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Io Express delivers compact, powerful I/O for PC or Mac, laptop or desktop, in the field, in the studio, or wherever your work takes you. Io Express is the perfect Mac or PC interface for anyone who needs a quality portable monitoring and mastering solution when working with Final Cut Pro X, Avid Media Composer/Symphony/Newscutter, Adobe Creative Suite, and more. Rugged and portable, Io Express delivers desktop-level functionality that's powerful enough to deliver in the edit suite, but sturdy and portable enough to handle life in the field. With support for a wide range of analog and digital HD/SD video and audio I/O, and broadcast-quality HD to SD down-conversion, Io Express fits into any workflow with ease. Compatible with PC or Mac, Io Express can be connected via PCIe card or ExpressCard interfaces, offering the flexibility to work on any platform, in the software of your choice. Powerful connectivity Io Express provides a wide variety of formats, frame rates and video/audio sources for the connectivity you need. For digital video, Io Express features HDMI 1.3a I/O plus 3G/HD/SD-SDI I/O. In addition there are connections for Genlock or LTC input and a loop-through output, and component SD/HD analog video output. The high-quality deep color HDMI input and output provides complete color representation when you need it, while allowing you to interface with HDMI camcorders and HD monitors. Io Express also offers support for both 8-channel HDMI and SDI embedded digital audio or 2 channels of unbalanced analog audio via two RCA connectors. For multi-channel audio mastering, the 8-channel SDI embedded 24-bit 48kHz audio provides pristine quality. Software compatibility Io Express gives creative professionals the freedom to work with the software of their choice. Just some of the supported applications include: Mac OSX:  Apple Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro*, Adobe After Effects*, Adobe Photoshop* and more. Windows 7:  Adobe Premiere Pro*, Avid Media Composer, Adobe After Effects*, CineForm New 3D, Adobe Photoshop*, CineForm Neo HD,  Eyeon Fusion 64 bit, Autodesk Combustion *via AJA plug-in Integrated AJA down-conversion Featuring full 10-bit, broadcast-quality HD to SD hardware down-conversion and automatic HD/SD 12-bit component analog output, Io Express offers conversion flexibility all the time -- during ingest or playback. Tech Specs Video Formats ? (HD) 1080i 25, 29.97, 30 ? (HD) 1080PsF 23.98, 24 ? (HD) 1080p 23.98, 24, 25, 29.97, 30 ? (HD) 720p 50, 59.94, 60 ? (SD) 625i 25 ? (SD) 525i 29.97 Video Input ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Digital ? SD/HD SDI, SMPTE-259/292/296/424, 8 or 10-bit ? Single Link 4:2:2 (1 x BNC) ? HDMI v1.3 Video Output Analog ? Composite/S-Video (Y/C) (1 x BNC) ? NTSC, NTSCJ, PAL ? Component (3 x BNC) ? HD: YPbPr, RGB ? SD: YPbPr, RGB (component mode) ? SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB ? 12-bit D/A, 8 x oversampling ? +/-.2 dB to 5.0 mHz Y frequency response ? +/-.2 dB to 1 mHz C frequency response ?.5% 2T pulse response ? ? ? Audio Input Digital ? 8-Channel, 16- and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Digital ? 8-Channel, 16 and 24-bit SMPTE-259 SDI embedded audio, 48 kHz sample rate, synchronous ? 8-Channel, 16 and 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous Audio Output Analog ? 2-Channel 16- and 24-bit unbalanced audio (via RCA jack) Reference Input or LTC Input ? 1 x BNC assignable to Reference video or LTC input Reference ? Analog Color Black (1V) or Composite Sync (2 or 4V) ? Nonterminating Electrical Interface ? PCI Express x1 ? ExpressCard/34 Machine Control RS-422, Sony 9-pin protocol 9-pin D-connector pinout is as follows: 1 GND 2 RX- 3 TX+ 4 GND 5 No Connection 6 GND 7 RX+ 8 TX- 9 GND Shell GND Size (w x d x h) ? 8.74" x 7.09" x 1.65" (222mm x 180mm x 42mm) Weight ? 1.5 lbs (0.7 kg) Power ? 12-18V, 11-13W Environment ? Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F) ? Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F) ? Operating Relative Humidity: 10-90% noncondensing ? Operating Altitude:

Avid Digidesign 192 I/O Digital Input/Output Cards. État: Occasion Service de livraison: Colissimo

Bang&Olufsen B&O Beogram CD 4500 TOP CD-Player Optischer Zustand:  Um einen besseren Eindruck zubekommen schauen Sie sich bitte die Bilder an. Er hat zwei kleinere Schönheitsfehler und ist daher auch günstiger abzugeben Technischer Zustand:  Einwandfreier Zustand International bidders please ask for shipping costs.  Daten: Frequency range: 3 - 20,000 Hz +/- 0.3 dB Signal-to-noise ratio: > 100 dB / 110 dB A-weighted Dynamic range: > 96 dB Harmonic distortion incl. noise: Channel separation: > 101 dB Channel difference: Converter system: 16 bit, 4 x oversampling 176.4 kHz Low pass filter: Digital + Bessel/elliptical analogue Damping: > 20,000 Hx > 50 dB Phase error between L and R 0 degree at 20 - 20,000 Hz Output analogue: 1.3 V RMS at 0 dB Output digital: For digital equipment Privatverkauf, keine Rücknahme oder Garantie

Lecteur CD Sony CDP 670 Optical Digital Output + Télécommande Excellent état, fonctionne parfaitement Specifications Disc format: CD Digital converter: 2 x PCM56P CD Mechanism: KSS-210A Frequency response: 2Hz to 20kHz Dynamic range: 93dB Signal to Noise Ratio: 100dB Channel separation: 95dB Total harmonic distortion: 0.008% Line output: 2V Digital outputs: optical Dimensions: 430 x 95 x 275mm Weight: 3.5kg Accessories: remote commander Frais de Port - Livraison en point relais pour la France pour 5,15 euros et a domicile par La Poste 13,30 euros - Lieferung frei Haus « Mondial Relay » nach Deutschland und Osterreich für 9,20 euros - Ship at home with « Mondial Relay » to United Kingdom for 9,20 euros - Entrega en Punto de Relevo para España por 7 euros o en Casa por 9,20 euros - Consegna a domicilio « Mondial Relay » per l'Italia per 9,20 euros - Entrega em domicílio « Mondial Relay » para Portugal 9,20 euros - European countries from U.E for 22 euros at home by La Poste (ask me for other European Countries) - Worldwide expedition by La Poste Colissimo for 54,55 euros Photos et questions supplémentaire par mail Envoi soigné et rapide Pour un envoi en recommandé prenez contact avec moi pour les modalités. Only Paypal for foreign customers

Bouclier INPUT - OUTPUT pour Arduino™ Caractéristiques * 6 sorties de relais * 6 entrées analogiques * 6 entrées numériques * séquence d'exemple à télécharger * empilable: le bouclier peut être empilé sur d'autres boucliers * grand nombre d'utilisateurs * requiert 1 Arduino® UNO (non incl.) Spécifications * charge de 1A (max.) par sortie * 120V max. par sortie * utilise les broches 8 à 13 comme sorties, les broches A0 à A5 comme entrées analogiques et les broches 2 à 7 comme entrées numérique * dimensions: 70 x 55 x 30 mm / 2.75 x 2.16 x 1.18" ka05 KIT A MONTER A L'AIDE D'UN FER A SOUDER

