As had

Beautiful Martin GPC 16e guitar in perfect condition. Selling due to house purchase. Typical high-quality Martin guitar. This is my fifth Martin (I've had D-18 and D-35 in the past) and it is probably the loudest and richest sounding of them all. Whether you're a beginner or a pro, this instrument is sure to provide you with a perfect sound for any performance or recording session. Fishman electronics. Case candy. Sold with an excellent hard case (generic) Belle guitare Martin GPC 16e en parfait état. Vente pour cause d'achat de maison. Guitare Martin typique de haute qualité. C'est mon cinquième Martin (j'ai eu du D-18 et du D-35 dans le passé) et c'est probablement le son le plus fort et le plus riche de tous. Que vous soyez débutant ou professionnel, cet instrument vous offrira à coup sûr un son parfait pour toute performance ou session d'enregistrement. Électronique Fishman. Case candy. Vendu avec un excellent étui rigide (générique) En savoir plus Collaboration commerciale.

2 x MONACOR SPH-390TC Subwoofers 2 x 150 W 2 x 8 Ω. État : pour ainsi dire neuves Acheté le 4 mai chez TLHP, facture à l'appui pour la garantie.  Je les ai prix pour leur faibles QTS à destination de pavillons à toboggans et je découvre que l'excursion (X-max), et trop important pour mes enceintes, elles sont effectivement conçu pour des enceintes closes. ZUT!! Aussitôt démonté je les remets en vente car le retour n'est plus possible ayant coller du joint caoutchouc sur le bord interieure, (montage exterieur). J'ai pu constaté neanmoins des sons de bass précises et musicales, elles m'ont bien plu pour le peux de temps que je les ai écouté, dommage. Donc pour ainsi dire neuve je les vends 220euros la paire plus 20euros de Mondial relai en France, je pense que c'est une belle affaire pour le futur acheteur. Bought new 4 May this year from TLHP France for a couple of horn scoops only to discover that the X-max is too high and that these drivers really need closed boxes, my bad. No return possible as had stuck foam gasket on the inside edge(exterior mounting). So up for sale at knockdown price of 220 euros, original receipt will be available for the garuntee. Postage to Europe via Mondial Relai between 30 and 40 euros, ask for quote, worldwide ask for quote. https://www.monacor.com/products/sph-390tc/ - Forme Cylindrique - Type produit Haut parleur à cône - Marque Monacor - Catégorie dimension 38 cm - Système magnétique Ferrite - Impédance nominale 8+8 ohm - Puissance nominale 300 W - Puissance max 600 W - Sensibilité 96 dB - Bande passante 23-1500 Hz - Fréquence de coupure mini recommandée 28 Hz - Fréquence de coupure max recommandée 350 Hz - Diamètre bobine 2.58 pouce - Diamètre extérieur total 385 mm - Diamètre d'encastrement 348 mm - Profondeur après façade 157 mm - Épaisseur façade saladier 13 mm - Diamètre système magnétique 182 mm - Poids 7.7 kg - Fs 23 Hz - Re 3 ohm - Qes 0.29 - Qms 6.36 - Qts 0.26 - Vas 287 L - Xmax 7 mm - Mms 160 gr - Le 0.65 mH - EBP 79 - Poids de transport 7.7kg Service de livraison : Livraison en Mondial Relai, poids/ weight 17kg

MONACOR SPH-390TC Subwoofers 2 x 150 W 2 x 8 Ω. État : quasi neuf Acheté le 4 mai chez TLHP, facture à l'appui pour la garantie.  Je les ai prix pour leur faibles QTS à destination de pavillons à toboggans et je découvre que l'excursion (X-max), et trop important pour mes enceintes, elles sont effectivement conçu pour des enceintes closes. ZUT!! Aussitôt démonté je les remets en vente car le retour n'est plus possible ayant coller du joint caoutchouc sur le bord interieure, (montage exterieur). J'ai pu constaté neanmoins des sons de bass précises et musicales, elles m'ont bien plu pour le peux de temps que je les ai écouté, dommage. Donc pour ainsi dire neuve je les vends 105 euros chacun plus 10 euros de Mondial relai en France, je pense que c'est une belle affaire pour le futur acheteur. Bought new 4 May this year from TLHP France for a couple of horn scoops only to discover that the X-max is too high and that these drivers really need closed boxes, my bad. No return possible as had stuck foam gasket on the inside edge(exterior mounting). So up for sale at knockdown price of 105 euros, each original receipt will be available for the garuntee. Postage to Europe via Mondial Relai between 20 and 40 euros, ask for quote, worldwide ask for quote. https://www.monacor.com/products/sph-390tc/ - Forme Cylindrique - Type produit Haut parleur à cône - Marque Monacor - Catégorie dimension 38 cm - Système magnétique Ferrite - Impédance nominale 8+8 ohm - Puissance nominale 300 W - Puissance max 600 W - Sensibilité 96 dB - Bande passante 23-1500 Hz - Fréquence de coupure mini recommandée 28 Hz - Fréquence de coupure max recommandée 350 Hz - Diamètre bobine 2.58 pouce - Diamètre extérieur total 385 mm - Diamètre d'encastrement 348 mm - Profondeur après façade 157 mm - Épaisseur façade saladier 13 mm - Diamètre système magnétique 182 mm - Poids 7.7 kg - Fs 23 Hz - Re 3 ohm - Qes 0.29 - Qms 6.36 - Qts 0.26 - Vas 287 L - Xmax 7 mm - Mms 160 gr - Le 0.65 mH - EBP 79 - Poids de transport 7.7kg Service de livraison : Livraison en Mondial Relai, poids/ weight 17kg

THE WORLD'S REFERENCE AUDIOPHILE MAINS FILTER NO REVIEWER OR MUSIC LOVER HAS FOUND BETTER !! RETAIL PRICE: 270 $ 6moons says of Firewall: More organic and fluid, better frequency extremes, layering, impact and weight September, 2017, author: Srajan Ebaen "As anticipated, this whodunnit was easily sorted. What I'll call the X amp [with Firewall modules]–internally in parts, sonically in 'more'–distinguished itself on two levels. The first had to do with raw quantity." "Here [with Firewall modules] the bass was better articulated, front-to-back layering more developed, the treble more suave and vocals were more present." "Describing why the feel was more organic and fluid leads to lazier lengthier decays and background sounds more connected to the foreground. The plain Jane's [without Firewalls] drier take coincided with sharper separation but lacked the more holistic elasticity of the X [with Firewall modules]. One was pricklier and more staccato, the other rounder, smoother and of a more legato persuasion." "[With Firewalls:] better visibility at the frequency extremes and of the imaging precision in general." "The depth layers of X [with Firewall modules] during chorus interludes had superior development. With it the low beats of the Bombay Dub Orchestra had more impact and weight." "One [without Firewalls] was cooler, sharper, more bare boned and lean. The other [with Firewalls] was richer, mellower, smoother and fuller." "[With Firewall modules had] this afterglow quality. Here lingered on a stronger flavour of space, ambiance and calm." "For an alternate take on LessLoss Firewall effects, read Vance Hiner's review of the Echo's End DAC. Between us–and we've not had any exchanges–there's no doubt. These Firewall cards really do the trick." "What today's experiment showed is that it takes no luxury gear at all to hear differences or create improvements." HIFI WIGMAN says:  "Easy to use and does the job without a negative impact on dynamics." May, 2017, author: George Sallit "With the filter in circuit the background noise is significantly reduced and the decay of notes on the guitar are much easier to hear. The soundstage (as it is) was enhanced. Oddly enough the tonal colours also seemed enhanced. The drum kit was not some amorphous thudding but stretched skins being hit gently. I did not quite believe what I was hearing." "With the filter in place, the sound was far more musical." "The 3D soundstage was much bigger and made it easier to differentiate who was doing what." "I then blinked. My notes for the music without the filter were hifi comments, with the filter I was commenting on the music." "Well the filter certainly allowed all the individual elements to be easily heard without any frequency response changes." "All the advantages of mains filters but no loss of dynamics." "The sound was more 3D and it was easier to hear the individual instruments. Also, the drums had a stronger tonal colour than without the filter." "It sounded as though the worse the mix the better the effect." "On the DAC the noise levels were reduced. The tonal colour was much better. The biggest impact was again on the DAC. Was this a weakness in the Audionote DACs? No. I tried the 5x on my Metrum Octave and I heard a similar effect, less noise, more 3D sound, greater tonal colour. Is it possible it only works with NOS DACs? No. Out came my Esoteric DAC with a very similar finding." "The biggest difference was with bright mixes where the 'truthfulness' of the Class D could make things a bit fierce. The 5x filter tamed that and all that was left was a bright mix. There are many reports on the web of people recommending mains treatments for Class D amplifiers. I had not tried that as I was concerned a

Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES COWON - PLENUE 2 MK2 DORÉ - Baladeur Audiophile - 256 Go Référence: PLENUE 2 MK2 GOLD 1 349,00 € Disponibilité:    En stock fournisseur Livraison:   Sous 2 jours ouvrés Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus COWON - PLENUE 2 MK2 DORÉ - Baladeur Audiophile - 256 Go Le PLENUE 2 MK2 offre un niveau de qualité audio sans précédent qui procure une expérience d'écoute inoubliable. La qualité d'équipement est impressionnante: le dernier DAC AK4497EQ pour une qualité audio optimisée, un amplificateur SoundPlus intégré utilisant les toutes dernières technologies, des molettes Dual Control Wheels redessinées pour un confort d'utilisation inégalé, une horloge numérique Dual TCXO ultra-précise pour une restitution sonore détaillée, des sorties symétriques pour un son de haute qualité, un design amélioré pour correspondre à ses performances puissantes. Spécifications: DAC Asahi Kasei AK4497EQ Capacité interne 256 Go Lecteur de cartes micro SD SDXC Processeur Dual Core Cortex A9 à 1,2 GHz Ecran tactile capacitif AMOLED de 9,4 cm 480 x 800 pixels JetEffect 7.0: 66 ambiances sonores BBE+ (BBE, Mach3Bass, 3D Surround, MP3 Enhance) Égaliseur 10 bandes Batterie 3000 maH et 3,7 V Autonomie de 10h30 environ en lecture Temps de chargement: 4 heures environ Mesures: Rapport signal /bruit: 123 dB TDH: 0,0005 % Diaphonie: -143 dB Tension de sortie: 2 Vrms asymétrique et 3,24 Vrms symétrique Impédance de sortie: 0,6 Ohm (asymétrique) et 1,2 Ohm (symétrique) Formats de fichiers supportés: MP3, WMA, OGG, WAV, ASF, FLAC, APE, M4A, ALAC, DXD, DSD Connectique: 1x port micro USB (copie et rechargement) 1x sortie casque mini-jack 3,5 mm 1x sortie casque mini-jack 2,5 mm 1x sortie S/PDIF optique mini-Toslink Accessoires fournis Câble micro-USB, étui de protection en cuir pleine fleur Généralités: Dimensions (lxhxp): 67,9 x 116,4 x 16,5 mm Poids: 193 g COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 Go Reference: PLENUE 2 MK2 GOLD 1 349,00 € Availability:    Available in supplier stock Processing time:   Under 2 working days Guaranty: 2 years by manufacturer More info COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 Go To make your listening experience more comfortable and convenient, PLENUE 2 Mark ll had to be smarter. Some songs' volume is too high or low. The PLENUE 2 Mark ll's AI function handles these situations with ease. AI Volume continuously normalizes volume levels of sound files played more than once. You no longer have to adjust the volume of each of your songs. AI shuffle conveniently changes the playback order of songs. It even analyzes and arranges playlist positions according to your preferences. With AI JetEffect function, Cowon's sound field technology "JetEffect" automatically matches presets that are best suited to each source file. PLENUE 2 Mark ll's AI functions automatically adjust the settings so your favorite tunes are played exactly the way you like them. 256GB of Internal Memory Can Be Expanded to 512GB, The PLENUE 2 Mark ll includes 256GB of high-speed internal storage with support for up to 512GB of expanded storage via microSD card slot. 256GB means you can store as many as 2500 songs (24bit/192kHz, over 100MB per source) in internal memory. PLENUE 2 Mark Ⅱ Made a Rebirth  With a Glamorous Jupiter Gold, Aesthetics are always important and the Jupiter Gold color adds elegance to the PLENUE 2 Mark ll's charm.  Attention to detail is the hallmark of all Cowon products and the PLENUE 2 Mark ll's posh Jupiter Gold color heightens its distinctive look and feel. Specifications: 24bit/192kHz High Definition Sound New Highest Performance AK4497EQ DAC SoundPlus High Performance Amplifier High Speed 256GB Internal Memory AI Audio SNR 123dB, THD+N 0.0005%, Balanced Output 3.24Vrms High Precision Dual TCXO High Quality Balanced Out Native TX DSD I Dual Control Wheels (Multi Wheel, Volume Wheel) JetEffect 7 & BBE+, 66 Presets AKM Premium Sound Digital Filter DXD / DSD(DFF, DSF) / FLAC / WAV / AIFF / ALAC / APE / MP3 / WMA / OGG / WV / TTA / DCF ARM Cortex Dual-Core AMOLED 3.7 inch Display Premium High Strength Metal Body & Carved Glass Solid & Void Design MicroSD Card Slot Optical Out Dignis Finest Quality Leather Case COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 GO Referencia: PLENUE 2 MK2 GOLD 1 349,00 € Availability:    Available in supplier stock Processing time:   Under 2 working days Guaranty: 2 years by manufacturer Más COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 GO To make your listening experience more comfortable and convenient, PLENUE 2 Mark ll had to be smarter. Some songs' volume is too high or low. The PLENUE 2 Mark ll's AI function handles these situations with ease. AI Volume continuously normalizes volume levels of sound files played more than once. You no longer have to adjust the volume of each of your songs. AI shuffle conveniently changes the playback order of songs. It even analyzes and arranges playlist positions according to your preferences. With AI JetEffect function, Cowon's sound field technology "JetEffect" automatically matches presets that are best suited to each source file. PLENUE 2 Mark ll's AI functions automatically adjust the settings so your favorite tunes are played exactly the way you like them. 256GB of Internal Memory Can Be Expanded to 512GB, The PLENUE 2 Mark ll includes 256GB of high-speed internal storage with support for up to 512GB of expanded storage via microSD card slot. 256GB means you can store as many as 2500 songs (24bit/192kHz, over 100MB per source) in internal memory. PLENUE 2 Mark Ⅱ Made a Rebirth  With a Glamorous Jupiter Gold, Aesthetics are always important and the Jupiter Gold color adds elegance to the PLENUE 2 Mark ll's charm.  Attention to detail is the hallmark of all Cowon products and the PLENUE 2 Mark ll's posh Jupiter Gold color heightens its distinctive look and feel. Specifications: 24bit/192kHz High Definition Sound New Highest Performance AK4497EQ DAC SoundPlus High Performance Amplifier High Speed 256GB Internal Memory AI Audio SNR 123dB, THD+N 0.0005%, Balanced Output 3.24Vrms High Precision Dual TCXO High Quality Balanced Out Native TX DSD I Dual Control Wheels (Multi Wheel, Volume Wheel) JetEffect 7 & BBE+, 66 Presets AKM Premium Sound Digital Filter DXD / DSD(DFF, DSF) / FLAC / WAV / AIFF / ALAC / APE / MP3 / WMA / OGG / WV / TTA / DCF ARM Cortex Dual-Core AMOLED 3.7 inch Display Premium High Strength Metal Body & Carved Glass Solid & Void Design MicroSD Card Slot Optical Out Dignis Finest Quality Leather Case COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 GO Artikel-Nr: PLENUE 2 MK2 GOLD 1 349,00 € Availability:    Available in supplier stock Processing time:   Under 2 working days Guaranty: 2 years by manufacturer Produktinfos COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 GO To make your listening experience more comfortable and convenient, PLENUE 2 Mark ll had to be smarter. Some songs' volume is too high or low. The PLENUE 2 Mark ll's AI function handles these situations with ease. AI Volume continuously normalizes volume levels of sound files played more than once. You no longer have to adjust the volume of each of your songs. AI shuffle conveniently changes the playback order of songs. It even analyzes and arranges playlist positions according to your preferences. With AI JetEffect function, Cowon's sound field technology "JetEffect" automatically matches presets that are best suited to each source file. PLENUE 2 Mark ll's AI functions automatically adjust the settings so your favorite tunes are played exactly the way you like them. 256GB of Internal Memory Can Be Expanded to 512GB, The PLENUE 2 Mark ll includes 256GB of high-speed internal storage with support for up to 512GB of expanded storage via microSD card slot. 256GB means you can store as many as 2500 songs (24bit/192kHz, over 100MB per source) in internal memory. PLENUE 2 Mark Ⅱ Made a Rebirth  With a Glamorous Jupiter Gold, Aesthetics are always important and the Jupiter Gold color adds elegance to the PLENUE 2 Mark ll's charm.  Attention to detail is the hallmark of all Cowon products and the PLENUE 2 Mark ll's posh Jupiter Gold color heightens its distinctive look and feel. Specifications: 24bit/192kHz High Definition Sound New Highest Performance AK4497EQ DAC SoundPlus High Performance Amplifier High Speed 256GB Internal Memory AI Audio SNR 123dB, THD+N 0.0005%, Balanced Output 3.24Vrms High Precision Dual TCXO High Quality Balanced Out Native TX DSD I Dual Control Wheels (Multi Wheel, Volume Wheel) JetEffect 7 & BBE+, 66 Presets AKM Premium Sound Digital Filter DXD / DSD(DFF, DSF) / FLAC / WAV / AIFF / ALAC / APE / MP3 / WMA / OGG / WV / TTA / DCF ARM Cortex Dual-Core AMOLED 3.7 inch Display Premium High Strength Metal Body & Carved Glass Solid & Void Design MicroSD Card Slot Optical Out Dignis Finest Quality Leather Case COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 GO Riferimento: PLENUE 2 MK2 GOLD 1 349,00 € Availability:    Available in supplier stock Processing time:   Under 2 working days Guaranty: 2 years by manufacturer Dettagli COWON - PLENUE 2 MK2 GOLD - Audiophile Player - 256 GO To make your listening experience more comfortable and convenient, PLENUE 2 Mark ll had to be smarter. Some songs' volume is too high or low. The PLENUE 2 Mark ll's AI function handles these situations with ease. AI Volume continuously normalizes volume levels of sound files played more than once. You no longer have to adjust the volume of each of your songs. AI shuffle conveniently changes the playback order of songs. It even analyzes and arranges playlist positions according to your preferences. With AI JetEffect function, Cowon's sound field technology "JetEffect" automatically matches presets that are best suited to each source file. PLENUE 2 Mark ll's AI functions automatically adjust the settings so your favorite tunes are played exactly the way you like them. 256GB of Internal Memory Can Be Expanded to 512GB, The PLENUE 2 Mark ll includes 256GB of high-speed internal storage with support for up to 512GB of expanded storage via microSD card slot. 256GB means you can store as many as 2500 songs (24bit/192kHz, over 100MB per source) in internal memory. PLENUE 2 Mark Ⅱ Made a Rebirth  With a Glamorous Jupiter Gold, Aesthetics are always important and the Jupiter Gold color adds elegance to the PLENUE 2 Mark ll's charm.  Attention to detail is the hallmark of all Cowon products and the PLENUE 2 Mark ll's posh Jupiter Gold color heightens its distinctive look and feel. Specifications: 24bit/192kHz High Definition Sound New Highest Performance AK4497EQ DAC SoundPlus High Performance Amplifier High Speed 256GB Internal Memory AI Audio SNR 123dB, THD+N 0.0005%, Balanced Output 3.24Vrms High Precision Dual TCXO High Quality Balanced Out Native TX DSD I Dual Control Wheels (Multi Wheel, Volume Wheel) JetEffect 7 & BBE+, 66 Presets AKM Premium Sound Digital Filter DXD / DSD(DFF, DSF) / FLAC / WAV / AIFF / ALAC / APE / MP3 / WMA / OGG / WV / TTA / DCF ARM Cortex Dual-Core AMOLED 3.7 inch Display Premium High Strength Metal Body & Carved Glass Solid & Void Design MicroSD Card Slot Optical Out Dignis Finest Quality Leather Case Global Audio Store, Revendeur Cowon agréé Global Audio Store, Authorized Cowon Dealer Global Audio Store, Authorized Cowon Dealer Global Audio Store, Authorized Cowon Dealer Global Audio Store, Authorized Cowon Dealer

