Only god was above

Le vinyle b'"'Only God Was Above Usb'"' est un disque 33 tours issu des archives d'enregistrements historiques. Ce disque est un témoignage important de l'histoire de la musique mondiale avec des morceaux variés provenant de différents pays et genres musicaux. Ce vinyle est idéalement adapté aux collectionneurs passionnés par les musiques du monde entier ou à ceux qui cherchent à diversifier leur collection vinylique. Les morceaux présents sur ce vinyle sont tous remastérisés afin de garantir une qualité sonore exceptionnelle. Le disque est encadré dans une pochette robuste et résistante avec des informations détaillées sur chaque morceau, y compris les crédits artistiques et techniques. La conception graphique de cette pochette est inspirée par les designs vintage des années 1970 et donne au vinyle un aspect nostalgique et charmant. En plus de sa valeur historique et sonore, ce vinyle b'"'Only God Was Above Usb'"' est également un objet esthétiquement agréable à voir grâce à sa conception graphique soigneuse et sa qualité physique élevée. Il s'agit d'un disque unique et incontournable dans toute collection vinylique sérieuse ou passionnée. Les morceaux présents sur ce vinyle b'"'Only God Was Above Usb'"' incluent: - b'"'Baba O'Riley (Teenage Wasteland)b'"' by The Who (États-Unis) - b'"'La Bambab'"' by Ritchie Valens (États-Unis) - b'"'La Vida Es Un Ríob'"' by Juan Gabriel (Mexique) - b'"'Mas Que Nadab'"' by Sergio Mendes b'&' Brasil '66 (Brésil) - b'"'Aquarius/Let the Sunshine Inb'"' by The 5th Dimension (États-Unis) - b'"'Twist and Shoutb'"' by The Beatles (Royaume-Uni) - b'"'Misirloub'"' by Dick Dale (États-Unis) - b'"'Green Onionsb'"' by Booker T b'&' the MG's (États-Unis) - b'"'The Girl from Ipanemab'"' by Stan Getz b'&' João Gilberto (Brésil) - b'"'Blue Suede Shoesb'"' by Elvis Presley (États-Unis) Avec son contenu varié et sonorité exceptionnelle, ce vinyle b'"'Only God Was Above Usb'"' offre une expérience auditive unique et incomparable. Il est disponible exclusivement dans notre boutique en ligne ou dans notre magasin physique. N'hésitez pas à faire vos commandes ou à venir nous rendre visite pour découvrir cette merveille auditive ! En savoir plus

BLOW MONKEYS "She Was Only a Grocer’s Daughter": I doesn’t have to be this way - Some kinf of wonderful - Out with her - How long can a bad thing last - Man at the end of his tether - Rise above - The day after you - Checkung out - Don’t give it up - Cash - Beautiful child LP / RCA - PL 71245 (1987) Pochette EX / Disque EX /Poch interne avec textes Envoi soigné et sécurisé en recommandée (avec suivi) POUR UN ENVOI EN FRANCE, LES FRAIS DE PORT SERONT RAMENÉS À 2€30 (ATTENDRE LA FACTURE AVANT DE FINALISER) /// Pochette ou Disque EX ne veut pas dire NEUF, mais proche du neuf // Pochette VG ++ marques discrètes d’usure ou trace étiquette ou petite écriture // Pochette VG + cumul ou accentuation usure, écritures, étiquettes // Disque VG ++ signale qq imperfections peu génantes // Disque VG + imperfections plus audibles et/ou plus nombreuses // voir précisions pour chaque disque // Tous mes disques sont vérifiés à l’écoute Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

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Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

