Output o

Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

Avid Digidesign 192 I/O Digital Input/Output Cards. État: Occasion Service de livraison: Colissimo

Bang&Olufsen B&O Beogram CD 4500 TOP CD-Player Optischer Zustand:  Um einen besseren Eindruck zubekommen schauen Sie sich bitte die Bilder an. Er hat zwei kleinere Schönheitsfehler und ist daher auch günstiger abzugeben Technischer Zustand:  Einwandfreier Zustand International bidders please ask for shipping costs.  Daten: Frequency range: 3 - 20,000 Hz +/- 0.3 dB Signal-to-noise ratio: > 100 dB / 110 dB A-weighted Dynamic range: > 96 dB Harmonic distortion incl. noise: Channel separation: > 101 dB Channel difference: Converter system: 16 bit, 4 x oversampling 176.4 kHz Low pass filter: Digital + Bessel/elliptical analogue Damping: > 20,000 Hx > 50 dB Phase error between L and R 0 degree at 20 - 20,000 Hz Output analogue: 1.3 V RMS at 0 dB Output digital: For digital equipment Privatverkauf, keine Rücknahme oder Garantie

Lecteur CD Sony CDP 670 Optical Digital Output + Télécommande Excellent état, fonctionne parfaitement Specifications Disc format: CD Digital converter: 2 x PCM56P CD Mechanism: KSS-210A Frequency response: 2Hz to 20kHz Dynamic range: 93dB Signal to Noise Ratio: 100dB Channel separation: 95dB Total harmonic distortion: 0.008% Line output: 2V Digital outputs: optical Dimensions: 430 x 95 x 275mm Weight: 3.5kg Accessories: remote commander Frais de Port - Livraison en point relais pour la France pour 5,15 euros et a domicile par La Poste 13,30 euros - Lieferung frei Haus « Mondial Relay » nach Deutschland und Osterreich für 9,20 euros - Ship at home with « Mondial Relay » to United Kingdom for 9,20 euros - Entrega en Punto de Relevo para España por 7 euros o en Casa por 9,20 euros - Consegna a domicilio « Mondial Relay » per l'Italia per 9,20 euros - Entrega em domicílio « Mondial Relay » para Portugal 9,20 euros - European countries from U.E for 22 euros at home by La Poste (ask me for other European Countries) - Worldwide expedition by La Poste Colissimo for 54,55 euros Photos et questions supplémentaire par mail Envoi soigné et rapide Pour un envoi en recommandé prenez contact avec moi pour les modalités. Only Paypal for foreign customers

Bonjour, Je vends une excellente petite paire d’enceintes B&O Beovox CX50, la plus petite de la gamme qui comporte la CX50 et la CX100. Ne vous fiez pas à leurs dimensions, en écoute elles sont excellentes, hyper rigide elles sont en fonte d’aluminium. Les membranes sont neuves. Dimensions: 12 x 20,5 x 20,5cm/3,5kg Cabinet Finish: Black / Aluminium Output per Channel: 80 Watts Max Sound Pressure Level: 89 dB Frequency Range: 60-20 000 Hz Cabinet Principle: Bass Reflex Woofer: 1x 10cm Tweeter: 1x 2.5cm Net Volume: 2.5 litres

AKAI S6000 sampler, 256MB, HDD 146GB SCSI, CD-ROM SCSI, FDD, 8x Outs, 64 VOX, OS v2.14 This AKAI S6000 is sold as is for parts - no return, no refund. Only buy it if you want to try your hand at making your own custom AKAI S6000 system. Everything was in perfect working condition and then the screen died. As far as I can tell the screen is completely shot - it doesn't even light and of course nothing can be seen on it. There were missing lines on the screen even before it went completely dark. The support mount for the screen connector is broken. It comes with the original box with the original polystyrene protection in place, but the box is old and not in good condition. ---------- Memory 256MB 8 Channel output Board 64 Voice Expansion Card VOX HDD SCSI - 146GB CD-ROM YAMAHA SCSI: 4x4x16X FDD OS: 2.14 ---------- Any taxes, duties and customs procedures are the clients' sole responsibility *********************************** Shipping information We are shipping at your address. Please check before buying that you have registered the right delivery address. All the items are shipped within 1 business day after payment. The items ordered during the weekend will be shipped the next business day. Delivery time (working days): France Metropolitan: 10 working days EU / UE: 30 working days Other countries: 45 working days The delivery time during the holiday season is always longer than usual. Please add 5 to 10 working days to the usual delivery time. *********************************** Détails de livraison Nous expédions seulement à votre adresse. S'il vous plaît vérifier votre adresse d'expédition avant de commander. Expédition dans les 1 jour ouvrable une fois le paiement effectué. Les commandes passées le week-end seront expédiées le prochain jour ouvrable. Délai de livraison (jours ouvrables): France Metropolitan: 10 jours ouvrables UE / EU: 30 jours ouvrables Autres pays: 45 jours ouvrables Le délai de livraison pendant la saison de vacances est toujours plus long que d'habitude. Veuillez ajouter 5 à 10 jours ouvrables au délai de livraison habituel. ***********************************

Phono Box, de Pro-Ject Audio systems, es un preamplificador con sistema hifi y es fácilmente conectable con cualquier cable AUX o parecidos al amplificador.