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

Hello everyone! Selling my Canon FD 35 SSC f2. Mount is FD but adaptable on all kind of cameras with the proper ring adapter. I've been using it with a FD to Emount Sony Metabones Speedbooster adapter and the combo works mint.  Awesome lens, but I won't have to introduce it to you if you arrived on this page! FD 35 SSC  SN 109268 It is in good condition, as described on the description part above, it has lights marks (3 or 4) on the front glass and a light deformation on the filter thread at the front - Nevertheless it does not stop you from using a UV filter if necessary.  The marks on the front glass does not appears while in use, but I prefer to notice you! Inside the glass had no fungus (and never had some!), there is no haze or no dust inside. Cosmetic wise it has marks of use, the paint is old but there aren't any scratch or bump. It's only the sign of the age and a regular use of the lens.  To rate the shape of this lens, I would say  3 to 3.5/5 for cosmetic  4.5/5 for mechanics including lens moving smooth in the barrel etc  4/5 for glass  It is not declicked. It is as sold in the 1970's! Original. Mechanics are good and rings are smooth. Ring for F stops and ring for focus pulling are smooth and working fine.  The mount works perfect as well. Nothing is loose, shaky or dodgy here.  It comes with a generic front cap and rear FD cap.  Do not hesitate to ask question if you need more details. I'll do my best to answer them as fast as possible. I can also provide additional photos if needed. Item is located in France, can ship worldwide at the buyers expanse. Shipment will be insured.  Free delivery in France with Mondial Relay.  No returns, thanks Thanks for you time!

Filmora 9 Effects Pack 2020 All Updated MULTI LANGUAGE  DIGITAL DOWNLOAD All effects pack included Complete version tested and working Empower Your Imagination with Filmora9 A video editor for all creators. Create Without Limits Discover infinite ways to express yourself. Achieve a refined look with endless effects with Filmora9. 100 Media Layers Create complex stories easily in Filmora9. “From the first moment I used Filmora9, I enjoyed it! Simple, practical, easy to use! Highly recommend!“ Pedro Henrique Youtuber Beyond the Basic Craft new worlds by layering clips and using simple green screen effects. Never Miss a Beat Perfect your sound with keyframing, background noise removal, and more. Details Matter Filmora9 ensures every frame of your creation is as crisp as reality with full 4K Support. FEATURES Ready For Anything   Get more done Fast processing, proxy files, and adjustable preview quality help you be more productive.   Fine-tune your adventures Fix common action cam problems like fisheye and camera shake, and add effects like slow motion and reverse.   Perfect your aesthetic Change the aesthetic of your video with one click. Filmora9 has both creative filters and professional 3D LUTs. SOCIAL MEDIA Share Your Story Online Tailor your video to any platform and upload it from Filmora9.   SHOWCASE See What's Possible in Filmora9 Filmora9 users create amazing videos every day. Watch them here and get inspired. Vacationing on Kos, Greece This year we vacationed on the Greek island of Kos. Awestruck by some of the wonderful locations we visited, I was happy I brought my notebook with Filmora 9, so I could start editing the footage right away and make the most of the footage I shot. by ssassen Apr 30,2020 YouTube Channel: Sander Sassen Why we jump. My father used to photograph all our family activies and document this in photobooks.  At first, I did the same since I still enjoy reading those books but then. But later, I discovered the power of a short movie. So I bought action and handy cams and started making short movies in Windows moviemaker. Not only is it really fun to make those movies, but I can also tell a million words in a few minutes. But soon I discovered that I wanted a better, more versatile, and powerful program to make my movies. Filmora and later Filmora 9 answered to all my needs. I enjoy the easy use, combined with the many features Filmora9 has to offer. by K-bouwter Apr 30,2020 YouTube Channel: Erwin Goossens Punta Campanella, Sorrento (Italy) I started for fun. Filmora helped me to make a great video with an in-depth knowledge of video editing. by teresa Apr 30,2020 YouTube Channel: Tes Martha's Vineyard Filmora has been unbelievably helpful for me as I started my journey as a video editor. I always had a passion for it, but the program I was using would crash and make editing tedious and a hassle. Filmora has reinvigorated my love for editing by allowing me to edit my videos and create great content easily. It had allowed me to do what I originally wanted when I started making videos: to create and share great videos that capture great memories with friends and family. by mfaichney814 Apr 30,2020 YouTube Channel: Matt F Shaws in Guatemala - Episode 2: Antigua I started making videos to share our experiences while we were living in Guatemala in 2014. I've started using Filmora over the last year or two, and it has helped me give them a more finished and professional look. by nshaw97 Apr