Je recalcule les frais de port pour l'achat de plusieurs objets!! envoi groupé moins chèr see also the other cd's of this collection in my shop voir aussi les autres cds de cette collection dans ma boutique ------------------------------------------------------------------- CD: "Billie Holiday" Jazz-Masters - 100 ans de jazz   e.f.s.a. collection 1996   e.a. let's do it georgia on my mind st. louis blues fine and mellow the man i love summertime all of me   Billie Holiday (born Eleanora Fagan[1][4] April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Critic John Bush wrote that Holiday "changed the art of American pop vocals forever."[5] She co-wrote only a few songs, but several of them have become jazz standards, notably "God Bless the Child", "Don't Explain", "Fine and Mellow", and "Lady Sings the Blues". She also became famous for singing "Easy Living", "Good Morning Heartache", and "Strange Fruit", a protest song which became one of her standards and was made famous with her 1939 recording. Music critic Robert Christgau called her "uncoverable, possibly the greatest singer of the century".............. --------- Billie Holiday, de son vrai nom Eleanora Fagan, née à Baltimore le 7 avril 1915 et morte à New York le 17 juillet 19591, est une chanteuse de jazz américaine considérée comme l'une des plus grandes chanteuses que le jazz ait connu.Quand Eleanora Harris naît à Baltimore en 1915, sa mère, Sadie Harris, a 13 ans et son père, Clarence Holiday, 17. Dans Lady Sings the Blues2, Billie Holiday, réécrivant son histoire, ajoute quelques années à son père, plus encore à sa mère, et en fait un couple marié. C'est l'une des nombreuses déformations de la réalité que Billie elle-même entretenait et dont son autobiographie a prolongé les effets. La réalité est un peu moins idyllique. Clarence et Sadie ne se sont jamais mariés. Clarence Holiday ne reconnaît pas l'enfant, il est guitariste de jazz, et passe sa vie dans les clubs la nuit, sur les routes le jour..............   mandarin records ltd ireland 1996   CONDITION: VOIR PHOTO   bon état! (carton/box traces d'usage)      N'oubliez pas d'aller voir mes autres objets !! Pour économiser sur les frais de port, pensez à grouper vos commandes. Envoi RAPIDE et SOIGNÉ !! Frais de port = montants arrondis, inclus expedition, emballage bien protégé, transport, etc. Mes livres ou objets sont généralement proposés avec l’envoi le plus économique, comme 'lettre' (ou international par 'livres-brochures'). Dans ce cas les livres/objets voyagent aux risques et périls de l’acheteur. Si vous souhaitez une livraison garantie avec suivi, merci de me contacter, avant paiement, pour opter pour le Colissimo ou le recommandé. Mes objets sont emballés très soigné, protection efficace,(voir mes evaluations) et mon adresse figure systématiquement au dos ét dans le paquet, puor le renvoi, en cas non distribuable. Dans le cas d’une livraison économique: je ne pourrai pas être tenue responsables de détérioration ou des pertes de la Poste. N'oubliez pas d'aller voir mes autres objets !! Pour économiser sur les frais de port, pensez à grouper vos commandes. Envoi RAPIDE et SOIGNÉ !! Frais de port = montants arrondis, inclus expedition, emballage bien protégé, transport, etc. Mes livres ou objets sont généralement proposés avec l’envoi le plus économique, comme 'lettre' (ou international par 'livres-brochures'). Dans ce cas les livres/objets voyagent aux risques et périls de l’acheteur. Si vous souhaitez une livraison garantie avec suivi, merci de me contacter, avant paiement, pour opter pour le Colissimo ou le recommandé. Mes objets

