Reading with ted

Reading with Ted Student Book 2 Nouveau et garanti Flambant neuf, original et garantie Livraison rapide et gratuite Préparé et livré en 24/48 heures Retour gratuit Retour gratuit, 14 jours pour changer d'avis Type Broché ISBN 130526570X Numéro de pièce fabricant 929389532 Langue Published: Anglais; Original Language: Anglais; Générique: Anglais; Dimensions 21,08 x 1,02 x 27,18 (cm) Taille du paquet 27,41 x 21,59 x 1,40 (cm) Poids 0,00 g Étiquette CENGAGE Learning Custom Publishing Producteur CENGAGE Learning Custom Publishing Nombre d/'objets 1 Auteur Eunice Yeates Codes EAN 9781305265707 Compter 160 Date de publication 19/02/2015 Éditeur CENGAGE Learning Custom Publishing Studio CENGAGE Learning Custom Publishing Catégorie 1 Livres anglais et étrangers > Nonfiction > Education > Education Theory > Contemporary Methods Catégorie 2 Livres anglais et étrangers > Reference > Foreign Languages Catégorie 3 Livres anglais et étrangers > Reference > Words & Language Livraison En règle générale, tous les articles sont envoyés le même jour par courrier express avec code de suivi de commande. Nous faisons tout notre possible pour respecter le délai de livraison indiqué sur l'annonce. Paiement Tous les paiements se font exclusivement via PayPal, synonyme de garantie et sécurité pour l'acheteur et pour le vendeur. Si vous n'avez pas de compte PayPal, et ne désirez pas en ouvrir un, vous pouvez quand même régler le paiement de votre achat au moyen d'une carte de crédit accepté par PayPal. Retour et Garantie Tous les produits sont nouveaux et couverts par une garantie de 2 ans. Dans le cas que l'objet acheté ne soit plus disponible, plus en production ou impossible à réparer, vous serez remboursé (les frais de transport restent à la charge du client). Si vous changez d'avis et souhaitez renvoyer un objet, vous pouvez le retourner jusqu'à 14 jours après votre achat, gratuitement.

Reading Techniques with Removable Key Nouveau et garanti Flambant neuf, original et garantie Livraison rapide et gratuite Préparé et livré en 24/48 heures Retour gratuit Retour gratuit, 14 jours pour changer d'avis Type Broché Édition Revised, Reprint ISBN 0521140706 Numéro de pièce fabricant 2086139813 Langue Published: Anglais; Original Language: Anglais; Générique: Anglais; Dimensions 21,49 x 0,10 x 27,51 (cm) Taille du paquet 27,41 x 21,41 x 0,71 (cm) Poids 318,15 g Étiquette Cambridge University Press Producteur Cambridge University Press Auteur Clare West Codes EAN 9780521140706, 9780521653992 Compter 120 Date de publication 18/02/2010 Éditeur Cambridge University Press Studio Cambridge University Press Catégorie 1 Livres anglais et étrangers > Children/'s Books > Reference & Nonfiction > Language Arts Catégorie 2 Livres anglais et étrangers > Reference > Foreign Languages Livraison En règle générale, tous les articles sont envoyés le même jour par courrier express avec code de suivi de commande. Nous faisons tout notre possible pour respecter le délai de livraison indiqué sur l'annonce. Paiement Tous les paiements se font exclusivement via PayPal, synonyme de garantie et sécurité pour l'acheteur et pour le vendeur. Si vous n'avez pas de compte PayPal, et ne désirez pas en ouvrir un, vous pouvez quand même régler le paiement de votre achat au moyen d'une carte de crédit accepté par PayPal. Retour et Garantie Tous les produits sont nouveaux et couverts par une garantie de 2 ans. Dans le cas que l'objet acheté ne soit plus disponible, plus en production ou impossible à réparer, vous serez remboursé (les frais de transport restent à la charge du client). Si vous changez d'avis et souhaitez renvoyer un objet, vous pouvez le retourner jusqu'à 14 jours après votre achat, gratuitement.

Description: A 100 lessons book, 440 pages, and  et CD MP3 audio of  2:50. The Assimil method for teaching foreign languages is through the listening of audio lessons and the reading of an accompanying book, one side native language, one side foreign language. This method is focused on learning whole sentences, for an organic learning of the grammar. It begins with a long passive phase of only reading and listening, and eventually adds active exercises. Book contain around 100 lessons, with the active phase starting on Lesson 50. The word Assimil comes from assimilation.  With Ease series, which teach basic rules of grammar and a vocabulary of 2000-3000 words;   Advantages of the MP3 CD: Listen to the lessons and exercises on a single MP3 CD, recorded by native speakers. You will be able also to take advantages of mp3 format to be used with smatphones. Product details CD mp3: 2h50 Book :   440 pages Publisher : Assimil Category: With Ease Condition: - CD quite new with audio lessons related to the book. - Book in very good condition, without underlining or highlighting of text, or writing in the margins.