Selling my beloved ProAc Studio 125 in very good working condition and aesthetics with some minor marks on the base plates. Classic speakers Made in England, these are truly refined, recipient of many excellent reviews and winner of the What Hi-Fi? Best Buy. This exceptional loudspeaker will satisfy not only demanding audiophiles but also those with home theater applications. Prepare to enter the dream-land of true high-end: great dynamics and stereo imaging, amazing bass, voices are perfect, huge soundstage, airy highs, articulated and detailed mids, gorgeous cabinet design. The speakers come with all the original spikes and grills and are in perfect working order. They come packed in the original boxes with protective foam. No discolouration of the veneer under the grills as can be seen in the photos. Could be shipped in two boxes but please, ask for a quote before as the postage differs from country to country, thanks! For Belgium, Germany or The Netherlands I believe you can arrange also for a Cocolis service, which is much more convenient. Extemely little used for their age, they were in my secondary studio. I had them driven by different amplifiers: a Sugden, a Peachtree and a Merdidian, all worked perfectly with great synergy. b'"'So inspired by these speakers, I had to tell all of you about them and so this is my first ever hifi review: If you see these speakers for sale just bloody buy them! I have not heard anything so amazing since I walked into a hifi store in '89 when a new Quincy Jones CD was blasting through some Shinanighans (I know that's not the correct spelling). The Studio 125 speakers are a knockout for their minimalist styling alone and mine have beautiful mahogany veneer that compliments our 60's modernist furniture. I saw a pair of Proac Studio 125 speakers come up for sale and I have always wondered what they sound like since the Tablettes were a favourite monitor in a friend's hi-end studio setup. I got them home and hooked them up to a rather grunty NAD 753 HT amp, yamaha CD player, nothing too silly and the sound literally made my mouth fall open, then I went on to start swearing and punching the air with delight. They have detail that is so moorish to listen to, kind of juicy and the bottom end it rich and super deep, I will never sell these speakers, after years of searching I am finally spending less time on and more time listening to music. I should add that these are all-rounders, they do wonders for older low-fi recordings as well, so not just for the jazz or classical heads, these speakers make everything sound rich, lush and detailed. I don't really understand how they do it.b'"' (Campbell, AudioPhile) youtube.com/watch?v=A-eOuNDm6SYb'&'t=230s The specifications of the speakers: Nominal Impedance: 8 ohms Recommended Amplifiers: 20 to 150 watts Frequency Response: 30hz to 30Khz Sensitivity: 87db linear for 1 watt at 1 metre Bass/Midrange Driver: 612” inch diameter exclusive ProAc design with modified dust cap and critically coated cone on die-cast Chassis. magnetically shielded. Tweeter: 34” soft dome to ProAc design with ferrofluid cooling. Magnetically shielded. Crossover: Finest components on dedicated circuit board. Multistrand oxygen-free copper cable throughout. Split for optional bi-wiring and bi-amping. Dimensions: 36” (915mm) high, 8” (203mm) wide, 11” (280mm) deep Weight: 40lbs (18kg/cabinet) sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Acoustic Energy, Buchardt, Dynaudio, Bb'&'W, Klipsch, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi, Proac, neat, quad, kerr, alta, mofi, fyne, tannoy, acoustic research, allison, sugden, atc, amphion, pmc, kef, Linn, gato, sony, edifier, jbl, wharfedale, jamo, kanto, ruark, triangle, Focal, Sonus Faber, Dali, Q Acoustics, Elac, Paradigm, Buchardt Acoustic Energy, Buchardt, Dynaudio En savoir plus Collaboration commerciale.

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

Zeiss AS80/840 OTA + accessories - 80mm - excellent condition. État : "Occasion" I am selling my Zeiss AS 80/840 refractor in very very good to excellent condition, OTA only, from the mid 90's, all Zeiss, not a Zeiss objective adapted in a DIY tube, it is all genuinely made by Zeiss, with accessories such as SFO 80 and some M44 extensions and Baader adapter, finder, caps  (not Zeiss) and a carry-on bag (not Zeiss). Telementor is not for sale, it is for comparison of size only. Extremely rare and for collectors mostly, one of the last refractors made by Zeiss of this size. I am selling because I barely use it and need the funds for another project. Tried to decide myself many times and got cold feet many times... SUPER HIGH PRICE ON PURPOSE IN ORDER TO RECEIVE SERIOUS OFFERS ONLY and filter out low b*lls ones. Tasting waters here... I had placed the same ad on earlier, but unfortunately had to withdraw it because some kind of hacker copied/pasted my ad to a French website in order to steal money...:-(- BEWARE, THIS AD IS ONLY HERE AND ONE ASTRONOMER SPECIFIC WEBSITE.

A vendre Objectif pour Sony FE Voigtlander Nokton 50 mm F/1.2. Complet avec capuchons avant arrière pare soleil et boite. Excellent état. Ce qui le différencie d'un neuf est que l'on peut en regardant de très près distinguer au moins deux micro manques de peinture sur la bague de mise au point. Je pense que c'est simplement dû au frottements occasionnels contre mon alliance... Difficile à voir en photo (photo 5 au dessus de 50), c'est vraiment trop petit et seulement dans un certain angle de lumière. Mais cela suffit à mon sens pour ne pas mettre "comme neuf" Pour le reste RAS, lentilles parfaites, bagues parfaites. J'ai mis du gaffer sur le pare soleil pour le protéger des frottements: posé, l'appareil repose en partie sur le pare soleil. Excellente copie, parfaitement centré. Cet objectif est décrit par certains comme le meilleur 50mm jamais créé https://youtu.be/sYHpuQmrQJk. Et je confirme: Rendu exceptionnel est netteté mesurée comme la meilleure au centre sur certains site https://www.lenstip.com/582.4-Lens_review-Voigtlander_Nokton_50_mm_f_1.2_Aspherical_Image_resolution.html. De fait, comparé à mon zony 55mm, il fait mieux à partir de F/4. Sur le forum Fredmiranda, une comparaison a été faite avec le APO 50mm Voigtlander... impossible de voir la différence à 5.6 y compris dans les coins. Le seul objectif que je vois meilleur dans les bords est le 40mm sigma... qui pèse 1.3 kg Autre point positif, la possibilité de déclicker la bague de diaph pour la vidéo. La seule chose qui lui manque: l'AF dans certaines situations: La plupart du temps la mise au point manuelle est plus précise, mais quand les enfants courent, là je manque de réactivité... Et c'est l'unique raison pour laquelle je revends cet objectif. Je ne peux pas avoir deux objectifs 50mm à ce niveau de prix! For Sale 50mm Voiglander Nokton F 1.2 for sony e mount. Perfect conditions, the only thing to notice is on the focusing ring where I can see under certain light two tiny marks due to my wedding ring. It is really really small, and cannot see it on pictures but it is sufficient not to describe the lens "as new". Lenses are clean and it is perfectly centered.  Comes with front and rear caps lens hood and box. This lens is the most perfect 50mm lens I have ever had: rendering is beautiful, and from F4 it is the sharpest lens in the world:) as sharp as the Sony planar 1.4, and as sharp as the APO 50mm voigtlander (tested on fred miranda forum) This lens is declickable easily. I let you see the reviews on internet.  The reason I have to sell it is because there are few situations where I need AF (childrens run...) and cannot afford 2 50mm.