1x Valpey-Fisher VFOV110KBDS 125 MHz ultra low phase noise OCXO (new, old stock) Data sheet can be found on net Main characteristics: 125 MHz without multiplication (no sub harmonics) Time stability: Temperature range: 0-70°C, stability: 1ppm Power supply: 5V 5% Output: sinewave +7dBm Pullability: +-5 ppm typ. (0..4V control voltage, 4V reference output) 1.2W steady state @ 25C Phase noise @ 100 MHz (add 2 dB for 125 MHz):   10 Hz: -90 dBc/Hz   100 Hz: -120 dBc/Hz   1 kHz: -140 dBc/Hz   10 kHz: -168 dBc/Hz   100 kHz: -174 dBc/Hz

Bonjour, Je vends une excellente petite paire d’enceintes B&O Beovox CX50, la plus petite de la gamme qui comporte la CX50 et la CX100. Ne vous fiez pas à leurs dimensions, en écoute elles sont excellentes, hyper rigide elles sont en fonte d’aluminium. Les membranes sont neuves. Dimensions: 12 x 20,5 x 20,5cm/3,5kg Cabinet Finish: Black / Aluminium Output per Channel: 80 Watts Max Sound Pressure Level: 89 dB Frequency Range: 60-20 000 Hz Cabinet Principle: Bass Reflex Woofer: 1x 10cm Tweeter: 1x 2.5cm Net Volume: 2.5 litres

ENCEINTE BEOVOX 901 TYPE 6245 BANG & OLUFSEN Fonctionne parfaitement, bon état général avec traces usages, voir photos. Sortie enceinte: 2 cables HP dénudés. ENCLOSURE BEOVOX 901 TYPE 6245 BANG & OLUFSEN Works perfectly, good general condition with traces uses, see photos. Speaker output: 2 stripped HP cables.

AKAI S6000 sampler, 256MB, HDD 146GB SCSI, CD-ROM SCSI, FDD, 8x Outs, 64 VOX, OS v2.14 This AKAI S6000 is sold as is for parts - no return, no refund. Only buy it if you want to try your hand at making your own custom AKAI S6000 system. Everything was in perfect working condition and then the screen died. As far as I can tell the screen is completely shot - it doesn't even light and of course nothing can be seen on it. There were missing lines on the screen even before it went completely dark. The support mount for the screen connector is broken. It comes with the original box with the original polystyrene protection in place, but the box is old and not in good condition. ---------- Memory 256MB 8 Channel output Board 64 Voice Expansion Card VOX HDD SCSI - 146GB CD-ROM YAMAHA SCSI: 4x4x16X FDD OS: 2.14 ---------- Any taxes, duties and customs procedures are the clients' sole responsibility *********************************** Shipping information We are shipping at your address. Please check before buying that you have registered the right delivery address. All the items are shipped within 1 business day after payment. The items ordered during the weekend will be shipped the next business day. Delivery time (working days): France Metropolitan: 10 working days EU / UE: 30 working days Other countries: 45 working days The delivery time during the holiday season is always longer than usual. Please add 5 to 10 working days to the usual delivery time. *********************************** Détails de livraison Nous expédions seulement à votre adresse. S'il vous plaît vérifier votre adresse d'expédition avant de commander. Expédition dans les 1 jour ouvrable une fois le paiement effectué. Les commandes passées le week-end seront expédiées le prochain jour ouvrable. Délai de livraison (jours ouvrables): France Metropolitan: 10 jours ouvrables UE / EU: 30 jours ouvrables Autres pays: 45 jours ouvrables Le délai de livraison pendant la saison de vacances est toujours plus long que d'habitude. Veuillez ajouter 5 à 10 jours ouvrables au délai de livraison habituel. ***********************************

Phono Box, de Pro-Ject Audio systems, es un preamplificador con sistema hifi y es fácilmente conectable con cualquier cable AUX o parecidos al amplificador.