MIXER - MONACOR SPS-4OA 4-WAY AUDIO SELECTOR - 4 INPUT Y 1 OUTPUT O AL REVÉS

Yamaha Matrix Processeur MTX5-D - Matrice Processeur - Excellent état Série MTX - Caractéristiques techniques - Processeurs - Audio professionnel - Produits - Yamaha - France MTX5-D (yamaha.com)   MTX5-D Mixing capability Mixing channels Mixing Channel: 16 Mono + 3 Stereo + 2 Effect Return + 8 Direct-in to Matrix Input channel functions Mono CH: 3-band PEQ, Comp, Gate, Auto Gain Control, Feedback suppressor (available in ch 1-8) Output channel functions Room Delay, Room EQ, Speaker Processor, X-Over (1way,2way), Delay, 6-band PEQ, Limiter I/O Phantom power +48V Internal processing Priority Ducking, Ambient Noise Compensator Sampling frequency rate Internal 48kHz/ 44.1kHz Signal delay Less than 3.0ms (AD-DA @48kHz) Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB), Less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, +0.5dB, -1.5dB Dynamic range 107dB (Gain:-6dB) Hum & noise level Equivalent input noise -60dBu (Gain ： +66dB), -83dBu (Gain ： -6dB) Crosstalk -100dB Heat dissipation 55.9kcal/h max Power requirements AC100V-240V 50Hz/60Hz Power consumption 65W Dimensions W 480mm (18.9") H 88mm (3.4") D 351mm (13.9") Net weight 6.3kg (13.9lbs) Others Memory bank: PRESET 50 ·          * Total harmonic distortion is measured with a 18dB/Oct fi lter @80kHz. ·          * Hum & noise level is measured with a 6dB/oct fi lter @12.7kHz;equivalent to 20kHz fi lter with infi nite dB/Oct attenuation. AnalogInput Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu ST IN 1,2 - 10kΩ 600Ω Lines -10dBV +10dBV RCA Pin Jack AnalogOutput Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock DigitalInput and Output Specifications Terminal Format Level IN/OUT Connector Note YDIF In YDIF RS-422 16IN RJ45 YDIF Out YDIF RS-422 16OUT RJ45 Primary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only Secondary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only ControlI/O Specifications Terminal Level Connector MTX5-D GPI 16 IN / 8 OUT IN 1-15ch: 0-5V 16ch: 2.5-24V: High, 2.5V or less, Allowable input +24V Euroblock OUT Open Collector +V DC5V MTX5-D REMOTE RS-232C (BAUD RATE: 38.4kbps or 115.2kbps) D-sub 9pin (Male) DCP - RJ-45 Exi8/Exo8 Specifications   EXi8 EXo8 Sampling frequency 48kHz/44.1kH Signal delay Less than 2.5ms Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB); less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, -1.5dB min, 0dB typ., +0.5dB max Dynamic range 107dB (Gain:-6dB) Equivalent input noise (EIN) -126dBu (Gain: +66dB) Phantom power +48V (per channel; individually settable) Crosstalk -100dB (@1kHz) Heat dissipation (per hour) 21.5 kcal max. Power supply voltage 100V 50/60Hz Power consumption 25 W max. Dimensions (W x H x D) 480(W) x 44(H) x 351(D)mm, 1U 480(W) x 44(H) x 351(D)mm, 1U Included items Power cord, Euroblock plugs (3-pin, tabbed) x8 EXi8Analog Input Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu EXi8Digital Input Specifications Terminal Format Level IN/OUT Connector YDIF In YDIF RS-422 16IN RJ45 EXo8Analog Output Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock EXo8Digital Output Specifications Terminal Format Level IN/OUT Connector YDIF Out YDIF RS-422 16OUT RJ45 Exi8 /Exo8 Control I/O Specifications Terminal Format Level Connector Network Ethernet 100Base-TX - RJ-45  

1- Crown DC-60 Laboratory power amplifier. (Je vend toute la famille D-75, D150A, DC300A, regardez mes autres annonces) -Power output: 35 watts per channel into 8Ω (stereo), 70 watts into 16Ω (mono) -Frequency response: 5Hz to 20kHz -Total harmonic distortion: 0.05% -Damping factor: 750 -Gain: 26.3 dB -Input sensitivity: 1.75V -Signal to noise ratio: 110dB -Speaker load impedance: 8Ω to 16Ω The DC-300 is a dual channel, high power amplifier for precision amplification of frequencies from DC to 20KHz. The unit features extremely low harmonic and intermodulation distortion, very low noise, high damping factor, quality parts and workmanship.  Je m'en servais en multi-amplification active sur des PR38, du velour. The unit features extremely low harmonic and intermodulation distortion, very low noise, highest “damping factor,” and quality parts and workmanship. The unit may be wired to produce a balanced 25-volt monaural output. The amplifier is fully protected against mismatched and shorted loads by resetting V-I (volt-ampere) limiter having no obnoxious muting or program delays.   Specifications: ·       Frequency Response o   0.1dB 20Hz-20KHz at 1 watt into 8 ohms o   1.2dB 5Hz-100KHz at 1 watt into 8 ohms ·       Output Power o   35 watts per channel minimum RMS (both channels operating) into an 8 ohm load over a bandwidth of 20Hz-20KHz at a rated RMS sum total harmonic distortion of 0.05% of the fundamental output voltage. ·       Output Impedance o   Less than 15 milliohms in series with less than 3 microhenries

Show Tech RONDSON MA-4120 Amplificateur mélangeur 4 x 40W RMS, 100V Ces amplificateurs-mélangeurs offrent 5 entrées routables sur 4 zones de sortie contrôlables séparément. MA-4075 Il est équipé de: • 4 amplificateurs de puissance soit 4 X 120 WATTS RMS • 3 entrées universelles combo XLR & JACK 6,35 mm, MICRO/LIGNE et alimentation fantôme paramétrable • 2 entrées AUX RCA • 1 entrée TEL avec fonction priorité routable par zone • Talk-over prioritaire sur Entrée MIC 1 • 4 sorties zones chacune avec vumètre du niveau de sortie et réglage de volume • 1 sortie Haut-Parleur de contrôle • 1 sortie casque avec réglage de volume • Sorties HP sur bornier BI 4 O et 8 O, HI 25 V, 70 V, ou 100 Volts • Sortie line Out sur bornier pour chaque zone • Ventilateur de refroidissement Show Tech RONDSON MA-4120 Mixer amplifier 4 x 40W RMS, 100V   These mixer amplifiers offer 5 routable inputs on 4 separately controllable output zones.   MA-4075 It is equipped with: • 4 power amplifiers or 4 X 120 WATTS RMS • 3 universal XLR & JACK 6.3mm combo inputs, MICRO / LINE and configurable phantom power • 2 AUX RCA inputs • 1 TEL input with routable priority function per zone • Priority talk-over on MIC 1 input • 4 zone outputs each with output level meter and volume control • 1 speaker control output • 1 headphone output with volume control • HP outputs on BI 4 O and 8 O, HI 25 V, 70 V, or 100 Volts terminal block • Line Out output on terminal block for each zone • Cooling fan