Here is a very rare Sigma 28mm f/2.8 H.L. Wide (NOT the much more common and worse Mini Wide) at an exceptional price + a nice Sigma hard case. The prominent metal cam (as well as a prominent plastic part) that is used to control the aperture from the camera was cut out, to enable mounting on Sigma SA cameras. So this lens won't allow auto-aperture on Pentax cameras. But it has an aperture ring, so it can be adapted, for instance, on a Sony mirrorless camera with a Pentax K to Sony E adapter, and be operated with no issues like any other adapted lens. Apart from that, the lens is mechanically faultless. Optically, there's a little scratch on the front lens, that can't be seen on images. A few painted markings are gone. Otherwise, nothing to report. Please read what Sigma says about this lens. It explains what the difference is vs the previous 28mm f/2.8 versions, like the Mini Wide. And yet, in 1985, SIGMA released a new prime lens. It was a lens that made a unique promise: “zero vignetting.” The lens went on sale as the SIGMA NON VIGNETTING 28mm F2.8. However, the term “vignetting” was not yet in widespread use, and so later versions instead used the name SIGMA H,L (Highlight) WIDE 28mm F2.8. Diminishing brightness towards the edges of the image is an inevitable problem with wide-angle focal lengths such as 28mm, due to the so-called “cosine fourth” law. Additional loss of peripheral brightness due to the large aperture (vignetting) only strengthens the effect. While there is no escaping the merciless “cosine fourth” law, SIGMA managed to erase vignetting through an optimal mutual configuration of each lens group within the retrofocus design. This method also minimized “coma aberration,” a color fringing effect that occurs as the amount of light increases. SIGMA had created a wide-angle lens with very little vignetting and – an additional plus – without the unsightly swirly bokeh pattern caused by vignetting of out-of-focus areas. The lens was the culmination of SIGMA’s research and experience with 28mm F2.8 lenses. Although its price was on the expensive side, the lens became an extremely popular item with lens maniacs and photography enthusiasts. Source: https://www.sigma-sein.com/en/ohsone/28mm_1/

This is an Intrepid 8x10 camera in excellent working condition. The only small point worth noting is that I shortened one of the tabs on the ground glass holder in order to allow the back to be closed in landscape mode - see images. The rest of the camera is in near perfect condition with only some superficial marks on the wood. The glass is chip and scratch free. The bellows are light-tight and undamaged. The focus mechanism is smooth and works as normal. Everything hinges and locks down as it should. /// *** /// - In addition to the 8x10 camera I'm including for FREE a semi-home made reducing back for 5x7 format, which I made from a spare 8x10 back I had, so you can be sure that it fits the camera body correctly without light leaks. Despite the home made nature of this back, I have used it with this camera 95% of the time as I have a 5x7 enlarger. - As well as the 5x7 back, I'm also including for FREE, a 4x5 back that can be fun to play around with if you also want to shoot an even smaller format. - Finally, I'm also including a FREE dark cloth that is roughly 110x160cm, but which could potentially be opened to be even bigger if necessary. Delivery is FREE, and to the European Union only. I respond to any questions within a few hours. --- Je réponds également aux questions en français. --- En savoir plus Collaboration commerciale.

Sony PS-X70 (1978-1979) Stereo Turntable System Fully Automatic Direct Drive READ THE DESCRIPTION CAREFULLY ! This turntable belonged to my father, he bought it in the early 80s. I had to disassemble a wooden cabinet to take it out, and it probably saved it from the dump. It's in fully working condition, I've been using it a little for the past years, with an amplifier (also for sale, check my items) and a pair of speakers from the same era. You can see it in action here: https://www.youtube.com/watch?v=7oKFJ5RfOVE Turntable is perfectly silent, stroboscope is steady at both 33 and 45 RPM, disc format selector and pitch potentiometer works as intended, as well as all the settings to adjust the position and balance of the arm. /!/ I'm not sure if the lever to lower the arm works 100% properly, after a long period without using the turntable, the arm takes a while to go down (works perfectly to raise the arm however) /!/ /!/ The phono cable is old and the housing is a little damaged, still works perfectly but a purist may want to replace it /!/ A few marks here and here but overall in excellent cosmetic condition. The transparent top case is in good condition and stays up as intended by the hinges. The turntable is 100% genuine, apart from the needle that I changed a few years ago by a cheap one but wich works well. It's sold with the genuine owner's manual in english, french, german and spanish languages (almost impossible to find nowadays). It also comes with the genuine aluminium adaptor for 45T discs. I also give a few accessories with it: - a carbon fiber cleaner to clean the dust from discs - a tiny spirit level to check the level of the turntable - a small brush to clean the needle (Sony brand, vintage) - the needle that was installed on the arm when I found the turntable (not in good condition, just for reference) The turntable weights aproximately 13kg. I ship to Europe only with top packaging, tracking number and insurance. The turntable is also visible near Paris, if you want to take it yourself. Feel free to ask any question.

There is a very nice 4inch (100mm) black lens board with 33mm hole and squared corners possibly for Graflex. It has one chamfered edge. It has a small blind hole near the edge of the main hole to accept a locking screw. Most people throw these away, but they are very useful in preventing the shutter from turning when the speed/aperture selection is made. The accompanying advantage is that you don't need to risk over tightening the shutter jam ring. It maybe Bakelite as it smells if put under hot water, but could be another type hard plastic. Not wood anyway. This is a little less than official Copal 0 hole size but I have verified that a Copal 0 shutter fits in fine. It originally had an Epsilon shutter. Selling as I do not have a camera using this format. If you have any questions, write before bidding. Check out my other listings. I will combine shipping.Sold as is. No returns, sorry. Auction for EU, plus UK only. Postage to anywhere else is too chancy at the moment. If you want an exception please write. In line with policy I will have to propose signed for delivery but as it is a cheap item I will send by ordinary post at the appropriate rate. In this case I will ask you to send a disclaimer to protect me from lost packet. Write and ask for a quote.

Yamaha AW16 excellet etat utilisé trés peu fournie avec transflo et mode d'emploi en francais. Tamaha AW16 excellent condition almost like new. It hadn't been used much when I bought two months ago. I have just used it to finish a project as my Korg D3200 has broken down. I have now had the korg repaired and no longer need this machine. I have to say it is a good recorder as good as the Korg but I know my way around the Korg otherwise I'd have kept the Yamaha..I was tempted as it has some great functions and is more compact.. The manual is in French but you can get it on the net in English. It's a great machine at a for price considering it's excellent condition Over seas buyers contact me for accurate postage costs. I will deliver worldwide if needed.

Hello everyone,    I’m selling my XPAN with regret in order to finance a Leica M. I have had this device for 5 years now and it has accompanied me on my most beautiful trips. It is a magical camera as much by the photographic myth it represents as by the beauty of its images. It provides grandiose images in panoramic as well as in classic 24*36 format. It is very easy to use because its internal cell measures the light superbly well an the focus could be done with the telemetric.    Its exterior condition shows some signs of wear and tear. I am not a professional seller of cameras, so to guarantee the functioning of this camera “Les Victors” in Paris revised the camera. The invoice and details of the work done are in photos of this annouce. It works perfectly and the lens is in superb condition.   For those who do not know this mythical camera: The XPan was an extremely unique camera, providing the advantages of the 35mm format but also the ability to swiftly change to full panorama format without having to change the film. The XPan utilized a dual-format, producing both full panorama 24x65mm format in addition to conventional 24x36mm format on the exact same film. It was the first dual-format 35mm camera on the market that expanded the format instead of masking it, making sure that every exposure utilized the full area of the film. This camera is not sell by Hasselblad anymore thus this is a piece of collection.  Fore the pleasure, I have puted in the announce some of my pictures I made with this camera.  Please feel free to ask any questions. Best regards, Maxime