Description: A 100 lessons book, 440 pages, and  et CD MP3 audio of  2:50. The Assimil method for teaching foreign languages is through the listening of audio lessons and the reading of an accompanying book, one side native language, one side foreign language. This method is focused on learning whole sentences, for an organic learning of the grammar. It begins with a long passive phase of only reading and listening, and eventually adds active exercises. Book contain around 100 lessons, with the active phase starting on Lesson 50. The word Assimil comes from assimilation.  With Ease series, which teach basic rules of grammar and a vocabulary of 2000-3000 words;   Advantages of the MP3 CD: Listen to the lessons and exercises straight through or sentence by sentence on a single MP3 CD, recorded by native speakers. Product details CD mp3: 2h50 Book :   440 pages Publisher : Assimil Category: With Ease Condition: - CD quite new with audio lessons related to the book. - Book in very good condition, without underlining or highlighting of text, or writing in the margins.

Nouvelles du Sud Hearing Voices, Reading Stories Marie Lienard-Yeterian Gerald Preher Auteur: Marie Lienard-Yeterian Gerald Preher Editeur: Ecole Polytechnique Broché: 501 pages paperback Publication: 18/04/2013 Collection: Cultures, litteratures et civilisations Dimensions: 23,8 x 16,99 x 0,2 Langue: Francais Publier en: Français Languages d'origine: Français Cet ouvrage sur la nouvelle est a la fois une introduction au genre et a certains auteurs du Sud des Etats-Unis, ainsi qu'au Gothique et au Grotesque, deux modes importants de la litterature sudiste. Le manuel se presente comme une invitation a la lecture a travers l'exploration du maitre des genres de la litterature americaine. Il se veut aussi une decouverte du Sud et de quelques auteurs marquants de cette terre peuplee de fantomes et de monstres, ou reves et chimeres hantent un imaginaire surprenant et envoutant. L'ouvrage propose des reflexions et des questions que chacun pourra s'approprier car, comme le dit l'ecrivain Ernest Gaines, « you try... to perk the interest or the intellect of the reader and let him ask questions. Once the reader begins to ask these questions, he will get some answers that will lead him to other things so he can discuss it with other people ». Ce livre est le fruit du travail de plusieurs specialistes de litterature americaine Anne Besnault-Levita, Elisabeth Vialle, Marc Amfreville, Antoine Caze, Marie-Claude Perrin-Chenour, Etienne de Planchard de Cussac, Brigitte Zaugg, Jacques Pothier, Elisabeth Lamothe, Valerie Croisille-Milhat et Nadia Yassine-Diab. Il s'efforce de repondre aux besoins et aux interets de leurs etudiants. Il comprend un entretien exclusif avec Elizabeth Spencer et une partie pedagogique sur le Gothique et le Grotesque.   D'autre titre de Marie Li?nard-Yeterian G?rald Pr?her Nouvelles du Sud: Hearing Voices, Reading Stories Les clients ayant acheté cet article ont également acheté L'Angleterre des Tudors: 1485-1603 Du mot au texte Anglais: Vocabulaire anglais th?matique et exercices 50 ann?es qui ?branl?rent l'Angleterre: Les deux R?volutions du XVIIe si?cle Classement: Livres > Thèmes > Dictionnaires, langues et encyclopédies > Langues étrangères

Oxford Reading Tree Read With Biff, Chip, and Kipper: Phonics: Level 1: Chip's Letter Sounds Nouveau et garanti Flambant neuf, original et garantie Livraison rapide et gratuite Préparé et livré en 24/48 heures Retour gratuit Retour gratuit, 14 jours pour changer d'avis Type Relié ISBN 0198486162 Numéro de pièce fabricant 212190063 Langue Published: Anglais; Original Language: Anglais; Générique: Anglais; Dimensions 15,09 x 0,79 x 17,60 (cm) Taille du paquet 17,27 x 14,22 x 0,76 (cm) Poids 109,08 g Étiquette OUP Oxford Producteur OUP Oxford Nombre d/'objets 1 Auteur Mr Roderick Hunt, Ms Annemarie Young, Ms Kate Ruttle Créateur Mr Alex Brychta Codes EAN 9780198486169 Compter 24 Date de publication 05/05/2011 Éditeur OUP Oxford Studio OUP Oxford Catégorie 1 Livres anglais et étrangers > Reference > Words & Language Livraison En règle générale, tous les articles sont envoyés le même jour par courrier express avec code de suivi de commande. Nous faisons tout notre possible pour respecter le délai de livraison indiqué sur l'annonce. Paiement Tous les paiements se font exclusivement via PayPal, synonyme de garantie et sécurité pour l'acheteur et pour le vendeur. Si vous n'avez pas de compte PayPal, et ne désirez pas en ouvrir un, vous pouvez quand même régler le paiement de votre achat au moyen d'une carte de crédit accepté par PayPal. Retour et Garantie Tous les produits sont nouveaux et couverts par une garantie de 2 ans. Dans le cas que l'objet acheté ne soit plus disponible, plus en production ou impossible à réparer, vous serez remboursé (les frais de transport restent à la charge du client). Si vous changez d'avis et souhaitez renvoyer un objet, vous pouvez le retourner jusqu'à 14 jours après votre achat, gratuitement.