MIXER - MONACOR SPS-4OA 4-WAY AUDIO SELECTOR - 4 INPUT Y 1 OUTPUT O AL REVÉS

Change your language: Change your language: Change your language: Change your language: Change your language: Global-Audio-Store STUDIO - HOME STUDIO INSTRUMENT INFORMATIQUE MUSICALE LOGICIEL MAO ESPACE DJ ESPACE GUITARE ESPACE FLIGHT-CASE TRAITEMENT ACOUSTIQUE SONORISATION CÂBLES AUDIO ACCESSOIRES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES STUDIO - HOME STUDIO INSTRUMENT COMPUTER MUSIC SOFTWARE DJ SPACE GUITAR SPACE FLIGHT-CASE SPACE ACOUSTIC TREATMENT LIVE SOUND AUDIO CABLES ACCESSORIES RME - MADIFACE XT Référence: MADIFACE XT 2 179,00 € Disponibilité:  Disponible sur commande Livraison:  Nous contacter pour vérifier la disponibilité et de délai Garantie: 2 ans pièces & main-d'oeuvre En Savoir Plus RME - MADIFACE XT - Interface audio La RME MADIface XT est la première interface audio USB3 au monde, et la plus petite interface portable permettant d'accéder à des centaines de canaux audio, dans un format très compact. Pour une compatibilité encore plus large, la XT dispose également d'un port PCI Express pour la connexion à des cartes externes PCI Express, offrant la plus rapide des technologies d'aujourd'hui pour un nombre de canaux maximum et une très faible latence. Les 3 entrées/sorties de 64 canaux MADI s'accompagnent de 4 entrées/sorties MIDI, une entrée/sortie stéréo AES / EBU et un port word clock. Pour compléter le tout, 2 entrées micro / ligne haut de gamme à préamplis contrôlés numériquement, 2 sorties ligne symétriques et une sortie casque stéréo, ont été ajoutées, le tout à 192 kHz. Pour plus de souplesse, la télécommande Advanced Control Remote peut être utilisée (option). Sur la face avant, les 4 touches, les 2 encodeurs, l'afficheur couleur haute résolution, et une structure de menu soigneusement réfléchie permettent à l'utilisateur de changer rapidement tous les réglages de l'appareil, même sans ordinateur. Des messages d'aide sur l'afficheur guident l'utilisateur dans les divers fonctions. Les encodeurs 1 et 2 agissent sur le volume d'écoute des sorties en face arrière et avant. La face arrière de la MADIface XT propose deux sorties analogiques symétriques, les entrées/sorties word clock, une entrée/sortie MADI coaxiale, deux entrées/sorties MADI optiques, 3 ports USB 3 (compatibles USB 2), un connecteur PCI Express, une prise D-Sub pour le MIDI et l'AES, la prise et un interrupteur d'alimentation. TotalMix FX La MADIface XT inclut un puissant mixeur temps réel, le mixeur Hammerfall DSP, qui repose sur la technologie TotalMix de RME, unique et indépendante de la fréquence d'échantillonnage. Elle permet des opérations de mixage et de routing quasi illimitées, tous les canaux d'entrée et de lecture disponibles simultanément pour toutes les sorties physiques. * Création de sous-mixages sans délai (mixage au casque). La MADIface XT permet de créer jusqu'à 99 sous-mixages stéréo totalement indépendants. - Sue une console analogique classique, cela reviendrait à 198 départs auxiliaires. * Routing illimité des entrées et des sorties (fonctionnalité patchbay). * Distribution de signaux vers plusieurs sorties à la fois. TotalMix propose de puissantes fonctionnalités de séparation (splitter) et de distribution. * Mixage du signal d'entrée avec le signal de lecture (ASIO Direct Monitoring, "ADM"). RME n'est pas seulement un pionnier de l'ADM, mais en offre une implémentation particulièrement complète. * Intégration d'appareils externes. Utilisez TotalMix pour insérer des effets externes, en lecture ou en enregistrement. Selon l'application, la fonctionnalité correspond à l’utilisation d'inserts ou de départs/retours d'effets, comme lors de l'envoi d'une réverbération pour une prise de voix.. * Chaque canal d'entrée, de lecture ou de sortie physique est équipé d'un affichage de niveau Peak et RMS calculé en matériel (sortie physique seulement en Peak). Ces indications de niveau sont bien sûr très utiles pour déterminer la présence et les destinations de routing des signaux audio. * Le signal d'enregistrement n'est généralement pas altéré, à moins de le vouloir. TotalMix ne concerne pas le chemin d'enregistrement, et ne modifie pas le niveau d'enregistrement ou les données audio à enregistrer (à l'exception du mode loopback). * Le signal d'entrée peut être routé autant de fois que désiré, même à des niveaux différents. C'est une grosse différence avec les consoles de mixage conventionnelle, dans lesquelles le fader de la voie contrôle toujours le niveau de toutes les destinations à la fois. * Le niveau des canaux d'entrée et de lecture est affiché pre-fader, afin de pouvoir visualiser la présence d'un signal. Le niveau des sorties physiques est affiché post-fader, pour indiquer le niveau de sortie réel. Specifications Face Avant * 2 entrées micro/ligne connecteurs combo Neutrik au format XLR/jack 6.35 mm symétriques * 1 sortie ligne/casque alimentée par les canaux 3/4, peut fonctionner aussi en sortie ligne asymétrique haute qualité. * 2 encodeurs rotatifs à bouton poussoir qui agissent sur le volume d'écoute des sorties en face arrière et avant. * 4 touches de menu * 1 afficheur couleur (Global Level Meters) qui indique le mode de l'interface (PCIe orange, USB 2 jaune, USB 3 bleu), la synchro des entrées MADI et AES, et les données MIDI entrantes et sortantes. * et 6 LEDs de présence de signal (SIG), de surcharge (Clip) et d'alimentation fantôme (48V). Face Arrière * Sorties Symétriques Niveau Ligne. 2 sorties analogiques symétriques en XLR. * Ports Word Clock. BNC. L'entrée peut être terminée (75 Ohms) via le menu - Options - Clock. * MADI coaxial. Ports MADI coaxiaux. * MADI optique. 2 ports MADI optiques. * Télécommande. Mini-DIN. Connecteur pour la télécommande optionnelle ARC RME scv(fonctions Volume, Store, Dim et Recall. * Prise D-Sub pour le MIDI et l'AES/EBU. D-sub pour l'épanoui inclus (prise XLR pour l'AES et DIN 5 broches pour MIDI. * USB 3.0. Prise USB pour relier l'ordinateur. Compatible USB 2.0. * Connecteur "External PCI Express" pour câbles Molex E-PCIe. * Prise et interrupteur d'alimentation qui mets sous/hors tension la MADIface XT. RME - MADIFACE XT Reference: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer More info RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os RME - MADIFACE XT Referencia: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Más RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os RME - MADIFACE XT Artikel-Nr: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Produktinfos RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os RME - MADIFACE XT Riferimento: MADIFACE XT 2 179,00 € Availability:  Available on request Processing time:  Contact us to check the product availability and delivery times Guaranty: 2 years by manufacturer Dettagli RME - MADIFACE XT - Audio Interface The RME MADIface XT USB3 Audio Interface is the very first interface to utilise the greater bandwidth of the improved USB technology to make the most of the MADI format. RME’s MADIface XT provides the high channel count of MADI in an extremely portable solution, with triple MADI I/O plus two mic preamps and headphone out, this handy solution offers plenty of routing options. Connectivity via USB or external PCI Express card delivers ultra low latencies even at large channel counts. Housed in a familiar robust chassis that is seen across the RME range the MADIface XT should be tough enough to live with the most demanding of live users. Using the renowned converters and highly coveted drivers which still prove to be some of the most stable around, this interface will prove desirable for both studio and live users. Capable of recording at 192 kHz, the sound quality is maintained in the recording process. Main Features of the RME MADIface XT USB3 Audio Interface: * USB 3 connectivity * 192kHz * 196 Input / 198 Output channels * 2 x MADI I/O optical * 1 x MADI I/O coaxial * 2 x Analogue Mic / Line Preamp Input (XLR/Line TRS) * 4 x Analogue Output (Main XLR + Phones) * 1 x AES/EBU I/O via breakout cable * 1 x MIDI I/O via breakout cable * 3 x virtual MIDI I/O via the three MADI I/Os Global Audio Store, Revendeur RME Audio agréé Global Audio Store, Authorized RME Audio Dealer Global Audio Store, Authorized RME Audio Dealer Global Audio Store, Authorized RME Audio Dealer Global Audio Store, Authorized RME Audio Dealer

Amplificateur de puissance TOA VP-A  c'est un appareil de qualité et très lourd. VP-A amplificateur de puissance Sortie nominale 120 W. 2 entrées programmes et 2 entrées priorité avec commandes de priorité. Il peut être installé sur table ou en rack 3 unités. Specification Output Power 120W RMS Frequency Response Hz ± 2dB at rated 1 / 3 output Distortion Less than 1% at rated output (f=1kHz sine wave) Inputs 2 program inputs (parallel); 0dB 100k O (balanced) / 2 priority inputs (parallel); 0dB 100k O (balanced) S / N Ratio (Hz) 80dB Indicators Green LED for power indicator / Red LED for priority indicator Output and Load Impedance 100V / 83 O, 50V / 21 O, (70V / 42 O, 4 O) Power Consumption At no signal, 29VA / At rated output 350VA Power Requirements V AC, Hz, 24V DC Dimensions (W x H x D) 216 x 144 x 340mm Weight 10.3kg  http://www.toa.eu/asp/catalogue/products.asp?linkid=0&prodcode=VP-B