Treat yourself with one of the best image-creating machine ever made for real adventure photographers, and don’t waste your time seekingfor the best lenses, you have it all in one pack. You will be able to experience an unmatched image quality(the sensor is still ranked an all-time #2 in Dxomark with an excellent score of 101, still dwarfing any full format wonder of 2020…), with a body build to last and stay with you for serious studio work, or the wildest adventure outdoor setup. Ricoh-Pentax is legendary for its weather sealing, and so is this body. To be honest, it is only for health issues that I am selling. I tried the Hasselblad mirrorless X1D, the fuji GFX50s (dreadfull experience with the laziest AF in the world and a poor battery life), theGFX100 (much better experience, but I wasn’t impressed by image quality and rendering…must be the glass), and I always come back to the Pentax 645z. I have never been impressed by Fuji GFX image quality. I Liked the Leica S (again it must be the glass and the lens design that make the real differences), the Hasselblad was interesting, but way too expensive comparing with the Pentax, not even considering the weather sealing and the very long list of ergonomic treats you get from Pentax engineers. It is about creating images and only this, it is not a smartphone. It’s a photographer tool, not a toy. In 2018 I was disappointed by Canon full-frame offering. The5d4 was too expensive and there wasn’t a gap in quality from any canon full Frame since 5d2 and I decided to enter the medium format world with the 645z. I already tried it in Japan in 2015 and I said “well, this would be nice…”. After having bought this camera with literally undying battery life (what a refreshment comparing with all electronic newest camera), I just went to my garden and started right away the 120mm macro. I was dumb because I had no AF at all, but discovered the cleverest mechanism for AF/MF switch to date:sliding the focus ring. There is a slight click and I was all set. Yes the screw motor lenses are a bit noisy, but it’s nice and at the first picture of a random blossoming flower…God almighty, it was like a facepalm, struck by beauty and sheer quality. I decided to keep on the Pentax 645z journey and collect some lenses. The 28-45mm was very soon my favorite landscape lens,equivalent to 22-35mm, extraordinary quality, stabilized, totally weather sealed…those words should surprise you as medium format+stabilized lens+weather sealing…seldom go together. Then came the 90mm macro f2.8, stabilized as well and weather sealed. This may simply be the best lens I’ve ever used for portrait work, incredibly smooth yet detailed. Bokeh is one thing but volumes,transition, tones, textures, it’s just amazing for portrait, and pack shots as well. I wanted to try tele lenses, and acquired the 300mm “star”lens. Build like real lenses with metal, feels solid. Image quality was amazing too, I capture incredible shots of tigers with it, and this lens can really tell stories and add a unique identity. All the lenses are incredible, sharp, and each with unique though I must admit the 150mm f2.8, even though hailed as the portrait king by some other photographers, was often left on the shelf. Please look Pentax forum for reviews on these marvelous lenses. Thanks to the incredible wedding photographers Jeff and Michelle (hi to them!) I discover the craft of using 80s East-Germany Isco lenses for the Pentax and I assembled my favorite lens with a 135mm F2projector lens. This one is really a collectible, manual focus only, it cannot go to the infinity (but for portrait, who cares?) require a good amount of focus skills and mastery of yourself, but it is a very rewarding lens. After all,Helmut Newton shot in medium format with manual focus only, and look at his work…With this wide aperture and unique look, it sad to let it go. Here is the set: -         Pentax645z – very good condition,

H-Pi Instruments TBX2b: universal tuning box. Français: La TBX2b est une « tuning box » permettant d’envoyer des gammes et accordages vers tous types de synthétiseurs qui n’auraient pas cette possibilité. Ceci n’est pas un appareil d’occasion ! Il n’a jamais été utilisé, il est parfaitement neuf.  Je l’ai acheté pour retuner mon Prophet 12, mais me suis rendu compte qu’il possédait déjà des fonctionnalités internes similaires.  Sachant que les TBX2b sont produites en très petites quantités et partent très vite, je n’avais pas attendu et l’avais donc acheté avant que le stock ne soit écoulé. Chaque appareil produit est unique et assemblé avec des machines de pointe, puis artisanalement à la main. L’écrin d’aluminium et bambou a donc des imperfections cosmétiques mais est très solide. J’ai fixé ce prix de vente de manière juste: en effet comme vous pouvez le voir sur une des images, il s’agit de ce que j’ai payé pour l’importer en France. (Reverb: Cependant, si vous souhaitez une livraison, je déduirai vos frais de port jusqu’à maximum 89€ du prix de vente:) ) J’ai aussi déduit le prix du logiciel qui était fourni avec (je garde le logiciel). Vous pouvez acheter ce logiciel, le « Universal Tuning Editor » UTE directement sur le site internet de H-Pi instruments. Cordialement Romain ENGLISH: The TBX2b is a tuning box allowing to send scales and tunings to the majority of synths out there, even those that don’t have this option built in. This is not second-hand gear ! It has never been used and is in perfect condition. I originally bought it to retune my Prophet 12 only to realise it already had the functionality I was looking for. At the time, I bought the TBX2b as fast as I could because it was produced in such small batches and sold so fast, I didn’t want to take any chance. Each unit manufactured is unique and assembled with state-of-the-art machinery, and then by hand. The aluminium shell and bamboo have imperfections even brand new as reflected by the hand crafted pictograms but the build is rugged and made to last. I have set this price in a fair manner: as you can see on one picture, it is the price I paid to import it to France. However, if you need shipping, I will substract from this price the cost of the shipping up to 89€:) I also substracted from it the price of the software (I keep the software). You can buy the software « Universal Tuning Editor » UTE online. Don’t hesitate for any question, Best regards, Romain

Flûte traversière fabriquée dans l'atelier de Robert Malerne, successeur de Léon Lebret en 1931. Les instruments de Malerne sont plutôt rare particulièrement dans cet état et de bonne facture. La flûte possède un très beau son, rond et équilibré. La facilité de jeux est manifeste sur les 3 octaves avec ses tampons d'origines. Inscription sur le corps et la tête: "R.M. / R. Malerne / Paris" Egalement un "11" gravé sous la clé du pouce Métal argenté, quelques légère trace du temps sur le plaquage. Très légère bosse au dessus de l'embouchure. Ancien système de fixation des tampons. 2 vis d'ajustement pour régler les liaison entre les clés Mi et Sol, et La# et Si Mécanique huilée, la flûte a été complètement démontée et nettoyée. Les tampon et les lièges sont dans leur état d'usage. La flûte joue très facilement jusqu'à la 3e octave et est très bien équilibrée. Plateaux pleins décalés Protège tenons Etui en bon état avec intérieur vert Sur Robert Malerne: Robert Malerne (25-09-1893 / 23-06-1978) a exercé à La Couture-Boussey (Eure) Les instruments Malerne qui nous sont parvenus sont de qualité. Robert Malerne a installé sa fabrique vers la fin de l’année 1931.  Il reprend les activités de Louis Léon Lebret (1888-1932), médaille d’Or 1897 et ancien ouvrier de Lot.  Robert aura connu Djalma Julliot et travaillé à la même époque que Georges et Léon Leblanc, Eugène Lorée, Marigaux et Lemaire. La fabrique de hautbois, flûtes et clarinettes comptera une centaine de salariés.  Les Ets Malerne et Cie avaient un magasin de vente à Paris (16, Avenue Hoche 8ème arr.). Les ateliers existent toujours, la suite des Ets Malerne et Cie ayant été assurée en 1975 par les Ets Strasser Marigaux Lemaire (SML). La production des ateliers de la Couture Boussey était distribuée aux USA par Carl Fisher, installé à New-York depuis 1872. - - - Superb flute from the workshop of Robert Malerne, successor to Léon Lebret in 1931. Malerne instruments are rare, particularly in this condition and of high quality. The flute has a very nice, round and balanced sound. The ease of play is evident on the 3 octaves with its original pads. Inscription on the body and the head: "R.M. / R. Malerne / Paris" Also a "11" engraved under the thumb key. Silver plated metal, some slight traces of time on the plating. Very light dent above the mouth piece. Ancient pad's fixation system. 2 adjustment screws for the connection between the E and G keys, and A# and B Mechanics are oiled, the flute was completely disassembled and cleaned. Stamps and corks are in their used condition. The flute plays very easily until the 3rd octave and is very well balanced. Offset padding Post protectors Case in very good condition with green interior International shipping with tracking and insurance of the flûte value On Robert Malerne: Robert Malerne (25-09-1893 / 23-06-1978) established at La Couture-Boussey (Eure) The Malerne instruments that have come down to us are of high quality. Robert Malerne set up his factory towards the end of 1931. It takes over the activities of Louis Léon Lebret (1888-1932), Gold Medal 1897 and former worker in Lot. Robert will have known Djalma Julliot and worked at the same time as Georges and Léon Leblanc, Eugène Lorée, Marigaux and Lemaire. The oboe, flute and clarinet factory had around 100 employees. Malerne et Cie had a sales store in Paris (16, Avenue Hoche 8th arr.). The workshops still exist, the continuation of Ets Malerne et Cie having been provided in 1975 by Ets Strasser Marigaux Lemaire (SML). The production of the Couture Boussey workshops was distributed in the USA by Carl Fisher, who has been living in New York since 1872.