Bonjour, Je vends cette console Yamaha 01v96i avec son Flight case. La console a toujours été utilisée en fixe dans un auditorium. Et n'a donc jamais fait de prestation. J'avais un flycase vide, je l'ai donc mise dedans. La fragilité ainsi que la délicatesse des transporteurs low cost font que l'envoie de fera via UPS si la remise en mains propres n'est pas faisable (bien que très fortement recommandée !) La 01v96i est là pour capturer ce moment parfait, en 96 kHz, avec une qualité sonore exceptionnelle. Depuis son lancement initial en 1998, la 01V est une console de choix pour des applications très variées – enregistrement, environnements de postproduction, sonorisation, installation fixe... La 01V96i constitue l'étape suivante de l'évolution d'un modèle devenu standard. Basée sur la configuration éprouvée des versions précédentes, cette console numérique compacte répond mieux aux besoins d'un nombre croissant d'utilisateurs. Désormais, elle offre 16 canaux d'entrée/16 canaux d'entrée en streaming audio sur port USB 2.0, à une fréquence d'échantillonnage maximale impressionnante de 96 kHz; elle est livrée avec la dernière version du logiciel Steinberg Cubase AI, la suite complète d'effets DSP Yamaha Virtual Circuitry Modeling (VCM), unanimement appréciés, et offre des préamplis micro améliorés, de qualité studio. La 01V96i nouvelle génération fera passer vos enregistrements et vos mixages un cran au-dessus. Enregistrement live multipiste en 96 kHz via une seule connexion. Afin de répondre à la demande de plus en plus fréquente d'enregistrement/lecture multipiste en spectacle vivant, la 01V96i offre désormais une connectique USB 2.0 – ce qui vous permet d'emporter votre studio sur la route. Grâce au streaming audio en 96 kHz sur 16 entrées et 16 sorties via une seule liaison, il n'a jamais été aussi facile d'enregistrer, d'éditer et de produire des enregistrements de haute qualité, de niveau professionnel. La connectique USB offre également une communication MIDI bidirectionnelle, ce qui vous permet d'allier le contrôle physique précis autorisé par votre console à toutes les possibilités de la version la plus récente de Cubase AI, livré d'origine avec la 01V96i. 01V96i 01V96i Outline Mixing capability Mixing channels 32 Mono + 4 Stereo GROUP 8 AUX 8 MAIN Stereo Input channel functions Gate, Attenuator, 4-band PEQ, 2x Compressor, Delay, Pan Output channel functions Attenuator, 4-band PEQ, Compressor, Delay On-board processors 4x SPX multi effectors I/O Mic inputs 12 Phantom power +48V DC; ON/OFF per 4ch Line inputs 2x Stereo, 2x 2tr in AD converter 24-bit; 128-time over sampling Line outputs Stereo output, Monitor output, 4x Omni output DA converter 24-bit; 128-time over sampling Digital I/O ADAT (8-in/8-out), 2tr in/out Expansion slots Mini-YGDAI (16-in/16-out) Control and others To Host(USB), MIDI, Word clock I/O General specifications Internal processing 32bit, Accumulator: 58bit Sampling frequency rate Internal 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz External 44.1kHz/88.2kHz (-10%) - 48kHz/96kHz (+6%) Signal delay Less than 1.6ms CH INPUT to STEREO OUT (@SampIing frequency = 48kHz) / Less than 0.8ms CH INPUT to STEREO OUT (@SampIing frequency = 96kHz) Total harmonic distortion CH INPUT to STEREO OUT: Less than 0.05%, 20Hz to 20kHz @+14dBu into 600Ω / Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 48kHz) / Less than 0.05%, 20Hz to 40kHz @+14dBu into 600Ω / Less than 0.01%, 1kHz @+24dBu into 600Ω (@SampIing frequency = 96kHz) Frequency response CH INPUT to STEREO OUT: 0.5, -1.5dB, 20Hz - 20kHz @+4dBu into 600Ω(@SampIing frequency = 48kHz) / 0.5, -1.5dB, 20Hz - 40kHz @+4dBu into 600Ω(@SampIing frequency = 96kHz) Dynamic range 110dB typ. DA Converter (STEREO OUT) / 105dB typ. AD+DA (to STEREO OUT) @fs=48kHz / 105dB typ. AD+DA (to STEREO OUT) @fs=96kHz Hum b'&' noise level Equivalent input noise -128dBu Equivalent Input Noise. Residual output noise -86dBu residual output noise. STEREO OUT: STEREO OUT off. / -86dBu (90 En savoir plus Collaboration commerciale.

Focusrite Saffire Pro 14, Interface audionumérique FireWire - jamais utilisé.  CD d'installation fournie. 1 x câble Firewire -> Firewire fourni. Fiche technique   Fabricant:Focusrite Modèle:Saffire Pro 14 Série:Saffire Catégorie:Interfaces audionumériques FireWire Fiche créée le:11/08/2010 Microphone Inputs 1-2 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: +13dB to +60dB Maximum Headroom +8dBu THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Input Impedance: 2k Ohm Line Inputs (Inputs 1-2) Frequency Response: 20Hz - 20kHz +/- 0.2dB Gain Range: -10dB to +36dB THD+N: 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise: -90dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Line Inputs 3-4 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: Switch-able between +16dBu or -10dBV for 0dBFS (balanced inputs) THD+N: 0.003% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: -100dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Instrument Inputs (Inputs 1 and 2) Frequency Response: 20Hz - 20kHz +/- 0.1dB Gain Range: +13dB to +60dB THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Analogue Audio Outputs (Outputs 1-4) 4 Electronically Balanced Outputs Maximum Output Level (0dBFS): +10dBu THD+N: 0.001% (0dBFS input, 20Hz/22kHz bandpass filter) Crosstalk (Channel Isolation) Any input to input: > 100dB Any output to output: > 100dB Any input to output: > 100dB DIGITAL PERFORMANCE A/D Dynamic Range > 109dB (A-weighted), all analogue inputs D/A Dynamic Range > 106dB (A-weighted), all analogue outputs Clock Sources: - Internal Clock - Sync to Word Clock on SPDIF Input (RCA) JetPLLTM PLL technology providing superb jitter reduction for class leading converter performance Clock jitter < 250 picoseconds Supported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz 8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2) 6 physical output channels from computer: Analogue (4), SPDIF (2) 12 DAW output streams Assignable 18 input by 6 output mixer Weight and Dimensions 1.5kg / 3.3lbs 215mm (W) x 45mm (H) x 220mm (D) (8.5 x 1.8 x 8.7 inches) Connectivity Analogue Channel Inputs (Inputs 1-2) 2 Mic XLR Combo (channels 1-2) on front panel 2 Line 1⁄4” TRS (channels 3-4) on rear panel Automatic switching between Mic / Line (channels 1-2) Switching between Line / Instrument Inputs (channels 1-2) via Saffire MixControl Application Switching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application Digital Channel Inputs (Inputs 5-6) 44.1 - 96kHz Stereo S/PDIF input on RCA Analogue Audio Outputs (Outputs 1-4) 4 1⁄4” TRS Jacks Output Level control (analogue) for outputs 1 and 2 Stereo Headphones Mix 1 on 1⁄4” TRS (also routed to Outputs 3 & 4) with independent volume control Digital Channel Outputs (Outputs 5-6) 44.1 - 96kHz Stereo S/PDIF Output on RCA Other I/O 1 6-pin FireWire S400 socket 2 Standard 5-pin DIN MIDI connectors: In and Out DC Power Input Connector (for use with supplied universal input power supply) Front Panel Indicators 2 2 segment input meters, Sig (-18) and O/L (0dBFS) “LKD” Locked Indicator “FW” Host Connected Indicator “Power” Indicator Instrument input source selection LED for channels 1 and 2 Phantom Power (48V) switch and LED for inputs 1 and 2