Yamaha Matrix Processeur MTX5-D - Matrice Processeur - Excellent état Série MTX - Caractéristiques techniques - Processeurs - Audio professionnel - Produits - Yamaha - France MTX5-D (yamaha.com)   MTX5-D Mixing capability Mixing channels Mixing Channel: 16 Mono + 3 Stereo + 2 Effect Return + 8 Direct-in to Matrix Input channel functions Mono CH: 3-band PEQ, Comp, Gate, Auto Gain Control, Feedback suppressor (available in ch 1-8) Output channel functions Room Delay, Room EQ, Speaker Processor, X-Over (1way,2way), Delay, 6-band PEQ, Limiter I/O Phantom power +48V Internal processing Priority Ducking, Ambient Noise Compensator Sampling frequency rate Internal 48kHz/ 44.1kHz Signal delay Less than 3.0ms (AD-DA @48kHz) Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB), Less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, +0.5dB, -1.5dB Dynamic range 107dB (Gain:-6dB) Hum & noise level Equivalent input noise -60dBu (Gain ： +66dB), -83dBu (Gain ： -6dB) Crosstalk -100dB Heat dissipation 55.9kcal/h max Power requirements AC100V-240V 50Hz/60Hz Power consumption 65W Dimensions W 480mm (18.9") H 88mm (3.4") D 351mm (13.9") Net weight 6.3kg (13.9lbs) Others Memory bank: PRESET 50 ·          * Total harmonic distortion is measured with a 18dB/Oct fi lter @80kHz. ·          * Hum & noise level is measured with a 6dB/oct fi lter @12.7kHz;equivalent to 20kHz fi lter with infi nite dB/Oct attenuation. AnalogInput Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu ST IN 1,2 - 10kΩ 600Ω Lines -10dBV +10dBV RCA Pin Jack AnalogOutput Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock DigitalInput and Output Specifications Terminal Format Level IN/OUT Connector Note YDIF In YDIF RS-422 16IN RJ45 YDIF Out YDIF RS-422 16OUT RJ45 Primary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only Secondary Dante 1000BASE-T 16IN/16OUT RJ45 MTX5-D Only ControlI/O Specifications Terminal Level Connector MTX5-D GPI 16 IN / 8 OUT IN 1-15ch: 0-5V 16ch: 2.5-24V: High, 2.5V or less, Allowable input +24V Euroblock OUT Open Collector +V DC5V MTX5-D REMOTE RS-232C (BAUD RATE: 38.4kbps or 115.2kbps) D-sub 9pin (Male) DCP - RJ-45 Exi8/Exo8 Specifications   EXi8 EXo8 Sampling frequency 48kHz/44.1kH Signal delay Less than 2.5ms Total harmonic distortion Less than 0.05% (+4dBu, Gain:-6dB); less than 0.1% (+4dBu, Gain:+66dB) Frequency response 20Hz to 20kHz, -1.5dB min, 0dB typ., +0.5dB max Dynamic range 107dB (Gain:-6dB) Equivalent input noise (EIN) -126dBu (Gain: +66dB) Phantom power +48V (per channel; individually settable) Crosstalk -100dB (@1kHz) Heat dissipation (per hour) 21.5 kcal max. Power supply voltage 100V 50/60Hz Power consumption 25 W max. Dimensions (W x H x D) 480(W) x 44(H) x 351(D)mm, 1U 480(W) x 44(H) x 351(D)mm, 1U Included items Power cord, Euroblock plugs (3-pin, tabbed) x8 EXi8Analog Input Specifications Input terminal GAIN Actual load impedance For use with nominal Input Level Connector Nominal Max. before clip INPUT 1-8 +66dB 10kΩ 50-600Ω Mics & 600Ω Lines -62dBu -42dBu Euroblock -6dB +10dBu +30dBu EXi8Digital Input Specifications Terminal Format Level IN/OUT Connector YDIF In YDIF RS-422 16IN RJ45 EXo8Analog Output Specifications Output terminal Actual Source impedance For use with nominal Output Level Connector Nominal Max. before clip OUTPUT 1-8 75Ω 10kΩ Lines +4dBu +24dBu Euroblock EXo8Digital Output Specifications Terminal Format Level IN/OUT Connector YDIF Out YDIF RS-422 16OUT RJ45 Exi8 /Exo8 Control I/O Specifications Terminal Format Level Connector Network Ethernet 100Base-TX - RJ-45  

1- Crown DC-60 Laboratory power amplifier. (Je vend toute la famille D-75, D150A, DC300A, regardez mes autres annonces) -Power output: 35 watts per channel into 8Ω (stereo), 70 watts into 16Ω (mono) -Frequency response: 5Hz to 20kHz -Total harmonic distortion: 0.05% -Damping factor: 750 -Gain: 26.3 dB -Input sensitivity: 1.75V -Signal to noise ratio: 110dB -Speaker load impedance: 8Ω to 16Ω The DC-300 is a dual channel, high power amplifier for precision amplification of frequencies from DC to 20KHz. The unit features extremely low harmonic and intermodulation distortion, very low noise, high damping factor, quality parts and workmanship.  Je m'en servais en multi-amplification active sur des PR38, du velour. The unit features extremely low harmonic and intermodulation distortion, very low noise, highest “damping factor,” and quality parts and workmanship. The unit may be wired to produce a balanced 25-volt monaural output. The amplifier is fully protected against mismatched and shorted loads by resetting V-I (volt-ampere) limiter having no obnoxious muting or program delays.   Specifications: ·       Frequency Response o   0.1dB 20Hz-20KHz at 1 watt into 8 ohms o   1.2dB 5Hz-100KHz at 1 watt into 8 ohms ·       Output Power o   35 watts per channel minimum RMS (both channels operating) into an 8 ohm load over a bandwidth of 20Hz-20KHz at a rated RMS sum total harmonic distortion of 0.05% of the fundamental output voltage. ·       Output Impedance o   Less than 15 milliohms in series with less than 3 microhenries

Show Tech RONDSON MA-4120 Amplificateur mélangeur 4 x 40W RMS, 100V Ces amplificateurs-mélangeurs offrent 5 entrées routables sur 4 zones de sortie contrôlables séparément. MA-4075 Il est équipé de: • 4 amplificateurs de puissance soit 4 X 120 WATTS RMS • 3 entrées universelles combo XLR & JACK 6,35 mm, MICRO/LIGNE et alimentation fantôme paramétrable • 2 entrées AUX RCA • 1 entrée TEL avec fonction priorité routable par zone • Talk-over prioritaire sur Entrée MIC 1 • 4 sorties zones chacune avec vumètre du niveau de sortie et réglage de volume • 1 sortie Haut-Parleur de contrôle • 1 sortie casque avec réglage de volume • Sorties HP sur bornier BI 4 O et 8 O, HI 25 V, 70 V, ou 100 Volts • Sortie line Out sur bornier pour chaque zone • Ventilateur de refroidissement Show Tech RONDSON MA-4120 Mixer amplifier 4 x 40W RMS, 100V   These mixer amplifiers offer 5 routable inputs on 4 separately controllable output zones.   MA-4075 It is equipped with: • 4 power amplifiers or 4 X 120 WATTS RMS • 3 universal XLR & JACK 6.3mm combo inputs, MICRO / LINE and configurable phantom power • 2 AUX RCA inputs • 1 TEL input with routable priority function per zone • Priority talk-over on MIC 1 input • 4 zone outputs each with output level meter and volume control • 1 speaker control output • 1 headphone output with volume control • HP outputs on BI 4 O and 8 O, HI 25 V, 70 V, or 100 Volts terminal block • Line Out output on terminal block for each zone • Cooling fan