Marantz PM4 An excellent amp in very good condition and full working order.  Performs according to specs. This has been tested on a Audio Precision tester (see images of THD + Freq. response). Built in the the 80s in class A mode it's truly amazing with Living Voice and similarly efficient speakers only 15 watts in class A so wont drive hard loads or inefficient speakers to ear splitting levels but can be put into class a b mode for 60 watts. This one has been recapped with Silmic 2 Caps and had new modern binding posts fitted by Deco Audio around 3 years ago. The volume control works 100% no crackles hisses etc but it does require to be handled with care as it was rebuilt again by Deco Audio rather than replacing it. Its a truly epic performer in Class A mode with real grunt allied to a well balanced and resolved sound that is not fatiguing. This amp will outperform many far more expensive amps. The Lavardin IT at 6k shown below it is what i had to spend to replace it it's that good. Obviously this auction is for the Marantz amp only Collection and demo welcomed in Ardeche France Worldwide shipping in very secure double boxed package. Good Luck Class: A-B Sine Power: Class A: 15 W + 15 W (8Ω), Class A-B: 60 W + 60 W (8Ω) THD: 0,015% (20Hz - 20kHz at the time of an 8Ω load intensity and an Output power) Cross modulation distortion (60Hz:7kHz=4:1): 0.015% (at the time of an 8Ω load intensity and an Output Inputs: 2 x phono, switchable phono 1: MM + MC, Phono 2: MM, 2 x tape Outputs: 2 x speaker, headphones Voltage: 110/120/220 V AC, 60/60 Hz Power consumption: 150 watts Dimensions (W x H x D): 416 x 117 x 334 mm Weight: 9.5 kg

PRELUDE Pop up some corn and get ready to be thoroughly wowed by your new THX® home theater system.  Quality equalization makes the difference between an average system and a great home theater, and you have just taken a giant step toward completing your own movie palace.  Movie theaters have racks full of equalizers to correct the performance of their sound system.  The Bijou THX home theater room equalizer improves the sound of your entire system in the same way in a single, compact component. Your new equalizer is made by the only consumer electronics company in the world that specializes in equalizers, signal processors and audio analyzers.  AudioControl’s passion for high quality, meticulous attention to detail and pro sound heritage shows itself in the dozens of awards we have won for our designs, products and service. HIGHLIGHTS THX® Home Theater Room Equalizer With seven channels the Bijou provides total equalization for the entire home theater system: Front, Center, Subwoofer, and Surround channels.  The Bijou THX room equalizer will significantly improve the frequency response and timbral accuracy of your system. Easy-To-Set Graphic Equalization Controls 11 Bands of Constant-Q 1 /3 octave control for the Left, Center and Right Channels, 12 Bands of Precision 1 /6 octave adjustment for the two stereo subwoofer channels and 8 bands of dual-bandwidth eq for the stereo surround channels. Room For The Future Stereo surrounds and independent subwoofer channels ensure compatibility with newer digital 5.1 surround systems including AC-3. Award-Winning Quality Designed and built in the USA by AudioControl - an award winning manufacturer of high-quality audio components since 1977.  WHAT IS THX? In 1980, Lucasfilm had a goal.  They wanted the movie going public to experience the soundtrack as the film’s director intended.  The result was the Tomlinson Holman eXperiment (THX).  The outcome of Tom Holman’s research in film sound reproduction led to a unified system design approach that includes room acoustics, crossover design and loudspeaker placement.  THX certification is a standard to which the components of a home theater system are designed.  Some of the standards the Bijou had to meet for THX approval were: • Standardized Input Sensitivity  • Ultra-Low Noise In Multi-channel Applications  • Ultra-Low Hum In Multi-channel Applications  • Constant-Q Design For Predictable Equalization  • Ultra-wide Dynamic Range ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------ PRÉLUDE Faites éclater du maïs et préparez-vous à être complètement émerveillé par votre nouveau système de cinéma maison THX®. L'égalisation de la qualité fait la différence entre un système moyen et un excellent home cinéma, et vous venez de faire un pas de géant vers la réalisation de votre propre palais du cinéma. Les salles de cinéma ont des racks remplis d'égaliseurs pour corriger les performances de leur système audio. L'égaliseur de salle de cinéma maison Bijo

Kemp Elektroniks QA PLUG (QUANTUM APPROACH PLUG) EU PLUG TYPE, no sale outside europe ! Public price: 195 € Perfect condition, sold and sent with original packaging Overview - Shunt device, no dynamic losses possible - Uses Quantum Resonance Theory (QRT) - Two circuits, (LF and HF) using separate power supplies - Adjustable intensity - WA-Quantum and Creaktiv Systems Chips internal - Potted in Akiko Audio Tuning mix (minirals) and a resin to prevent microphonic effects - Can be combined without any problems with any audio mains related products - Multiple QA PLUGS intensify the effect - Simple ‘plug & play’ installatio Details - Enjoy undisturbed sound and vision Truly new visions and products can only emerge by leaving the beaten track. For audio/video products this is definitely not the most common and easy way. Revolutionary technology rarely comes from the marketing department either. For us at KE this is the result from our deep knowledge, thorough development and the strong ambition to create unique products with an outstanding price/performance ratio. The convincing proof that this approach can lead to some very remarkable products can be found in our QA PLUG and SR PLUG. Different and unusual for sure but by no means less effective. Just follow your eyes and ears. The improvement in sound and picture quality is impossible to miss. QUANTUM APPROACH PLUG and AUTOMOTIVE QA MODULE stage depth becomes deeper, higher, wider, naturally balanced with whole lotta “black space” between instruments. Almost holographic. Voices placed in front of drums (as it should be), colour and tidiness of voice to die for. *Step 4: potentiometer turned from 1 o’clock to max. Too much of a good thing equals nogood. *Back to 11 o’clock – back to heaven. The sound reminded me to the “deep listening” sessions after bong (ab)use when I was young(er). *The last step: SR Plug switched of. The sound I’ve thought was fine. seemed - wall of sound! Plugged again. I will never unplug it again. I damn love it. Ivan Benja from Milan (Italy)  Having used the QA-Plug for about a decade now, I was curious of the exclusive Quantum device from NordOst which gave an impression of credibility. However, I preferred the QAPlug from Kemp. My dealer pointed out that the QA-Plug had been upgraded in the meantime, the new version allowing the listener to adjust its strength. This new QA-Plug clearly outperforms the original one! I bought four of them! Two are positioned at the front and two at the back of my listening room, giving the sound from my multichannel system much more realism and sense of space. Dhr. de Jong from Zevenhuizen/ the Netherlands (translated by John van Polen)  StereoTimes.com, March 2011; “Kemp Elektroniks Quantum Approach Plug, Another Black Box”, by Dave Allison “I won’t speculate as to whether the Kemp device has the same effects (or to the same degree) as the Nordost products, but the theory of operation seems to be similar, and the price is right! The Kemp QA Plug remains in my system, and is, in my opinion, a worthwhile system tweak.” review Response from customers I must say, that having just tried the SNS and QA plugs on my setup,they have made a noticeable difference in my system! Much more analogue sounding, with much better layering and separation. Also, more importantly, the dynamics haven’t been dampened a bit!! Wymun from Singapore  The increased detail (from full output) of the QA was not exaggerated, but to my ear a bit too much of a good thing. I then suggested we turn the output down a bit (to approx. 75%). Here the QA was near-perfect....tons of micro-detail, spaciousness, and venue information, but very, very musical. Alan M. Kafton from Phoenix (USA)  I feel very happy with “my” sound: wide, deep, open, transparent, tidy, rich, dynamic. I can hardly imagine anything better downside a 5 fig

