Was something

Vinyle 33 Tours Vinyles Code EAN: 0078636279114 Genre musical: Pop Titre: Was It Something Rubrique principale Vinyle: 33 Tours

James ‎– Say Something (USA exclusif CD) US CD. Very rare. In perfect condition. Year: March 1994. EAN: 0 422-858797-28. Edition: Polygram. Tracklisting: 1. Say Something (Radio Version) 3:07 2. Laid (99X Live 26/02/1994) 3:49 3. Say Something (Utah Saints Radio Edit) 3:43 4. Say Something (Hardkiss Mix) 8:17 US only single including three unreleased tracks – a US radio session version of Laid (that was released in 2015 on the Super Deluxe album box) and two mixes of Say Something that have not appeared anywhere else. Envoi rapide et soigné de France. Fast shipping from France. Foreign bidders welcome ! Please don't hesitate to ask if you have any questions. Have a look at my other sales !

Bonjour, Je revends ce vinyle Shirley Bassey ‎– Something Genre: Jazz, Pop Style:Easy Listening, Vocal Année:1970 Tracklisting Something3:32 Spinning Wheel3:04 Yesterday I Heard The Rain3:27 The Sea And Sand3:58 My Way (Comme D'Habitude)3:34 What About Today?3:08 You And I3:52 Light My Fire3:25 Easy To Be Hard2:37 Life Goes On2:36 What Are You Doing The Rest Of Your Life?2:52 Yesterday When I Was Young3:52 N'hesitez pas à me contacter Cordialement

DEPECHE MODE I SOMETIMES WISH I WAS FAMOUS A SWEDISH TRIBUTE TO  DEPECHE MODE   CD ALBUM 1 –Page Dreaming Of Me 3:52   2 –Cat Rapes Dog Something To Do 4:13   3 –Elegant Machinery My Secret Garden 3:31   4 –Pouppée Fabrikk Photographic 5:25   5 –Signal Puppets 4:13   6 –Dead Eyes Open Fly On The Windscreen 5:15   7 –Inside Treatment Blasphemous Rumours 5:48   8 –Cultivated Bimbo New Life 3:29   9 –Scene Of Ritual Stripped 4:40   10 –S.P.O.C.K Ice Machine 3:11   11 –Sol Niger New Dress 3:40   12 –One Hit Wonder Things You Said 4:43   13 –Ater Koma Sun And The Rainfall 5:25   14 –No Hotel To Have And To Hold 6:22   15 –Big Fish Never Let Me Down Again 5:34   16 –Systema The Affliction Shouldn't Have Done That 5:35  All songs published by Sonet Music AB. CD: Made in Austria   TRES BON ETAT VERY GOOD CONDITION 1991 FRAIS DE PORT EN LETTRE SUIVIE International Mail Priority Tracking Number Comptez Sur Mon Sérieux Regardez Mes Evaluations !!!!

Cette semaine, je mets en vente des dizaines de EP et SP français, anglais, norvégiens, danois, italiens, iraniens, etc...des BEATLES ! Frais d'envoi groupés en cas d'achats multiples / This week, I am selling dozens of BEATLES EP's and SP's from France, UK, Norway, Denmark, Iran, Italy...I combined shipping fees for multiple purchases. Expédition en colissimo pour la France / I ship my records with tracking number parcels, if you want it to be insured, please contact me before paying, the overcost should be between 3 to 8 euros. Pochette / PS: VG++ Traces dues à l'age et au stockage, nom au dos. Traces due to age and storage, name on back cover. Disque / Record: VG++ Vraiment pas joué souvent mais porte des écritures sur le label de la face B Really not played often but bears writings on side B label Graduation system: M (MINT) Sealed, never played, new in its original packaging. NM (NEAR MINT) Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record. EX (EXCELLENT) Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear. VG + + (VERY GOOD + +) More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner. VG + (VERY GOOD +) Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc....). Generally, this record was one of the favorites among previous owner discotheque, went from hand to hand, had to animate some parties and bears the scars of a busy life. VG (VERY GOOD) The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or... well, the previous grade but more accentuated. G (GOOD) Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale ! We tend to exaggerate our gradations, however, in case of doubt, do not hesitate to ask questions before bidding. Cleaning The sleeves are generally cleaned. Each collector has his own method for cleaning vinyl records, those that we offer for sale are just clean with a smooth velvet brush to take off the dust before being photographed. Photos Our records are always photographed by natural light. No scanning which tends to erase some defects. Packaging All our records are shipped in packaging specifically designed for vinyl in cardboard (double box) and delivered in a plastic sleeve. Shipping Our records are shipped within 2 business days after receipt of your payment. Returns Returns are accepted within 14 days of receipt, the costs are borne by the buyer. If the record does not meet your expectations, thank you to focus on communication in order to find a solution together. Feedbacks These are always left as soon as your payment reaches us. Thank you kindly do the same upon receipt of your package. SHIPPING RATES: Rates are given for single vinyls. Gatefold or inner booklet may change the cost of postage. For oversea