Focusrite Saffire Pro 14, Interface audionumérique FireWire - jamais utilisé.  CD d'installation fournie. 1 x câble Firewire -> Firewire fourni. Fiche technique   Fabricant:Focusrite Modèle:Saffire Pro 14 Série:Saffire Catégorie:Interfaces audionumériques FireWire Fiche créée le:11/08/2010 Microphone Inputs 1-2 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: +13dB to +60dB Maximum Headroom +8dBu THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise EIN: 124dB analogue to digital (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Input Impedance: 2k Ohm Line Inputs (Inputs 1-2) Frequency Response: 20Hz - 20kHz +/- 0.2dB Gain Range: -10dB to +36dB THD+N: 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise: -90dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Line Inputs 3-4 Frequency Response: 20Hz - 20kHz +/- 0.2 dB Gain Range: Switch-able between +16dBu or -10dBV for 0dBFS (balanced inputs) THD+N: 0.003% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise: -100dBu (22Hz/22kHz bandpass filter) Input Impedance: >10k Ohm Instrument Inputs (Inputs 1 and 2) Frequency Response: 20Hz - 20kHz +/- 0.1dB Gain Range: +13dB to +60dB THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter) Noise: -87dBu (20Hz/22kHz bandpass filter) Analogue Audio Outputs (Outputs 1-4) 4 Electronically Balanced Outputs Maximum Output Level (0dBFS): +10dBu THD+N: 0.001% (0dBFS input, 20Hz/22kHz bandpass filter) Crosstalk (Channel Isolation) Any input to input: > 100dB Any output to output: > 100dB Any input to output: > 100dB DIGITAL PERFORMANCE A/D Dynamic Range > 109dB (A-weighted), all analogue inputs D/A Dynamic Range > 106dB (A-weighted), all analogue outputs Clock Sources: - Internal Clock - Sync to Word Clock on SPDIF Input (RCA) JetPLLTM PLL technology providing superb jitter reduction for class leading converter performance Clock jitter < 250 picoseconds Supported Sample Rates: 44.1kHz, 48kHz, 88.2kHz, 96kHz 8 input channels to computer: Analogue (4), SPDIF (2) and Loop-back (2) 6 physical output channels from computer: Analogue (4), SPDIF (2) 12 DAW output streams Assignable 18 input by 6 output mixer Weight and Dimensions 1.5kg / 3.3lbs 215mm (W) x 45mm (H) x 220mm (D) (8.5 x 1.8 x 8.7 inches) Connectivity Analogue Channel Inputs (Inputs 1-2) 2 Mic XLR Combo (channels 1-2) on front panel 2 Line 1⁄4” TRS (channels 3-4) on rear panel Automatic switching between Mic / Line (channels 1-2) Switching between Line / Instrument Inputs (channels 1-2) via Saffire MixControl Application Switching between +16dBu (low) and -10dBV (high) gain on inputs 3-4 via Saffire MixControl Application Digital Channel Inputs (Inputs 5-6) 44.1 - 96kHz Stereo S/PDIF input on RCA Analogue Audio Outputs (Outputs 1-4) 4 1⁄4” TRS Jacks Output Level control (analogue) for outputs 1 and 2 Stereo Headphones Mix 1 on 1⁄4” TRS (also routed to Outputs 3 & 4) with independent volume control Digital Channel Outputs (Outputs 5-6) 44.1 - 96kHz Stereo S/PDIF Output on RCA Other I/O 1 6-pin FireWire S400 socket 2 Standard 5-pin DIN MIDI connectors: In and Out DC Power Input Connector (for use with supplied universal input power supply) Front Panel Indicators 2 2 segment input meters, Sig (-18) and O/L (0dBFS) “LKD” Locked Indicator “FW” Host Connected Indicator “Power” Indicator Instrument input source selection LED for channels 1 and 2 Phantom Power (48V) switch and LED for inputs 1 and 2

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

VIDEOPROJECTEUR SHARP XGNV6XE LCD /PSN IL PRESENTE UN DEFAUT ? LE CONTOUR DE L'IMAGE EST JAUNE  COMME UNE TACHE JAUNE QUI ENROBE LE CONTOUR ???? SINON FONCTIONNE PARFAITEMENT ENTREES INFORMATIQUE/S VIDEO:RGB/COMPOSANTE/COMPOSITE VENDU TEL QUE SUR LA PHOTO AVEC SON CABLE SECTEUR VENDU TEL QUE EN L'ETAT Video system Display method LCD panel Lens Projection lamp Contrast ratio Video input signal S-video input signal Component input signal Horizontal resolution Audio output Computer RGB input signal Pixel clock Vertical frequency Horizontal frequency Computer control signal Speaker system Rated voltage Input current Rated frequency Power consumption Operating temperature Storage temperature Cabinet I/R carrier frequency Laser pointer of remote control Dimensions (approx.) Weight (approx.) Supplied accessories Replacement parts LCD Projector XG-NV6XE PAL/SECAM/NTSC 3.58/NTSC 4.43/DTV 480P/DTV 720P/DTV 1080I LCD panel ô�°… 3, RGB optical shutter method Panel size: 33 mm (1.3ô�°Š) (20.0 [H] ô�°… 26.6 [W] mm) Display method: Translucent TN liquid crystal panel Drive method: TFT (Thin Film Transistor) Active Matrix panel No. of dots: 786,432 dots (1,024 [H] ô�°… 768 [V]) 1–1.3ô�°… zoom lens, F1.7–2.3, f ô�°� 49.1–63.8 mm 150 W UHP lamp 250:1 RCA Connector: VIDEO, composite video, 1.0 Vp-p, sync negative, 75 Ω terminated RCA Connector: AUDIO, 0.5 Vrms more than 22 kΩ (stereo) 4-pin mini DIN connector Y (luminance signal): 1.0 Vp-p, sync negative, 75 Ω terminated C (chrominance signal): Burst 0.286 Vp-p, 75 Ω terminated BNC Connector (INPUT 1) Y: 1.0 Vp-p, sync negative, 75 Ω  terminated PB: 0.7 Vp-p, 75 Ω  terminated PR: 0.7 Vp-p, 75 Ω  terminated 520 TV lines (video input), 750 TV lines (DTV 720P input, Dot by Dot) 2 W ô�°† 2 W (stereo) 15-PIN MINI D-SUB CONNECTOR (INPUT 1, 2), 5 BNC CONNECTOR (INPUT 1): RGB separate/composite sync/sync on green type analog input: 0–0.7 Vp-p, positive, 75 Ω terminated STEREO MINIJACK: AUDIO, 0.5 Vrms, more than 22 kΩ (stereo) HORIZONTAL SYNC. SIGNAL: TTL level (positive/negative) or composite sync (Apple only) VERTICAL SYNC. SIGNAL: Same as above 12–230 MHz 43–200 Hz 15–126 kHz 9-pin mini-DIN male connector (RS-232C Input Port) 1 31â�„32ô�°Š (5 cm) round ô�°… 2 AC 110–120/220–240 V 2.4 A/1.2 A 50/60 Hz 265 W ô�°†5°C to ô�°†40°C ô�°‡20°C to ô�°†60°C Plastic 38 kHz Wave length: 650 nm / Max. output: 1 mW / Class II Laser Product 261 ô�°… 129 ô�°… 356 mm (W ô�°… H ô�°… D) (main body only) 261 ô�°…146 ô�°… 411.5 mm (W ô�°… H ô�°… D) (including adjustment feet and projecting parts) 7.2 kg