There's nothing else like it and only one shows up documented on Youtube. Heard on countless legendary rock and other genre recordings. As in Whole Lotta Love by Led Zep. There is a thread about it on Gearslutz. Unfortunately I never had the means to hook it up to the kind of mixer it needs due to the somewhat complicated and rugged screw-in connectors in the back in lieu of regular audio ins and outs so I was never able to ear it perform. I am more of a hobbyist than a serious high-end studio engineer, which is whom these were made for. It lights up as it shouId so I assume it works as it shouId. But no guarantee for what I was unable to test. Please keep that in mind before you bid. Insured Shipping to USA/AUS/CAN to be negotiated. Please ask before you bid.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself. I bought it used from the exclusive Schoeps French distributor Areitec in 2017, so it should be in good working condition. Invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.

*RARE* Philips FP 440 - Electronic linear turntable - working condition. Hi, I'm selling this beautiful turntable because I've got no use for it anymore. It's a Philips FP 440, a rare turntable which have the oddity to have a drawer like loading mechanism. This unit works fine, the drawer is not jammed and opens as expected. I've never opened the unit for maintenance so it might need some to make it last longer. At least, it still works. It has some light scratches, here and there, due to normal usage. There's a bigger scratch on the top (see pictures) but that does not prevent the unit to work and should be easy to get off with the right technique. It still has its original stylus and the 33rpm to 45rpm disc adapter, located in the drawer. There's also the small brush that came with it, cleaning the stylus each time the drawer is opened. It has power cable and audio cables hardwired in the unit. The power supply is 220V only. I'll send the unit using the UPS standard service, sorry for the high shipping cost. I never had any issues shipping fragile items with them. The unit will be well protected and all moving parts will be secured. The shipping costs takes into account the packaging itself I have to provide and the fact that I have to drive 60km, round trip, to go to the nearest UPS Access Point. So that's why the shipping cost is a bit higher than you should expect (I added approx 5€ for packaging and fuel). Sorry non-European buyers, the shipping cost is too high for non-European countries (almost 120€ !) and I don't want to take the risk to send the unit that far, I'm sorry. If you want more photos (or even videos) or more info, feel free to send me a message. I'll answer as soon as I can. If you have any doubt, ask me, I don't accept returns. Thank you and happy biding.

La vente comprends: - Le Canon 50mm f/0.95 "Dream Lens" converti en Leica M Mount. - Le filtre d'origine à savoir le "Canon 72mm SKYLIGHT 1x". - Le bouchon avant d'origine "Canon" - Bouchon arrière Leica M Vente à distance ou en main propre (dans la région parisienne). Objectif en très bon état à l'exception d'un petit champignon à l'arrière mais qui n'évolue absolument pas et n'influe en rien sur les photos. Cet objectif est développé comme l'un des objectifs standard de l'appareil photo télémétrique Canon 7. Il avait la plus grande ouverture au monde pour les objectifs photographiques disponibles sur le marché à l'époque. Il attire beaucoup d'attention en tant que «lentille de rêve», car il est quatre fois plus rapide que l'œil humain. La monture d'origine de l'objectif est un système à baïonnette à 3 pattes, comme la Mirror Box II (les caméras ont une monture S à l'intérieur de la monture à baïonnette). Il a était converti en Leica M mount. Le bord de l'élément de lentille le plus en arrière est coupé pour éviter le frottement avec le rouleau de verrouillage du mécanisme du télémètre. C'est une lentille de type Gauss avec 7 éléments en 5 groupes. --------------------------------------------------------------------------------------- --------------------------------------------------------------------------------------- The sale includes: - Lens: Canon 50mm f/0.95 "Dream Lens" converted to Leica M Mount. - Original filter namely the "Canon 72mm SKYLIGHT 1x". - The original front cap "Canon" - A Leica M rear cap Distance selling or in person (in the Paris region). Lens in very good condition with the exception of a small mushroom on the back but which absolutely does not change (evolve) and does not influence the photos. This lens is developed as one of the standard lenses for the Canon 7 rangefinder camera. It had the largest aperture in the world for photographic lenses available in the market at the time. It attracts a great deal of attention as a “dream lens”, as it is four times faster than the human eye. The lens mount is clip-on, 3-lug bayonet system like the Mirror Box II (cameras have S mount inside bayonet mount). The edge Converted to Leica M Mount. of the rearmost lens element is cut off to avoid friction with interlocking roller of range finder mechanism. It is Gauss type lens with 7 elements in 5 groups.

Sony a7iii 24MP Camera body only, has been barely used, with a low shot count and is generally as new without any signs of wear. Please see photos. **PLEASE NOTE** - This camera has had a battery grip installed and as such the battery door is slightly stiff but otherwise functions normally. Comes with charger + cables for UK and US as factory standard, original strap, body cap, manual/user guide and the box is the original and in good condition.

Schoeps DSP-4 KFM 360 This unit is in good cosmetic condition and turns on, but I did not test it myself with mikes. It is a former demo unit from the exclusive Schoeps French distributor Areitec. I bought it from them in 2017, so it should be in good working condition. Original invoice is available. I never had any opportunity to use this fantastic piece of gear. Sold as is. Comes in its original Schoeps wooden box with a Schuko power cord (France), a stereo XLR cable (5 pins) and a XLR split Y cable. The DSP-4 KFM 360 is a 24-bit processor unit. Together with the sphere microphone KFM 360 and two bidirectional compact condenser microphones CCM 8L, it forms a compact 5.1 surround recording system with excellent spatial imaging capability. The processor derives the six 5.1 surround channels from only four microphone signals (the two pressure transducers in the KFM 360 plus two figure-8s) and offers a wide range of selectable settings. The primary characteristics of the DSP-4 KFM 360 are:  – analog and digital inputs and outputs  – integrated 48 Volt phantom powering and microphone preamplification  – built-in equalization for the microphones  – digital processing can be performed during or after the actual recording  – analog control “feel”  – capability to store control “presets”  – directionality of the front and rear channel microphones is independently selectable  – the stereo basis width of the front channels is independently variable  – adjustable time delay and low-pass filtering for the rear channels  – sampling rate 44.1, 48 or 96 kHz, 24 bit In addition to amplifying the microphone signals, in the “B: SURR” operating mode the DSP-4 KFM 360 provides compensation for the low-frequency response of the figure-8 microphones and appropriate diffuse-field equalization for the pressure transducers. The front-channel outputs result from summing the outputs of the pressure transducers with the outputs of the figure-8s, while the rear-channel outputs result from subtracting these signals (see drawing on next page). The resulting “virtual microphones” face frontward and backward as do the actual figure-8s. The directional patterns of the front- and rear-facing “virtual microphones” may be set independently, from omnidirectional through cardioid all the way to figure-8 (though the extreme settings are of only limited usefulness). This permits flexible adaptation to the particular acoustic conditions of the recording venue, since the choice of directional pattern affects the amount of reverberant energy that will be picked up. If the unprocessed microphone signals are recorded (four channels), the effective directional settings can be chosen retroactively during post-production playback. The center channel signal is derived from the front channels by a matrix. An additional channel contains only a low-frequency signal up to 80 Hz, which is obtained by summing the pressure transducer outputs and reducing the total level by 6 dB. To prevent the disturbing effect of rear channel localization of sound sources, the rear channel signals can be reduced in level, delayed and/or processed by an adjustable low-pass filter. In addition to these primary functions, each selector switch also has a secondary function that allows, for example, the relative front-to-back channel gain or the left/right balance to be adjusted. While recording there is also a monitoring function which permits twelve different signals to be heard through Output III, as determined by the set- ting of the REC MONITOR knob.