Listening reading

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

【Excellent bass sound and best design】: Aoslen headset with CSR 8645 chip and latest Bluetooth 5.0 technology with improved data rate and CVC6.0 noise reduction, which enables hi-fi stereo bass sound and better signal quality. In-ear headphones provide good protection for users from outside noise and are designed for exclusive listening. 【12 hours of playtime】: CSR chips and the latest Bluetooth 5.0 technology ensure extremely low power consumption. So our headsets can be recharged quickly for 1.5 hours and enjoy 12 hours without interruption. 【Balance Design】: Intelligent left and right balance design, let the total weight of the earphone from your ear to your shoulder. Very light, especially suitable for sports, hiking, reading, horse riding and driving. Ergonomic in-ear shape, easy to match your ears. 【Put on and avoid losing magnetic items】 Convenient product design with magnets to put it comfortably around the neck when not in use. When playing sports, going, on the bus, in the crowd, the headset can also be hung on your neck without losing or falling off. 【Wide Compatibility and Easy Use】: Bluetooth 5.0 a stable signal range up to 10 meters and a built-in noise-canceling HD microphone for a clear calling experience. Easy hands-free control, song change and volume adjustment. Compatible with most bluetooth devices like iPad, iPhone, Android, Samsung, etc. Aoslen Bluetooth earphones deliver clear, authentic sound with optimized noise isolation for an immersive listening experience. State-of-the-art acoustic design provides perfect reproduction of treble and bass without distortion. The design of the Aoslen U8 Bluetooth neckband headset is designed for sports, unleash your passion while you are doing sports. Comfortable, anti-fall and painless: Unique ear design, easy to put in your ears, comfortable to wear, suitable and painless for long time use. Continuous stereo music: The Bluetooth headsets are equipped with a 13mm transducer, the latest decoding technology, Bluetooth V4.2 technology and the CSR chip and produce a sound similar to a CD. 12 hours of playing time: The upgraded lithium polymer battery brings you up to 12 hours of music and social enjoyment with a quick charge of just 1.5-2 hours. Constant signal and wide compatibility: Range up to 10m and great compatibility for most devices. Boat to be paired press and hold the MFB button for approximately 3 seconds until the blue light flashes. Then the red and blue lights flash alternately. Click on U8 to establish the Bluetooth connection with your phone. If the headset can not connect your device after use, please charge it for a few seconds, erase the Bluetooth option "U8" and reconnect it again. If you receive a call while listening to a headset, the built-in volume control technology allows you to take calls or reject the call and Volume adjustment. Once the call is forgotten or ended, you can seamlessly switch from music to your phone.

Parfait  état, fonctionnement parfait testé, sera très solidement emballé. Peut être envoyé de france Suisse vers Suisse 14 Frs en recommandé Pour pays hors Europe me contacter pour les frais d'envoi  Bonnes enchères  This Pioneer CT-S670D is a stereo cassette deck with Dolby B/C and HX-Pro noise reduction, it was first sold by Pioneer in 1997 with a manufacturer suggested retail price of USD $310 and discontinued a year later. The main features of the Pioneer CT-S670D are: 3 heads and off-tape monitoring, digital linear tape counter with 4 digits, automatic tape type selection and capable of handling normal, chrome and metal tapes, belt driven single-capstan transport. Typical front loading cassette deck with the cassette compartiment located on the center of the deck. Tape loading/unloading is operated motorized and the cassette needs to be placed with the side to be played facing forward in the cassette well. Level meters used on the CT-S670D are generic digital peak reading meters with peak hold for easy adjustment of optimum recording level. Full-logic transport controls used on the CT-S670D let it respond to the slightest finger contact for fast and effortless transport function selection. To ensure the best response from the wide variety of tapes available adjustment of, bias, equalization and sensitivity, to optimum levels can be performed prior to recording. Dolby C-type used in the CT-S670D provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. The Dolby HX PRO system provides precise bias control during recording to reduce distortion and improve linearity in the high-frequency range, the result is recorded sound that is highly faithful to the original. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. -  Advanced 3-Head System -  20bit A/D - D/A Converter -  Super Auto BLE XD -  Digital Processing System -  ALCA (Auto Level Control with Tape Analysis) -  Legato Link Conversion -  FLEX (Frequency Level Expander) Stereo Cassette Deck (1998)  (1 review) Specifications Type: 3-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.75 cm/s Heads: 1 x combination record/playback, 1 x erase Motor: 1 x reel, 1 x capstan, 1 x assist Tape Type: type I, CrO2, Metal Noise Reduction: B, C, HX Pro, Digital NR Frequency Response: 20Hz to 21kHz  (Metal tape) Signal to Noise Ratio: 90dB  (Digital NR) Wow and Flutter: 0.05% Total Harmonic Distortion: 0.6% Input: 100mV (line) Output: 0.5V (line) Dimensions: 420 x 128 x 277mm Weight: 4.5kg Year: 1998 Note: digital optical input

Le walkman a été testé, toutes les fonctions marchent correctement, bonne lecture, pas de grésillement à l'écoute. Il est complet (notices, batterie, chargeur housse) à part un volet du compartiment additionnel de piles manquant (raison du retour en magasin). poids avec accessoires et boîte: 618grammes si vous voulez, je donne avec le lot de cassettes (poids 2335 grammes). Il faut alors ajuster les frais de port. The walkman has been tested, all functions work correctly, good reading, no crackling when listening. It is complete (instructions, battery, cover charger) except for one flap of the additional battery compartment missing (reason for returning to the store). weight with accessories and box: 618grams If you want, I give with the set of cassettes (weight 2335 grams). It is then necessary to adjust the shipping costs.