Basic Mandarin Chinese: Reading & Writing Nouveau et garanti Flambant neuf, original et garantie Livraison rapide et gratuite Préparé et livré en 24/48 heures Retour gratuit Retour gratuit, 14 jours pour changer d'avis Type Broché Édition Revised,Paperback with disc ISBN 0804847266 Numéro de pièce fabricant 2001482804 Langue Langue de publication: Anglais; Langue d¿origine: Anglais; Inconnu: Anglais; Dimensions 19,05 x 2,54 x 25,40 (cm) Taille du paquet 25,30 x 19,30 x 3,00 (cm) Étiquette Tuttle Publishing Producteur Tuttle Publishing Auteur Cornelius C. Kubler Codes EAN 9780804847261 Compter 384 Date de publication 21/11/2017 Éditeur Tuttle Publishing Studio Tuttle Publishing Catégorie 1 Livres anglais et étrangers > Reference > Foreign Languages Catégorie 2 Livres anglais et étrangers > Reference > Words & Language > Alphabet Catégorie 3 Livres anglais et étrangers > Reference > Words & Language > Grammar Livraison En règle générale, tous les articles sont envoyés le même jour par courrier express avec code de suivi de commande. Nous faisons tout notre possible pour respecter le délai de livraison indiqué sur l'annonce. Paiement Tous les paiements se font exclusivement via PayPal, synonyme de garantie et sécurité pour l'acheteur et pour le vendeur. Si vous n'avez pas de compte PayPal, et ne désirez pas en ouvrir un, vous pouvez quand même régler le paiement de votre achat au moyen d'une carte de crédit accepté par PayPal. Retour et Garantie Tous les produits sont nouveaux et couverts par une garantie de 2 ans. Dans le cas que l'objet acheté ne soit plus disponible, plus en production ou impossible à réparer, vous serez remboursé (les frais de transport restent à la charge du client). Si vous changez d'avis et souhaitez renvoyer un objet, vous pouvez le retourner jusqu'à 14 jours après votre achat, gratuitement.

1 x Livre en Anglais en COMME NEUF sans page manquante & sans inscription KUMON READING GRADE 4 USA (niveau CM1 en France) Questions et réponses à la fin du livre 2010 80 pages N'hésitez pas à poser des questions En général la Livraison est faite par Mondial Relay, sinon nous contacter. Possibilité de grouper les achats, faite nous savoir avant de payer afin d'ajuster les frais de ports. Les objets sont envoyés dans les 3 jours quand la réception de votre règlement est finalisé. Merci  Do not hesitate to ask question International buyer are welcome, we combined shipping. You must let us know that you are purchasing multiple items and we will send an invoice with the total As soon as your payment is been confirmed we will send the item in the next 3 business days Thank you

1963 Cat Anderson ‎- A Chat With Cat Anderson - Label: Columbia ‎- FPX 259 12" Made In France État du disque: Very Good Plus Plus (VG++) State of the disc État de la pochette: Very Good Plus Plus (VG++) Condition of the cover - - - - - - - - - - Économisez sur les frais de livraison - Save on shipping costs ! Frais de port adapté au poids en cas d'achat groupé, attendre la facture définitive avant de faire votre règlement. Paypal, chèque français personnel et virement bancaire acceptés. Tarif Colissimo en France métropolitaine: 0  - 1 kg (soit environ 2 vinyles 33T - 12") = 8,80€ 1  - 2 kgs (soit environ 5 vinyles 33T - 12") = 10,00€ 2  - 5 kgs (soit environ 12 vinyles 33T - 12") = 14,60€ Tarifs internationaux: Prix du Colissimo internationaux en Union Européenne et Suisse = 16.50€ Pays de l'Europe de l'Est (hors U.E.), Norvège et Maghreb = 20.90€ Japon, Etats-Unis, Pays d'Afrique (hors Maghreb), Canada, Russie, Proche et Moyen-Orient = 28.60€ Lors de l'expédition, les disques sont toujours retirés de leurs pochettes afin d'éviter toutes dégradations. When shipping, the discs are always removed from their pockets to prevent any damage. You will receive your disc in a high quality and ultra secure packaging! - - - - - - - - - - Cat Anderson ‎- A Chat With Cat Anderson Label: Columbia ‎- FPX 259 Series: Jazz Stars Series – FPX 259 Format: Vinyl, LP, Album  Pays: France Sortie: 1963 Genre: Jazz Tracklist A1 A