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Anarchism and Other Essays (Classic Reprint) Emma Goldman Auteur: Emma Goldman Editeur: Forgotten Books Broché: 292 pages paperback Publication: 06/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? Anarchist and feminist EMMA GOLDMAN (1869-1940) is one of the towering figures in global radicalism of the late 19th and early 20th centuries. Born in Lithuania, she emigrated to the United States as a teenager, was deported in 1919 for her criticism of the U.S. military draft in World War I, and died in Toronto after a globetrotting life. An early advocate of birth control, women's rights, and workers unions, she was an important and influential figure in such far-flung geopolitical events as the Russian Revolution and the Spanish Civil War. Among her many books are My Disillusionment in Russia (1925) and Living My Life (1931). Propagandism is not, as some suppose, a trade, because nobody will follow a trade at which you may work with the industry of a slave and die with the reputation of a mendicant. The motives of any persons to pursue such a profession must be different from those of trade, deeper than pride, and stronger than interest. George Jacob Holyoake. A mong the men and women prominent in the public Hfe of America there are but few whose names are mentioned as often as that of Emma Goldman. Yet the real Emma Goldman is almost quite unknown. The sensational press has surrounded her name with so much misrepresentation and slander, it would seem almost a miracle that, in spite of this web of calumny, the truth breaks through and a better appreciation of this much maligned idealist begins to manifest itself. There is but little consolation in the fact that almost every representative of a new idea has had to struggle and suffer under similar difficulties. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Emma Goldman's essays collected I've heard from many people who are interested in reading books about anarchism (allthough i think the term "anarchism" is incorrect) that most books about anarchy are "heavy" and difficult to get through much less understand because they aim their content to readers that have a good backround of political understanding (its terminologies, its "schools" of thought, its currents and so forth..). If this happens to be your problem then this book will be ideal if you want to discover what this political philosophy stands for and what its issues are and, indeed, have been for a long time. Emma Goldman, a woman with as fiery a personality as they come, has put together here a number of essays about anarchy that are easy to comprehend and definately thought inspiring. Despite this book having been first published in 1917 it loses nothing of its importance in the current state affairs as all of the issues Goldman deals with not only remain unsolved but they have -in the meantime- become a social burden or a social disaster much worse than back in her time. Oh, and back in her time things already looked bad enough. What you get here is, summarily, the following: -anarchy, what is it and what does it stand for? Beyond the mainstream media cliches anarchy stands for personal and societal freedom of the highest conceivable order. A freedom, anarchists insist, that is not a utopia. It's basically a hard lesson in crushing your illusions and opening unthought of doors of perception of what freedom really means. That would be then something other than being in a cage and having food thrown in. Even if the cage is invisible.. -Hard punching essays about the prison system and the everself-destructing notion of patriotism.. Funny how every line one reads in there could've been written yesterday. Not much has changed. After decades and decades of the imprisonment system has society become more law-abiding? That would be a thundering no. Why is that? As for patriotism, the incredible notion of dying for your country the same one that might be killing you slowly while draining you of all your resources and enslaving you in a wage system and a daily mindless-toil called "work". here, Emma has to say a lot. There's always a reason to die if someone is going to make money out of it (that would be NOT you) and dress the whole "cause" up as patriotic.. -The hypocrisy of puritanism as well as the seemingly eternal joke of marriage and "love" are also given the treatment they deserve. In a society based on hypocrisy alltogether, you have to start on a personal level. You have to lose your personal chains before you attempt to free others. Your personal chains begin with the things you've been taught to hold most sacred (as is generally the case). The morals that are not yours. Whom do they really serve? The institutions that everyone notices they have fail and yet most continue to serve them. Why? How can this possibly be? These are just some of the issues dealt with in Emma's essays. A classic book that will basically reprogram your brain if you honestly think about the issues in it. But reprogrammed into what? Well, it will only reprogram you into thinking for yourself. For once. If you do, you'll find that the illusion you've been living in does indeed serve someone. Your long hard road to becoming an individual will thus commence. Good, But Not the Best Collection of Emma's Work This is a good collection of essays by Emma Goldman; however, it is not the best one available. That would be _Red Emma Speaks_, which contains the best material in this volume as well as other excellent essays and excerpts from her entire life's work. In addition, all of this book is available on the Web. So I would have to recommend that those interested in Emma's work get _Red Emma Speaks_ instead of this one. as relevent today as it was in Emma Goldman's day Being historically one the more important yet obscure figures in American history, Emma Goldman's anarchist thought is as relevent today as it was when she wrote "Anarchism, and Other Essays". In an age where political apathy, intellectual ignorance and spiritual corruption are the failings of modern civilzation, Emma Goldman's Enlightenment thought is illuminating in its message of the power of direct action as she so lucidly illustrates: "Anarchism urges man to think, to investigate, to analyze every proposition... (Anarchism is the) philosophy of a new social order based on liberty unrestricted by man-made law; the theory that all forms of government rest on violence, and are therefore wrong and harmful, as well as unnecessary. "The new social order rests, of course, on the materialistic basis of life; but while all Anarchists agree that the main evil today is an economic one, they maintain that the solution of that evil can be brought about only through the consideration of every phase of life,--individual, as well as the collective; the internal, as well as the external phases. "A thorough perusal of the history of human development will disclose two elements in bitter conflict with each other; elements that are only now beginning to be understood, not as foreign to each other, but as closely related and truly harmonious, if only placed in proper environment: the individual and social instincts. The individual and society have waged a relentless and bloody battle for ages, each striving for supremacy, because each was blind to the value and importance of the other. The individual and social instincts,--the one a most potent factor for individual endeavor, for growth, aspiration, self-realization; the other an equally potent factor for mutual helpfulness and social well-being." From just that little exerpt it is easy to understand why any and all authority was terrified of Emma Goldman and why her important contributions to society have been muzzled from histories - down the "memory hole" to use an Orwellian expression.Again, "Anarchism, and Other Essays" is as relevent today as it was in Emma Goldman's day and necessary material for anyone truly interested or involved in altruistic direct action. D'autre ouvrages de Emma Goldman Mot Clef: Nonfiction Education Education Theory

The Beatles ‎– Unplugged Label: Odeon ‎– TH 001 Format: CD, Album Country: Europe  Sortie: 1995 Genre: Rock Style: Acoustic, Pop Rock Tracklist: 1Cry Baby Cry2:302Child Of Nature2:423Child Of Nature1:224The Continuing Story Of Bungalow Bill2:495I'm So Tired3:086Yer Blues3:307Everybody's Got Something To Hide Except Me And My Monkey2:598What's The New Mary Jane?2:419Revolution4:1010While My Guitar Gently Weeps2:3911Circles2:1812Sour Milk Sea3:3313Not Guilty3:1214Piggies2:0615Julia3:4316Blackbird2:3417Rocky Raccoon2:4518Back In The U.S.S.R.2:5919Honey Pie2:0320Mother Nature's Son2:1521Ob-La-Di, Ob-La-Da2:5822Junk2:3723Dear Prudence4:3924Sexy Sadie2:2325Helter Skelter0:5726Spiritual Regeneration2:3027Rishikesh # 93:11 - Recorded At – Kinfauns - Recorded At – Abbey Road Studios Notes: In late May 1968 (the excact date not known) the Beatles came together at 'Kinfauns', George Harrison's home in Esher. One by one, first John, then Paul, they recorded 23 of their newest compositions by double-tracking themselves on George's Reel-to-Reel-tape-machine. These songs, most of whom where written during the Beatles' two-month-stay on a meditation-course in Rishikesh, India, February - April 1968, were subsequently recorded for the 'White Album'. But not all of them made it onto vinyl and thus remain unreleased (at least as Beatles-versions). Judging by the outcome of this session, it must have been a very sunny and relaxing day. Spring certainly was in the air (and a bit of pot maybe too). Just accompanied by their acoustic guitars, John, Paul and George recorded very charming and joyful early versions of their newest tunes. Something slightly out-of-sync with their own double-tracking but who cares? Spontanity counts! Had this session been recorded 25 years later it would have been a bonafide TV-Unplugged-performance! But as it is, this 1968 session remained in the vaults until now !! We proudly present this tape to you in the correct running-order and in the best possible sound (two generations away from the actual master-tape). Enjoy! The short acoustic bit of "Helter Skelter" was recorded on 11th June, 1968 at Abbey Road studios. The last two tracks were recorded in India. The light atmosphere of these musical snippets set the tone for the "Kinfauns"-session. Identifiants: - Matrix / Runout: TU9541-1 - Rights Society: GEMA - Other (SPARS Code): AAD CONDITION / ÉTAT: EXCELLENT + frais de port