Je recalcule les frais de port pour l'achat de plusieurs objets!! envoi groupé moins chèr see also the other cd's of this collection in my shop voir aussi les autres cds de cette collection dans ma boutique ------------------------------------------------------------------- CD: "Billie Holiday" Jazz-Masters - 100 ans de jazz   e.f.s.a. collection 1996   e.a. let's do it georgia on my mind st. louis blues fine and mellow the man i love summertime all of me   Billie Holiday (born Eleanora Fagan[1][4] April 7, 1915 – July 17, 1959) was an American jazz singer and songwriter. Nicknamed "Lady Day" by her friend and musical partner Lester Young, Holiday had a seminal influence on jazz and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Critic John Bush wrote that Holiday "changed the art of American pop vocals forever."[5] She co-wrote only a few songs, but several of them have become jazz standards, notably "God Bless the Child", "Don't Explain", "Fine and Mellow", and "Lady Sings the Blues". She also became famous for singing "Easy Living", "Good Morning Heartache", and "Strange Fruit", a protest song which became one of her standards and was made famous with her 1939 recording. Music critic Robert Christgau called her "uncoverable, possibly the greatest singer of the century".............. --------- Billie Holiday, de son vrai nom Eleanora Fagan, née à Baltimore le 7 avril 1915 et morte à New York le 17 juillet 19591, est une chanteuse de jazz américaine considérée comme l'une des plus grandes chanteuses que le jazz ait connu.Quand Eleanora Harris naît à Baltimore en 1915, sa mère, Sadie Harris, a 13 ans et son père, Clarence Holiday, 17. Dans Lady Sings the Blues2, Billie Holiday, réécrivant son histoire, ajoute quelques années à son père, plus encore à sa mère, et en fait un couple marié. C'est l'une des nombreuses déformations de la réalité que Billie elle-même entretenait et dont son autobiographie a prolongé les effets. La réalité est un peu moins idyllique. Clarence et Sadie ne se sont jamais mariés. Clarence Holiday ne reconnaît pas l'enfant, il est guitariste de jazz, et passe sa vie dans les clubs la nuit, sur les routes le jour..............   mandarin records ltd ireland 1996   CONDITION: VOIR PHOTO   bon état! (carton/box traces d'usage)      N'oubliez pas d'aller voir mes autres objets !! Pour économiser sur les frais de port, pensez à grouper vos commandes. Envoi RAPIDE et SOIGNÉ !! Frais de port = montants arrondis, inclus expedition, emballage bien protégé, transport, etc. Mes livres ou objets sont généralement proposés avec l’envoi le plus économique, comme 'lettre' (ou international par 'livres-brochures'). Dans ce cas les livres/objets voyagent aux risques et périls de l’acheteur. Si vous souhaitez une livraison garantie avec suivi, merci de me contacter, avant paiement, pour opter pour le Colissimo ou le recommandé. Mes objets sont emballés très soigné, protection efficace,(voir mes evaluations) et mon adresse figure systématiquement au dos ét dans le paquet, puor le renvoi, en cas non distribuable. Dans le cas d’une livraison économique: je ne pourrai pas être tenue responsables de détérioration ou des pertes de la Poste. N'oubliez pas d'aller voir mes autres objets !! Pour économiser sur les frais de port, pensez à grouper vos commandes. Envoi RAPIDE et SOIGNÉ !! Frais de port = montants arrondis, inclus expedition, emballage bien protégé, transport, etc. Mes livres ou objets sont généralement proposés avec l’envoi le plus économique, comme 'lettre' (ou international par 'livres-brochures'). Dans ce cas les livres/objets voyagent aux risques et périls de l’acheteur. Si vous souhaitez une livraison garantie avec suivi, merci de me contacter, avant paiement, pour opter pour le Colissimo ou le recommandé. Mes objets sont em

  A Grammar of the Russian Language (Classic Reprint) William Richard Morfill Total waste The OCR ourput has not been revised and edited. The Russian cyrillic characters are almost always seen as latin characters. Completely useless. 99% was automatically scanned as roman, not cyrillac. Completely useless. 99% was automatically scanned as roman, not cyrillac, and not corrected manually. Do Not Buy!!! save you 99c and buy another book. My object bas been to give a concise and clear analysis of the word-forms and syntax of tbe Eussian language. In the paradigms of the nouns and verbs I have chiefly followed the arrangement of Miklosich (V ergleichende Grammatik derS lavischen Sprachen, second edition, Vienna, 1879). I have treated the grammatical forms in such a way as to shew their relation to theO ld Slavonic1, known to us by the monuments of its literature which have been preserved. It is only in this way that they can be explained. I have allowed myself occasional references to other I ndoE uropean languages for purposes of illustration. Great pains have been taken with the aspects of the verbs, perhaps the most interesting feature in theS lavonic forms, and it is hoped that they are made as clear as is possible in a rudimentary work of the present kind. The prepositions, both in and out of composition, which in Eussian and, indeed, in all theS lavonic languagesexhibit a luxuriance of development, reminding us of ancient Greek, have also been carefully treated. I have used for illustration a series of extracts from modernE ussian authors. 1S ee remarks in the preface to myS erbian Grammar (T riibner, 1887). (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at   Auteur: William Richard Morfill Editeur: Forgotten Books Broché: 194 pages paperback Publication: 18/05/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? D'autre objet de William Richard Morfill A Short Grammar of the Bulgarian Language: With Reading Lessons (Classic Reprint) Mot Clef: Reference Foreign Languages

About the item: The current item location is in Hong Kong. Original packaging in excellent condition. Tapes have not been tested. I can only guarantee the excellent physical condition of the item. Perfect for collector purposes. Please check pictures and read statements above before making a purchase. If you have any inquiries, do not hesitate to contact me. Thank you for visiting. Shipping: Shipping from Hong Kong with Hong Kong Post with tracking number. Shipping the item 2 working days after your payment clears. Takes about 9-13 days working days for delivery. Returns: Returns are only accepted if the delivered item was not the item described.  Payment: PayPal only.  International Buyers: Import duties, taxes and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding and shipping.

