Johann & Josef STRAUSS: Pizzicate-Polka 2:35 - 5 GLINKA: Overture - "Ruslan and Lyudmila" 5:22 - 6 VERDI: Prelude to Act 1 - "La Traviata" 3:27 - 7 BRUCKNER: 1st mov. - Symphony No.4 in E-flat major "Romantic", bars 517-573 1:41 - 8 DEBUSSY: Prelude a l'Apres-Midi d'un Faune, bars 1-20 1:55 II. ANECHOICALLY RECORDED SAMPLES FOR EVALUATION - 9 HANDEL/HARTY: No.6 - Water Music Suite, bars 1-11 0:21 - 10 MOZART: Overture - "Le Nozze di Figaro", bars 1-18 0:16 - 11 BEETHOVEN: 4th mov. - Symphony No.9 in d minor, Op.125 "Choral", bars 1-7 0:10 - 12 BRAHMS: 1st mov. - Symphony No.4 in e minor, Op.98, bars 354- 362 0:17 - 13 BRUCKNER: 1st mov. - Symphony No.4 in E-flat major "Romantic", bars 560-573 0:28 - 14 TCHAIKOVSKY: 1st mov. - Symphony No.4 in f minor, Op.36, bars 1-6 0:20 - 15 MAHLER: 4th mov. - Symphony No.5, bars 1-3 0:25 - 16 DEBUSSY: Prelude a l'Apres-Midi d'un Faune, bars 1-3 0:22 III. SAMPLES OF SOUND WITH SIMULATED REVERBERATION (1) Mozart: Overture - "Le Nozze di Figaro", bars 1-18 - 17 a) Addition of Wien Musikvereinssaal's reverberation 0:17 - 18 b) Addition of Amsterdam Concertgebouw's reverberation 0:17 - 19 c) Addition of Boston Symphony Hall's reverberation 0:17 (2) Bruckner: 1st mov. - Symphony No.4 in E-flat major "Romantic", bars 560-573 - 20 a) Addition of Wien Musikvereinssaal's reverberation 0:29 - 21 b) Addition of Amsterdam Concertgebouw's reverberation 0:28 - 22 c) Addition of Boston Symphony Hall's reverberation 0:28 (3) Debussy: Prelude a L'Apres-Midi d'un Faune, bars 1-3 - 23 a) Addition of Wien Musikvereinssaal's reverberation 0:23 - 24 b) Addition of Amsterdam Concertgebouw's reverberation 0:23 - 25 c) Addition of Boston Symphony Hall's reverberation 0:23 IV. INSTRUMENTAL COMBINATIONS AND SCORE-READING BRAHMS: 1st mov. - Symphony No.4, bars 386-407 - 26 1. Full orchestra (Timp. + Hrn. + Trp. + Fl. + Ob. +Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I] 0:33 - 27 2. Timp. 0:32 - 28 3. Timp. + Hrn. + Trp. 0:31 - 29 4. Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. 0:32 - 30 5. Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. 0:32 - 31 6. Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. 0:32 - 32 7. Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. 0:32 - 33 8. Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II 0:33 - 34 9. Full orch. (Timp. + Hrn. + Trp. + Fl. + Ob. + Cl. + Fg. + Cb. + Vc. + Vla. + Vln. II + Vln. I) 0:33 V. DIFFERENCES IN SOUND RECORDING METHOD (1) MOZART: Overture - "Le Nozze di Figaro", bars 1-50 - 35 (a) Omni-directional Single-point pickup recording 0:53 - 36 (b) Omni-directional Single-point pickup + Time-coherent recording 0:53 - 37 (c) Uni-directional Single-point pickup recording 0:53 - 38 (d) Multi-mike setup recording 0:53 - 39 (e) Multi-mike setup + Time-coherent recording 0:53 (2) BRUCKNER: 1st mov. - Symphony No.4 in E-flat - 40 (a) Omni-directional Single-point pickup recording 0:48 - 41 (b) Omni-directional Single-point pickup + Time-coherent recording 0:48 - 42 (c) Uni-directional Single-point pickup recording 0:47 - 43 (d) Multi-mike setup recording 0:48 - 44 (e) Multi-mike setup + Time-coherent recording 0:48 VI. TEST SIGNALS FOR MEASUREMENT OF ROOM ACOUSTICS - 45 1001 Hz Sine Wave Channel Check (L-R) -15dB 0:29 - 46 1001 Hz Sine Wave -l5dB 0:29 - 47 1 kHz, 5 Hz - 22.05 kHz Sweep -20dB 1:07 - 48 1001 Hz Toneburst (EIJ) 0dB 0:29 - 49 1001 Hz Toneburst (EIAJ) 0dB 0:29 - 50 Impulse I (I Sample) 100ms ±2