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

VIDEOPROJECTEUR SHARP XGNV6XE LCD /PSN IL PRESENTE UN DEFAUT ? LE CONTOUR DE L'IMAGE EST JAUNE  COMME UNE TACHE JAUNE QUI ENROBE LE CONTOUR ???? SINON FONCTIONNE PARFAITEMENT ENTREES INFORMATIQUE/S VIDEO:RGB/COMPOSANTE/COMPOSITE VENDU TEL QUE SUR LA PHOTO AVEC SON CABLE SECTEUR VENDU TEL QUE EN L'ETAT Video system Display method LCD panel Lens Projection lamp Contrast ratio Video input signal S-video input signal Component input signal Horizontal resolution Audio output Computer RGB input signal Pixel clock Vertical frequency Horizontal frequency Computer control signal Speaker system Rated voltage Input current Rated frequency Power consumption Operating temperature Storage temperature Cabinet I/R carrier frequency Laser pointer of remote control Dimensions (approx.) Weight (approx.) Supplied accessories Replacement parts LCD Projector XG-NV6XE PAL/SECAM/NTSC 3.58/NTSC 4.43/DTV 480P/DTV 720P/DTV 1080I LCD panel ô�°… 3, RGB optical shutter method Panel size: 33 mm (1.3ô�°Š) (20.0 [H] ô�°… 26.6 [W] mm) Display method: Translucent TN liquid crystal panel Drive method: TFT (Thin Film Transistor) Active Matrix panel No. of dots: 786,432 dots (1,024 [H] ô�°… 768 [V]) 1–1.3ô�°… zoom lens, F1.7–2.3, f ô�°� 49.1–63.8 mm 150 W UHP lamp 250:1 RCA Connector: VIDEO, composite video, 1.0 Vp-p, sync negative, 75 Ω terminated RCA Connector: AUDIO, 0.5 Vrms more than 22 kΩ (stereo) 4-pin mini DIN connector Y (luminance signal): 1.0 Vp-p, sync negative, 75 Ω terminated C (chrominance signal): Burst 0.286 Vp-p, 75 Ω terminated BNC Connector (INPUT 1) Y: 1.0 Vp-p, sync negative, 75 Ω  terminated PB: 0.7 Vp-p, 75 Ω  terminated PR: 0.7 Vp-p, 75 Ω  terminated 520 TV lines (video input), 750 TV lines (DTV 720P input, Dot by Dot) 2 W ô�°† 2 W (stereo) 15-PIN MINI D-SUB CONNECTOR (INPUT 1, 2), 5 BNC CONNECTOR (INPUT 1): RGB separate/composite sync/sync on green type analog input: 0–0.7 Vp-p, positive, 75 Ω terminated STEREO MINIJACK: AUDIO, 0.5 Vrms, more than 22 kΩ (stereo) HORIZONTAL SYNC. SIGNAL: TTL level (positive/negative) or composite sync (Apple only) VERTICAL SYNC. SIGNAL: Same as above 12–230 MHz 43–200 Hz 15–126 kHz 9-pin mini-DIN male connector (RS-232C Input Port) 1 31â�„32ô�°Š (5 cm) round ô�°… 2 AC 110–120/220–240 V 2.4 A/1.2 A 50/60 Hz 265 W ô�°†5°C to ô�°†40°C ô�°‡20°C to ô�°†60°C Plastic 38 kHz Wave length: 650 nm / Max. output: 1 mW / Class II Laser Product 261 ô�°… 129 ô�°… 356 mm (W ô�°… H ô�°… D) (main body only) 261 ô�°…146 ô�°… 411.5 mm (W ô�°… H ô�°… D) (including adjustment feet and projecting parts) 7.2 kg

Apogee Electronics Groove DAC Headphone Amplifier Barely used, works exceptionally well with Android, Windows and iOS. Like new, comes with original box and accessories. Probably one of the best dongles up to 400 euros. y o u t u b e. c o m / w a t c h ? v = 0 W _ Z j D z 9 h 7 I b'&' t = 3 0 4 s This little dongle-like device is simply stellar in its simplicity and the sound it produces, pure, powerful golden tone. Used with my Hifiman Sundaras, it has plenty of output power, making them LOUD at about 50-60% to give you an idea of ​​the output this little beast can put into headphones. The sound is exceptionally clean with just the right amount of warmth, open space, no harshness from the 8 Sabre based DAC chips, the way it is implemented and also, most importantly, the proprietary patented b'"'Current Driveb'"' technology used by Apogee in the amplification stage. This goes a long way to explaining how this can drive 90% of headphones... with ease. Comparisons with all my previously owned DAC amps like Dragonfly Red, Cobalt, Topping DX 3 Pro, Fiio K5, K7, Ifi Zen Can V2, Cayin RU6, THX Onyx, Ifi Nano ISD Black Label add up to the Meridian Explorer outshining them all. Excellent and very detailed review: h t t p s: / / w w w. s t e r e o p h i l e. c o m / c o n t e n t / a p o g e e - e l e c t r o n i c s - g r o o v e - d a - h e a d p h o n e - a p l i f i e r Would consider posting it internationally but please, ask for a quote before as the postage differs from country to country and the amount in the description is for European Union only, thanks. Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Neve, Chord, Naim, PS Audio, Parasound, Sparkos, Atoll, Nad, Sugden, Exposure, Krell, Leak, Advance, Cayin, Luxman, Yamaha, Cambridge, Quad, Cyrus, quad / cambridge audio / Cayin / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / feliks / vincent / little dot / prima luna / pathos / willsenton / reisong / woo / fezz / pier audio / jadis / sennheiser / schiit / topping / luxman / ZMF, sparkos, geshelli, musical paradise, fosi, KEF, Linn, gato, m2tech, sony, Dragonfly Red, Cobalt, Topping DX 3 Pro, Fiio K5, K7, Ifi Zen Can V2, Cayin RU6, THX Onyx, Ifi Nano ISD Black Label, Chord, apogee, Beyerdynamic / AKG / Hifiman / Audio-Technica / Sony / Meze, Grado, Focal, Bose, Bowers Wilkins, Audeze, ZMF, Sennheiser moondrop, thieaudio, kiwi ears, hidition, elysian, shure, ibasso, campfire, softears, libratone, 64 audio, tin hifi En savoir plus Collaboration commerciale.

