Was not

WAS (NOT WAS)-ARE YOU OKAY-12''-EURO PRESSING-LABELFONTANA-COVER GODD-VINYL VERY GOOD-10€

&&&&&&&&&&&&&&&&&&&&&&&&&&&&&.Was not was Listen like thieves Promo 1 track  CDS fontana WAS PC10  1992  EX. &&&&&&&&&&&&&&&&&&&&&&&&&&&&& °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- ------------------------ °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! °°°°°°°°°°°°°°°°°°° The ROLLING STONES She was hot 2-track CARD SLEEVE CDSINGLE Polydor 1983   1) She was hot 2) I think i'm going mad - NEW NOT SEALED - Neuf non scéllé  20 1) Caruso 2) Cinema °°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.)

BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! °°°°°°°°°°°°°°°°°°° The ROLLING STONES She was hot 2-track CARD SLEEVE CDSINGLE Polydor 1983   1) She was hot 2) I think i'm going mad - NEW NOT SEALED - Neuf non scéllé  20 1) Caruso 2) Cinema °°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en)

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Julia FORDHAM I thought it was you 3-track digipack    MAXI CD CIRCA     5012985009058 1992   UK     Neuf         1992 UK 4-track CD single, part 1 of a 2 CD single set - includes Love Moves In Mysterious Ways, Melt and Swept; presented in a great digipak picture sleeve. with room for the second part YRCDG90 - NEW NOT SEALED - NEUF NON SCELLE - °°°°°°°°°°°°°°°°°°°°°° Un MAXI CD est un CD single avec un boitier plastique fin (Jewel case) ou digipack et avec de 1 à 5 titres (Track) (quelquefois plus). C'est le format Cd qui a remplacé le MAXI 45T vinyl. °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ---------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

TV PERSONALITIES A/ I was a mod before you was a mod (easy mix) B/ She lives for the moment Pochette: voir photos Disque: NM                  1996 - OVER50 N'hésitez pas à demander plus de renseignements ou photos avant d’enchérir Do not hesitate to ask for more information or pictures before bidding 75david75@free.fr Remise en mains propres possible sur PARIS

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°°   Sandi THOM I wish I was a punk rocker (with flowers in my hair) 3-Track CARD SLEEVE CDSINGLE Sony 886970615921 2007 EU   NEW SEALED - NEUF SCELLE - 1) Album version 2) A light, as bright as ours 3) Mutiny's rockers and lovers mix °°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

STATUS QUO  IT WAS JUST A GOOD NAME AND ONE THAT WE ALL LIKED CD is EX Box is not graded  OH BOY 1-9045 - 1990   N'hésitez pas à demander plus de renseignements ou photos avant d’enchérir Do not hesitate to ask for more information or pictures before bidding 75david75@free.fr Remise en mains propres possible à PARIS

VINYL 33T – HOW THE WEST WAS WON – B.O. OST – ALFRED NEWMAN & DEBBIE REYNOLDS & KEN DARBY  – MGM (SILVER SCREEN SOUNDTRACKS SERIES) BRITISH REEDITION (2353029) PAS D’ANNEE INDIQUEE. LE LP D’ORIGINE (1962) ETAIT EN MONO, CELUI CI EST “ENHANCED FOR STEREO FROM ORIGINAL MONO RECORDINGS”. COVER / POCHETTE : VG VINYL : VG+ (SAUF LES 5 PREMIERES SECONDES/EXCEPT FOR THE FIRST 5 SECONDS = VG) POUR PLUS DE DETAILS : REGARDEZ MES PHOTOS ! NOMBREUX AUTRES VINYLS DU MEME GENRE DANS MA BOUTIQUE ! TOUS MES DISQUES SONT EVALUES APRES UNE ECOUTE COMPLETE ! FOR MORE DETAILS : LOOK AT MY PICTURES! I CAN SHIP ANYWHERE, ASK ME FOR THE PRICE TO YOUR COUNTRY... DO NOT HESITATE TO GROUP TO SAVE ON SHIPPING ! COME SEE MY STORE ! I LISTEN TO ALL MY RECORDS ENTIRELY BEFORE GRADING ! Pour l'étranger, pas de problème : j'applique les tarifs de la poste française et rien de plus. Pas de frais supplémentaires, ni pour l'emballage, ni pour Paypal. Emballage sérieux et gratuit ! Demandez moi le prix pour votre pays...  Et n'hésitez pas à grouper pour économiser sur le port ! VISITEZ MA BOUTIQUE ! Rappel de la signification des codes pour l'état du disque en bas de l'annonce. No surprise for foreign buyers : the shipping costs are the ones of the french post and nothing more. No handling cost, no additional cost for Paypal, very good and free packaging ! Just ask me for the price to your country...  And do not hesitate to group to save on shipping ! COME SEE MY STORE ! Reminder of the meanings of the codes for the state of the records at the bottom of my announcement. code traduction état pochette état disque S Neuf (emballé) Le disque est encore sous son emballage d'origine. Le disque est encore sous son emballage d'origine. M Comme neuf La pochette est comme neuve, elle n'est juste plus sous son emballage d'origine. Le disque est absolument parfait, comme neuf. Il n'est juste plus sous son emballage d'origine. NM Comme neuf- La pochette est presque parfaite, pouvant comporter de très minimes signes d?usure. Par contre le dessin artistique ou la photo de la pochette doit être aussi impeccable que possible. Le disque est presque parfait. Un frottement peut être constaté sur le disque, mais doit être vraiment moindre. Il ne doit y avoir aucun effet sur la qualité sonore du disque. Si c?est le cas, même minime, il ne pourra plus être considéré comme NM ou M- EX Excellent La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le disque montre des signes d'avoir été joué (sensibles marques lumineuses), mais la perte de qualité sonore est pratiquement inaudible. VG+ Très bon + La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. C'est l'état le plus courant des disques de deuxième main. Les disques ont quelques rayures qui n'affectent pas la qualité sonore. Certains crépitements peuvent être audibles sur des platines très sensibles. VG Très bon La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le disque a des rayures et marques qui affectent la qualité sonore. Il peut y avoir des craquements et également des petits sauts si le disque est légèrement gondolé (préférable de demander confirmation au vendeur en particulier si votre platine est sensible). G Pauvre L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il y a un souffle et il peut y av

