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Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

Lot of 66 Minidisc Players SPARES/REPAIR Sony Aiwa Panasonic Victor Sharp Kenwood -main photo- These players were bought several years ago (originally with a view to doing them up), but they've been sat in a box ever since. Most were untested, so I've gone through them all and tested each one briefly with a NiMH gumstick battery and earphones for playback, track skip and button functions (unless otherwise stated). These were all previously used, so there are marks, signs of use, dents and many show signs of battery leakage -- please take a good look at the photos, some are worse than others! Below is a list of all the players, along with my findings... -photo 2- Sony   MZ-E700 playback/skip/controls OK, mechanism a little noisy   MZ-E630 playback/skip/controls OK   MZ-E520 playback/skip/controls OK   MZ-E707 playback/skip OK, button behaviour erratic   MZ-E510 cannot read disk   MZ-E730 playback/skip/controls OK -photo 3- Sony   MZ-E80 playback/skip/controls OK, case damage & mechanism loose   MZ-EH50 cannot read disc   MZ-E510 playback/skip/controls OK, battery terminal damage   MZ-E505 playback/skip/controls OK, major battery leak   MZ-E630 playback/skip/controls OK (stickers)   MZ-E520 playback/skip/controls OK -photo 4- Sony   MZ-E80 battery terminal broken, untested   MZ-E720 playback/skip/controls OK   MZ-E630 playback/skip/controls OK   MZ-E620 playback/skip/controls OK   MZ-E500 works on AA battery only, playback OK but access slow and noisy   MZ-E25 playback/skip/controls OK (AA battery powered player) -photo 5- Sony   MZ-EH70 no power, heavy damage to case/battery   MZ-EH70 playback/skip/controls OK   MZ-E510 works on AA battery only, playback/skip/controls OK   MZ-E35 works on AA battery only, cannot read disc   MZ-E90 playback/skip/controls OK   MZ-E700 cannot read disc -photo 6- Sony   MZ-E30 playback/skip/controls OK, a little noisy (PAINTED!)   MZ-EH50 playback/skip/controls OK   MZ-E520 playback/skip/controls OK   MZ-E710 playback/skip OK, botton behaviour erratic   MZ-E630 mechanism damaged, not tested   MZ-E75 no power -photo 7- Aiwa   AM-HX300 power on, unable to test (no remote) Sony   MZ-R55 no power   MZ-E620 playback/skip/controls OK   MZ-E707 playback/skip/controls OK, major damage to case/battery door not closed   MZ-EH70 playback/skip/controls OK   MZ-E501 playback/skip/controls OK -photo 8- Panasonic   SJ-MJ55 playback/skip/controls OK   SJ-MJ55 playback/skip/controls OK   SJ-MJ78 cannot read disc   SJ-MJ30 works on AA battery only, cannot read disc   SJ-MJ30 no power   SJ-MJ50 playback/skip/controls OK -photo 9- Panasonic   SJ-MJ58 cannot read disc   SJ-MJ57 cannot read disc   SJ-MJ55 playback/skip/controls OK   SJ-MJ55 playback/skip/controls OK   SJ-MJ35 works on AA battery only, cannot read disc   SJ-MJ35 playback/skip/controls OK -photo 10- Panasonic   SJ-MJ55 playback/skip/controls OK   SJ-MJ59 cannot read disc   SJ-MJ15 playback/skip/controls OK, no front panel LEDs   SJ-MJ10 playback/skip erratic, controls OK   SJ-MJ59 cannot read disc   SJ-MJ78 playback/skip/controls OK -photo 11- Victor   XM-C17 playback/skip/controls OK   XM-C17 playback/skip/controls OK, NO right channel audio   XM-S51 cannot read disc Sharp   MD-MT180 cannot read disc   IM-DR580 no power   MD-ST77 no power -photo 12- Pioneer   PMD-P7 no compatible battery, untested (sticker marks) Kenwood   DMC-L3 playback/skip/controls OK, slow to read disc   DMC-P55 playback/skip/controls OK   DMC-L5 cannot read disc   DMC-S55 playback/skip/controls OK Panasonic   SJ-MJ5 works on AA battery only, cannot read disc Each player will be separately wrapped for packing. Insured shipping from France. [Traduit par google] Lot de 66 Lecteurs Minidisc Pièces Détachées/Réparation Sony Aiwa Panasonic Victor Sharp Pioneer Kenwood -photo principale- Ces lecteurs ont été achetés il y a plusieurs années (à l'origine da