In perfect working condition and aesthetic, comes with remote control, power cable and manual. No box but will be extremely well packaged. Beautiful equipment, very flexible and elegant, exceptional sound. The only 'downside' is the discoloration of the volume knob (a well-known problem if you do a research), but that obviously does not impact the operation and didn't bother me at all! r e m u s i c. i t /EN/Bel-Canto-DAC25-processor-80784100 b'"'In conclusion, I can say that the Bel Canto 2.5 is a DAC of absolute modernity. For the quality of its sound, the superb engineering and the ability to handle analog sources, it represents an incomparable article in terms of versatility.b'"' a u d i o p h i l i a. c o m / reviews/2016/5/24/the-bel-canto-dac25-dac-controller b'"'I’ve experienced digital done right. The Esoteric and dCS gear I’ve heard are knockouts. And crazy expensive. Got the dosh? Go ahead. You can't beat them. But this bel canto DAC is less than 2K! It’s a lifetime DAC and worth twice the price. You won’t need anything else for a long time. And, you can sell your preamp to buy it! In the here and now, this exceptional US$1,999 DAC will be staying in my system for a while. And, I’ll enjoy every minute with it. Very highly recommended.b'"' The $2000 Bel Canto is an excellent PCM digital audio converter, and while it is not exactly cheap as a standalone DAC, given the features it offers, it would be difficult to give the DAC 2.5 less than a high five. The DAC 2.5 is an incredibly versatile music machine. Thanks to its stereo RCA analog input, the 2.5 can be used as an analog preamp. It features 24-bit digital volume control and a host of connection options. In addition to built-in USB, a host of 24-bit/192kHz compatible inputs (Toslink, AES/EBU, S/PDIF) share the rear panel with XLR and RCA analog outputs. There is also a front-mounted 1/4b'"' headphone jack for the dedicated headphone amp. It took me a while, but I finally put my finger on a key attribute of the Bel Canto: it digs deep into the music, reconstructing a sonic image that is sometimes very bright and always transparent. The smoothness of the sound is just enough to give you a tube feel, but the Bel Canto is completely solid-state. It is very easy to get lost in the music the Bel Canto is presenting to you. I have thrown a ton of music at the Bel Canto and it just presents it beautifully. The detail in the music is just insane. I mean, it is so detailed without being analytical at all with a nice slightly warm character... a nice rich midsection and great extension in the bass and treble. I think it was really musical, with a really high-end rhythm. New value 2100 euros Analog DAC section 24/192: Maximum output: 4 Vrms balanced XLR, 2 Vrms RCA Output impedance: 200 ohms balanced XLR, 100 ohms RCA Frequency response: 20 Hz-20 KHz, +/- 0.5 dB THD+N: b' Output noise: 3.3 uVrms A-weighted 20 Hz-20 KHz Dynamic range: 122 dB A-weighted 20 Hz-20 KHz Analog ADC section 24/192: Maximum input: 2.5 Vrms RCA Input impedance: 12 kohms RCA THD+N: 0.003%, 2.5 Vrms input, 1 kHz Dynamic Range: 110 dB, A-weighted 20 Hz-20 KHz Headphone Section: Maximum Output: 138 mW THD+N: 0.01% 35 mW, 1 KHz Output Noise: 17 uVrms, A-weighted 20 Hz-20 KHz General: Power Consumption On: 7 W Power Consumption Off: 0.0 W Power Requirements: 100-120 VAC, 220-240 VAC 50/60 Hz Dimensions: 216 mm x 318 mm x 88 mm (8.5 in W x 12.5 in D x 3.5 in H) Weight: 6.5 kg (14 lbs) Auralic, nuprime, rme, eversolo audio gd, Singxer, schiit, Arcam / teac / marantz / denon / yamaha / onkyo / atoll / nad / musical fidelity / gustard / ifi / monitor audio / klipsch / ifi / AudioQuest / Astell b'&' Kern / iBasso / Hidizs / Fiio / Shanling / beyerdynamic / meze / hifiman / audio technica / akg / bel canto / violectric / lehmann / parasound / benchmark / auralic / burson / aune / Arcam, Benchmark, Einstein, Pass, Mark Levinson, ifi, Eversolo, Fidelice, Mytek, Hegel, Nuprime, Auralic, Rupert Ne En savoir plus Collaboration commerciale.

Doppel LNB MONOBLOCK 6° SINGLE 0,1DB FULL HD 3D READY ASTRA HOTBIRD Er wird durch einen stabilen Rauschfaktor von nur 0,1 dB, eine hohe Verstärkung, eine hohe Frequenzstabilität und Kreuzpolarisationsentkopplung gekennzeichnet.  Mit einer Leistungsaufnahme von bis zu 200 mA ist der Monoblock kompatibel mit 99% der Receivern auf dem  Markt.  Das neue Sortiment mit einem hochwertigen neuen Design und innovativer Technologie, die ermöglicht das Signal von einem Satelliten in Full HD (High Definition) zu empfangen.  Die Oberfläche dieses Stückes ist ausgezeichnet, es ist extrem widerstandsfähig gegen Kälte und Wärme.  Die Installation ist auf allen Ebenen sehr einfach. Sie müssen nur einen Receiver anschließen und Ihre Lieblings-Programme in hoher Qualität genießen.  1. Input Frequency - Low Band: 10.70 ~ 11.70 GHz - High Band:11.70 ~ 12.75GH  2. Output Frequency - Low Band: 950 ~ 1950 MHz - High Band:1100 ~ 2150 MHz  3. L.O. Frequency - Low Band: 9.75 GHz - High Band: 10.6 GHz  4. Noise Figure - 0.1 dB (typ.)  5. Conversion Gain (Room Temp.) - 60 dB (max.) - Gain Flatness ±0.75dB/26MHz - Gain Variation 7dB/Full Band  6. L.O. Stability - ±1.0 MHz (max.) @ +25 °C - ±3.0Mhz (max.) @-30 °C ~ +60 °C  7. L.O. Phase Noise - 50 dBc / Hz @ 1 KHz - 75 dBc / Hz @ 10 KHz 90 dBC / Hz @ 100 KHz  8. Image Rejection - 60 dB (min.)  9. P1dB Compression Point - 0 dBm (min.)  10. Cross Pol. Isolation - 25 dB (typ.)  11. Output VSWR - 2.0: 1 (max.)  12. Current Consumption - 200 mA (max.) - 11.5 ~ 14.0 V @ VP - 16.0 ~ 19.0 V @ HP  13. Band Switching - Low Band: 0 kHz - High Band: 22 kHz ± 4 kHz  14. Operating Temp. - -30 °C ~ +60 °C  15. Polarisation - Linear V/H  16. Output Connector - 75 Ohm F-Type Female*2  17. Input Slection - Tone Burst/DiSEqC 2.0  18. Gewicht - 280g

Bonjour, je vends mon interface digidesign 003 en parfait état dans studio non fumeur. Il sagit de la version RACK + FACTORY fournis avec clé usb ilok + cables. Possibilité de l'essayer sur Bordeaux. Caractéristiques: Digidesign DIGI 003 Rack Factory - FireWire audio interface, 2U rackmountable, 18 simultaneous channels of audio I/O, 24-bit/96 kHz resolution, 8 analog inputs, 8 analog outputs, 4 professional mic preamp with 48V phantom power (switchable by channel pairs), 8-channel ADAT optical I/O or 2-channel of S/PDIF optical I/O, 2-channel S/PDIF digital I/O, 1 MIDI in, 2 MIDI outs, BNC Word Clock I/O, dedicated studio monitor output, alternate control room output, alternate source input for external device monitoring, dual headphone outputs. Software: Digidesign® Pro Tools LE software, Factory plugin bundle and Pro Tools Ignition Pack 2 Pro. Dimensions: 19" rack/2U, 34.29cm deep. Weight: 5.09kg.

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

Etat Neuf frais de port offert via UPS pour la France. RedNet D16 AES is a 1U 19in rack-mount interface featuring 16 channels of AES/EBU connectivity to and from a Dante audio network, with Ethernet redundancy for maximum network reliability. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and a Dante network, RedNet D16 AES has a Sample Rate Convertor (SRC) on each input pair allowing instant operation with any AES3 source. Word Clock and Digital Audio Reference Signal (DARS) connections provide synchronisation with a wide range of hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players. 16 Channel RedNet AES3 Interface for Dante Network AES3 connectivity allows connection of external converters, effects units, mixing consoles or any other AES3 equipped audio equipment to the Dante audio network Dual rear-panel Ethernet connectors (primary and secondary connectors) allow maximum network reliability with seamless switchover to a standby network in the unlikely event of a network failure. The ports can alternatively be used to daisy-chain additional units. SRC allows external equipment to run at any sample rate, irrespective of the sample rate or clocking of the Dante audio network Compact design allows maximum functionality in minimum rack space, with a full 16 channels of I/O in 1U. RedNet D16 AES features the standard trademark red anodised front panel RedNet D16 provides two 8-channel AES59 combined I/O DB25 connections. In addition, a pair of XLR3 connectors duplicates channels 1 & 2 The rear panel XLR input connector can either be used as a DARS input or as a traditional AES3 audio input, replacing channels 1‰ÛÒ2 of the DB25 inputs S/PDIF input and outputs are provided on RCA connectors; ideal for connecting CD players or solid-state recorders. The input replaces channels 3 & 4 in the DB25 connector while the output can be assigned to replicate any adjacent odd/even output pair Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network RedNet Control 2 software provides comprehensive remote control capability via a powerful tabbed browser-like graphic user interface, handling up to 600 devices