You who are looking for the ultimate piece in your collection of this huge band of music, here it is, you have just found. Condition: EX+ cover and  NM disc Extremely rare. Gatefold sleeve. Only 200 copies in the world edited in 1985.  The sound is breathtaking, i've never heard basses so deep and others instruments so clear on all  recording media otherwise available (Strange Fruit 1991, remasters on The Best Of 2006 etc.) and this is due to the reading speed 45 rpm. Absoluty an hypnotic performance (Paul MORLEY, NME).  Tracklist: Side A: Exercise one / Insight / She's lost control / Transmission  Side B: Love will tear us apart / Twenty four hours / Colony / The sound of music  Source: the two Peel Sessions january & september 1979 (studios BBC & Maida Vale) I bought it in LONDON in 1986 at a specialized record shop (unofficial release). A magnficient highly collectible objet for a real fan! The artwork was inspired by Peter SAVILLE, initially planned for STILL album. Really much rarer than the french 7" SORDIDE SENTIMENTAL " Licht und Blindheit" SS 33002. You'll never find this item elsewhere on sale (auctions websites, Discogs, CD&LP etc.). The graphic comes from the painting of Caspar David FREIDRICH "Monastery cimetery in the snow", the painter become popular with the "Traveler contemplating a sea of clouds". EXTRAS: incredible sound effects at the begenning and the end of each disc as follows: Side A begins with thunder and rain sound effects, then a scratching sound (as the needle is roughly sliding across the grooves), and then some mad laughter followed by a "welcome!". After the tracks it closes with another stylus scratching noise and an annoyed voice exclaiming something along the lines of "Hey, what are you trying to do, man? You ruined my record, I just bought it!" Side B features, dialogue taken from (or later used in) an Apollonia Six (Prince offshoot) album spoken word track called Ooo She She Wa Wa at the beginning and the end. Side B starts with the following dialogue: "God bless Susan and Brenda and my rabbit, Smokey Oh, and God, please bless all the people on Neptune Amen Apollonia? Who said that? It's Brenda from Neptune {laughter} Get up girl, its too early to be in bed Oh Brenda, what is it? Get up I'm tired Come here, I want you to hear something What? Come on, come on Oh Brenda, where are we going? Shhh, listen What do you mean I'm too young? Maybe you're too old Hey, I happen to like my teddy bear Well, for one thing, he's bigger than you {hangs up phone} Hey, who's there? It's the men from Neptune:::laughter::: Oh you... you guys OK, Apples, put on some clothes Susan, take some off We're going out to play (Yeah!) This dialogue is followed by Love will tear us apart, 24 hours, Colony and The Sound of music At the end of side B the dialogue continues: Hello sweetheart, it's Brenda Hello sweetheart, it's Brenda Hold on honey Come on you guys, put it in the bank, I'm trying to talk Well, we're so sorry Come on Susan, I'll tuck you in OK I'm sorry darling, where were we? What? No, not really Nah, it's just something she says Whenever she goes to see this Spanish guy she knows in the valley Never mind that Let's talk about you and I This is followed by a deep processed voice stating something like "No you punk, I'm not ruining your new record. This is brought to you by The Snowman" ALL QUESTIONS ARE WELCOME, OTHERS PICTURES AVAIBLE ON REQUEST. DELIVERY FOLLOWED TO MY CHARGE WITH INSURANCE IN CASE OF LOSS. THANKS VERY MUCH FOR YOUR VISIT, AND HAPPY BIDDING IN TOTAL CONFIDENCE !

Auteur Mick Walsh Éditeur Porter Press Date de parution 2018 Format 23x28 cm ISBN 9781907085444 Illustration 300 Nombre de pages 320 Langue Anglais Etat Neuf Reliure Couverture rigide This book tells the remarkable history of an Alfa Romeo Monza and its characterful drivers and owners, some with life stories worthy of a movie script. Built in 1933, ‘221130’ was raced that year by the Hon Brian Lewis and won the arduous Mannin Moar race on the Isle of Man. The car continued to be raced until the war by John Cobb (1934), Luis Fontes (1935), Anthony Powys-Lybbe (1936–37) and Fay Taylour (1938), at venues as diverse as Vila Real (Portugal) and Phoenix Park (Ireland). Post-war, it passed through several significant collectors to arrive at its status today as one of the more important surviving Monzas, and a car with so much charisma and historic interest that it is a most worthy addition to the acclaimed ‘Great Cars’ series. Key content • The 1933 season with the Hon Brian Lewis, including wins on début at Brooklands and in its next race, the Mannin Moar, plus sixth place in the Nice Grand Prix. • Bought in 1934 by John Cobb (later to become notable for speed record-breaking on land and water) and raced both by him and Charlie Dodson, who finished second in the Mannin Moar. • Another new owner for 1935, Luis Fontes (something of a ‘wild man’ who also raced aeroplanes) took the car back to the Mannin Moar, where he finished third, and won the Limerick Grand Prix. • The period with Anthony Powys-Lybbe (a fascinating character who was extensively involved with Alfa Romeos) brought more good results, especially in Ireland, with second places in the Cork Grand Prix in 1936 and 1937. • More racing at Brooklands in 1938 with Fay Taylour (a champion speedway rider whose Fascist links led to her internment during the Second World War). • Post-war, a succession of notable owners included Peter Hampton, the Hon. Patrick Lindsay and Hubert Fabri, all passionate collectors and men of significance. • Nearly 300 period photographs, many previously unpublished, supported by a portfolio of commissioned special photography at Brooklands The author Mick Walsh’s passion for Alfa Romeo 8Cs was sparked aged 10, when the Hon. Patrick Lindsay, driving ‘221130’, blasted past his father’s car en route to VSCC Silverstone in 1967. As the long-serving Editor-in-Chief of Classic & Sports Car, Mick has driven and written about many great 8Cs, including co-driving a Touring Spider on the Monte Carlo Rallye Historique and testing a Monza in the Alps after the Klausen hillclimb. As organiser of the Louis Vuitton Concours and the Cartier Style et Luxe, he has created two 8C tributes where ‘221130’ was among the winners.  