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

KLARK-TEKNIK DN9340 HELIX. Power-packed signal processor that can solve the most difficult sound problems. The DN9340 Helix EQ offers complete digital operation of an analog signal, with controls that are succinct. The first thing I noticed about the unit was the clean, clear, color display and arrangement of control knobs and touch pads. Navigation of the Helix is achieved through the touch pads initially, by deciding on the type of EQ or filter desired with the touch controls on the left side. Those controls are joined by several display lights that indicate the mode of operation the Helix is currently engaged in. There is also a bypass mode switch. On the right side of the display is the secondary touch pad, allowing for access to the parameters and additional functions, as well as storing and recall of up to 64 favorite EQ settings. Also incorporated into the touch control section is the Home/SetUp pad, which allows for instant menu access, as well as an escape from Store and Recall functions, in the event you get overwhelmed with the amount of functions at your disposal. Just below the right side touch controls are the three value/option controls that access the actual cut and boost, and frequency selection. Joining these controls on the right side is an attractive arrangement of LED meter stacks displaying the L/R input levels, the L/R output levels and the high and low-threshold level displays for the dynamic portion of the Helix. The Helix EQ is able to operate many functions simultaneously. For example, you can set the overall mains system through the use of the 12-band parametric EQ and then engage the 1/3 octave mode during performance for additional assistance and instant course correction. This can be done through the use of either the scroll and adjust knobs, or a sensitive touch pad just below each of 30 ISO standard frequencies on the 1/3 octave display. If that mode of display is not your fancy, you may engage the “Curve” display, which shows the actual shape of the waveform after the EQ is applied. Incidentally, you can scroll through the many functions of the Helix EQ and not affect the sound of the EQ until actually engaging that function.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use. Streamlined Session Control Featuring eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this. Professional Quality M-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls. A New Approach to Making Music With Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform. Pro Tools Compatible The Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility. Ultra-Compact Design The Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag. Sound Your Best Included with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MID En savoir plus Collaboration commerciale.

Expandeur Yamaha Motif Rack ES ne Generator Maximum polyphony Wave Memory Voices Voice Selection Plug-in Voice Performance Performance Multi Multi Effects Reverb Chorus Insertion 1 Insertion 2 Master Effect Master Equalizer Part Equalizer Arpeggio Controls Jacks and Terminals Front Panel Rear Panel Controls Top panel Other Display Supplied Accessories Power Consumption Optical/Digital Output Dimensions Weight * Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. AWM2 (complying with the Modular Synthesis Plug-in System) 128 notes + the polyphony of the Plug-in Board (if installed) 175MB (when converted to 16-bit linear format), 1,859 waveforms Preset: 768 Normal Voices + 64 drum Kits GM: 128 Normal Voices + 1 drum kit User: 384 Normal Voices + 32 drum kits Preset for the PLG150-AN/DX/PF/AP/DR/PC: 64 Voices Preset for the PLG-150VL: 192 Voices User: 64 Voices for each Plug-in connector User: 128 Performances User: 128 Multis 20 types 49 types 116 types (up to 8 blocks available in the Multi mode) 116 types (up to 8 blocks available in the Multi mode) 8 types 5 bands (High, High Mid, Mid, Low Mid, Low) 3 bands (High, Mid, Low) 1,787 types * MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set. STANDBY/ON switch, VOLUME knob, data dial, cursor buttons, EXIT button, PAGE buttons, MULE/SEL/ENTER button, Part/Element buttons, BANK buttons, SHIFT button, CATEGORY button, Mode buttons PHONES DC IN, USB, MIDI IN/OUT/THRU/ DIGITAL OUTPUT, OPTICAL OUTPUT, ASSIGNABLE OUTPUT 1-4, OUTPUT L/MONO, R PGL1, PLG2 160- x 64-dot graphic backlit LCD Power adaptor, Owner's Manual set, CD-ROM 17W (maximum; 22W when two Plug-in Boards are installed) 44.1kHz, 24bit