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

Parabole fibre Visiosat SMC80 grise.  En très bon état. Seule la couleur est passée. Gains: 12.6Ghz, 38.25dB  Le LNB montée dessus est un Single Chess Edition III, il est offert avec la parabole.  Spécification du LNB:  * Single Output,HDTV compliant * Low noise 0.1dB * Low Power Consumption * Very High Frequency Stability * Very High Cross Pol Performance * Input Low Band: 10.7 - 11.7GHz * Input High Band: 11.7 - 12.75 GHZ * Output Frequency Low: 950 - 1950 MHZ * Output Frequency High: 1100 - 2150 MHZ * L.O Frequency Low: Typ 9.75 GHZ * L.O Frequency High: Typ 10.6 GHZ * Image Rejection dBm 40 dB * Conversion Gain: Min: 50dB Typ: 56dB Max: * Reflector Type: Offset * Fitting-Feed: 40 mm (Standard Size) * Weather: Water Proof Boot Remise en main propre très préférable.

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

The MATCH-IT and MATCH-IT2 allow the benefits of inexpensive domestic and semi-professional source equipment to be applied to the professional installation with minimum compromise in sound quality. As well as substantial cost savings, such machines also offer wider choice and availability compared to their professional brethren and, if well chosen, can prove extremely reliable. Mounted as close to the source equipment as possible, the MATCH-IT/MATCH-IT2 translate between the low level, unbalanced signals used by consumer devices and the higher amplitude, more noise-immune, balanced format found in the professional environment. From that point onwards, mains hum and interference from densely packed equipment will be rejected. Both units are packaged in a robust metal case suited to mounting on rack shelves or in the Canford “Rack-Pak”, beneath woodwork or inside rack cabinets by means of screws, ties or sticky pads. They are supplied with a mains lead, comprehensive instructions and a five year warranty. MATCH-IT Bidirectional Matching Unit Provides matching in both the record (balanced to unbalanced conversion) and replay (unbalanced to balanced) directions for one piece of domestic recording equipment, such as a tape or Mini-Disk recorder. The gain of both sections may be individually varied over a wide range that includes 0dB for higher level sources requiring balancing but no amplification. Technical Specification:Unbalanced to balanced sections (MATCH-IT and MATCH-IT2):Inputs:Unbalanced, RCA (phono)Input impedance:22k ohms Maximum input level:+24dBuNominal gain range:0dB to +25dBOutput noise:-94dB RMS re +8dBu O/P (20Hz-22kHz, +14dB gain)Harmonic distortion:0.005%THD (1kHz, +8dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Electronically balanced, XLR maleMaximum output level:+24dBu (10k ohms load), +23.5dBu (600ohms load)Balanced to unbalanced sections (Match-IT only):Inputs:Electronically balanced, XLR femaleInput impedance:20k ohms Maximum input level:+25dBuInput CMRR:60dB typ.Nominal gain range:-25dB to 0dBOutput noise:-94dB RMS re +8dBu I/P (20Hz-22kHz, -14dB gain)Harmonic distortion:0.005% (1kHz THD, -14dBu O/P)Frequency response:20Hz-20kHz ±0.1dBOutputs:Unbalanced, RCA (phono)Maximum output level:+24dBu (10k ohms load)MATCH-IT and MATCH-IT2:Power supply:230 VAC ±10% at 6VA (115V to special order)Dimensions(excluding connectors):294(w) x 114(d) x 44(h)mmWeight:0.9kg CONTACT for INTERNATIONAl SHIPPING FEES

AIWA AV-D37 Stereo AV Receiver Récepteur / amplificateur Home Cinéma Power output: 100 watts per channel into 8Ω (stereo) Surround output: 60W (front), 60W (center), 60W (rear) Puissant,  polyvalent (propose même une entrée phono), le AV D-37 permet de nombreuses configurations spatiales du son BONNE CONDITION / GOOD CONDITION Des traces d’usage apparaissent, voir mes photos et video: Traces of use appear, please watch my photos and video: https://www.youtube.com/watch?v=2k01temBDsg PARFAIT FONCTIONNEMENT / PERFECTLY WORKING ALL FUNCTIONS NETTOYE / CLEANED IN OUT TESTE COMPLETEMENT / FULLY TESTED LIVRAISON A LA MAISON EN EMBALLAGE  SÉCURISÉ COLISSIMO / CHRONOPOST / UPS SAFE DELIVERY PACKAGING / WORLWIDE DELIVERY   Specifications HiFi Engine: Tuning range: FM, MW Power output: 100 watts per channel into 8Ω (stereo) Surround output: 60W (front), 60W (center), 60W (rear) Frequency response: 20Hz to 20kHz Total harmonic distortion: 1% Input sensitivity: 2.5mV (MM), 250mV (line) Output: 200mV (line) Speaker load impedance: 8Ω (minimum) Video Connections: composite Dimensions: 430 x 155 x 402mm Weight: 10.4kg MANUEL DISPONIBLE GRATUITEMENT SUR HIFI ENGINE ADC - AKG - AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICRO SEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS   3A - AUDAX - B&W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON -  ELIPSON - FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF - KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE -  MISSION -ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE   3M - AGFA - AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY - TANDBERG - TDK A&R CAMBRIDGE - ACCUPHASE - AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX (TOSHIBA) - BANG & OLUFSEN (B&O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE - BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON - CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET - EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON - HITACHI - ITT - JEFF ROWLAND - JVC - KENWOOD - KRELL - LINN - LOEWE -  LUXMAN - MARANTZ - MARK LEVINSON - McINTOSH - MERIDIAN - MICROMEGA - MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO - OPTONICA  (SHARP) - PALLADIUM - PANASONIC - PATHE MARCONI - PHASE LINEAR - PHILIPS - PHONOPHONE - PIONEER - PROTON - QUAD  - RADIOLA - REVOX - ROTEL - SABA - SAE - SAMSUNG - SANSUI - SANYO - SHARP - SCHAUB-LORENZ - SCHNEIDER - SCIENTELEC - SETTON -  SHERWOOD - SIEMENS - SONY - SOUNDCRAFTSMEN - STAX - STUDER (REVOX) - SUGDEN - SYMPHONIE - TASCAM (TEAC) - TEAC -  TECHNICS - TELEFUNKEN - TELETON - TENSAI (AKAI) - THOMSON - THRESHOLD - TOSHIBA - UHER - UNIVERSUM - WALTHAM - WEGA - YAMAHA    