ATTENTION: PAS DE CHEQUE, PAS DE VIREMENT; PAYEMENT PAYPAL UNIQUEMENT  PAYPAL ONLY BANGLES EVERYTHING Track listing 1. In Your Room 2. Complicated Girl 3. Bell Jar 4. Something to Believe In 5. Eternal Flame 6. Be with You 7. Glitter Years 8. I'll Set You Free 9. Watching the Sky 10. Some Dreams Come True 11. Make a Play for Her Now 12. Waiting for You 13. Crash and Burn Album notes The Bangles: Susanna Hoffs, Vicki Peterson (vocals, guitar); Michael Steele (vocals, bass); Debbi Peterson (vocals, drums). Additional personnel: Vinnie Vincent (guitar); David Lindley. When the Bangles' third and final album was released in 1988, a backlash had already begun against the popular Los Angeles power poppers. All four of the Bangles' previous Top 40 hits, excellent though they were, had been written by outside songwriters, and the fact that all four bandmembers were strong songwriters themselves was overlooked by cynics who charged that Susanna Hoffs' pouty beauty was the main reason for the band's commercial success. Unfortunately, corporate marketing decisions to showcase Hoffs by selecting the album's two weakest songs, the faceless "In Your Room" and the soppy "Eternal Flame," as singles, paired with a too-slick production job, doomed the album among the cognoscenti and the band quickly broke up. However, heard with fresh ears, EVERYTHING is a cohesive, mature album with many terrific songs, especially Vicky Peterson's "Glitter Years" and Michael Steele's magnificent "Complicated Girl." An underappreciated album crying out for artistic re-evaluation. COLUMBIA / 1988 / Printed in AUSTRIABoitier Cristal // Crystal Box Tous mes CD sont en état impeccable, très peu utilisés Frais de Port, Shipping cost: Pour la France: 3,50€ (+1€ par CD Supplémentaire) For Europe, Switzerland and Norvay: 5,50€ (+2€ each additional CD) Rest of the world: 7,85€ (+3€ each additional CD) MERCI de CONSULTER MES AUTRES VENTES... PAYPAL ONLY ATTENTION: PAS DE CHEQUE; PAYEMENT PAYPAL EXCLUSIVEMENT

Coffret 4 Volumes. Titres Volume 1 Midnight Train To Georgia (Gladys Knight & The Pips) Angel In Disguise (Martha Reeves & The Vandellas) You Send Me (Percy Sledge) Brand New Feeling (The Elgins) Face Up To The Fact (The Contours) My Brother (Frankie Gaye) Reach Out I'll Be There (Bobby Taylor & The Vancouvers) Something About You (Sisters Love) Soul Man (Sam & Dave) Stoned Love (Jean, Sherrie & Linda Of The Supremes) Stand By Me (Ben E. King & The Drifters) Black As He's Painted (Billy Ocean) If You Don't Know Me By Now (Harold Melvin & The Blue Notes) He Was Really Saying Something (The Velvelettes) You Little Trustmaker (The Tymes) What Becomes Of The Broken Hearted (Jimmy Ruffin) Titres Volume 2 Saturday Night At The Movies (Ben E. King & The Drifters) Twilight Theme (The Platters) My Special Prayer (Percy Sledge) Running Out Of Luck (The Velvelettes) The Love I Lost (Harold Melvin & The Blue Notes) Whose Little Girl Are You (Billy Ocean) Fun Time (New Miracles) Take The Only Way Out (The Originals) Hold On I'm Coming (Sam & Dave) I'Ve Got Use My Imagination (Gladys Knight And The Pips) No More Broken Hearts (Sisters Love) Do Unto Others (Bobby Taylor & The Vancouvers) Just In The Nick ETC... Bon état: 4 Disques Vérifiés Nombre Titres: 64 Durée: 229,17 (3H49) Dimension:12,5 cm * 14,2 cm * 4,3 cm Poids: 450gr CD occasion à vendre à Antony (92160): cd et vinyles à acheter dans les Hauts-de-Seine (92)

PHIL COLLINS Take A Look At Me Now...  Coffret 8CD Box Édition Limitée Remasters. Légères traces de frottements sur la box. CD et leur pochette en excellent état. Face Value - 1-1 In The Air Tonight 5:36 - 1-2 This Must Be Love 3:56 - 1-3 Behind The Lines 3:55 - 1-4 The Roof Is Leaking 3:16 - 1-5 Droned 2:49 - 1-6 Hand In Hand 5:22 - 1-7 I Missed Again 3:46 - 1-8 You Know What I Mean 2:33 - 1-9 Thunder And Lightning 4:13 - 1-10 I'm Not Moving 2:35 - 1-11 If Leaving Me Is Easy 4:55 - 1-12 Tomorrow Never Knows 4:52 Hello, I Must Be Going! - 2-1 I Don't Care Anymore 5:05 - 2-2 I Cannot Believe It's True 5:16 - 2-3 Like China 5:08 - 2-4 Do You Know, Do You Care? 4:58 - 2-5 You Can't Hurry Love 2:55 - 2-6 It Don't Matter To Me 4:17 - 2-7 Thru These Walls 5:05 - 2-8 Don't Let Him Steal Your Heart Away 4:44 - 2-9 The West Side 5:02 - 2-10 Why Can't It Wait 'til Morning 3:11 No Jacket Required - 3-1 Sussudio 4:24 - 3-2 Only You Know And I Know 4:21 - 3-3 Long Long Way To Go 4:22 - 3-4 I Don't Wanna Know 4:15 - 3-5 One More Night 4:51 - 3-6 Don't Lose My Number 4:48 - 3-7 Who Said I Would 4:01 - 3-8 Doesn't Anybody Stay Together Anymore 4:18 - 3-9 Inside Out 5:15 - 3-10 Take Me Home 5:51 - 3-11 We Said Hello Goodbye 4:21...But Seriously - 4-1 Hang In Long Enough 4:45 - 4-2 That's Just The Way It Is 5:20 - 4-3 Do You Remember? 4:36 - 4-4 Something Happened On The Way To Heaven 4:51 - 4-5 Colours 8:51 - 4-6 I Wish It Would Rain Down 5:27 - 4-7 Another Day In Paradise 5:22 - 4-8 Heat On The Street 3:51 - 4-9 All Of My Life 5:35 - 4-10 Saturday Night And Sunday Morning 1:25 - 4-11 Father To Son 3:27 - 4-12 Find A Way To My Heart 6:14 Both Sides - 5-1 Both Sides Of The Story 6:43 - 5-2 Can't Turn Back The Years 4:40 - 5-3 Everyday 5:43 - 5-4 I've Forgotten Everything 5:15 - 5-5 We're Sons Of Our Fathers 6:24 - 5-6 Can't Find My Way 5:09 - 5-7 Survivors 6:05 - 5-8 We Fly So Close 7:33 - 5-9 There's A Place For Us 6:52 - 5-10 We Wait And We Wonder 7:01 - 5-11 Please Come Out Tonight 5:49 Dance Into The Light - 6-1 Dance Into The Light 4:25 - 6-2 That's What You Said 4:20 - 6-3 Lorenzo 5:51 - 6-4 Just Another Story 6:24 - 6-5 Love Police 4:11 - 6-6 Wear My Hat 4:44 - 6-7 It's In Your Eyes 3:02 - 6-8 Oughta Know By Now 5:31 - 6-9 Take Me Down 3:22 - 6-10 The Same Moon 4:08 - 6-11 River So Wide 4:57 - 6-12 No Matter Who 4:40 - 6-13 The Times They Are A-Changin' 5:08 Testify - 7-1 Wake Up Call 5:15 - 7-2 Come With Me 4:34 - 7-3 Testify 6:31 - 7-4 Don't Get Me Started 4:41 - 7-5 Swing Low 5:08 - 7-6 It's Not Too Late 3:59 - 7-7 This Love This Heart 4:04 - 7-8 Driving Me Crazy 4:37 - 7-9 The Least You Can Do 4:21 - 7-10 Can't Stop Loving You 4:16 - 7-11 Thru My Eyes 5:07 - 7-12 You Touch My Heart 4:46 The Essential Going Back - 8-1 Going Back 4:38 - 8-2 Girl (Why You Wanna Make Me Blue) 2:32 - 8-3 (Love Is Like A) Heatwave 2:53 - 8-4 Some Of Your Lovin' 3:18 - 8-5 Going To A Go-Go 2:48 - 8-6 Papa Was A Rolling Stone 6:44 - 8-7 Loving You Is Sweeter Than Ever 2:47 - 8-8 Something About You 2:46 - 8-9 Talkin About My Baby 2:48 - 8-10 Do I Love You 2:50 - 8-11 Never Dreamed You'd Leave In Summer 3:00 - 8-12 Take Me In Your Arms (Rock Me For A Little While) 2:57 - 8-13 Too Many Fish In The Sea 2:30 - 8-14 Uptight (Everything's Alright) 3:03