Vinyle 33 Tours Vinyles Code EAN: 4250506841126 Genre musical: Rock Nouveauté: Nouveauté Titre: I Am Not Sorry, I Was Just Being Me - Vinyle 33 Tours Rubrique principale Vinyle: 33 Tours Crawler: Spyfind Crawler: Spyfind Image

UDO JÜRGENS • WAS ICH DIR SAGEN WILL • 1 LP • VG+/VG+ • EMI SHTX 340 676 Was Ich Dir Sagen Will     That Lucky Old Sun     Mein Erster Weg     Maria     Immer Wieder Geht Die Sonne Auf     Johnny Boy     Unabänderlich     Yesterday     In Dieser Welt     Autumn Leaves     Sommertraum     The House Of The Rising Sun     Wenn Die Nacht Vergeht     Der Große Abschied LA VOIX DE SON MAITRE EMI SHTX 340 676 Cover: VG+ Vinyl: EX+ Les disques sont contrôlés visuellement. Ils ne sont pas lavés. Si nécessaire, ils seront lavés avec une machine Okki Nokki Die Schallplatten sind nur optisch kontrolliert. Sie sind auch nicht gewaschen. Wenn nötig, werden sie mit einer Okki Nokki Schallplattenwaschmaschine gewaschen Discs are inspected visually. They are not washed. If necessary, they will be washed with an Okki Nokki record cleaning machine Sans garantie ni retour Keine garantie oder Rückgabe Without warrant Expédition internationale Ich verschicke auch weltweit I ship worldwide Emballage soigné Sehr gute Verpackung Very good packing Acheteurs étrangers. Attendre l'envoi de la facture. J'essaie de trouver le meilleur prix d'envoi. Auf die Rechnung warten, bevor zu bezahlen. Ich versuche, den besten Versandpreis zu finden. Wait for the invoice before paying. I try to find the best shipping price. Consultez mes autres ventes Bitte beachten Sie meine anderen Artikel Check out my other sales Envoi groupé si plusieurs achats Kombiversand bei mehreren Artikeln Combined shipping for several items Je peux conserver vos achats afin de vous donner l'occasion de collecter plus d'articles Ich kann Ihre Einkäufe halten, um Ihnen die Möglichkeit zu geben, weitere Artikel zu sammeln I can hold your purchases in order to give you the opportunity to collect more items Afin d'éviter les pertes ou vols, tous les envois sont effectués avec numéro de suivi Um einen Verlust oder Diebstahl zu vermeiden, werden alle Sendungen mit Tracking-Nummer ausgeführt In order to avoid losses or theft, all shipments are made with tracking number Les taxes et droits de douane sont à la charge de l'acheteur Die Steuern und Zollgebühren sind zu Lasten des Käufers Taxes and customs duties are chargeable to the buyer Frais d'envoi/Versand/Shipping: Obwohl ich in Frankreich wohne, biete ich einene Versand aus Deutschland nach Deutschland 1 • Deutschland: Hermes Deutschland Eine Sendung/Woche 2 • France métropolitaine, Belgique et Luxembourg: Mondial Relay (avec suivi) Le colis sera à retirer au point Mondial Relay le plus proche de chez vous (ou selon votre choix, à préciser lors de votre commande) 3 • Rest of the world: Deutsche Post (registered) One shipping/week Wir bewerten den Zustand von Schallplatte und Hülle wie folgt: SS (still sealed) Die schallplatte ist neu und noch verschweißt. M (mint) Dieses vinyl ist neu & ungespielt. Das cover sollte keinerlei gebrauchsspuren aufweisen. Schlimmstenfalls dürfen staubspuren oder fingerabdrücke vorhanden sein. NM (near mint) Dieses vinyl wurde bereits gespielt, weist aber keinerlei (oder nur sehr geringfügige) gebrauchspuren auf. Das cover und das label sind in hervoragendem zustand. Beide wurden weder beschrieben oder beklebt. EX (excellent) Die schallplatte ist häufiger abgespielt worden, weist aber keine wesentlichen qualitätsverluste auf. Kleine kratzer bzw. leichtes rauschen können vorkommen. Das cover kann kleine einrisse oder abnutzungen haben, ist aber in gutem zustand. VG (very good) Dieses vinyl wurde häufig gespielt und hat an klangqualität verloren. Kleine kratzer, leichtes rauschen sind gegeben. Das cover ist in ordentlichem zustand, weist aber abnutzungserscheinungen auf. VG- (very good-) Dieses vinyl wurde häufiger gespielt, hat kratzer und an qualität verloren. Das cover ist eingerissen oder beschriftet, das label ggf. ebenfalls beschriftet. G (good) Dieses vinyl hat