Gatherin' In A Clearin' A2 "C" Jam Blues A3 Confessin' A4 For Jammers Only B1 A "Chat" With Cat B2 Don't Get Around Much Anymore B3 Muskrat Ramble Crédits Alto Saxophone, Clarinet – Russell Procope Bass – Roland Lobligeois Drums – Sam Woodyard Piano – Claude Bolling (tracks: A1, A3, A4), Joe Turner (tracks: A2, B1, B2, B3) Tenor Saxophone – Paul Gonsalves Trombone – Buster Cooper Trumpet – William "Cat" Anderson Notes Recorded in paris 1963 ! - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South Eddy Louiss Edmond Hall Los Chacos Enrique Villegas Errol Parker Erroll Garner Erskine Hawkins And His Orchestra Fats Waller François Biensan Freddie Slack Gary Burton Quartet George Shearing Gérard Gustin Gilles Hekimian Glen Gray Glenn Miller Guy Lafitte Harold Nicholas Harry James Hazy Osterwald Henri Red Allen Henri Renaud Henry Allen Junior Herbert Pagani Herbert Pepper Herbie Mann Herman Humphrey Lyttelton And His Band Ian Menzies Ike Que

1965 John Dankworth With His Orchestra And Guests - Zodiac Variations - Label: Fontana ‎- 687 335 TL, Fontana ‎- TL 5229 État du disque: Very Good Plus Plus Plus (VG+++) State of the disc État de la  pochette: Good (G) Condition of the cover - - - - - - - - - - • Économisez sur les frais de livraison ! Frais de port adapté au poids en cas d'achat groupé. Merci d'attendre la facture définitive avant de faire votre règlement. Paypal, chèque français personnel et virement bancaire acceptés. Voir tarifications des divers frais de port selon le nombre de vinyle dans la dernière photo (Tableau) pour la France métropolitaine et l'international. Exemple: de 2 à 7 vinyles de 12" ou 10" = 6,00€ via Mondial Relay suivi (France Métropolitaine). • Save on shipping costs! Shipping costs adapted to the weight in case of group purchase. Please wait for the final bill before making your payment. Paypal, French check and bank transfer accepted. See pricing of the various delivery costs according to the number of vinyl in the last picture (Table) for metropolitan France and the international. Example: from 2 to 6 vinyls of 12 "or 10" = 17,20€ via Colissimo suvi (pour l'Union Européenne et Suisse) • Versandkosten sparen! Versandkosten angepasst an das Gewicht bei Gruppenkauf. Bitte warten Sie auf die endgültige Rechnung, bevor Sie Ihre Zahlung ausführen. Paypal, Französisch Scheck und Überweisung akzeptiert. Die Preise für die verschiedenen Versandkosten sind in Abhängigkeit von der Vinylanzahl im letzten Bild (Tabelle) für das französische und das internationale Mutterland angegeben. Example: from 2 to 6 vinyls of 12 "or 10" = 37,30€ via Colissimo suvi (Japan, United States) - - - - - - - - - - John Dankworth With His Orchestra And Guests - Zodiac Variations Label: Fontana ‎– 687 335 TL, Fontana ‎– TL 5229 Format: Vinyl, LP, Mono, Gatefold Country: UK Sortie: 1965 Genre: Jazz Tracklist A1 Theme: Way With The Stars A2 Aquarius A3 Pisces A4 Aries A5 Taurus A6 Gemini A7 Cancer B1 Leo B2 Virgo B3 Libra B4 Scorpio B5 Sagitarius B6 Capricorn And Coda Crédits Featuring [Guests] – Bob Brookmeyer, Chuck Israel, Clark Terry, Danny Moss, David Snell, Lucky Thomson, Osie Johnson, Phil Woods, Ronnie Ross, Ronnie Scott, Zoot Sims Notes Recorded in New York 9/10/1964 and London 28/10, 2 & 10/11/1964 - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie He

1964 Roland Kirk With Jack McDuff - Kirk's Work - Label: La Voix De Son Maître ‎FELP 10025 12" Made in France - Disque vinyle très recherché - Proche du neuf ! État de disque: Very Good Plus Plus Plus (VG+++) State of the disc État de la pochette: Very Good Plus Plus Plus (VG+++) Condition of the cover - - - - - - - - - - Vous pouvez cumuler vos achats durant 30 jours ! Frais de port adapté au poids en cas d'achat groupé. Merci de bien vouloir faire la demande de votre facture avant de faire votre règlement pour bénéficier des frais réduits. Paypal, chèque Français personnel et virement bancaire acceptés. - - - - - - - - - - Roland Kirk With Jack McDuff - Kirk's Work Label: La Voix De Son Maître ‎- FELP 10025 Format: Vinyl 12", LP, Album