Robert Joseph Bare Sr. (born April 7, 1935) is an American country music singer and songwriter, best known for the songs "Marie Laveau", "Detroit City" and "500 Miles Away from Home".[1] He is the father of Bobby Bare Jr., also a musician. Bare's big break in country music came when Chet Atkins signed him to RCA Victor. His debut single for the label was 1962's "Shame On Me". Follow-up "Detroit City" reached No. 6 Country,[5] No. 16 Hot 100,[4] and in 1964 earned him a Grammy Award for Best Country & Western Recording.  RAMENE DES USA DANS LES ANNEES 1960, DE MA COLLECTION PERSONNELLE. PRESSAGE ORIGINAL US DE 1963. BIEN REGARDER LES PHOTOS SVP Je mets au fur et à mesure ma collection de pop/rock américain et affilié, des pressages américains pour la plupart, qui suivaient le classement Billboard.  La majeure partie de ces disques datent de 1957 à 1965. Merci de regarder de temps en temps, vous pourriez y trouver quelques pépites ! N'hésitez pas à me faire des offres en cas d'achats multiples ! These records are from my personal collection and date for the most part from the 60's.  Most are also original US presses. Please don't hesitate to ask if I may have something you are looking for -- I still have quite a stock ! -- or make an offer ! And do please look from time to time -- you may find something rare ! Postal fees outside France:   Europe 7 €    Elsewhere worldwide:  11 €

ORIGINAL WAND USA  DE 1964 ETAT VISUEL DU DISQUE (LE DISQUE N'A PAS ETE TESTE): BON RAMENE DES USA DANS LES ANNEES 1960, DE MA COLLECTION PERSONNELLE BIEN REGARDER LES PHOTOS SVP RETOURS ACCEPTES "Money (That's What I Want)" is a 1960 song by Barrett Strong for the Tamla label, distributed nationally on Anna Records. It was written by Tamla founder Berry Gordy and Janie Bradford Money/Bent Scepter (Wand 150) 1964 (#16) -- Je mets au fur et à mesure ma collection de pop/rock américain et affilié, des pressages américains pour la plupart, qui suivaient le classement Billboard.  La majeure partie de ces disques datent de 1957 à 1965. Merci de regarder de temps en temps, vous pourriez y trouver quelques pépites ! N'hésitez pas à me faire des offres en cas d'achats multiples ! These records are from my personal collection and date for the most part from the 60's.  Most are also original US presses. Please don't hesitate to ask if I may have something you are looking for -- I still have quite a stock ! -- or make an offer ! And do please look from time to time -- you may find something rare !

Chobits 2 n°2 2002 Prix: 2,00 € Livre en bon état, Manga en anglais 4ème de couverture: Name: Hideki Motosuwa Age: 19 Hair Color: Brown Eye Color: Brown Occupation: Busboy Birthplace: Hokkaido Persocoms: 1 "Chi" Notes: Propensity for thinking out loud Hodeki is used to getting the short end the stick. He can't get into school, his parents cut off his allowance, and he's a 19-years-old virgin. So when he found a perfectly good humanoid computer-a persocom-lying in the garbage, it seemed like his luck was finally starting to turn around. Chi isn't like any other persocom ever created. Che is self-teachin - a true artificial intelligence - and best of all, she's hot. Hideki Should have known it was too good to be true. The diagnostic said that Chi's memories were erased, but something, or someone, is hidden away in her cybernetic soul, ans now it is trying to contact her. If Hideki doesn't figure out her mystery soon, he may lose Chi... to herself. Catégorie(s): Manga, Anglais (Langues) Référence du livre: R01962 Pour retrouver tous mes livres tapez loccasiondelire dans la barre de recherche (ou ailleurs sur le net).

DURING THE mid 1970s the popularity of progressive rock was at an all time high with acts such as Yes, Jethro Tull and, especially, ELP enjoying huge album sales and playing to sold out crowds the world over. Of course, shadowing these giants of prog were a number of young upstarts keen to make a challenge for gold and glory, not least of these were American mid-west contenders Starcastle. The band’s carefully executed debut album attracted a number of converts, selling something in the region of a quarter of a million copies, resulting in Epic records taking a keener interest. In an effort to up the ante, so to speak, the band was sent into the studio (Morin Heights, Quebec) to record their next album with flamboyant and creative British producer Roy Thomas Baker (Queen, Journey, Foreigner). ‘Fountains Of Light’ is arguably Starcastle’s finest moment. Baker’s production is meticulous yet forceful, allowing the band to stretch out and take on the competition without sacrificing integrity or a natural melodic song writing ability. Packed out with hooks to die for and submerged in complex yet accessible arrangements, the album oozes charm and class. Housed in one of the most impressively designed album sleeves of the seventies ‘Fountains Of Light’ still presses all the right buttons. 24-bit remastering from original source tapes, 4,000 word essay about the making of the album, new interview with band and additional photos spread out over a 16 page full colour booklet. Track Listing: 1. Fountains 2. Dawning Of The Day 3. Silver Winds 4. True To The Light 5. Portraits 6. Diamond Song (Deep Is The Light)