FULLY SERVICED LUXMAN L-5 amplifier + T-4 accutouch tuner + K-5 Cassette Deck LUXMAN L-5 Stereo Integrated Amplifier VERY GOOD CONDITION   Des traces d'usage apparaissent, mais peu, voir photos et vidéo:   Traces of use appear, but few, please see photos and video:   https://www.youtube.com/watch?v=7E-4kfPXhz0&feature=youtu.be REVISE / SERVICED   Nettoyé / Cleaned in out Potentiomètres et contacts désoxydés / Potentiometers and contacts have been deoxidized   Luxman K-5 Stereo Cassette Deck (1979-81) VERY   GOOD CONDITION   Des traces d'usage peuvent apparaître, mais très peu, voir photos et vidéo:   Traces of use   may appear, but very few, please see photos and video:   https://www.youtube.com/watch?v=7E-4kfPXhz0&feature=youtu.be REVISE / SERVICED   Nettoyé / Cleaned in out Potentiomètres et contacts désoxydés / Potentiometers and contacts have been deoxidized Courroies neuves / New belts Vitesse régulée à 1000Hz / Regulated speed 1000 Hz Lampes neuves / New lights   Luxman T-4 Accutouch Closed Loop Locked AM/FM Tuner (1978-81) VERY   GOOD CONDITION   Des traces d'usage peuvent apparaître, mais très peu, voir photos et vidéo:   Traces of use may appear, but very few, please see photos and video:   REVISE / SERVICED   Nettoyé / Cleaned in out Potentiomètres et contacts désoxydés / Potentiometers and contacts have been deoxidized Câble d'alimentation intégré / Power cable included Lampe neuve à la couleur d'origine / New light with the original color RCA inclus / RCA included Plusieurs heures de tests / several hours of tests   LIVRAISON / DELIVERY   A domicile en emballage sécurisé et assuré   Home delivery in a safe and insured packaging   Wolrdwide Delivery / Colissimo, UPS, Chronopost WORLWIDE DELIVERY Spanish's and Italian's islands, please contact for shipping cost     Spécifications HiFi Engine : The Luxman L-5 is a slim precision-look amplifier featuring DC configuration in the output stage. A mighty output is attained - 60W minimum continuous per channel, both channels driven into 8ohm  loads, from 20Hz-20,000Hz with total harmonic distortion of no more than 0.2% Power output: 60 watts per channel into 8Ω (stereo). Frequency response: 10Hz to 100kHz. Total harmonic distortion: 0.03% Damping factor: 80. Input sensitivity: 2.5mV (MM), 150mV (line). Signal to noise ratio: 92dB (MM),  100dB (line). Channel separation: 60dB (MM), 78dB (line) Dimensions: 438 x 289 x 105mm. Weight: 9.5kg Spécifications HiFi Engine : Type: 2-head, single compact cassette deck. Track System: 4-track, 2-channel stereo. Tape Speed: 4.75 cm/s Heads: 1 x record/playback, 1 x erase. Tape Type: type I, CrO2, Metal. Noise Reduction: B Frequency Response: 30Hz to 20kHz   (Metal tape). Signal to Noise Ratio: 65dB   (dolby B). Wow and Flutter: 0.06% Total Harmonic Distortion: 0.7%. Input: 100mV (line), 0.45mV (mic).   Output: 0.58V (line) Dimensions: 438 x 264 x 150mm. Weight: 5.8kg   Spécifications HiFi Engine : The Luxman T-4 features LUX's exclusive CLL circuit offering perfect accuracy and unconditional stability in FM tuning,  which interacts with the ACCUTOUCH system to provide a mechanical lock on the tuning knob when the station is  precisely tuned in. Type: Mono/Stereo Tuner. Tuning Bands: FM, MW. Tuning Scale: Analogue. FM Tuning Range: 87.5 to 108 MHz. Sensitivity: 1.8uV (FM), 250uV (MW). Signal to Noise Ratio: 75dB (FM), 50dB (MW). Distortion: 0.5% (FM), 0.6% (MW Frequency response: 30Hz to 15kHz (FM). Output: 1000mV (FM), 300mV (MW) Dimensions: 438 x 346 x 84mm. Weight: 6.5kg ADC - AKG - AUDIO-TECHNICA - DENON - DYNAVOX - EMPIRE - GARRARD - JELCO - LENCO - MICRO SEIKI - ORTOFON - PICKERING - REGA - SHURE - SME - STANTON - THORENS   3A - AUDAX - B&W - BOSE - CABASSE - CELESTION - CERWIN WEGA - DITTON -  ELIPSON - FRANCE ACOUSTIQUE - HRC - INFINITY - JAMO - JBL - JENSEN - JM REYNAUD - KEF - KLIPSCH - LANSING - LEAK - LES - MAGNAT - MARTIN - MERCURIALE -  MISSION -ROGERS - SIARE - TAD (PIONEER) - TANNOY - TRIANGLE - ULTRALINEAR - WHARFEDALE   3M - AGFA - AMPEX - BASF - FUJI - MAXELL - MEMOREX - NAGRA - NAKAMICHI - SCOTCH - SONY - TANDBERG - TDK A&R CAMBRIDGE - ACCUPHASE - AIWA - AKAI - ALPINE/ALPAGE - AMSTRAD - ARCAM - AUDIO RESEARCH - AUREX (TOSHIBA) - BANG & OLUFSEN (B&O) - BARTHE - BENYTONE - BLAUPUNKT - BOSE - BRANDT - BRAUN - BRYSTON - BST - CAMBRIDGE AUDIO - CARVER - CONTINENTAL EDISON - CREEK - CYBERNET - DAVID HAFLER - DENON - DUAL - DYNACO - ELECTROCOMPANIET - EMB - ESART - FERGUSON - FISHER - GRAETZ - GRUNDIG - H.H.SCOTT - HARMAN/KARDON - HITACHI - ITT  - JVC - KENWOOD - KRELL - LINN - LOEWE -  LUXMAN -   MARANTZ  - MARK LEVINSON - McINTOSH - MERIDIAN - MICROMEGA - MITSUBISHI - NAD - NAIM - NAKAMICHI - NEC - NIKKO - NYTECH - ONKYO - OPTONICA  (SHARP) - PALLADIUM - PANASONIC - PATHE MARCONI - PHASE LINEAR - PHILIPS - PHONOPHONE - PIONEER - PROTON - QUAD   - RADIOLA - REVOX - ROTEL - SABA - SAE - SAMSUNG - SANSUI - SANYO - SHARP - SCHAUB-LORENZ - SCHNEIDER - SCIENTELEC - SETTON -  SHERWOOD - SIEMENS - SONY - SOUNDCRAFTSMEN - STAX - STUDER (REVOX) - SUGDEN - SYMPHONIE - TASCAM (TEAC) - TEAC -  TECHNICS - TELEFUNKEN - TELETON - TENSAI (AKAI) - THOMSON - THRESHOLD - TOSHIBA - UHER - UNIVERSUM - WALTHAM - WEGA - YAMAHA      