Mavis Staples ‎– Time Waits For No One Label:Paisley Park ‎– 9 25798-2 Format:CD, Album Pays:US Date:1989 Etat / Grading: Très bon; comme neuf / Very Good, like new Time Waits For No One is the seventh solo studio album by American R&B and gospel singer Mavis Staples (her first on Paisley Park Records), and her first to include input by Prince. Six of the album's eight songs are written, produced and largely performed by Prince, and he is listed as the executive producer of the whole album (although he is not believed to have had any input on the two tracks not written by him). First steps Prince (through manager Bob Cavallo) approached Mavis Staples about recording an album in Autumn 1987 after seeing her perform as part of The Staple Singers in August 1987 at The Forum, Inglewood, CA, USA. The group had been unsigned for 13 years, and Mavis Staples soon signed with Paisley Park Records. Recording process Work on the album began in February 1988, when Prince recorded Interesting. He sent the track, along with Jaguar (a vault track recorded in January 1987, originally intended for Sheena Easton), to Mavis Staples in Memphis, TN, USA, where she recorded lead vocals on both tracks using producers Al Bell, Homer Banks and Lester Snell at Ardent Studios. In late June 1988, shortly before leaving for the European opening of the Lovesexy Tour, Prince recorded Time Waits For No One for the album, and revised Come Home (initially recorded January 1987), I Guess I'm Crazy (initially recorded October 1987) and Train (initially recorded July 1986), and all four songs were sent to Mavis Staples for lead vocal overdubs. Prince and Mavis Staples did not work together in the studio on this album, therefore, although they did work together in late July 1988, in Olympic Studio, London, England, on God Is Alive, which was not considered for the album, as well as on later projects following the release of this album. The compact disc version is the original issue. Details given for Prince-related tracks only: 1. Interesting (4:28) 1 2. 20th Century Express 3. Come Home (5:29) 1 4. Jaguar (5:29) 1 5. Train (4:27) 1 6. The Old Songs 7. I Guess I'm Crazy (4:10) 1 8. Time Waits For No One (6:12) 2 1 Written by Prince 2 Written by Prince and Mavis Staples Musicians - Mavis Staples - lead vocals - Prince - all instruments, except where noted (credited only as "featuring..."), background vocals on Interesting, Come Home, Jaguar, Train and Time Waits For No One - Levi Seacer, Jr. - bass guitar on Interesting - Miko Weaver - guitar on Interesting - Boni Boyer - keyboards on Interesting, background vocals on Time Waits For No One - Dr. Fink - keyboards on Interesting - Eric Leeds - saxophone on Interesting, Come Home and Train - Atlanta Bliss - trumpet on Interesting, Come Home and Train - Lester Snell - clavinet on Interesting, keyboards on Train - Homer Banks - background vocals on Interesting, Come Home and Train - William Brown - background vocals on Interesting, Come Home and Train - Sheila E. - drums, percussion and background vocals on Time Waits For No One

TRES BON ETAT (ETANT D'OCCASION CERTAIN CD PEUVENT AVOIR DES TRACES SUPERFICIEL, ET DES ECRITURES SUR LE LIVRET) 01 Come Home 02 Government Walls 03 God Only Knows 04 You Can't Tell How Much Suffering (On A Face That's Always Smiling) 05 Crescendo 06 How Was It For You 07 Hang On 08 Walking The Ghost 09 Gold Mother 10 Top Of The World Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