WELCOME TO THIS PAGE - BUY WITH CONFIDENCE !! BIENVENIDOS A ESTA PAGINA - COMPRA CON CONFIANZA!! BIENVENUE - ACHETEZ EN TOUTE CONFIANCE !! °°°°°°°°°°°°°°°°°°°°° Michel DELPECH 5000 kilomètres (1979) - Mini LP Réplica - 9-track Card sleeve - Pochette Cartonnée CD Universal France Neuf NEW NOT SEALED - NEUF NON SCELLE - CD REISSUE OF ALBUM ORIGINALLY RELEASED IN 1979 CD IS HOUSED IN A FLAT CARD COVER - A MINI REPLICA OF THE ORIGINAL LP COVER    1. Trente manières de quitter une fille Paul Simon 50 Ways to Leave Your Lover 2. J'ai été fou d'aimer James Taylor I Was a Fool to Care 3. Il n'y a que lui Graham Nash There's Only One 4. C'est ta chanson Elton John Your Song 5. Kodachrome Paul Simon Kodachrome 6. Dame de la ville basse Elton John Sweet Painted Lady 7. T'as un ami Carole King You've Got a Friend 8. Daniel Elton John Daniel 9. Une chose qui va si bien Paul Simon Something So Right °°°°°°°°°°°°°°°°°°°°° CARD SLEEVE = Pochette cartonnée TRACK = Titre °°°°°°°°°°°°°°°°°°°°°° Etat des disques: L'etat de la pochette est indiqué en premier. EX = Excellent etat La pochette peut avoir quelques très discrètes rayures et/ou des petits plis. Le CD montre des signes d'avoir été joué mais pratiquement comme neuf.  VG = tres bon etat La pochette présente des signes de manipulations évidents: extrémité légèrement cornée, étiquette du prix, plis. Mais aucun défaut majeur. Il se peut aussi qu'elle soit en parfaite état mais présente un poinson ou une extrémité biseautée. Le cd a quelques rayures qui n'affectent pas la qualité sonore. G = Bon etat La pochette est usée avec des plis, des marques, des décollements, une usure des bords, des décolorations, un début de marque circulaire du disque sur la pochette. Les signes de l'âge sont présents. Le cd a des rayures et marques qui n'affectent pas la qualité sonore. F = Etat moyen L'état de la pochette est proche de celui de VG- avec en plus des écritures, un papier gondolé à cause de l'humidité, des déchirures sur les bords... La qualité du son est détériorée par les nombreuses lectures, il peut y avoir des sautements. Exemple: EX/VG Pochette en excellent etat / Disque en tres bon etat. °°°°°°°°°°°°°°°°°°°°°°°°°°°°°° ----------------------------------------------------------------------------------------------------------- °°°°°°°°°°°°°°°°°°°°°° Record condition  : The sleeve is graded first. EX = Excellent The cover and packaging might have slight wear but excellent aspect overall. The cd may show some tiny signs of having been played. VG = Very good Cover shows some hanling imperfection like normal wear and tear, price tag, creasing... Cover can also be in mint condition but there is a DJ or promo copy stamp or cut in the corner. The CD has been played few times and displays  occasional light marks or scratches. Does not affect quality sound. G = Good Cover suffers from folding, scuffing of edges, spine splits, discoloration... Now the signs of age and handling are starting to show. You can notice some clear wear on the surface. Does not affect quality sound. F = Fair The cover and contents can be torn, stained and/or defaced, there also can be some writing on it. The CD has been played so much that the sound quality has been noticeably dete)

I will accept Paypal, but because of their high charges would prefer payment by bank transfer in the Euro Zone J'accepter le paiement par Paypal, cependant, en raison des frais élevés de Paypal, je préfère le paiement par chèque (en France) ou virement bancaire/bank transfer (Zone Euro) I GIVE REDUCTIONS ON POSTAGE FOR MULTIPLE ITEMS JE DONNE DES REDUCTIONS SUR LES FRAIS DE LIVRAISON POUR LES ACHATS MULTIPLES Tracklist Knees Up SideA1Enjoy YourslfA2Our Ol' LodgerA3There's A Lump Of Sugar Down In DixieA4Hell Ol' WhatsnameA5AbeyA6Leanin' On A LampostA7Ol' Muvver LeeA8Russian RagA9The Old Iron CrossA10On The MississippiA11I Enjoyed It!A12WanaA13When You're A Long Long Way From HomeA14Yes Sir That's My BabyA15All Up Darkies GasworksA16I Wish I Had A PalA17Can CanA18Muvvers Name Was BrownA19Have A Cuppa TeaA20Liza It's A Beautiful Starry NightA21We've All Bin Havin' A Go At ItA22Cover It Over Quick JemimaA23A Pound O' Pickled PorkA24Billy Green P.C.A25What D'Ya Want T' Live To 99 For?A26Gee Gee's BackA27Sons Of The SeaA28My Ol' Man's A Dustman (What D'Ya Think O' That?)A29Henry The ViiiA30I'm Goin' To Sing A Song (Paddy Carried His Hod)A31We Both Locked One Another UpA32Mary Ellen At The Church Turned UpA33Grandfather JohnA34We All Go The Same WayRock 'N' Roll SideB1I'm A RockerB2Lovin' Up A StormB3Reelin' & Rockin'B4Jailhouse RockB5Peggy SueB6Don't Be CruelB7My BabeB8What'd I Say?B9Sweet Little 16B10PretendB11Shake Rattle & RollB12Just A Little Too MuchB13Whole Lotta Shakin' Goin' OnB14Down The LineB15Rave OnB16Say MamaB17I'm Comin' HomeB18All Shook UpB19Good Golly Miss MollyB20Bony MaronieB21Too Much Monkey BusinessB2220 Flight RockB23I'm ReadyB24I Wonder In Whose Arms?B25Bye Bye JohnnyB26I Feel So FineB27I'm A RockerOld Time Boogie SideC1Meet Me Tonight In DreamlandC2I Get The Blues When It RingsC3It's A Sin To Tell A LieC4Mammy O' MineC5I Got The Sweetest Mammy In TennesseeC6You're My BabyC7Who Hit You With A Horseshoe?C8Cuddle Up A Little CloserC9Barefoot DaysC10Me & Jane In A PlaneC11Fancy You Fancying Me!C12AlwaysC13I'm Alone Because I Love YouC14Every Little MomentC15Pardon Me Pretty BabyC16Ballin' The JackC17You Are My HoneysuckleC1812 O'Clock At NightC19Don't Wake Me 'Cos I'm Dreamin'C20Love Letters In The SandC21Where The Black Eyed Susans GrowC22You're In Kentucky Sure A You're BornC23You're Just In LoveC24If I Knew You Were Comin' I'd Have Baked A CakeWaltz SideD1Let Me Call You SweetheartD2Cruisin' Down The RiverD3Up In My Bonny BalloonD4Jealous In YouD5If Those Lips Could Only SpeakD6I'll Be Your SweetheartD7The Thieving MagpieD8Are We To Part Like This Bill?D9My Ol' Gal's A Good Ol' GalD10After The BallD11Musn't GrumbleD12Down At The Ol' Bull & BushD13Playin' The Game In The WestD14When You Came My WayD15RainbowD16I Want Something To Practice OnD17Let's Start All Over AgainD18Nobody Noticed MeD19I've Got My Eye On YouD20Golden DreamboatD21At 10 O'Clock At NightD22Now Is The Hour