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Je vends une enceinte OMNITROIC MOM10BT sous garantie équipée d'un récepteur micro sans fil, d'un micro sans fil avec écran, d'un pack de deux batterie. Le tout dans le carton d'origine de l'enceinte protégé par les polystyrène sur mesure. Le système est idéal pour les discours et la diffusion d'un fond sonore grâce a son module bluetooth intégré. Voici le contenu du pack:  OMNITRONIC MOM-10BT4 Modular Wireless PA System Quantity: 1 UP: 379,00 € TUP: 379,00 €   OMNITRONIC MOM-10BT4 Receiver Module Quantity: 1 UP: 39,90 € TUP: 39,90 €   OMNITRONIC MOM-10BT4 Wireless Microphone Quantity: 1 UP: 49,90 € TUP: 49,90 €   Battery 12V/7000mAh Quantity: 2 UP: 29,90 € TUP: 59,80 € Dans le cas de l'achat de deux enceintes j'offre le kit de liaison sans fil pour interconnecter les deux enceintes. Mobile PA system with battery operation and different equipment options - Wireless PA system with modular structure for maximum flexibility - For mobile applications, e.g. events, sales presentations and lectures - Wireless audio link operation of several MOM-10BT4 systems for larger events - Flexible use: mono operation with several systems or stereo operation with 2 systems linked together - 80 watts output power - Power-efficient and battery-saving class D amplifier - High-power 2-way speaker system with 25 cm (10") woofer - Mains operation or battery operation for 6-8 hours of music playing - 3 extension slots for retrofitting wireless receivers - 1 extension slot for retrofitting an audio link module - 1 extension slot for retrofitting a CD/MP3 player with SD slot and USB port - Integrated Bluetooth audio streaming for your smartphones and tablets - 2 microphone inputs (combination XLR/6.3 mm jack) with adjustable reverb effect - 1 line input (XLR und Cinch), switchable stereo/mono - Microphone inputs, line input and Bluetooth module with separate volume controls - Mixer section with common master control and 2-band tone control - Stereo/mono switch for the master signal during audio link operation - Additional XLR output for linking several systems via cable - Switchable microphone priority circuit - ideal for presentations - Built-in fast charger (5 V/2 A) for convenient charging of your mobile USB devices - 5-digit battery level indicator - Integrated automatic charging of the batteries - 2 rechargeable lead gel batteries are required for battery operation (item 13106993) - Ergonomic design - Light-weight black plastic enclosure with metal grille - Flange for speaker stand installation - Transport aid: Trolley Receiver - Control: Bluetooth built-in Power supply:230 V AC, 50 Hzor 12 V DCPower consumption:100 WBattery pack type:2 x Lead 12 V, 7000 mAh, 84 WhAccumulator:battery operation up to 8h recharging time 5hFrequency range:50 - 18000 HzPower connection:Mains input IEC connector (M) mounting version Power supply cord with safety plug (M) (provided)Battery/battery pack (not included)Output power:80 W RMSType:Compact cabinet speakerSize of woofer:(10") ca. 25 cmWidth:33,5 cmHeight:53,5 cmDepth:37,5 cmWeight:15,05 kgReceiverFrequency band:2.4 GHzControl:Bluetooth built-inAmplifier power:80 W RMS, 160 W max.Inputs:Mic:combination XLR/6.3 mm jackLine:XLR and RCA Cinch L/ROutput:Line:XLRLF speaker:25 cm (10")HF speaker:2.5 cm (1")Distortion factor:1 %

Bose Headphones 700 + Charging Case, Never Used, Sealed; Following are the product introductions from the official web site: Dimensions/weight Headphones:20.3 cm (H) x 16.5 cm (W) x 5.1 cm (D) (0.25 kg) Charging case:21.8 cm (H) x 17.9 cm (W) x 6.2 cm (D) (0.18 kg) Audio cable:1.06 m USB cable:0.5 m Materials Hoop: Stainless steel available in 3 premium finishes Hoop pad: Ultra-soft foam similar to silicone-coated gel of matching color Pads: Soft foam covered with synthetic leather Earphone cover: Finish with non-stick coating suitable for touch controls Battery Battery life: Up to 20 hours Battery charging time: Up to 2.5 hours Fast charging in 15 minutes: Up to 3.5 hours of listening Battery charging method: USB-C Microphones 8 microphones in total 6 microphones for active noise reduction (ANC) 4 microphones for voice capture (2 are also used for anc) Bluetooth Bluetooth range: Up to 10 m Bluetooth version: 5.0 (including all headphone profiles) SBC and AAC codec Interface USB-C on the side of the headset USB-A on the source part (but a C-C cable can also work with a C-compatible source) 2.5mm audio cable for the side of the headset and a 3.5mm jack for the side of the device