Shop Breeding Service Shiny Strat Mega Evolutions Legendaires Twitter Facebook Contact Our breeding services allow you to get the Pokémon of your choice personalized exactly as you wish. We need information to meet your expectations, please follow the information below. Nos services d'élevage vous permettent d'obtenir le Pokémon de votre choix comme vous le souhaitez. Nous avons besoin d'informations pour répondre à vos attentes, veuillez suivre les informations ci-bas. How to obtain your Pokemon: Make your order. Send us a message that include your friend code, your trainer name and your version of the game. The name of the Pokémon you want (shiny or not). If you want an object, please specify it in the message. The ability of your Pokémon. The IVs and the the EVs of your Pokémon. The nature of your Pokémon. The moves of your Pokémon. The level you wish to give your Pokémon. The Pokeball in which he was captured. Then we will send you a message and we will decide the best time for the trade. Keep in mind that you need useless Pokemon ready for the trade. Comment obtenir vos Pokemon: Passez commande. Envoyez nous un message contenant votre code ami, votre pseudo ainsi que votre version du jeu. Le nom du Pokémon que vous souhaitez (shiny ou non). Si vous souhaitez un objet, s'il vous plaît, indiquez le. Le talent de votre Pokémon. Les IVs ainsi que les EVs de votre Pokémon. La nature de votre Pokémon. Les capacités de vôtre Pokémon. Le niveau que vous souhaiter donner à votre Pokémon. La Pokeball dans laquelle il a été capturé. Ensuite, nous vous enverrons un message afin de décider d'un horaire pour l'échange. Souvenez vous que vous avez besoin de Pokemon inutile pour l'échange. Super trained, max IVs, max EVs, max PP. Super entrainé, max IVs, max EVs, max PP. Free gift with every order ! Cadeaux à chaque commandes ! If you have any doubt, do not buy, ask before purchasing. If you want a Pokémon in particular please contact us. Our Pokemon can battle online and can be stored in the PokeBank. En cas de doute, n'achetez pas, contactez nous. Si vous souhaitez un Pokemon particulier, contactez nous. Nos Pokemon peuvent combattre en ligne et être stockés dans la PokeBank. You are paying for the time we spent playing to obtain this Pokemon. Not for the Pokemon itself, the game, or the console. Vous payez pour le temps que nous avons passé afin d'obtenir ce Pokemon. Pas pour le Pokemon lui-même, ni le jeu ou la console. We are NOT related anyway to Pokemon / Nintendo/ GameFreak. Nous ne sommes PAS affilés d'aucunes façons à Pokemon / Nintendo/ GameFreak