Country: France Sortie: 1964 Genre: Jazz Style: Hard Bop Tracklist A1 Three For Dizzy Written-By – Roland Kirk 5:08 A2 Makin' Whoopee Written-By – Gus Kahn, Walter Donaldson 5:05 A3 Funk Underneath Written-By – Roland Kirk 6:12 B1 Kirk's Work Written-By – Roland Kirk 3:51 B2 Doin' The Sixty-Eight Written-By – Roland Kirk 4:17 B3 Too Late Now Written-By – A. J. Lerner, B. Lane 3:48 B4 Skaters Waltz Arranged By – Roland Kirk Written-By – Charles Emile Waldteufel 4:19 Crédits Bass – Joe Benjamin Drums – Arthur Taylor Liner Notes – Joe Goldberg Mastered By – Rudy Van Gelder (tracks: RVG) Organ – Jack McDuff Recorded By – Rudy Van Gelder Supervised By – Esmond Edwards Tenor Saxophone, Flute, Saxophone [Strich], Wind [Siren] – Roland Kirk Notes Recorded at Rudy Van Gelder Studio, Englewood Cliffs, NJ, July 11, 1961 - - - - - - - - - - 12" & 10" available soon: Barney Wilen The beatles Jimmy Bond Nils-Bertil Dahlander Gérard Gustin Chet Baker Art Farmer A Corto Maltese Alain Goraguer Et Son Trio Albert Nicholas Aldo Ciccolini André Hodeir André Persiany Andrew Hill Anthony West Antoine De Saint-Exupéry Anton Brucker Art Blakey Et Les Jazz Messengers Art Farmer Art Hodes Art Simmons Art Tatum Baby Dodds Art Hodes Edmond Hall Barney Bigard Claude Luter Barney Bigard Johnny Hodges Bennie Moten's Kansas City Orchestra Benny Carter and his Orchestra Benny Goodman Benny Vasseur, André Paquinet Et Son Orchestre Bernard Peiffer Bertice Reading Bessie Smith Big Bill Broonzy Big Jullien And His All Star Bill Coleman Bill Doggett Bill Evans Billy Taylor Trio Bix Beiderbecke Blue Stars The Bob Brookmeyer Bob Haggart And His Orchestra Bob Scobey With Lizzie Miles Bobby Henderson Plays Fats Waller Bobby Timmons Brenda Lee Brother Jack Mcduff Buck Clayton Bud Powell Cat Anderson Cecil Taylor Champion Jack Dupree Charlie Johnson Chris Barber Christian Chevallier Clarence Williams Clark Terry Claude Bolling Claude François Claude Guilhot Cohelmec Ensemble Count Basie Cuban Jam Session Daniel Barenboim Daniel Humair René Urtreger Pierre Michelot Dave Bailey Dave Brubeck Dicky Wells Dinah Washington Fats Waller Django Reinhardt Don Elliott Dutch Swing College Band Earl Hines Eddie Calvert Eddie Condon And His Orchestra Eddie Heywood Eddie South Eddy Louiss Edmond Hall Los Chacos Enrique Villegas Errol Parker Erroll Garner Erskine Hawkins And His Orchestra Fats Waller François Biensan Freddie Slack Gary Burton Quartet George Shearing Gérard Gustin Gilles Hekimian Glen Gray Glenn Miller Guy Lafitte Harold Nicholas Harry James Hazy Osterwald Henri Red Allen Henri Renaud Henry Allen Junior Herbert Pagani Herbert Pepper Herbie Mann Herman Humphrey Lyttelton And His Band Ian Menzies Ike Quebec Jimmy Hamilton John Hardee Benny Morton Intenational Jazz Group Jack Diéval Jack Lemmon Jack Melrose Jack Teagarden Jacques Denjean Jacques Loussier Christian Garros Pierre Michelot James Price Johnson

Usborne Phonics Readers Collection - illustrated by Stephen Cartwright Brand New & Sealed Created in consultation with a reading expert, this engaging phonics-based series is especially written to help your child learn to read. Not only are the stories great fun, they also take into account recent research on the most effect ways of teaching reading. A box set containing all 12 titles in the series; - Big pig on a dig. - Goose on the loose. - Fat cat on a mat. - Toad makes a road. - Ted's shed. - Fox on a bx. - Sam sheep can't sleep. - Mouse moves house. - Frog on a log. - Shark in the park. - Ted in a red bed. - Hen's pens   RRP £60 Livraison en Point Relais par  MondialRelay vers Belgique & Luxembourg =  5  euros. Livraison à domicile par MondialRelay vers Royaume-Uni, Allemagne, Belgique, Luxembourg, Espagne, Italie et Portugal = 9 euros. Veuillez être assurément que:  TOUTES  mes chaussures sont  100% de marques certifiées.  TOUTES  mes chaussures sont  100% neuves, sauf indication contraire.  TOUS  mes articles ont été achetés  légalement  chez fournisseurs légitimes. Merci de votre intérêt et achetez avec confiance, svp.

