Nice based spin

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Preampifier Goldmund SR 8 Made in Switzerland in NM condition with original box, manual and remote control. This unit was sold 11000€. A real opportunity ti get a very high end Preamp to a very nice price - Full DSP (SHARC) based OS and decoding, driven by upgradable software; - Fully configurable via PC-based software; - Full digital signal transmission at 24-bit/96kHz; - Very high quality Analogue-To-Digital converters; - Superb AC3/DTS decoding; AAC ready. - Sonically transparent as a pre-amp; - Superbly built remote-control. Milled out of a solid metal block, same as Mimesis 24/30. - Superb Swiss-made built quality. I have two preamplifiers for sale. The price is for one unit.

IBZ PIA VAI 80’s style Tribute "CANDY GREEN HEAVY-RELIC «  based on a genuine "1990 Ibanez » Made in Japan by Fugijen neck refinished in full-nitro, EU luthier PIA replica Alder body and Handwound in USA very High-Gain Pickups. Genuine Floyd-Rose trem, Gotoh tuners, Bourns elecs. - Selected 2 pieces alder body PIA VAI replica, made especially by luthier in Europe for this project and to fit the exact original Ibanez 1990 neck specs. - Heavily Aged in 100% full-nitrocellulose « Candy Green » by S71 Guitars. - Original "1990 IBANEZ » neck (serial F035656, stamps at heel) made by Fujigen in Japan, the mythical 80-90’s Ibanez neck with a superb Rosewood fretboard Radius 16 and a very nice Maple neck with the famous 80’s « Wizard II » profil. - The back of the neck was completely refinished, lacquer removed by S71 and redone in full-nitro for a very smooth feeling and nice Aged effect. - The Wizard II is a thin, C shape that became popular in the 80's and remains so today. Easy access and speedy fretting define this shape. - Thickness at 1st Fret: .750 » / Thickness at 12th Fret: .820 », 22 Jumbo frets in perfect shape. - Handwound Pickups in Dallas, Texas, USA by « Collins » with very high-output Handmade especially for this project. - Humbucker bridge 16kohm, Middle 8k, Neck 14k. - Neck Humbucker split via Mini-switch. - Bourns Audio Pro USA Volume pot, 5 Way Oak Grigsby, Mini-Switch AllParts USA, Jack output made in Japan by Hosco. - Genuine Floyd-Rose Special Tremolo aged in Gold finish. - Gotoh made in Japan tuners, nicely aged. - Genuine Ibanez neck plate from 1986, naturally aged - Heavy Gold knob and Straps made in Japan by Gotoh. - ABS Hardcase (Gator type) & S71 Certificat included. All the parts except the 1990 Ibanez neck and neck plate are perfectly new and were aged for this particular project. This must be one of the first worldwide new Vai Signature guitar in full-nitro RELIC finish, so grab a unique piece of art with an amazing neck and high-end Handmade Pickups.

!Attention! Marche mal, de ce que j'ai observé: LECTEUR LASERDISC THOMSON Player LVD 2000 CD CDV LD exactement le même que le PIONEER CLD-2850 Ne fonctionne pas correctement: La lentille oscille en permanence comme pour trouver la bonne distance. Autoriverse bloque: passage à la face B bloque complétement: le chariot ne s'engage pas dans le rail du haut en restant bloqué dans le mécanisme de rotation au fond, il faut le débrancher pour arrêter l'engagement désespéré de la tête. 1 fois sur 2 le disque mets un temps à s'arrêter (pas freiné) Ressort de mécanisme de trappe de tiroir réparé. Une grosse rayure sur le capot du lecteur. AVEC TÉLÉCOMMANDE Désolé pour la qualité des photos, elles sont tirées d'une vidéo basse résolution Lazerdisc lazer disc laser disc disque laserdisque LD discovision CDV LD Tomson LDV2000 identique en tout point au Pionner Pioner Pionneer CLD2850 CLD 2850 CLD-2850   Thomson LDV2000 (exactly the same as the 2850) half the time the disc doesn't be slow, it took time for the spin to finish and eject the disc, every time the changing side block (does not engage, horrible big cracking sound, 95% of the time the head can't focus the disc (we ca hear it trying to focus in rapid mouvements), the only time it works the picture was not nice and the soud is nearly inaudible. with working remote   Regards Without remote

RARE - Sony Rolly SEP-30BT Dancing Bluetooth Speaker - (2008). Super RARE High-Tech Speaker Made by Sony in 2008. Very few items for sale on the internet. For High-Tech collectors/enthusiasts. Only used 2-3 times to check if it works. Has been stored in a cool and dry place.  A very few scratches on the bottom of the box.  Super Nice state.  Description:  - Rolly is an egg-shaped digital robotic music player made by Sony,[1] combining music functions with robotic dancing. It has two wheels that allow it to rotate and spin, as well as two bands of colored LED light running around its edge and cup-like "wings" (or "arms" according to the Sony sonystyle USA website) which can open and close on either end, all of which can be synchronized to the music being played. Rolly is equipped with Bluetooth, it can also stream music transmitted wirelessly through this, from mobiles, laptops or other music players. Format 104 x 65 x 65 mm, this musician and dancer robot weighing 300 grams Built-in 2 GB flash memory, Rolly Storage unit 520 titles of four minutes each, encoded in MP3 or AAC format, at 128 kbps. Five hours of music or four hours of music with dance. 1560 mAh lithium-ion battery Charging the battery Via USB cable Battery life Music: approx. 5 hours; Music and movement: approx. 4 hours Bluetooth A2DP (Audio Streaming) function; Internal memory Flash memory 2 GB Supported audio formats MP3, AAC (DRM free)

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

DYNACORD DRP16 DIGITAL REVERB digital rackmount reverb based on old TTL logic made in Germany. Really nice sound.

DAC LKS Audio MH-DA004. DAC based on chipset Sabre32 ES9038 pro, digital inputs: COAX, BNS, AES, OPT, I2S-H, I2S-E, USB - analog outputs: balanced and COAX. formats: PCM 16-24 bits 44 - 768KHz, DSD 64x in DOP (DSD over PCM) mode over I2S-H (HDMI standard cable). Announced capacity: DSD 64x à 1024x over USB input, never tested. Nice LCD display with filter, mode DPLL, type of the current reading... 7kg, 43x32x9 cm. First hand, purchased nov 2021, sold cause replacement. En savoir plus Collaboration commerciale.