Tarwater – The Needle Was Travelling Label: Warm – W24049, Warm – W24049 - AT 911, Morr Music – MM054 Format: CD, Album, Digipack Pays: France Sortie: 2005 Genre: Electronic Style: Leftfield, Experimental Tracklist: 1Across The Dial3:232Stone3:493Seven Of Nine4:264Entry3:335Babylonian Tower Backing Vocals – Jule Böwe Songwriter – Sakharof*, Spigel*, Franken*, Minimal Compact, Birnbach* Trombone – Matthias Kuhl 3:476TV Blood Guitar, Songwriter – Marcus Weiser 3:487The People Backing Vocals – Kähnechor 4:108All That Handclaps [Additional] – Hanno Leichtmann 3:049Jackie3:4110Yeah! Cello – Jakob Enderlein Trombone – Matthias Kuhl Violin – Stefan Scholz 2:1711In A Single Place3:1812Ninety Days3:3313Unseen In The Disco4:1814Home Tonight Backing Vocals, Guitar, Electronic Drums [Tamatechstar E Drums] – Schneider TM 2:3215Pie In The Sky2:5116Senefelder3:54 Crédits: - Artwork – Jan Kruse, Robert Lippok - Mastered By – Bo Kondren - Songwriter – Bernd Jestram (pistes : 1 to 4, 6 to 16), Ronald Lippok (pistes : 1 to 4, 6 to 16) Notes: Dedicated To John Peel ℗ 2005 France.Warm Music under License from Morr Music © 2005 La Chunga AM Distribution Tracks 15 and 16 do not appear on the Morr Music issue. Code-barres et autres identifiants: - Code-barres: 3 300610 240498 - Code du label: LC 02063 - Société des droits d'auteur: SACEM ÉTAT / CONDITION: EXCELLENT + frais de port + frais de port

A-HA Lot 4 CD: - "Ribbed ticklers vol 9" with others artists, compilation with "How sweet it was" Promotional Only, Not for sale. Excellent condition. Made in US 1993. Warner Bros réf: PRO-CD-6344   - "Greatest Hits" compilation 2 double DICS WEA from russia 2009 réf: 22508-1/2 4607147894231 NEW Sealed  - "Musiexpress 65" with others artists WEA Germany for promotional only ! "Time and Again" year 2002/2003 Picture sleeve in very good condition, CD excellent contition  - "Music from the 80's" For promotional use only ! Made in US year 2008 with "Take on me" and others artists. Rhino réf: OPCD-8320. Cover in very good condition, CD in Excellent condition.   Condition see photos Shipping including the packaging For the purchase of several items, shipping costs are reduced For the purchase of multiple vinyls, wait to receive the invoice before paying. Payment within 3 days and only serious buyers Paiement sous 3 jours et uniquement enchérisseurs sérieux.

FLORA PURIM  "Nothing will be as it was..tomorrow" (Vinyle 33t / LP) 1977 - Cat# BS 2985 Pressage US / US pressung Edited by: Warner Bros Records / New-York / Speed 33 t ************************************************************ 2nd HAND LP RECORD / DISQUE VINYLE D’OCCASION 33 tours ************************************************************ Condition / Etat: Sleeve / Pochette: VG Vinyl / Disque: EX ************************************************************ FRAIS DE PORT - SHIPPING/HANDLING COST Pour le montant des Frais de port Reportez-vous à l’ONGLET: « LIVRAISON ET PAIEMENTS » A côté de l’onglet « Description » de l’objet Une Assurance sur la livraison est disponible et facultative Pour toutes Questions, n’hésitez pas à me contacter Mode d'Envoi de votre choix (recommandé, chronopost...) accepté sur simple demande uniquement N'hésitez pas à regarder nos autres ventes, les frais d'envoi sont regroupés si vous remportez plusieurs articles. Dans ce cas, Merci d'attendree la facture globale !   For the amount of Shipping Refer to the TAB "SHIPPING AND PAYMENTS" Next to the "Description" tab of the object Insurance on a delivery is optional For any questions; do not hesitate to contact me Send mode according to your choice (recommended, chronopost...) accepted on request Don't forget to look at my other items, Multiple purchases may be combined under a single shipping charge. In that case, Please wait for the global invoice !       Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Bruce Springsteen 'Follow That Dream' ORIGINAL (NOT the reissue) 1981 swedish 3 LP "RARE" Condition vinyl EX cover EX 1.   Bruce Springsteen 'Follow That Dream' HARD TO FIND ORIGINAL (NOT the reissue you usually see offered!) HEAVY vinyl 3 LP in gatefold color cover. Recorded live in Stockholm, Sweden on May 7, 1981 on 'The River' tour. At the time of its release, this issue was the absolute BEST Bruce Springsteen live in concert recording

Saul Leiter: Here's more, why not Auteur:  Saul Leiter Broché:  76 pages Editeur :  Gallery Fifty One;  Édition :  02 (01 10 2016) Langue :  Anglais ISBN-10:  9081772511 ISBN-13:  978-9081772518           Neuf  When this catalog was first published in 2013, Saul Leiter wast still alive. Sadly he passed away on November 26th 2013. In loving memory of Saul. Saul Leiter has been digging in his archive and selected 34 unpublished color photographs for his fourth solo exhibition at Roger Szmulewicz's GALLERY FIFTY ONE, in Antwerp. The lyricism and intensity of his vision come into fullest play in his eloquent handling of color: to the rapid recording of the spontaneous unfolding of life on the street, Leiter adds an unconventional sense of form and a brilliantly improvisational, and frequently almost abstract, use of found colors and tones. Leiter’s visual language of fragmentation, ambiguity and contingency is evoked in Saul Leiter: Early Color by one hundred subtle, painterly images that stretched the boundaries of photography in the second half of the twentieth-century.