Emerson's Essays on Manners, Self-Reliance, Compensation, Nature, Friendship (Classic Reprint) Ralph Waldo Emerson Auteur: Ralph Waldo Emerson Editeur: Forgotten Books Broché: 194 pages paperback Publication: 15/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Langue: Anglais Publier en: Anglais Languages d'origine: Anglais Help ? May 25, 180 A prU 27,1882) We have few more intimate biographical records than Emersoi s; fewer still tiiat cause so littie disappointment in the reading. In the wealth of material at hand in his Journal and letters as well as in the personal reminiscences of a great band of friends and admirers we are brought face to face with a personality that can but win by the cumulative power of character Even those who met Emerson with prejudices to be overcome were conquered by his presence. In an instant all my dislike vanished said Crabbe Bobinson, in reporting the first glimpse caught of him across a crowded room. One and another bear evidence to the same personal power with a concurrence that would be tiresome, were it not for the strong individual conviction in each case. Two other brothers, Edward and Charles, both younger, shared this power; William, the oldest, was likewise gifted with unusudl intellect. The family lived in Boston, where the father, William Emerson, was a brilliant Congregational minister, prominent in religious, social, and literary circles till his death in 1811. (Typographical errors above are due to OCR software and don't occur in the book.) About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology. Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at Great Collection but Not the Best This collection has five Ralph Waldo Emerson essays: "Self-Reliance," "Manners," "Compensation," "Nature," and "Friendship." They were published a few years apart but have little intrinsic connection; the combination seems random. However, "Self" is an essential masterpiece, and the others are high quality. Anyone wanting a sampler could do worse, but the essays are widely available in far more comprehensive compilations, and this is hard to justify unless one sees it for a good price. "Self" is Emerson's most famous essay and is rivaled only by "Concord Hymn" as his most famous work. It is also his masterpiece; one often hears - sometimes disparagingly - that Emerson tried to fit his whole philosophy into each essay, and this comes remarkably close. There is far more depth and subtlety here than the length suggests; one would be very hard-pressed to find another work so densely packed. The words are few, but the implications are enough for a lifetime. "Self" is a seminal masterwork; a founding Transcendentalist text and American Romantic cornerstone, it is central to American thought, culture, and literature. Anyone even remotely interested in any Americana aspect must be intimately familiar with it; aside from the Declaration of Independence and Constitution themselves, perhaps no other document is so vital to the American spirit. Reading "Self" is perhaps more necessary than ever - not only because it is eternally relevant but also because it is often misrepresented. The term "self-reliance" is now almost entirely political, almost synonymous with libertarianism, and the essay is frequently touted along such lines. However, these things are hardly more than implied here, and though the definition of "liberal" has greatly changed, it is important to remember that Emerson was one of his era's leading liberals. His prime meaning in any case is self-reliance intellectually and in everyday life. He urges us to trust ourselves, to recognize human divinity and avoid imitation. It is a simple message but all-important - and far easier said than done. Emerson explores all its ramifications - philosophical, practical, social, political, economic, etc. - and outlines all its benefits. The case is beyond convincing, but he can do no more than show us; the rest is up to us. This profoundly individualist message is another reason that reading "Self" is so necessary. Emerson now unfortunately has a reputation for being somewhat impenetrable and/or hopelessly impractical; this is a true shame, because he wrote for the masses. Unlike nearly all philosophers, he does not rely on jargon or polysyllables; he truly wanted to be understood, and all it takes is will. We must open our minds to him, and once we have, they will never be closed again. Though greatly revered with many and diverse followers, Emerson's intention was not to be loved but to inspire; he wanted all to find individual genius. His work is thus the truest and best kind of self-help manual, and "Self" is its apotheosis. It has inspired millions in the more than century and a half of its existence, including me. I have read thousands and thousands of works, but this is one of the handful that truly changed my life. Emerson's greatness always shines through, but reading him at the right time can make an astonishing difference. He was more popular in life with the young than the old, and I can easily see why. I was lucky to read him at just the right time, and "Self" spoke to me more powerfully than almost anything else ever has. Without hyperbole, I can say that I would not be doing what I am today and would have abandoned my goals and visions without reading "Self" and Thoreau's "Life without Principle" - a somewhat similar essay highly influenced by Emerson - when I did. I was wracked with self-doubt and getting nothing but indifference, bafflement, or hostility from others; these works gave just the kick I needed, and I will never look back. "Self" has the potential to be life-changing as almost nothing else does, and I highly recommend it to all; you can hardly be unaffected