Kemp Elektroniks QA PLUG (QUANTUM APPROACH PLUG) EU PLUG TYPE, no sale outside europe ! Public price: 195 € Perfect condition, sold and sent with original packaging Overview - Shunt device, no dynamic losses possible - Uses Quantum Resonance Theory (QRT) - Two circuits, (LF and HF) using separate power supplies - Adjustable intensity - WA-Quantum and Creaktiv Systems Chips internal - Potted in Akiko Audio Tuning mix (minirals) and a resin to prevent microphonic effects - Can be combined without any problems with any audio mains related products - Multiple QA PLUGS intensify the effect - Simple ‘plug & play’ installatio Details - Enjoy undisturbed sound and vision Truly new visions and products can only emerge by leaving the beaten track. For audio/video products this is definitely not the most common and easy way. Revolutionary technology rarely comes from the marketing department either. For us at KE this is the result from our deep knowledge, thorough development and the strong ambition to create unique products with an outstanding price/performance ratio. The convincing proof that this approach can lead to some very remarkable products can be found in our QA PLUG and SR PLUG. Different and unusual for sure but by no means less effective. Just follow your eyes and ears. The improvement in sound and picture quality is impossible to miss. QUANTUM APPROACH PLUG and AUTOMOTIVE QA MODULE stage depth becomes deeper, higher, wider, naturally balanced with whole lotta “black space” between instruments. Almost holographic. Voices placed in front of drums (as it should be), colour and tidiness of voice to die for. *Step 4: potentiometer turned from 1 o’clock to max. Too much of a good thing equals nogood. *Back to 11 o’clock – back to heaven. The sound reminded me to the “deep listening” sessions after bong (ab)use when I was young(er). *The last step: SR Plug switched of. The sound I’ve thought was fine. seemed - wall of sound! Plugged again. I will never unplug it again. I damn love it. Ivan Benja from Milan (Italy)  Having used the QA-Plug for about a decade now, I was curious of the exclusive Quantum device from NordOst which gave an impression of credibility. However, I preferred the QAPlug from Kemp. My dealer pointed out that the QA-Plug had been upgraded in the meantime, the new version allowing the listener to adjust its strength. This new QA-Plug clearly outperforms the original one! I bought four of them! Two are positioned at the front and two at the back of my listening room, giving the sound from my multichannel system much more realism and sense of space. Dhr. de Jong from Zevenhuizen/ the Netherlands (translated by John van Polen)  StereoTimes.com, March 2011; “Kemp Elektroniks Quantum Approach Plug, Another Black Box”, by Dave Allison “I won’t speculate as to whether the Kemp device has the same effects (or to the same degree) as the Nordost products, but the theory of operation seems to be similar, and the price is right! The Kemp QA Plug remains in my system, and is, in my opinion, a worthwhile system tweak.” review Response from customers I must say, that having just tried the SNS and QA plugs on my setup,they have made a noticeable difference in my system! Much more analogue sounding, with much better layering and separation. Also, more importantly, the dynamics haven’t been dampened a bit!! Wymun from Singapore  The increased detail (from full output) of the QA was not exaggerated, but to my ear a bit too much of a good thing. I then suggested we turn the output down a bit (to approx. 75%). Here the QA was near-perfect....tons of micro-detail, spaciousness, and venue information, but very, very musical. Alan M. Kafton from Phoenix (USA)  I feel very happy with “my” sound: wide, deep, open, transparent, tidy, rich, dynamic. I can hardly imagine anything better downside a 5 fig

de tres bonne facture  comme neuf                Argus 113,33 €  MES ARTICLE SONT STOCKEE DANS UNE PIECE PROPRE ET CHAUFFE    PHOTO A L APPUI Multimix 12R TABLE MIXAGE. État : "Occasion" NIKEL       COULEUR    BLEU  Très peu servis et toujours racké.      Console Multimix 12R dans un état proche du neuf, entièrement fonctionnelle,   protege danspiece chauffee photo a  l appui  Matériel de qualité, fiable, tout métal et d'une belle finition. Envoi en Colissimo  Paiement par paypal  Alesis 1800737 Table de mixage 12 canaux Multimix 12R  RACK19 DE tres bonne facture  comme neuf  voir mes evaluations    SPÉCIFICATIONS PRODUIT Mixer 12 canaux rackable au format 3U 8 entrées micro XLR avec alimentation fantôme, et gain ajustable, Insert sur chaque entrée micro, L'introduction d'un jack jusqu'au premier "click" de l'insert permet d'obtenir un direct out par tranche sans coupure audio, Egalisation 2 bandes, 2 départs auxiliaires jacks 6,35 mm symétriques, 2 entrées ligne stéréo, jack 6,35 mm symétrique, 2 retours stéréo jacks 6,35 mm symétriques, Entrée "tape" RCA Sortie casque en face avant, Sortie générale jack 6,35 mm symétrique et RCA, Faders linéaires 60 mm par tranche, Dimensions: l34 x 483 x 108 mm, Poids 3,6 kg. https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.html Alesis est à l'origine un constructeur d'instruments électroniques basé à Cumberland, Rhode Island qui s'est diversifié ensuite dans l'équipement audio. Créée en 1980, la marque est la première a avoir vendu un processeur d'effets 16 bit numérique à moins de 1000$, le Midiverb. En 1991, Alesis introduit l'enregistreur ADAT. Depuis 2001, la marque appartient à Jack O'Donnell. Consoles analogiques Qu'il s'agisse d'une mixette de home studiste ou d'une grosse console vintage professionnelle, les tables de mixage analogiques sont beaucoup plus courantes que leurs homologues numériques et sont encore les plus utilisées sur scène comme en studio. Leurs avantages ? Une entrée de gamme très abordable et un haut de gamme au son inégalable. very good quality like newArgus € 113.33 MY ITEMS ARE STORED IN A CLEAN ROOM AND HEATED PHOTO ON THE SUPPORTMultimix 12R MIXING TABLE. Condition: "Used" NIKEL COULEUR BLEUVery little used and always racked. Multimix 12R console in near new condition, fully functional, protected in heated room photo support Quality material, reliable, all metal and a beautiful finish.Sending by ColissimoPayment by paypalAlesis 1800737 Multimix 12R RACK19 12-channel mixerVery good quality like new see my evaluations PRODUCT SPECIFICATIONS12-channel rack-mountable mixer in 3U format8 XLR microphone inputs with phantom power, and adjustable gain,Insert on each microphone input,The introduction of a jack until the first "click" of the insert makes it possible to obtain a direct out per section without audio cutting,2-band equalization,2 auxiliary sends, balanced 6.35 mm jacks,2 stereo line inputs, balanced 6.35 mm jack,2 balanced stereo 6.35 mm jacks,RCA "tape" inputHeadphone output on the front panel,General output jack 6.35 mm balanced and RCA,Linear faders 60 mm per slice,Dimensions: l34 x 483 x 108 mm,Weight 3.6 kg.https://www.guitariste.com/achat/alesis,multimix,12r-rack,17903.htmlAlesis was originally an electronic instrument builder based in Cumberland, Rhode Island which then branched out into audio equipment. Founded in 1980, the brand was the first to sell a 16-bit digital effects processor for less than $ 1000, the Midiverb. In 1991, Alesis introduced the ADAT recorder. Since 2001, the brand has been owned by Jack O'Donnell.Analog consolesWhether it is a home studio mixer or a large professional vintage console, analog mixers are much more common than their digital counterparts and are still the most used on stage and in the studio. Their advantages? A very affordable entry le