Slipknot We Are Not Your Kind Limited Whiskey Edition LP Vinyl signed Clown. Hand signed by Shawn Crahan ‘Clown’ as part of the promotional launch of their band’s whiskey The signed, limited edition color was only available in the US through their distillery Never played ! True collectible Sent in a special LP box envelope

THIS IS AN EXTREMELY HARD TO FIND ITEM FROM MY PERSONNAL COLLECTION REALASED IN 1994. DON'T MISS THE OPPORTUNITY TO GRAB IT. WONDERFUL ALBUM, IF YOU LIKE  TOMMY FLANAGAN , YOU WILL ENJOY THIS CD ! FOR CONNOISSEURS OR ELLA FITZGERALD FANS AND COLLECTOR'S ONLY   Tommy Flanagan's tribute to Ella Fitzgerald Have a look on my others JAZZ / WESTCOAST / AOR / SOUL / FUNK / R&B items on.  Many collector’s items from my personal collection are available. Frais de ports pour la France / Dom Tom: 3.25 euros en suivi    PAIEMENT PAR CHEQUE OU VIREMENT BANCAIRE / POSTAL OU PAYPAL       ENVOI SOIGNE DES CDS DANS DES ENVELOPPES A BULLES    Please read carefully my conditions before bidding. All NEW and USED cds are carefully shipped abroad in bubbled-envelop + rigid package to protect them. INTERNATIONAL AIRMAIL SHIPPING & HANDLING COSTS: Ø EUROPE (European Union only): 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 2-3 DAYS Ø USA / CANADA / JAPAN & REST OF THE WORLD: 3.75 euros - STANDARD PRIORITY AIRMAIL DELIVERED IN 4-8 DAYS  All orders for Brazil / Mexico & South America / Russia & non European Union countries / Greece / China / Africa... are shipped for 7.50 euros with no tracking. Registered packages & Insurance are not included unless requested and paid for (13 euros for worlwide). I will not be held responsible for damaged or lost items shipped without insurance. Please tell me if you want registered and tracking mail in order I can send you a correct Paypal invoice. Please e-mail me if you have any question and don’t place any order if you don’t agree with my conditions. PAYMENT: 1- PAYPAL / postal transfer for international buyers. 2- Bank / postal transfer for Union European buyers only. Payment must be received within 7 days of auction ends. The item will be relisted after this period. I recommend you to check regularly my others auctions. Feel free to contact me if you have any questions about the item. Thanks and good bidding!

---CD EN BON ETAT     ---LECTURE DU CD VERIFIée ET PARFAITE. ---LISTE DES TITRES / TRACKLIST: -VOIRE PHOTO / LOOK THE PHOTO ---JE PRECISE QUE TOUS MES CD A LA VENTE SONT DES ORIGINAUX. ---JE VOUS GARANTIS UN ENVOI RAPIDE APRES PAIEMENT ET SURTOUT UN EMBALLAGE ULTRA BETON. VOUS POUVEZ COMPTER SUR MOI. ---PAIEMENT PAR CHEQUE-VIREMENT BANCAIRE-PAYPAL. §§  FRAIS DE PORT DEGRESSIFS POUR L'ACHAT DE PLUSIEURS PRODUITS  §§   INTERNATIONAL BIDDERS ARE WELCOME. DO NOT HESITATE TO CONTACT ME FOR ANY FURTHER INFORMATION. BUY WITH TRUST. WORLDWIDE DELIVERY. §§  REDUCED POSTAL CHARGES FOR SEVERAL PURCHASES   §§ ENGLISH SPOKEN.  .   Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

Beatles 45t SP French Export Jukebox Odeon FOS 20.050 A Hard Day's night / I Should Have Known Better Without excessive superlative, this record is without doubt the rarest of French presses for the Beatles. In view of the international sales already made, you are more likely to find the famous "Sandwich" than this one. Little is known about this pressing, even its release date is uncertain. It is however agreed to say that it was intended for sale in French-speaking Africa, the cover of this one shows the stamp of a reseller in Dakar (Sénégal).  Sans superlatif excessif, ce disque est sans doute le plus rare des pressages Français pour les Beatles. Au vu des ventes internationales déjà réalisées, vous avez plus de chance de trouver le fameux "Sandwich" que celui-ci. On sait peu de chose sur ce pressage, même sa date de sortie est incertaine. On s'accorde cependant pour dire qu'il était destiné à la vente en Afrique Francophone, la pochette de celui-ci montre le tampon d'un revendeur à Dakar (Sénégal).  The Beatles ‎– A Hard Day's Night Label: Odeon ‎– FOS 20.050 Format: Vinyl, 7", Jukebox Country: France  Grading (Goldmine standard) Media condition: The surface shows numerous superficial marks. Looks Just VG but plays VG+. Sleeve condition: See photo. Small writing on front, dealer stamp: "la maison du Livre, 13 Av. Roume Dakar". Label condition:See photo. Name on B side. Naturally I will answer all your questions. Naturellement je répondrai à toutes vos question. FREE SHIPPING