- Sony TC-K7II -             "Pour pièces détachées/ne fonctionne pas" L'appareil s'allume mais ne fonctionne plus sur les modes: lecture, avance et retour rapide, enregistrement. Notez un éclat dans la vitre de la porte (voir photo N°12) L'appareil et dans un bel état et l'intérieur semble sain. Superbe fabrication. _______________________________________________________ De: cassettedeck.org This Sony TC-K7II is a stereo cassette deck with Dolby B noise reduction, it was first sold by Sony in 1977 with a recommended retail price of USD $540 and discontinued 3 years later in 1980. The main features of the Sony TC-K7II are: 2 heads, mechanical 3 digit tape counter and memory stop, manual tape type selection and capable of handling normal, chrome and ferro-chrome tapes with additional manual equalization selection, belt driven single-capstan transport. Typical front loading cassette deck with the cassette compartiment located on the left side of the deck. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well. Level meters used on the TC-K7II are analog needle VU reading meters. Full-logic transport controls used on the TC-K7II let it respond to the slightest finger contact for fast and effortless transport function selection. The Dolby-B system reduces tape hiss on tapes recorded on the TC-K7II by as much as 10 dB at the highest frequencies. The 19kHz multiplex pilot slgnal present in FM stereo broadcasts can cause false triggering of the noise reduction system. The switchable MPX filter of the TC-K7II filters out the pilot signal, and assuring proper Dolby processing of FM stereo programs. To make live recordings this deck has 2 microphone inputs to connect microphones with a jack connector. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable.  Ce Sony TC-K7II est une platine cassette stéréo avec réduction du bruit Dolby B, elle a été vendue pour la première fois par Sony en 1977 avec un prix de détail recommandé de 540 USD et abandonnée 3 ans plus tard en 1980.Les principales caractéristiques du Sony TC-K7II sont: 2 têtes, compteur de bande mécanique à 3 chiffres et butée de mémoire, sélection manuelle du type de bande et capable de gérer des bandes normales, chromées et ferro-chromées avec sélection d'égalisation manuelle supplémentaire, cabestan simple à entraînement par courroie transport.Platine cassette à chargement frontal typique avec le compartiment cassette situé sur le côté gauche de la platine. L'éjection de la bande est actionnée mécaniquement et la cassette doit être placée avec la face à lire tournée vers l'avant dans le logement de la cassette.Les indicateurs de niveau utilisés sur le TC-K7II sont des indicateurs de lecture analogiques à aiguille VU. Les commandes de transport entièrement logiques utilisées sur le TC-K7II lui permettent de répondre au moindre contact du doigt pour une sélection rapide et sans effort des fonctions de transport.Le système Dolby-B réduit le souffle de bande sur les bandes enregistrées sur le TC-K7II jusqu'à 10 dB aux fréquences les plus élevées. Le slgnal pilote multiplex de 19 kHz présent dans les émissions stéréo FM peut provoquer un faux déclenchement du système de réduction du bruit. Le filtre MPX commutable du TC-K7II filtre le signal pilote et assure un traitement Dolby correct des programmes stéréo FM.Pour faire des enregistrements en direct, cette platine dispose de 2 entrées micro pour connecter des microphones avec un connecteur jack. Pour une écoute sans problème, un connecteur jack pour une paire d'écouteurs stéréo est fourni. La connexion à d'autres composants audio pour playback peut être réalisée par un câble RCA et l'enregistrement à partir d'un