excellent état. Disc 1: Oakland 28th February 2016 1st Show Part 1 1-1 Confluence 1-2 I Would Die 4 U 1-3 Over The Rainbow 1-4 Batman Theme 1-5 Big City 1-6 I Would Die 4 U [reprise] 1-7 Stand! 1-8 Take Me With U 1-9 Little Red Corvette - Dirty Mind 1-10 Controversy 1-11 I Feel For You 1-12 The Most Beautiful Girl In The World 1-13 Pop Life 1-14 The Max 1-15 The Ballad Of Dorothy Parker - Four 1-16 Black Muse 1-17 Cream 1-18 Diamonds And Pearls 1-19 The Beautiful Ones 1-20 Thieves In The Temple 1-21 Unchain My Heart 1-22 It 1-23 The Question Of U [instrumental] 1-24 Raspberry Beret 1-25 Starfish And Coffee 1-26 Paisley Park Disc 2: Oakland 28th February 2016 1st Show Part 2 2-1 How Come U Don't Call Me Anymore 2-2 Nothing Compares 2 U 2-3 Purple Rain 2-4 Kiss 2-5 Black Sweat 2-6 Purple Music 2-7 Venus De Milo Disc 2: Oakland 28th February 2016 2nd Show (Highlights) 2-8 Joy In Repetition 2-9 When The Lights Go Down 2-10 I Could Never Take The Place Of Your Man 2-11 With U [instrumental] 2-12 Little Red Corvette - Dirty Mind 2-13 I Wanna Be Your Lover 2-14 Do Me, Baby 2-15 Dear Mr. Man 2-16 Cream 2-17 I Love U, But I Don't Trust U Anymore 2-18 Strange Relationship 2-19 Something In The Water (Does Not Compute) 2-20 Love 2 The 9's [instrumental] 2-21 Waiting In Vain - If I Was Your Girlfriend

KISS                           "DYNASTY" side one: I was made for lovin'you 2,000 man sure know something dirty livin' side two: charisma magic touch hard times x-ray eyes save your love disque Casablanca ref. cb 71049 (1979) écriture au recto de la pochette visible photo

CD ........TRES    BON  ETAT BOITIER  CRISTALE.....il y a quelques petites traces de frottements   TITRES 1. Live Without Your Love 2. Nobody Wants Her 3. All My Love 4. Story Of My Life 5. Dreaming Of A Woman 6. Something I Want 7. Stay Awhile 8. Dangerous Girl 9. Don't Mind Messin' 10. It Was You   Album notes Big Blue Hearts: David Fisher, Donovan Michaels (vocals, guitar); Michael Anderson (vocals, bass); Paul Zarich (vocals, drums). Recorded at Coast Recorders, San Francisco, California. All tracks have been digitally mastered using HDCD technology.       .. REGROUPER LES ACHATS (cela reduit les frais de poste).

1959 Brother John Sellers ‎- Big Boat Up The River - Label: Arteco ‎- TS 101 12" Made in France État du disque: Very Good Plus Plus Plus (VG+++) State of the disc État de la pochette: Very Good Plus Plus (VG++) Condition of the cover - - - - - - - - - - Vous pouvez cumuler vos achats durant 30 jours ! Frais de port adapté au poids en cas d'achat groupé. Merci de bien vouloir faire la demande de votre facture avant de faire votre règlement pour bénéficier des frais réduits. Paypal, chèque Français personnel et virement bancaire acceptés. - - - - - - - - - - Brother John Sellers ‎- Big Boat Up The River And Other Blues And Folk Songs Label: Arteco ‎- TS 101 Format: Vinyl 12", LP, Album  Pays: France Sortie: 1959 Genre: Blues Tracklist A1 Big Boat Up The River Arranged By – Brother John Sellers 2:17 A2 Feelin' Sad And Blue Written By – Brother John Sellers 3:27 A3 Trouble Is A Woman Written By – Brother John Sellers 2:51 A4 Something Strange Is Going On Wrong Arranged By – Brother John Sellers 4:11 A5 When I Was A Little Boy Written By – Huddie Ledbetter 1:58 A6 You Get A Line And I'll Get A Pole ("Crawdad") Arranged By – Brother John Sellers 2:51 B1 Strange Fruit Written By – Lewis Allan 2:23 B2 Chain Gang Arranged By – Brother John Sellers 3:20 B3 City Called Heaven Arranged By – Brother John Sellers 2:58 B4 Watermelon On The Vine Arranged By – Brother John Sellers 2:12 B5 Prison Wall Blues Written By – Brother John Sellers 2:19 B6 Martha Blues Arranged By – Brother John Sellers 3:04 Notes Ernest Hayes (p), Mickey Baker (g), Panama Francis (d), Haywood Henry (ts/flute), Llyod Trotman (b) - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South Eddy Louiss Edmond Hall Los Chacos Enrique Villegas Errol Parker Erroll Garner Erskine Hawkins And His Orchestra Fats Waller François Biensan Freddie Slack Gary Burton Quartet George Shearing Gérard Gustin Gilles Hekimian Glen Gray Glenn Miller Guy Lafitte Harold Nicholas Harry James Hazy Osterwald Henri Red Allen Henri Renaud Henry Allen Junior Herbert Pagani Herbert Pepper Herbie Mann Herman Humphrey Lyttelton And His Band Ian Menzies Ike Quebec Jimmy Hamilton John Hardee Benny Morton Intenational Jazz Group Jack Diéval Jack Lemmon Jack Melrose Jack Teagarden Jacques Denjean Jacques Loussier Christian Garros Pierre Michelot James Price Johnson & Perry Bradford James Rushing Avec Buck C

In need for something heavier? Here’s Blues Creation’s third LP. Walls of distorted and wah-wah guitars, fat drums and English vocals. The band was formed in 1969 by guitarists Kazuo Takeda and Koh Eiryu and singer Fumio Nunoya following the dissolution of their group sounds band The Bickies. In October ’69 they released their self-titled debut album of American blues covers. After some line-up changes, August 1971 saw the release of their first album of original material, Demon & Eleven Children. That year they also released Carmen Maki & Blues Creation, which had the band fronted by female vocalist Carmen Maki. This copy is a 1975 issue, very rare but not as the first Denon press which can reach prices of up to 800€! Listen to the full LP here. --------------------------------- Shipping rates of Nezumi Records with La Poste: I will ship from south of France twice a week (more if possible). Europe, USA, Japan, Russia, India, Africa, South America, Australia: - 7’/45 RPM – International letter + tracking (up to 3): 10,00€ - 7’/45 RPM – International letter + tracking (from 3 to 6): 14,00€ - LP – International letter + tracking (x1): 14,00€ - LPs (+doubles) – International letter + tracking (up to 3): 22,00€ - For more quantities, please email me before checking out. For International registered rates (much higher), please email me before checking out. Now shipping with Mondial Relay (Europe): Only to Germany, Austria, Belgium, Spain, Italy, Portugal, Deutschland, UK and Luxembourg (please ask beforehand). France (Mondial Relay et La Poste): - 45 tours et LP (jusqu'à 500g) via Mondial Relay: 5 euros. - 45 tours (jusqu’à 3) – Lettre suivie: 5,00€ - 45 tours (de 3 à 6) – Lettre suivie: 6,50€ - 45 tours (jusqu’à 3) – Lettre recommandée: 7,00€ - 45 tours (de 3 à 6) – Lettre recommandée: 8,50€ - LP (x1) – Lettre suivie: 6,50€ - LP simple et double LP (jusqu’à 3) – Lettre suivie: 8,50€ - LP (x1) – Lettre recommandée: 8,00€ - LP simple et double LP (jusqu’à 3) – Lettre recommandée: 10,00€ * Please bear in mind that because of the current sanitary issues, your package may take a little longer than expected to reach its final destination. Thank you!!!