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

About the item: The current item location is in Hong Kong. Original packaging in excellent condition. Tapes have not been tested. I can only guarantee the excellent physical condition of the item. Perfect for collector purposes. Please check pictures and read statements above before making a purchase. If you have any inquiries, do not hesitate to contact me. Thank you for visiting. Shipping: Shipping from Hong Kong with Hong Kong Post with tracking number. Shipping the item 2 working days after your payment clears. Takes about 9-13 days working days for delivery. Returns: Returns are only accepted if the delivered item was not the item described.  Payment: PayPal only.  International Buyers: Import duties, taxes and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding and shipping.

Mavis Staples ‎– Time Waits For No One Label:Paisley Park ‎– 9 25798-2 Format:CD, Album Pays:US Date:1989 Etat / Grading: Très bon; comme neuf / Very Good, like new Time Waits For No One is the seventh solo studio album by American R&B and gospel singer Mavis Staples (her first on Paisley Park Records), and her first to include input by Prince. Six of the album's eight songs are written, produced and largely performed by Prince, and he is listed as the executive producer of the whole album (although he is not believed to have had any input on the two tracks not written by him). First steps Prince (through manager Bob Cavallo) approached Mavis Staples about recording an album in Autumn 1987 after seeing her perform as part of The Staple Singers in August 1987 at The Forum, Inglewood, CA, USA. The group had been unsigned for 13 years, and Mavis Staples soon signed with Paisley Park Records. Recording process Work on the album began in February 1988, when Prince recorded Interesting. He sent the track, along with Jaguar (a vault track recorded in January 1987, originally intended for Sheena Easton), to Mavis Staples in Memphis, TN, USA, where she recorded lead vocals on both tracks using producers Al Bell, Homer Banks and Lester Snell at Ardent Studios. In late June 1988, shortly before leaving for the European opening of the Lovesexy Tour, Prince recorded Time Waits For No One for the album, and revised Come Home (initially recorded January 1987), I Guess I'm Crazy (initially recorded October 1987) and Train (initially recorded July 1986), and all four songs were sent to Mavis Staples for lead vocal overdubs. Prince and Mavis Staples did not work together in the studio on this album, therefore, although they did work together in late July 1988, in Olympic Studio, London, England, on God Is Alive, which was not considered for the album, as well as on later projects following the release of this album. The compact disc version is the original issue. Details given for Prince-related tracks only: 1. Interesting (4:28) 1 2. 20th Century Express 3. Come Home (5:29) 1 4. Jaguar (5:29) 1 5. Train (4:27) 1 6. The Old Songs 7. I Guess I'm Crazy (4:10) 1 8. Time Waits For No One (6:12) 2 1 Written by Prince 2 Written by Prince and Mavis Staples Musicians - Mavis Staples - lead vocals - Prince - all instruments, except where noted (credited only as "featuring..."), background vocals on Interesting, Come Home, Jaguar, Train and Time Waits For No One - Levi Seacer, Jr. - bass guitar on Interesting - Miko Weaver - guitar on Interesting - Boni Boyer - keyboards on Interesting, background vocals on Time Waits For No One - Dr. Fink - keyboards on Interesting - Eric Leeds - saxophone on Interesting, Come Home and Train - Atlanta Bliss - trumpet on Interesting, Come Home and Train - Lester Snell - clavinet on Interesting, keyboards on Train - Homer Banks - background vocals on Interesting, Come Home and Train - William Brown - background vocals on Interesting, Come Home and Train - Sheila E. - drums, percussion and background vocals on Time Waits For No One