Description PACKAGE: 1 x Sony WF-1000XM5 Earphones with Charging Case (New) or Charging Case Only(Used) The charging case sold separately is used, please pay attention when purchasing!!! Product Description: The WF-1000XM5 features cutting-edge technology to deliver premium sound quality and the best truly wireless noise-cancelling performance on the market1. With a specially designed driver unit, for wide frequency production, deep bass and clear vocals, these headphones are designed to immerse you in a sound so good, it feels like you're in the studio with your favorite artists. Specifications: Noise Cancellation: The WF-1000XM5 reduces external noise over a wide bandwidth, from low to high frequencies. Real-time noise cancelling processing can be optimized to provide the best performance for your environment so you will hear a big difference, especially in airplanes or trains. Astonishing sound quality: Enjoy richer, more detailed vocals thanks to a specially designed driver unit Dynamic Driver X for wide frequency reproduction, you will experience richer vocals and enhanced fine details. Excellent call quality: Mute the outside world with Precise Voice Pickup Technology and advanced audio signal processing. The person on the other end of the call will hear your voice clearly, even when you are in noisy situations. Small and beautifully designed: With an improved glossy texture and a more luxurious feel, these earbuds fit comfortably in your ears while keeping out external sounds. Noise Cancellation technology: Exclusively developed by Sony, the Integrated Processor V2 unlocks the full potential of our HD Noise Cancelling Processor QN2e. The unique combination of technology controls the six microphones, across both ears, to deliver unprecedented noise cancelling quality. Multipoint Connection: For smooth switching, the WF-1000XM5 can be paired with two Bluetooth devices simultaneously so, when a call comes in, your headphones can automatically connect to the right one. Adjusts to the world around you: Adaptive Sound Control senses where you are and what you’re doing, then uses AI to change ambient sound settings for the ideal listening experience. Over time, it will learn your behavior, recognize locations you visit, and tailor the sound to suit your location. Talk and only hear ambient sound: You can set Speak-to-Chat to pause the music as soon as you start speaking to someone, so you can hear just ambient sound and conduct a conversation – handy if you want to keep your headphones on or your hands are full. Water resistant for everyday use: With an IPX4 resistance rating, splashes and sweat won’t stop these headphones – so you can keep moving to the music. Designed with the environment in mind: With Sony’s commitment to achieve a smaller footprint and help you enjoy the music you love, plastics are not used in the WF-1000XM5 packaging material (except for excluding coating and adhesives). Listen all day, charge in minutes: You can enjoy up to 8 hours of charge on your headphones and store another up to 16 hours in the case for a total of up to 24 hours of listening every time you leave the house. And for your convenience, 3-minute quick charge will give you up to 60 minutes of play. Designed for less distortion: Thanks to two new processors, the HD Noise Cancelling Processor QN2e and Integrated Processor V2, the WF-1000XM5 incorporates precision 24-bit audio processing and high- performance analogue amplification. The result is low distortion and crystal clear audio. AI technology for precision sound: Using Edge-AI, DSEE Extreme upscales compressed digital music files in real-time, including those from popular streaming services. Spatial sound with 360 Reality Audio: With 360 Reality Audio headphones and the Sony Headphones Connect app, an advanced personal optimization algorithm gives you an even greater sense of sound space, distance and height, allowing you to become even more immersed in the music. Comfortable and s En savoir plus Collaboration commerciale.