LNB TWIN MONOBLOCK 2 TETES 2 SORTIES ASTRA HOTBIRD. Input Frequency Low Band: 10.70 ~ 11.70 GHz High Band:11.70 ~ 12.75GH 2. Output Frequency Low Band: 950 ~ 1950 MHz High Band:1100 ~ 2150 MHz 3. L.O. Frequency Low Band: 9.75 GHz High Band: 10.6 GHz 4. Noise Figure 0.1 dB (typ.) 5. Conversion Gain (Room Temp.) 60 dB (max.) Gain Flatness ±0.75dB/26MHz Gain Variation 7dB/Full Band 6. L.O. Stability ±1.0 MHz (max.) @ +25 °C ±3.0Mhz (max.) @-30 °C ~ +60 °C 7. L.O. Phase Noise -50 dBc / Hz @ 1 KHz -75 dBc / Hz @ 10 KHz -90 dBC / Hz @ 100 KHz 8. Image Rejection 60 dB (min.) 9. P1dB Compression Point 0 dBm (min.) 10. Cross Pol. Isolation 25 dB (typ.) 11. Output VSWR 2.0: 1 (max.) 12. Current Consumption 200 mA (max.) 11.5 ~ 14.0 V @ VP 16.0 ~ 19.0 V @ HP 13. Band Switching Low Band: 0 kHz High Band: 22 kHz ± 4 kHz 14. Operating Temp. -30 °C ~ +60 °C 15. Polarization Linear V/H 16. Output Connector 75 Ohm F-Type Female*2 17.Input Slection Tone Burst/DiSEqC 2.0 18. Weight 362g · Les nouveaux connecteurs en or haut de gamme, de haute qualité de conception nouvelle et une technologie innovante qui permet cette LNB pour recevoir le signal d un satellite et ses programmes en haute définition Full HD. "" L'expédition est GRATUITE à toutes les adresses en France Métropolitaine.(hors DOM-TOM) Nos stocks sont tous expédiés à partir de nos entrepôts français. Sauf indication contraire, toutes les commandes seront expédiées dans les 24 heures suivant la procédure de traitement. Consultez nos commentaires pour voir les excellents commentaires de livraison rapide que nous offrons.   PAYER SAFE: LE PAIEMENT DE PAYPAL EST ACCEPTÉ Nous offrons une politique de retour de 30 jours pour nos produits. Nous sommes derrière nos produits. Les articles peuvent être retournés pour l'échange ou le remboursement intégral dans les 30 jours suivant la date à laquelle vous recevez votre marchandise. Nous ne sommes pas responsables de tout achat après cette période de 30 jours. L'expédition de retour est sous la responsabilité de l'acheteur, sauf si le retour est le résultat de notre erreur. Nous vous rembourserons le remplacement de l'expédition si un échange est demandé.  Si vous avez des questions, contactez-nous sous le lien "Posez une question" Nous répondrons dans un délai de 1 jour ouvrable ou moins. Tous les retours doivent être effectués dans les 30 jours suivant la date d'achat. Veuillez noter que nous ne pouvons pas donner de remboursement après la fin de la limite de 30 jours. Lors de l'envoi d'un retour, notez qu'il peut prendre jusqu'à 7 jours ouvrables pour que le retour soit traité. Nous faisons de notre mieux pour traiter le plus rapidement possible.   DÉLAIS DE LIVRAISON Notre délai de livraison est de 2 à 3 jours,en général, et de 4 à 5 jours au plus tard. Les frais de livraison sont gratuits. Nous avons beaucoup d'emplacements d'expédition différents en fonction du produit que vous achetez et de l'emplacement d'expédition que vous choisissez. Nous essayons d'expédier la plupart des articles dans les 24 heures suivant le paiement de lundi à vendredi. La plupart des commandes sont en transit pendant deux jours, mais certaines peuvent prendre plus de temps. Si vous disposez d'un délai précis, veuillez nous contacter avant de procéder à l'achat.

Doppel LNB MONOBLOCK 6° SINGLE 0,1DB FULL HD 3D READY ASTRA HOTBIRD Er wird durch einen stabilen Rauschfaktor von nur 0,1 dB, eine hohe Verstärkung, eine hohe Frequenzstabilität und Kreuzpolarisationsentkopplung gekennzeichnet.  Mit einer Leistungsaufnahme von bis zu 200 mA ist der Monoblock kompatibel mit 99% der Receivern auf dem  Markt.  Das neue Sortiment mit einem hochwertigen neuen Design und innovativer Technologie, die ermöglicht das Signal von einem Satelliten in Full HD (High Definition) zu empfangen.  Die Oberfläche dieses Stückes ist ausgezeichnet, es ist extrem widerstandsfähig gegen Kälte und Wärme.  Die Installation ist auf allen Ebenen sehr einfach. Sie müssen nur einen Receiver anschließen und Ihre Lieblings-Programme in hoher Qualität genießen.  1. Input Frequency - Low Band: 10.70 ~ 11.70 GHz - High Band:11.70 ~ 12.75GH  2. Output Frequency - Low Band: 950 ~ 1950 MHz - High Band:1100 ~ 2150 MHz  3. L.O. Frequency - Low Band: 9.75 GHz - High Band: 10.6 GHz  4. Noise Figure - 0.1 dB (typ.)  5. Conversion Gain (Room Temp.) - 60 dB (max.) - Gain Flatness ±0.75dB/26MHz - Gain Variation 7dB/Full Band  6. L.O. Stability - ±1.0 MHz (max.) @ +25 °C - ±3.0Mhz (max.) @-30 °C ~ +60 °C  7. L.O. Phase Noise - 50 dBc / Hz @ 1 KHz - 75 dBc / Hz @ 10 KHz 90 dBC / Hz @ 100 KHz  8. Image Rejection - 60 dB (min.)  9. P1dB Compression Point - 0 dBm (min.)  10. Cross Pol. Isolation - 25 dB (typ.)  11. Output VSWR - 2.0: 1 (max.)  12. Current Consumption - 200 mA (max.) - 11.5 ~ 14.0 V @ VP - 16.0 ~ 19.0 V @ HP  13. Band Switching - Low Band: 0 kHz - High Band: 22 kHz ± 4 kHz  14. Operating Temp. - -30 °C ~ +60 °C  15. Polarisation - Linear V/H  16. Output Connector - 75 Ohm F-Type Female*2  17. Input Slection - Tone Burst/DiSEqC 2.0  18. Gewicht - 280g

Bonjour, je vends mon interface digidesign 003 en parfait état dans studio non fumeur. Il sagit de la version RACK + FACTORY fournis avec clé usb ilok + cables. Possibilité de l'essayer sur Bordeaux. Caractéristiques: Digidesign DIGI 003 Rack Factory - FireWire audio interface, 2U rackmountable, 18 simultaneous channels of audio I/O, 24-bit/96 kHz resolution, 8 analog inputs, 8 analog outputs, 4 professional mic preamp with 48V phantom power (switchable by channel pairs), 8-channel ADAT optical I/O or 2-channel of S/PDIF optical I/O, 2-channel S/PDIF digital I/O, 1 MIDI in, 2 MIDI outs, BNC Word Clock I/O, dedicated studio monitor output, alternate control room output, alternate source input for external device monitoring, dual headphone outputs. Software: Digidesign® Pro Tools LE software, Factory plugin bundle and Pro Tools Ignition Pack 2 Pro. Dimensions: 19" rack/2U, 34.29cm deep. Weight: 5.09kg.