RARE INTEGRALE CD RHYTHM AND SOUL EN 30 CD DE 15 TITRES EXEMPLES CHIC SISTER SLEDGE MIDNIGHT STAR EARTH WIND AND FIRE ETTA JAMES RAY CHARLES JAMES BROWN JACKSON FIVE 5 NINA SIMONE QUINCY JONES THE BRAXTONS ZHANE STEVIE WONDER DIANA ROSS AND THE SUPREME THE COMMODORES RICK JAMES KOOL AND THE GANG CARL DOUGLAS THE COASTERS BRUCE CHANNEL THE PLATTERS GALLIANO JR WALKER FOUR TOPS OTIS REDDING THE TEMPTATIONS NINA SIMONE MAZE CHANTE MOORE MARVIN GAYE BAZZ BAND POINTER SISTERS SANTA ESMERALDA SYLVESTER IMAGINATION THE SPINNERS WILSON PICKET GRACE JONES CHARLES AND EDDIE  PATTI LABELLE IKE ET TINA TRNER AMII STEWART BOBBY BROWN TRIBAL JAM BOYZ II MEN D'JAYS THE MARVELETTES BILLY PAUL SPINNERS BARRY WHITE STEVIE WONDER ANITA WARD MICHAEL ZAGGER BAND WAS NOT WAS JOHNNY GILL SAM COOKE GLORIA GAYNOR ISAAK HAYES LIONEL RICHIE THELMA HOUSTON BLACKSTREET SHALAMAR THE DRIFTERS BONEY M INDEEP EDDIE FLOYD JUNIOR ROCKWELL THE CONTOURS BEN E KING HOT CHOCOLATE RAY CHARLES AL GREEN GAP BAND THE JACKSONS COOLIO EMOTIONS MICHAEL JACKSON BILLY PAUL BROWSTONE LONDONBEAT DONNA SUMMER INCOGNITO BIJ JOE TURNER TAVARES MC HAMMER ESTHER PHILIPS JIMMY RUFFIN HARRY BELAFONTE WOMACK AND WOMACK DIONNE WARWICK ET PLEIN D AUTRES ENCORE QUELQUES BOITIERS  PEUVENT PRESENTES UNE PETITE FELURE  OU UN PEU D USURE DU AU TEMPS MAIS PAS MECHANT JE DIS CA POUR LES POINTILLEUX MAIS CA M A PAS SAUTE AUX YEUX

Visage - Fade To Grey (Remixes) Polydor 859 673-1 (1993) Eurythmics - Sexcrime (Nineteen Eighty Four) Virgin 80148 (1984) Was (Not Was) - Shake Your Head Fontana 864 101-1 (1992) 16 euros le lot de 3 maxis. - 49

Album Solar Deluxe edition by Taeyang. The 2nd photo of Taeyang was not in this album in base, but it was exchanged by a third person to me there are few years ago. so I decided to put it on sale at the same time because it comes from another Solar deluxe. More photo by pm if you want it