and may never be the same. However, I especially recommend it to the young; its importance to them - and Emerson's generally - simply cannot be overemphasized. Emerson is a signature American stylist, and "Self" is near his height. His writing is always memorable and often highly lyrical - about as close to poetry as prose can be. However, his essays were almost always painstakingly composed from lectures and journals, and the effect was sometimes choppy. An Emerson-loving professor of mine once joked that no one can find the topic sentence in an Emerson paragraph, and his transitions also frequently leave much to be desired. However, "Self" is near-seamless, a true masterpiece of style that flows smoothly and often waxes beautiful. This is all the more remarkable in that it was assembled even more than usual from disparate sources; entries that ended up here came as far as eight years apart, but the whole is admirably harmonious. "Self" is a preeminent example of how Emerson delights in paradox. Anyone who reads him closely sees that he is as complex as he is simple. Thus, despite - or perhaps even because of - apparent straight-forwardness, few texts are more ripe for deconstruction. "Self" fans after all love a text that tells us not to love texts, are inspired by a man who tells us not to be inspired by men, and are convinced by a text and man both of which tell us not to be convinced by either. But this is only the beginning. "Self" works because it tells us exactly what we want to hear and, in striking contrast to innumerable self-help books, does so in an intellectually and even aesthetically respectable way. This is fine for me and (hopefully) you but could of course be taken to heart by Hitler as easily as Gandhi. The thoroughly optimistic, mild-mannered, and physically frail Emerson may not have foreseen his revolutionary text being put to nefarious use and probably would have been unable to believe in even the possibility. However, the danger, if we choose to call it so, is very real. "Self" could easily have had the same effect that Nietzsche had on Nazis, and that it has not been taken up by anarchists, radical terrorists, and the like is perhaps mere luck. One at least wonders how it avoided preceding The Catcher in the Rye as the work synonymous with unsavory people. That said, it is likely unfair to Emerson to say he did not anticipate this; he after all takes his views to the logical conclusion. He surely saw it, and it may have given pause, but he persevered because he was faithful to his intuition just as he urges us to be to ours. He truly believed in self-reliance and was ready to stand by it no matter what befell - nay, thought it his only choice. His optimism must have told him that the doctrine would not be abused, and he has been right - so far. Only time will tell if this continues to hold, but "Self" remains essential for all. Though far less great and universal, "Manners" is one of Emerson's more historically interesting essays. It is essential to recall that his era perhaps emphasized manners more than any other in history; they had an importance of which we cannot even conceive. All had to deal with them regardless of personal views, but virtually all seemed to agree - or at least convinced others that they did. Thus, though it may initially seem somewhat surprising in light of Emerson's trademark liberalism and originality that he (begrudgingly) accepts some conventions, the small extent to which he did so is truly remarkable. The essay goes a little into various manners' pros and cons, but the core points are elsewhere. The first is that manners are relative; Emerson begins with some striking anthropological examples of this all-important fact and otherwise drives it home. An extension of his core self-reliance doctrine, the second is that the great make their own manners - and make others respect them. "Manners" is one of Emerson's least transcendental works - in any sense -, but comparing and contrasting its message to today's society and competing views can be instructive, and it is a valuable timepiece. "Friendship" is also very good - one of Emerson's most affecting and thought-provoking works. His view of the ubiquitous subject is unsurprisingly original and engaging. He believes that friendship can exist only with real equality and sees it as a sort of springboard to something higher. His demands are great, and the work is eye-opening in the sense that almost no one has a friend by his definition. Like his best work, "Friendship" can easily make us question beliefs and preconceptions - and perhaps even make us better friends. "Compensation" is one of Emerson's most representative essays. The staunch optimism so essential to his thought was perhaps never shown so clearly or thoroughly elsewhere. Emerson begins by saying he had wanted to write about compensation since he was a boy, and it shows in his enthusiasm. He works himself up almost to a rhapsody, giving example after example in clear, beautiful prose that remarkably never becomes dull and is often near-lyrical. The essay details Emerson's belief that everything balances out, even if we cannot see it, and that good and evil have their own earthly rewards despite appearances. He may not convince cynics, but his argument is certainly compelling, and his critiques of conventional Christianity and other traditions are very intriguing. "Nature" has many of Emerson's key concepts: nature's all-encompassing beauty and force, our place in regard to it, art's role, and of course deduction of God from nature. Some speculations are more philosophical, historical, or critical, but all lead to these basic points, which are Transcendentalism's cornerstones. Emerson's characteristically optimistic thought is here in full, as is his signature poetic prose. These essays are essential for anyone interested in Emerson, whether read here or elsewhere. Three Stars Not much explanation. Hard to read. Print is not very clear. D'autre ouvrages de Ralph Waldo Emerson Mot Clef: Nonfiction Education Education Theory