OVERVIEW: The Alesis iO|26 uses state of the art FireWire technology to deliver professional-level features such as Alesis High Definition Microphone Preamps, Cirrus audiophile converters and jitter elimination technology, with high-quality 24-bit/192k audio input. The iO|26 is designed for easy use with PC or Mac, and has 2 headphone outputs, line-level inserts on the mic preamps, 48V phantom power, 5-segment signal/clip meters, and full MIDI and S/PDIF I/O in a convenient, portable tabletop design. The iO|26 gives you forward-thinking expansion potential, with ADAT lightpipe inputs for additional connectivity, no matter what your recording sessions may demand. Flexible, routable Hardware Direct Monitoring allows you to send a customized, latency-free mix to each output pair. An AC adapter is also included, for those using a FireWire interface that doesn't supply power. Whether you find yourself on the road or in your own studio, the iO|26 gives you the Alesis performance that professionals have depended on for decades.   FEATURES: - 24Bit/192kHz Recording for high-quality, pristine recordings - Superior Clock stability with DICE II JET Jitter Elimination Technology - Audiophile Cirrus converters to provide maximum dynamic range on inputs and outputs - Flexible, routable Hardware Direct Monitoring - Cubase LE software included (Windows and Mac compatible) - Bus or adapter powered - Mac OS X (10.4.11 - 10.8), Windows 7, Vista, and XP compatible - 8 Alesis High Definition Mic/Line Preamplifiers built in (2 switchable high-impedance inputs for direct guitar and bass recording) - Switchable Phantom Power for each channel pair - Inserts on every analog channel - 16 channels of ADAT input - 16 Channels of MIDI I/O - Stereo S/PDIF digital input - Stereo turntable input - 8 line-level outputs - 2 discrete stereo headphone outputs - Stereo S/PDIF digital output   SPECS: - Analog I/O (number and type): 8 combo XLR-1/4" and phono inputs/8 line out/2 headphone out - Digital I/O (number and type): 16 ADAT optical in, S/PDIF I/O - Platform Version (Win, Mac, Linux, etc.): Win, Mac - Bus Type: FireWire - Plug In Formats Supported (RTAS, MAS, VST, etc.): N/A - Sampling Rate (kHz): Up to 192 kHz - A/D/A Converter Bit Rate: 24-bit - Digital Recorder Resolutions (bits): N/A - Sync Types (ADAT, word clock, SMPTE, MTC, etc.): ADAT, S/PDIF - MIDI Control (yes/no): No - Number of Tracks/Virtual Tracks (ex. 32/64): 26 total inputs - Number of Locate Points: N/A - Effects/Dynamic Processing (ex. Y/N): N/N

The DA-40 builds on the feature set from the DA-20mkII, adding functions that professionals depend on. SCMS codes are totally controlled on the DA-40. You can select what SCMS status you want to write to the DAT, depending on where the DAT is being sent. For cueing purposes, 2 locate points are added, allowing direct locate capabilities even if there is no track ID at that location. Additionally, the single play function is ideal for live environments. It allows the engineer to cue in one track and forget about the machine - it automatically sets itself at the next cue. For presentation and on-air applications, this is very useful since the machine won't accidentally roll into the next cue on the DAT. Another handy function on the DA-40 is the ability to read and write track names. The track name will show up on the DA-40's text screen for easy reading. Track names make it immediately obvious which cue you are listening to. This is especially handy when dealing with multiple mixes of the same material, like the same ad spot with different regional specials, or multiple mixes of a jingle. The DA-40 has balanced XLR and AES/EBU connections, for easier integration into professional set-ups. The analog in ports can be switched to calibrated so that the input level controls are overridden (thus controlling the level from the console), and the outputs have attenuation pots for fine-tuning your connections. There are numerous remote control possibilities. The Parallel I/O port allows simple remotes and tallies from automated control systems, or broadcast consoles. Two pins in the Parallel I/O provide a serial port for basic serial in control. The optional RC-D45 remote is also designed to work with the DA-40. Specifications: - Balanced XLR & Unbalanced RCA Analog I/O - AES/EBU and SPDIF Coax Digital I/O - Headphone Output w/ Level Control - (2) Locate Points - Single Play Function (Play One Track & Pause) - Loop Play Function (Between Locate Points) - Large Jog Shuttle Wheel - Parallel Control Port - Serial Control In - Selectable SCMS Status - Optional RC-D45 Wired Remote - 3-U Rack Mountable DAT Recorder - Record Mute Function - Supports Track Names in DAT Sub codes - Margin Counter w/ Reset Function - Calibrated Input Switch - Output Attenuation on XLR Outputs

Etat Neuf frais de port offert via UPS pour la France. RedNet D16 AES is a 1U 19in rack-mount interface featuring 16 channels of AES/EBU connectivity to and from a Dante audio network, with Ethernet redundancy for maximum network reliability. Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and a Dante network, RedNet D16 AES has a Sample Rate Convertor (SRC) on each input pair allowing instant operation with any AES3 source. Word Clock and Digital Audio Reference Signal (DARS) connections provide synchronisation with a wide range of hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players. 16 Channel RedNet AES3 Interface for Dante Network AES3 connectivity allows connection of external converters, effects units, mixing consoles or any other AES3 equipped audio equipment to the Dante audio network Dual rear-panel Ethernet connectors (primary and secondary connectors) allow maximum network reliability with seamless switchover to a standby network in the unlikely event of a network failure. The ports can alternatively be used to daisy-chain additional units. SRC allows external equipment to run at any sample rate, irrespective of the sample rate or clocking of the Dante audio network Compact design allows maximum functionality in minimum rack space, with a full 16 channels of I/O in 1U. RedNet D16 AES features the standard trademark red anodised front panel RedNet D16 provides two 8-channel AES59 combined I/O DB25 connections. In addition, a pair of XLR3 connectors duplicates channels 1 & 2 The rear panel XLR input connector can either be used as a DARS input or as a traditional AES3 audio input, replacing channels 1‰ÛÒ2 of the DB25 inputs S/PDIF input and outputs are provided on RCA connectors; ideal for connecting CD players or solid-state recorders. The input replaces channels 3 & 4 in the DB25 connector while the output can be assigned to replicate any adjacent odd/even output pair Word Clock I/O on BNC connectors allows synchronisation of the Dante network to house clock, or syncing external equipment to the Dante network RedNet Control 2 software provides comprehensive remote control capability via a powerful tabbed browser-like graphic user interface, handling up to 600 devices

Rme Aio. État : Reconditionné par le vendeur HDSPe AIO is the newly developed PCI Express version of the HDSP 9632. A newly developed genuine PCI Express core consequently takes full advantage of the new format, achieving significant performance gains in multitrack audio and lowest latency. Thanks to RME's secure flash update technology, firmware improvements, adjustments, and bugfixes can be installed easily at any time. Features The HDSPe AIO provides unique features: Balanced* stereo analog in- and output, 24-bit/192kHz, > 112 dB SNR Optional analog expansion boards with 4 balanced in- or outputs All analog I/Os capable of 192 kHz, constant number of available channels 1 ADAT digital I/O, supporting 192 kHz via S/MUX4 operation 1 SPDIF digital I/O, 192 kHz-capable 1 AES/EBU digital I/O, 192 kHz-capable 1 Stereo headphone output, separate DA-converter and playback device So up to 18 inputs and 20 outputs can be used simultaneously! 1 MIDI I/O with 16 channels of hi-speed MIDI via breakout cable DIGICheck, RME's unique metering- and analysing tool TotalMix: 760 channel Mixer with 42 bit internal resolution Native PCI Express - no PCI to PCI Express bridge used * The HDSPe AIO ships in a basic version with analog RCA/phono breakout cables (headphone: TRS jack). Therefore all analog I/Os are unbalanced. An analog XLR breakout cable is available as option (headphone: Neutrik TRS locking jack), turning analog into balanced mode. HDSPe AIO includes SteadyClock (TM), RME's own clock technology, combining professional features like maximum jitter suppression at full varipitch capabilities and software controlled sample rates.  Included software: DIGICheck for Windows: Spectral Analyser, professional level meter for 2, 8, or 20 channels, Vector Audio Scope, various other audio analysis tools.   Accessories included Aio 4s & 4I HDSPe AIO: Analog breakout cable, balanced (BO9632XLRMKH) HDSPe AIO: Analog breakout cable, unbalanced (BO9632CMKH) HDSPe AIO: Digital breakout cable, SPDIF (BO9632) HDSPe AIO: Digital breakout cable, AES/EBU & SPDIF (BO968) AKiTiO - Thunder 2 PCIe Box -  cable Thunderbolt 2 Included Make an offer&##128513;