Beschreibung PAKET: (Gebraucht) 1 x Sony WF-1000XM5-Ohrhörer oder Ladeetui (nach Wahl) Bitte beachten: Es wird das separat erhältliche Ladecase verwendet Product Description: The WF-1000XM5 features cutting-edge technology to deliver premium sound quality and the best truly wireless noise-cancelling performance on the market1. With a specially designed driver unit, for wide frequency production, deep bass and clear vocals, these headphones are designed to immerse you in a sound so good, it feels like you're in the studio with your favorite artists. Specifications: Noise Cancellation: The WF-1000XM5 reduces external noise over a wide bandwidth, from low to high frequencies. Real-time noise cancelling processing can be optimized to provide the best performance for your environment so you will hear a big difference, especially in airplanes or trains. Astonishing sound quality: Enjoy richer, more detailed vocals thanks to a specially designed driver unit Dynamic Driver X for wide frequency reproduction, you will experience richer vocals and enhanced fine details. Excellent call quality: Mute the outside world with Precise Voice Pickup Technology and advanced audio signal processing. The person on the other end of the call will hear your voice clearly, even when you are in noisy situations. Small and beautifully designed: With an improved glossy texture and a more luxurious feel, these earbuds fit comfortably in your ears while keeping out external sounds. Noise Cancellation technology: Exclusively developed by Sony, the Integrated Processor V2 unlocks the full potential of our HD Noise Cancelling Processor QN2e. The unique combination of technology controls the six microphones, across both ears, to deliver unprecedented noise cancelling quality. Multipoint Connection: For smooth switching, the WF-1000XM5 can be paired with two Bluetooth devices simultaneously so, when a call comes in, your headphones can automatically connect to the right one. Adjusts to the world around you: Adaptive Sound Control senses where you are and what you’re doing, then uses AI to change ambient sound settings for the ideal listening experience. Over time, it will learn your behavior, recognize locations you visit, and tailor the sound to suit your location. Talk and only hear ambient sound: You can set Speak-to-Chat to pause the music as soon as you start speaking to someone, so you can hear just ambient sound and conduct a conversation – handy if you want to keep your headphones on or your hands are full. Water resistant for everyday use: With an IPX4 resistance rating, splashes and sweat won’t stop these headphones – so you can keep moving to the music. Designed with the environment in mind: With Sony’s commitment to achieve a smaller footprint and help you enjoy the music you love, plastics are not used in the WF-1000XM5 packaging material (except for excluding coating and adhesives). Listen all day, charge in minutes: You can enjoy up to 8 hours of charge on your headphones and store another up to 16 hours in the case for a total of up to 24 hours of listening every time you leave the house. And for your convenience, 3-minute quick charge will give you up to 60 minutes of play. Designed for less distortion: Thanks to two new processors, the HD Noise Cancelling Processor QN2e and Integrated Processor V2, the WF-1000XM5 incorporates precision 24-bit audio processing and high- performance analogue amplification. The result is low distortion and crystal clear audio. AI technology for precision sound: Using Edge-AI, DSEE Extreme upscales compressed digital music files in real-time, including those from popular streaming services. Spatial sound with 360 Reality Audio: With 360 Reality Audio headphones and the Sony Headphones Connect app, an advanced personal optimization algorithm gives you an even greater sense of sound space, distance and height, allowing you to become even more immersed in the music. Comfortable and secure: Our WF-1000XM5 earbuds featu En savoir plus Collaboration commerciale.

USED - Some buttons may scratch. All keys working but one key is a little bit lower than the others. Sold with KORG soft case. Keyboard: 37 Natural Touch Action Notes Switches: 7; Bank (2 positions), Octave Up and Down (toggle) timbre, Select (2 positions), ARP ON / OFF, Vocoder On / Off, Write, Output / Shift Buttons: 7; Volume, tempo, selection program (genre and category), real time assignment, pitch and modulation controls PROGRAMS 8-voice polyphony (up to 4 when vocoder is selected) Program: 128 Maximum number of stamps 2 (when using Layer, Split or Multi) Synth 2 oscillator + noise generator Oscillator 1 Waveform SAW, PULSE, TRIANGLE, SINE, FORMANT, NOISE, CFM/DWGS, AUDIO IN WAVEFORM, CROSS, UNISON, VPM modulation Oscillator 2 Waveform SAW, PULSE, TRIANGLE, SINE Modulation RING, SYNC, RING+SYNC Wave shaping WS type DRIVE, DECIMATOR, HARDCLIP, OCT SAW, MULTI TRI, MULTI SIN, SUB OSC SAW, SUB OSC SQU, SUB OSC TRI, SUB OSC SIN, LEVEL BOOST Multi-filter mode Filter 1 -24 dB / oct LPF - 12 dB / oct LPF, HPF, BPF, Thru Filter 2 LPF, HPF, GMP - 16-band vocoder, adjustable level and panning for each band tape, the format changeover function, the Hold Formant function (Velocity-sensitive keyboard, no aftertouch) 37-note keyboard Timbre Effects: 2 Band EQ Master: master effects (17 effects algorithms) Arpeggiator UP, DOWN, ALT1 / 2, random, Trigger (6 types), Arpeggiator function step Programmes 128 programmes (banks A / B x 8 x 8 genres categories) CONNECTIONS AUDIO IN [ONLINE], AUDIO IN [MIC] (With AUDIO IN [MIC / XLR] switch) AUDIO IN [LINE] Maximum input +19 dBu level Input sources impedance8 ohms Connector1 / 4 "jack (unbalanced) AUDIO IN [MIC] Maximum input level-11 dBu The input source impedance7 k-ohms XLR connector (balanced) Output L / MONO, R cylinders Max output level +6 dBu @ 10 k-ohms Output source impedance1 k-ohms A button is lightly pressed but works (see picture) 1/4 phone jack connectors "(unbalanced) HEADPHONE Maximum output level of 36 + 36 dBu @ 33 ohm load Output source impedance10 ohms 1/4" stereo jack connector MIDI IN, OUT USB type B connector 21.89 (W) x 9.09 (D) x 2.87 (H) 4.41 kg.DC9V power supply