Exercices d'entrainement a la lecture, CP. Corriges, tests, conseils pedagogique 56 cards (250 systematic exercises) which fit easily in the activities of reading led in class. This file is designed to supplement the teaching of the reading. It gives all to the pupils the possibility of improving their performances. He proposes a progressive training to develop the aptitudes necessary to an effective reading. The various objectives of training are gathered under three large headings - I observe, I compare - I think of the direction - I understand, I retain And moreover, two boards of labels and images colors to stimulate the motivation and to give desire for reading - images to be stuck that the pupil associates with the texts read, to check that it understood well; - labels to stick to symbolize the made effort, the successful effort!   Faire une rechercher sur Exercices d'entrainement a la lecture, CP. Corriges, tests, conseils pedagogiques Faire une rechercher sur Jeanine Guion Jean Guion Titre: Exercices d'entrainement a la lecture, CP. Corriges, tests, conseils pedagogiques Auteur: Jeanine Guion Jean Guion Editeur: Hatier Edition: 0 Reliure: Relie Format: Broche Date de parution: Date de réédition: Collection: Objectif Lecture Tome: 1 Langue: Francais Traduction: Person, Elise Echelle: Dimensions: x x 1,40 Poids: 141 grammes Nombre de pages: 88 pages Etat: Livre comme neuf Disponibilité courrante: Expedier sous 48 heures Mot Clef: Prescolaire et primaire Autre: Destinés aux étudiants des BTS Tertiaires, les Nouveaux A4 constituent un support performant leur permettant d’acquérir les compétences et connaissances des programmes d’Économie, de Droit et de Management des entreprises et de se préparer efficacement à l’examen. LES POINTS FORTS DE LA COLLECTION - une approche par les documents - des cas pour chaque chapitre - une synthèse rédigée pour l’élève - des entraînements par thème - des QCM ZOOM SUR LES NOUVELLES ÉDITIONS DE 1re ANNÉE Économie - Forte actualisation et mise à jour des documents (environ 70 % de l’ouvrage) - Renouvellement d’une grande partie des pages « Analyse d’une situation économique » - 3 nouveaux entraînements Droit - Forte actualisation et mise à jour des documents (environ 70 % de l’ouvrage) - Renouvellement d’une grande partie des pages « Analyse d’une situation juridique » - 2 entraînements entièrement nouveaux et 1 mis à jour Management des entreprises - Forte actualisation et mise à jour des documents (environ 70 % de l’ouvrage) - 10 « Cas d’entreprise » nouveaux sur les 15 que compte l’ouvrage - 4 entraînements entièrement nouveaux et 3 mis à jour         Classement: Scolaire et Parascolaire > École primaire > Manuels scolaires École primaire > Pédagogie et enseignement > CP Reference: wcLpgNKqzarGaQoL/qpUBA==   Visiter notre Boutique Rajoutez a votre  liste de favoris Vous serez avertis en priorite de nos promotions et nouveaux articles.   Voir ici le stock en cour Contactez-nous Livraison internationale. 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The Paston Letters D: New Complete Library Edition, Edited With Notes and an Introduction, Vol. 1 (Classic Reprint) James Gairdner Auteur: James Gairdner Editeur: Forgotten Books Broché: 350 pages paperback Publication: 11/07/2012 Dimensions: 22,86 x 15,24 x 2,29 Publier en: Anglais Languages d'origine: Anglais Help ? And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) And in spite of all that was artificial and affected in his character, in spite even of the affectation of pretending a snobbish interest in ancient duchesses Walpole was one of the fittest men of that day to appreciate What was such a publication. Miss Hannah More was less easily pleased, themgby fanc sne no doubt was the type of many other readers. The some. letters, she declared, were quite barbarous in style, with none of the elegance of their supposed contemporary Rowley. They might perhaps be of some use to correct history, but as letters and fine reading, nothing was to be said for them.1 It was natural enough that an age which took this view of the matter should have preferred the forgeries of Chatter ton to the most genuine productions of the fifteenth century. The style of the Paston Letters, even if it had been the most polished imaginable, of course could not have exhibited the polish of the eighteenth century, unless a Chatterton had had some hand in their composition. General Yet the interest excited by the work was such that the interest in editor had no reason to complain of its reception. The Paston Letters were soon in everybodys hands. The work, indeed, appeared under royal patronage, for Fenn had got leave beforehand to dedicate it to the King as the avowed patron of antiquarian knowledge. This alone had doubtless some influence upon the sale; but the novel character of the publication itself must have excited curiosity still more. A whole edition was disposed of in a week, and a second edition called for, which, after undergoing some little revision, with the assistance of Mr. George Steevens, the Shakspearian editor, was published the same year. Meanwhile, to gratify the curious, the original MS. letters were deposited for a time in the Library of the Society of Antiquaries;but the King having expressed a wish to see them, Fenn sent th (Typographical errors above are due to OCR software and don't occur in the book.) Mot Clef: Nonfiction Education Education Theory