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

Parabole fibre Visiosat SMC80 grise.  En très bon état. Seule la couleur est passée. Gains: 12.6Ghz, 38.25dB  Le LNB montée dessus est un Single Chess Edition III, il est offert avec la parabole.  Spécification du LNB:  * Single Output,HDTV compliant * Low noise 0.1dB * Low Power Consumption * Very High Frequency Stability * Very High Cross Pol Performance * Input Low Band: 10.7 - 11.7GHz * Input High Band: 11.7 - 12.75 GHZ * Output Frequency Low: 950 - 1950 MHZ * Output Frequency High: 1100 - 2150 MHZ * L.O Frequency Low: Typ 9.75 GHZ * L.O Frequency High: Typ 10.6 GHZ * Image Rejection dBm 40 dB * Conversion Gain: Min: 50dB Typ: 56dB Max: * Reflector Type: Offset * Fitting-Feed: 40 mm (Standard Size) * Weather: Water Proof Boot Remise en main propre très préférable.

TRANFORMER INCLUDED 16 high-quality 24-bit / 96 kHz AD/DA converters. Supported sample rates: 32, 44.1, 48, 88.2 and 96 kHz. 16 analog inputs and 16 analog outputs. Provided as fully-symmetrical balanced phone jacks. Switchable between -10 dBv and +4 dBu. Two independent ADAT interfaces Dual 8-channel I/Os, 24-bit, fully compatible with all devices which feature this digital interface. S-Mux permits ADAT transfers of 96 kHz audio.Although the ADAT standard does not include sample rates above 48 kHz, the A16 Ultra can transfer audio at 96 kHz using S-Mux mode, in which pairs of ADAT channels are coupled, giving you a total of eight S-Mux channels. Two independent Z-Link interfaces. This CreamWare-proprietary interface format, based upon FireWire technology, offers greater transfer bandwidth than ADAT. With Z-Link, simultaneous transfer of all 16 channels at 24 bits / 96 kHz is possible. Ideal for use with all CreamWare systems that are equipped with Z-Link. BNC Wordclock I/O for synchronization of your complete digital setup. Functions both as master and as slave. VU meters for precise level setting The 16 5-segment level indicators permit convenient, precise setting of signal levels and allow you to keep everything under visual control at all times. Memory function.The A16 Ultra remembers all of its settings when you power it down, so that you can pick up where you left off in your next session. Ultra-compact construction.The A16 Ultra packs concentrated technology into a single-height 19" rack. Expansion options Various expansion options are planned to boost the performance of the converter further. For example: add-in boards which permit the use of S-Mux on all 16 ADAT channels or which render the A16 Ultra a TDIF-1 compatible converter. A USB2 expansion, also in the works, will permit the A16 Ultra to be used as a standalone I/O interface with any computer system equipped with USB2, and will also allow it to be remote-controlled via software, making operation as an analog/digital patchbay. Technical specifications Sample rates: 96 kHz, 88,2 kHz, 48 kHz, 44,1 kHz and 32 kHz (Master) 30 kHz - 100 kHz (Wordclock - Slave) 38 kHz - 50 kHz (ADAT - Slave) Channels:16 inputs and 16 outputs Analog inputs: Balanced phone jacks (6.3 mm) Input sensitivity + 4 dBu (nominal) Maximum input level +20 dBu (0 dBFS) Input impedance 20 kOhm Analog outputs: Balanced phone jacks (6.3 mm) Output level + 4 dBu (nominal) Maximum output level + 20 dBu (0 dBFS) Output impedance 600 Ohm Converter performance Digital - Analog: 24 Bit / 128 x oversampling / 96 kHz Frequency response Dynamic range 110 dBA THD+N 100 dBA typ. Channel separation 105 dB @ 997 Hz typ. Analog - Digital: 24 Bit / 96 kHz Frequency response Dynamic range 100 dBA THD+N 95 dBA typ. Channel separation 102 dB @ 997 Hz typ Digital inputs and outputs ADAT: EIAJ connectors 8 channels, 24 bits, 2 in, 2 out Z-Link: 2 standard 1394 connectors, 8 channels, 24 bits, 96 kHz capable Synchronization Word Clock In: 75 Ohm, BNC Word Clock Out: 75 Ohm, BNC General specifications Supply voltage: 12V AC Power consumption: 25W Dimensions: 44,3*483,0*189,5 mm (1U) Weight: 3 kg

TQT 006 Universal Quattro LNB, RAL 7035 Product description: TQT 006 Quattro Universal. Full KU-band coverage for both analogue and digital reception. Excellent noise figure and low phase noise. High gain and excellent cross-pole isolation. Qualified for harsh environments. Waterproof. High gain and excellent cross-pole isolation. Single packed in gift box. Specifications ORDER INFORMATION EAN Number 5702663044463 CHARACTERISTICS Phase noise @ room temperature - 1 kHz - 50 dBc/Hz Phase noise @ room temperature - 10 kHz - 75 dBc/Hz Phase noise @ room temperature - 100 kHz - 95 dBc/Hz Spurious level - 60 (max.) dBm Image rejection (min.) 40 dB Feedhorn diameter Ø 40 mm Frequency stability (-40 ~ +60 °C) ± 2.1:1 MHz LNB type Quattro Switching low band 0.0 kHz Switching high band 22 (± 4) kHz FREQUENCY Input frequency low band 10.7 - 11.7 GHz Input frequency high band 11.7 - 12.75 GHz Output frequency low band 950 - 1950 MHz Output frequency high band 1100 - 2150 MHz L.O. frequency low band 9,75 GHz L.O. frequency high band 10,60 GHz GAIN Gain flatness (across 26 MHz segm) ± 1.0 (typ.) dB Gain variation (over operating band) 5 p-p (typ.) Conversion gain (max.) 64 dB Conversion gain (min. at room temperature) 50 dB Conversion gain (typ.) Noise figure max. 0.3 dB ISOLATION Cross polarization isolation 25 typ. dB OPERATIONAL DC Operating voltage 10.5...21.0 VDC DC Current consumption 190 mA Temperature - operating -40...60 °C CONNECTORS Connector Type F-female MECHANICAL Max. depth incl. feedhorn 135 mm Product Height 137 mm Product Depth 97 mm Product Width 59 mm Colour RAL 7035 - Light grey Packing QTY 50 Packaging Height 0,065 m Packaging Width 0,900 m Packaging Depth 0,145 m Packaging Volume 0,008 m3 Net Weight 0,208 kg Tara Weight 0,042 kg Total Weight 0,250 kg