MAGIC HOUR "Will they turn you on or will they turn on you" 1995 (CD) Edited by: Plastic Cloud Music / Ché Titles: 1. Something else 2'24 2. I had a thought 3'56 3. Chance was 5'04 4. When I remembered 3'28 5. Jonathan & Charles 4'55 6. Passing words 20'20 ************************************************************ 2nd HAND CD / CD D’OCCASION ************************************************************ Condition / Etat: Very good / Très bon INTERNATIONAL SHIPPING/HANDLING COST (by priority airmail postage / in strong envelope protected) I accept PAYPAL for all countries. (et pour la FRANCE: Chèque) USA & rest of the world Economic (slow delivery): 3.95 € USA & rest of the world Standard: 5.95 € EUROPE Economic (slow delivery): 3.95 € EUROPE Standard: 4.95 € FRANCE Lettre Max (suivi et assurance): 2.95 € Multiple purchases may be combined under a single shipping charge. Shipping within 48 hours ! Don't forget to look at my other items, thanks ! Interested in movies ? Have a look on our partner-shop Movie Planet Collector ! Les frais d'envoi sont regroupés si vous remportez plusieurs articles. Envoi sous 48 heures ! Pensez à regarder nos autres ventes, merci ! Passionné de cinéma ? Alors faites un tour sur notre boutique -partenaire Movie Planet Collector ! Please only bid if you want to buy item. The buying contract must be honored in 8 days delay, otherwise a complain will be deposed to Créé par L'outil de mise en vente gratuit. Mettez vos objets en vente rapidement et en toute simplicité, et gérez vos annonces en cours.

KENNY ROGERS & THE FIRST EDITION GREATEST HITS CD ALBUM A PLAY COLLECTION  ♦  10408-2  ♦ 2002     Reuben James 2:46  Ruby Don't Take Your Love To Town 2:53  Tell It All Brother 3:19  Once Again She's All Alone 2:08  But You Know That I Love You 2:57  Heed The Call 3:19  Homemade Lies 2:22  Always Leaving, Always Gone 2:25  For The Good Times 3:21  Just Dropped In (To See What Condition My Condition Was In) 3:19  Where Does Rosie Go 2:14  Elvira 2:35  Poem For My Little Lady 2:32  Me And Bobby McGee 2:32  Shine On Ruby Mountain 2:58  Sunshine 3:08  Tulsa Turnaround 3:27  She Even Woke Me Up To Say Goodbye 2:21  We All Got To Help Each Other 2:22  Something's Burning 3:55     CD IS IN A VERY GOOD CONDITION - LE CD EST EN TRES BON ETAT CD: EX SLEEVE / POCHETTE: VG+ 1 marque due au boitier - 1 tab mark

Kiss–Dynasty (vg++/vg++) une écriture au verso + label Casablanca–CB.71049 Vinyle LP Album France 1979 A1-I Was Made For Lovin' You A2-2 000 Man A3-Sure Know Something A4-Dirty Livin' B1-Charisma B2-Magic Touch B3-Hard Times B4-X-Ray Eyes B5-Save Your Love frais d'envoi royaume uni 16€

Gorgeous vintage Johnson Bros dish in Old British Castles pattern. Classic Blue and White transferware oval bowl with a picture of Warwick Castle 1792. Lovely gift. It has the Johnson Bros stamp beneath that was used from 1913. Very stylish and usable in a classic pattern, just something special to add to your collection. Very collectable, with a beautiful design. It would look wonderful displayed, also could be functional as a key bowl, jewellery catchall at bedside or vanity, business card holder. 21 cm x 13.5 cm across x height 2.5 cm Collection in Barcelona 08011, please check out my listing for other ítems, Thanks and best Regard.

To significantly reduce shipping costs, I can use MONDIAL RELAY for: BELGIUM - NETHERLANDS - SPAIN and PORTUGAL... contact me for the prices VARIOUS ARTISTS b'"' The GOPEL SOUND Vol.2. TRACKLISTING BELOW. LABEL: CBS (Gatefold cover). REFERENCE: M 67280. COUNTRY / PAYS: HOLLAND. YEAR / ANNEE: 1972. SLEEVE / POCHETTE: EX. VINYLS: NMINT. Tracklisting A1 –Blind Willie Johnson God Don't Ever Change 2:55 A2 –Eddie Head b'&' Family Lord I'm The True Vine 3:08 A3 –The Golden Gate Jubilee Quartet He Never Said A Mumblin' Word 3:17 A4 –Arizona Dranes He Is My Story 3:12 A5 –Mitchell's Christian Singers I'm Praying Humble 2:50 A6 –Blind Willie Johnson Trouble Soon Be Over 3:06 B1 –The Golden Gate Jubilee Quartet Hush, Somebody's Calling My Name 3:10 B2 –Blind Willie Johnson Rain Done Fell On Me 3:19 B3 –The Golden Gate Jubilee Quartet Toll The Bells 2:32 B4 –Mitchell's Christian Singers Sign Of The Judgment 2:49 B5 –Blind Willie Johnson Dark Was The Night 3:17 B6 –Rev. J. M. Gates These Hard Times 2:59 C1 –Dorothy Love Coates b'&' The Gospel Harmonettes That's Enough 2:33 C2 –Mahalia Jackson God Is So Good 3:15 C3 –Pilgrim Travelers I've Got A New Home 2:27 C4 –Marion Williams It Is Well Worth My Soul 4:41 C5 –The Staple Singers Do Something For Yourself 2:34 C6 –Mahalia Jackson How I Got Over 7:18 D1 –Bessie Griffin Too Close To Heaven 5:43 D2 –The Staple Singers Pray On 2:41 D3 –Mahalia Jackson He's Right On Time 3:02 D4 –Pilgrim Travelers I Love The Lord 2:27 D5 –Marion Williams Lord I've Had My Day 5:02 D6 –R.H. Harris b'&' His Gospel Paraders I'm Willing To Run 2:56 D7 –Marion Williams Surely God Is Able 1:07 ATTENDRE MA FACTURE POUR LES ENVOIS GROUPES. COMBINED SHIPPING, PLEASE WAIT FOR MY INVOICE. En savoir plus