Richard Wagner Tristan und Isolde Sous titre: Complète orchestral Score Auteur : X Éditeur : Dover Date : 1973 (copyright 1973) en anglais Résumé du livre : Among musicologists and serious lovers of music Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of 19th-century Europe. It shows in most successful form Wagner's unsurpassed gift for utilizing the instruments of the orchestra, and generations of students have worked with it to learn its techniques. Tristan und Isolde also has a remarkable historical position. It was the opera which most of the post-Wagnerians used to build upon, and it was also the opera which the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late 19th- and early 20th-century musicians had to come to terms, and much musical history of this period can be understood through it. This present edition reproduces the full orchestral score in a clear, modern en graving for easy reading and piano study, with large legible notation. Do not confuse this with a piano rendering; it is a full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to record sets or broadcasts. In no other manner can the listener keep full awareness of the incredible orchestral richness of this opera. Unabridged republication of the Peters, Leipzig (c. 1910) edition. A few stage directions added by Felix Mottl. ix + 655pp. 81/8 x 11. 22915-7 Paperbound A DOVER EDITION DESIGNED FOR YEARS OF USE! We have made every effort to make this the best book possible. Our paper is opaque, with minimal show-through; it will not discolor or become brittle with age. Pages are sewn in signatures, in the method traditionally used for the best books, and will not drop out, as often happens with paperbacks held together with glue. Books open flat for easy reference. The binding will not crack or split. This is a permanent book. Format/Poids : 21x28 cm, 1,500 kg C Couverture : Reliure d'éditeur souple Nombres de pages : 655 pages. État : d’usage, très bon, légèrement émoussé A Noter !!! Règlement: Chèque personnel, Virement bancaire, Paypal, remise en main propre. Pour plusieurs articles, les frais d’expédition sont ajustés en fonction du poids et de la destination. Les frais de port comprennent, l’expédition, l’emballage et la main d’œuvre. J’expédie dans le monde. J’envoie mes colis le jeudi de la semaine suivant l'achat pour l'imiter mon impact environnemental donc pas de panique. Photos contractuelles!! Pas de surprise !! Vous achetez ce que vous voyez. L’appréciation de l'état d'un objet étant propre a chaque personne, regardez bien les photos avant d'acheter. Visiter mes autres offres.

Recently Serviced with original Nakamichi service tapes Vintage Nakamichi CR-4A. This tape deck has never been in contact with smoke or animals. This piece is in very good condition - just some faint marks due to the age here and there - the cover has just been painted, sounds amazing, and had very cool lights. Everything works like it should. This Nakamichi CR-4 is a stereo cassette deck with Dolby B and C noise reduction, it was first sold by Nakamichi in 1988 with a recommended retail price of USD $995 and discontinued 2 years later in 1990. The main features of the Nakamichi CR-4 are: 3 discrete heads and off-tape monitoring, digital tape counter with 4 digits and memory stop, manual tape type selection and capable of handling normal, chrome and metal tapes with additional manual equalization selection, dual capstan transport. Typical front loading cassette deck with the cassette compartiment located on the left side of the deck. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well which is opened by a damped mechanism. Level meters used on the CR-4 are digital LED peak reading meters. Full-logic transport controls used on the CR-4 let it respond to the slightest finger contact for fast and effortless transport function selection. To ensure the best response from the wide variety of tapes available adjustment of, sensitivity, to optimum levels can be performed prior to recording. Dolby C-type used in the CR-4 provides 20 dB of noise reduction above about 1,000 Hz, fully doubling the amount given by B-type. The 19kHz multiplex pilot slgnal present in FM stereo broadcasts can cause false triggering of the noise reduction system. The switchable MPX filter of the CR-4 filters out the pilot signal, and assuring proper Dolby processing of FM stereo programs. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. All main transport commands can be issued remotely with a wired remote control.

Platine à cassette double d'AIWA, AD-WX 999 à vendre, platine à cassette double d'AIWA, AD-WX 999 modèle haut de gamme de la marque, Avec suppression du bruit Dolby B/C et HX Pro, options de réglage et de transfert diverses et variées (également possibles entre elles, car les deux magnétophones peuvent enregistrer en même temps, et double auto reverse ! Avec télécommande ! En complet état de marche à nettoyer. Serial Number: P91026011 ------------------------------------------------------------------------------------------------------------------------------------------------ The Aiwa AD-WX999 is a auto-reverse stereo double cassette deck with Dolby B noise reduction, it was introduced by Aiwa in 1992 and discontinued a year later. The main features of the Aiwa AD-WX999 are:, electronic tape counter with 4 digits, tape type selection with support for normal, chrome and metal tapes, belt driven auto reverse transport. Typical front loading double cassette deck with the cassette compartiment located on both sides of the deck. Tape eject is operated mechanically and the cassette needs to be placed with the side to be played facing forward in the cassette well. Level meters used on the AD-WX999 are generic digital peak reading meters. Full-logic transport controls used on the AD-WX999 let it respond to the slightest finger contact for fast and effortless transport function selection. The Dolby-B system reduces tape hiss on tapes recorded on the AD-WX999 by as much as 10 dB at the highest frequencies. For undisturbed listening a jack connector for a pair of stereo headphones is supplied. Connection to other audio components for plaback can be achieved by a RCA cable and recording from a source by a RCA cable. --------------------------------------------------------------------------------------------------------------------------------------- Aiwa AD-WX999 Double Cassette Deck (1989-93) Specifications: Type: auto reverse, double compact cassette deck, double record deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 2 x playback/record, 2 x erase Tape Type: type I, CrO2, Metal Noise Reduction: B, C Headroom Extension: HX Pro Frequency Response: 20Hz to 18kHz  (Metal tape) Signal to Noise Ratio: 78dB  (dolby C) Wow and Flutter: 0.055% Dimensions: 16-15/16 x 5-9/16 x 12-3/8 inches Weight: 11.9lbs Finish: black Accessories: remote control Year: 1989