MICHAEL JACKSON Picture Disc CD Interview édition limitée Limited Edition Interview Picture CD Edition limitée numérotée (n°4289). Sorti en 1997, ce picture CD (édition limitée à 10.000 exemplaires) au format insolite inclut des extraits de deux interviews. L'une donnée par Michael à Oprah Winfrey le 10 février 1993 (interview télévisée qui à l'époque avait attiré près de 100 millions de téléspectateurs). Michael y évoque ses origines, sa foi en Dieu, sa fascination pour les animaux, son amour pour les enfants ("I try to immitate Jesus"), s'il est encore vierge ("I am a gentleman")... Une voix off (pas celle d'Oprah) donne des informations supplémentaires. Les séquences sont par ailleurs entrecoupées de divers bruitages, notamment le sublime Human Beat Box que Michael avait réalisé pendant l'entretien. L'autre interview fut réalisée en 1984 par Steven Howell dans laquelle Michael Jackson, au sommet de sa gloire juste après la sortie de "Thriller", se livre et agit de façon extrêmement enfantine (alors qu'il avait 26 ans à l'époque). Plus nature que jamais, Michael évoque les sources de son inspiration. Il parle constamment de la "magie" qui l'entoure et qu'il aime créer ("I am a fantasy fanatic"). Sa soeur La Toya le rejoint pour un échange complice d'anecdotes... Durée: 20 min environ... Des interviews à ne pas manquer... Très bon état. VISIONNEZ MES AUTRES OBJETS EN VENTE (Plus de collectors Michael Jackson / Frais de port adaptés) !!! You are bidding on a limited edition shaped picture CD (N°4289 out of only 10,000 units !) from Germany released in 1997 which includes excerpts of two interviews: - interview of Michael that was taken from his reclusive Neverland Ranch in February 1993 ("Michael Jackson talks to Oprah"). Michael declines to disclose if he is a virgin, saying "I'm a gentleman". He talks about God, children, being on stage... The CD also includes samplings of his fantastic human beat box performance. - interview made by Steven Howell in 1984. Relaxed and informal, Michael speaks about his inspiration and interviews his sister LaToya. The sound quality is poor, with Michael's voice muffled by the noise of a nearby water fountain but you can understand everything. Michael talks about "magic" all the time ("I am a fantasy fanatic"). A fantastic interview ! Running time: 20 min approx. A must have ! Very good condition. CHECK OUT MY OTHER AUCTIONS (More Michael Jackson items / Combined shipping costs) !!!   Paiement par CHEQUE, VIREMENT BANCAIRE, CASH ou PAYPAL Frais de port France = 2,75 EUR I accept PAYPAL, CASH or BANK TRANSFER (IBAN / BIC-SWIFT) Shipping to Europe = EUR 3.70 / Rest of the World = EUR 4.10

Elvis Presley – “Elvis Presley - 31 ENREGISTREMENTS ORIGINAUX [COFFRET 3 LP Album Vinyle 33 tours 12”] - C'mon Everybody / A Whistling Tune / 'll Be There (If You Ever Want Me) / I Love Only One Girl        / Easy Come, Easy Go / Santa Lucia / Tonight Is So Right For Love Guadalajara / Angel / A Little Less Conversation / Follow That Dream / Long Legged Girl (With The Short Dress On) / Flaming Star / Wonderful World / Night Life / All I Needed Was The Rain / Too Much Monkey Business / Yellow Rose Of Texas / The Eyes Of Texas / She's A Machine / Do The Vega / Tiger Man / You'll Never Walk Alone (From "Carousel") / Who Am I ? / Let Us Pray (From The Universal Picture "Change Of Habit") / (There'll Be) Peace In The Valley (For Me) / We Call On Him / I Believe / It's No Secret (What God Can Do) / Sing You Children (From The Paramount Picture "Easy Come, Easy Go" A Hal Wallis Production) / Take My Hand, Precious Lord.

James by James (CD, Jul - 1991, Fontana Distribution) - USA Year: 1991. Country: USA. In perfect condition. EAN: 042284865821. Ref:  848 658-2. Tim Booth. Tracks: 1 Sit Down 4:06 2 Come Home 4:59 3 Goverment Walls 5:44 4 God Only Knows 4:35 5 You Can't Tell How Much Suffering (On A Face That's Always Smiling) 2:54 6 How Was It For You? 4:03 7 Lose Control 4:00 8 Walking The Ghost 6:11 9 Gold Mother 7:53 10 Top Of The World 3:48 Envoi rapide et soigné de France par la Poste ou Mondial Relay. Fast shipping from France. Foreign bidders welcome ! Please don't hesitate to ask if you have any questions. Have a look at my other sales !