- Tracklist MA1–Bruce Fowler (3)TheloniousBass – Tom FowlerBass Trombone – Phil TeeleDrums – Chester ThompsonTrombone, Arranged By – Bruce Fowler (3)0:47A2–NRBQ & The Whole Wheat Horns*Little Rootie TootieBass – Joseph Spampinato*Drums – Tom ArdolinoGuitar – Al Anderson (2)Piano – Terry Adams (2)Tenor Saxophone – Keith SpringTrombone – Donn Adams4:04A3–Donald Fagen & Steve KhanReflectionsGuitar, Arranged By – Steve KhanSynthesizer, Arranged By – Donald Fagen6:20A4–Dr. JohnBlue MonkPiano, Arranged By – Dr. John, Mac Rebennack3:30A5–The Carla Bley Band With Johnny GriffinMisteriosoAlto Saxophone, Baritone Saxophone – Steve SlagleBass – Steve SwallowDrums – Victor LewisFrench Horn – Vincent ChanceyGuitar – Hiram BullockOrgan, Arranged By – Carla BleyPercussion, Effects [Special Effects] – Manolo BadrenaPerformer – The Carla Bley BandPiano – Kenny KirklandTenor Saxophone – Johnny GriffinTrombone – Gary ValenteTrumpet – Mike Mantler*Tuba – Bob StewartVocals [The Voice Of Death] – Hal Willner8:43OB1–Barry Harris (2)PannonicaPiano [Tack Piano], Arranged By – Barry Harris (2)6:05B2–Was (Not Was)Ba-Lue-Bolivar-Ba-Lues-AreAlto Saxophone – David McMurrayBacking Vocals – Carol Hall, Donald Ray Mitchell, Harry Bowens, Sweet Pea AtkinsonFlute – David WasGuitar, Synthesizer, Arranged By [Horn Arrangement] – Don WasPercussion – Larry FratangeloTenor Saxophone – Michael Ward (3)Trombone – Jervonny CollierTrumpet – Marcus BelgraveVocals – Sheila Jordan1:53B3–Mark BinghamBrilliant CornersBass – Steve SwallowDrums – Joey Barron*Guitar – Brenden Harkein*, John ScofieldGuitar, Arranged By – Mark Bingham2:26B4–Steve Lacy & Charlie RouseAsk Me NowSoprano Saxophone, Arranged By – Steve LacyTenor Saxophone, Arranged By – Charlie Rouse7:55B5–Sharon FreemanMonk's MoodBass – Buster WilliamsDrums, Percussion – Victor LewisFrench Horn – Gregory Williams (2), Vincent Chancey, Bill Warnick*French Horn [Solo] – Willie RuffFrench Horn, Celesta, Arranged By – Sharon FreemanPiano – Kenneth Barron*3:40NC1–Todd Rundgren & Gary WindoFour In OneAlto Saxophone, Arranged By – Gary WindoSynthesizer, Keyboards, Guitar, Drum Programming, Arranged By – Todd Rundgren3:01C2–Randy WestonFunctionalPiano, Arranged By – Randy Weston3:32C3–Steve Lacy & Elvin JonesEvidenceDrums, Arranged By – Elvin JonesSoprano Saxophone, Arranged By – Steve Lacy3:31C4–John ZornShuffle BoilDrums, Timpani – M.E. Miller*Guitar, Vocals – Arto LindsayNoises [Game Calls], Alto Saxophone, Clarinet, Arranged By – John ZornPiano, Organ, Celesta, Electronics – Wayne Horvitz2:58C5–Terry Adams & Friends*In Walked BudAlto Saxophone – Pat PatrickBass – John OreDrums – Frankie DunlopPiano – Terry Adams (2)Trombone – Roswell Rudd6:39C6–ShockabillyCriss CrossAcoustic Guitar, Electric Guitar – Eugene ChadbourneArranged By – ShockabillyDrums, Percussion – David LichtPiano, Organ, Bass, Trombone [Alto], Percussion [Dad's Clocks], Performer [Tapes] – Mark Kramer*2:31C7–Mark BinghamJackie-IngBass – Steve SwallowBass Saxophone, Whistle – Ralph CarneyClarinet – Don Davis (3)Clarinet, Tenor Saxophone – Mars WilliamsDrums – Joey Barron*Guitar – Brenden Harkein*, John ScofieldGuitar, Arranged By – Mark BinghamTrumpet – David Buck3:22KD1–Joe Jackson'Round MidnightBass – Bob CranshawBass Clarinet – Ken McIntyreCello – Enrique Orango*, Muneer Abdul FataahClarinet – Lawrence Feldman, Steve SlagleConcertmaster – Jerry LittleConductor – Sharon FreemanDrums – Buddy WilliamsPiano, Arranged By – Joe JacksonViola – Crystal Garner, Maxine RoachViolin – Cheryl Hong, Karen Gilbert, Melanie Baker, Sandra Billingsles*, Stan Hunt*6:44D2–Bobby McFerrin & Bob DoroughFriday The ThirteenthVibraphone [Vibes], Marimba, Percussion [Additional] – Dave SamuelsVocals, Arranged By – Bob Dorough, Bobby McFerrin2:45D3–Chris Spedding & Peter FramptonWorkBass – Marcus MillerDrums – Anton FigGuitar – Peter FramptonGuitar, Arranged By, Concept By – Chris Spedding3:25D4–Steve LacyGallop's GallopSoprano Saxophone, Arranged By – Steve Lacy2:49D5–Steve Slagle, Dr. John, Steve Swallow & Ed BlackwellBye-YaAlto Saxophone, Arranged By – Steve SlagleBass, Arranged By – Steve SwallowDrums, Arranged By – Ed BlackwellPiano, Arranged By – Dr. John4:56D6–Steve Lacy & Gil EvansBemsha SwingPiano, Electric Piano, Arranged By – Gil EvansSoprano Saxophone, Arranged By – Steve Lacy Recorded and mixed at Mediasound Studios. Additional Recordings at Sound Suite, Detroit, Utopia Studio, Bearsville, N.Y., Village Recorders, Los Angeles - OFFRES acceptées selon une remise maximale de 10 % en cas d'une commande globale de 5 LPs ou Cds (ou +) ou de 2 coffrets. OFFER accepted with a maximum discount of 10% in case of a global order of 5 LPs or Cds (or +) or 2 boxes

Double Art Volume 2 GREAT COMPIL 1982 ARIOLA RECORD Electro New Wave Synth-Pop Cover is in VG+ condition  and record in excellent condition ! (see pictures) Great compilation: Pete Shelley Witness The Change D.A.F.* Absolute Körperkontrolle Simple Minds Sweat In Bullet Telex Haven't We Met Somewhere Before? Fashion Move On Thompson Twins In The Name Of Love Spandau Ballet Chant No. 1 (I Don't Need This Pressure On) (Remix) Heaven 17 Height Of The Fighting (He-La-Hu) Material Bustin' Out Was (Not Was) Tell Me That I'm Dreaming Ami Marie Spiel Mit Mir Mathématiques Modernes Disco Rough Japan Visions Of China

.Robbie WILLIAMS I Will Talk And Hollywood Will Listen 1-track promo CDS Chrysalis CDCHSDJ5135 2002 UK EX/EX  1-track promotional only CD, custom gold card title sleeve with pink inner CDCHSDJ5135. This track was not commercially released as a single in the UK but here's your rare chance to own an officially produced version!.  °°°°°°°°°°°°°°°°°°°°°° WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiquée en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably deteriorated, perhaps with some distortion and mild scratches Exemple: EX/VG Sleeve Excellent / record Very good. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.