Product Description                                   Product Condition: - This item is supplier refurbished, it has been refurbished and supplied direct to us by the manufacturer. It's repackaged. - They have all been comprehensively tested, presented in full working order and the item will have been professionally refurbished. - This product may have minor cosmetic marks or scratches. None of these will affect the functionality of the product. - Work fantastic and Sound Great!  Overview: - With up to 40 hours of battery life, Beats Solo3 Wireless are your perfect everyday headphones. With Fast Fuel, a 5-minute charge gives you 3 hours of playback. Enjoy award-winning Beats sound with Class 1 Bluetooth® wireless listening freedom. The on-ear, cushioned ear cups are adjustable so you can customise your fit for all-day comfort.   Wireless the way it should be  - Beats Solo3 Wireless Headphones are ready to go when you are. They instantly set up — just power on and hold them near your iPhone — and then simultaneously connect to your Apple Watch, iPad and Mac. - With Class 1 Bluetooth technology, Solo3 Wireless provide the soundtrack to your life with wireless efficiency.   Feel your music  - At the heart of Beats Solo3 Wireless is award-winning Beats sound. These headphones deliver premium playback with fine-tuned acoustics that maximise clarity, breadth and balance. The comfort-cushion ear cups buffer outside noise for immersive sound so you can experience music the way it was meant to be heard.   All-day play  - Beats Solo3 Wireless Headphones deliver up to 40 hours of battery life driven by the efficiency of the Apple W1 chip. Or, with Fast Fuel, a quick 5-minute charge provides 3 hours of playback to quickly get you back on track. Integrated on-ear controls, coupled with dual beam-forming mics, allow you to take calls, play music, adjust volume and activate Siri while on the go.  Custom comfort  - Beats Solo3 Wireless stays true to its predecessor with bold styling and a streamlined design. The on-ear, cushioned ear cups are adjustable so you can customise your fit for all-day listening comfort. The headphones’ fast-flowing curves and pivoting ear cups complete this natural fit, designed for optimal comfort and sound delivery.  Package Contents: - 1 X Beats Solo3 Wireless headphones   - 1 X Box, carry case  - 1 X 3.5mm RemoteTalk cable  - 1 X Universal USB charging cable (USB-A to USB Micro-B)  PaymentDelivery detailsTerms of salesAbout usContact us Payment Before you place an order, please kindly make sure that you have a Paypal account. We accept PAYPAL payment only. Delivery details 1.   All items will be shipped to buyers paypal address.Before you pay,please make sure your mailing address is correct.. 2.   All items will be dispatched within 24 hours after payment was clear(2-3 day to delivery). 3.   All items will be dispatched from our UK stock via RM post office. 4.   Pick-up is not available at the moment.                                     Terms of sales 1.   We offer 30 days exchange or refund policy,please contact us if you have any problem with the received products.. 2.   Return must be made within 30 days from the data you receive.Item must be sent back to us in orginal condition before a refund.We guarantee full or partial refund in accordance with mutually agreement. About us 1. All our messages and orders will NOT be processed at weekend and holidays. 2. Please remember to email us via your bided item or with the item number (via) in order to help us to response you promptly. 3. We care about our valued customers and understand the concerns and frustrations you might have, and will try our best to resolve the issues. We strive to answer all emails as quickly as possible, but due to high email volume it may take time for us to re

TUNER MERIDIAN 504 EXCELLENT ETAT. État : Occasion Excellent Tuner FM MERIDIAN 504, écoute ample, riche et incarnée A noter, le nom des stations est paramétrable et l'affichage est désactivable (se rallume qq instants lors des changements de stations) Caractéristiques Technical Specification Input: One 87.0–08 MHz FM 75 unbalanced antenna input Sensitivity: 1.5µV Output: One analogue output 2V rms Distortion: Less than 0.2% mono, 0.4% stereo, noise below –70dB Comms: Two 5-pin 240° DIN sockets Construction: Black textured enamel and glass f inish Dimensions: 88mm (3.46in) H, 321 (12.64) W, 332 (13.07) D. Weight 6.4kg (14lbs) Controls: Front-panel controls for Up/Down keys, Mono, Store, Display, Previous/Next keys, Off Front Display: 8-character alphanumeric for showing s tation name, frequency, preset number, signal strength and tuning accuracy, or blank SHIPPING EUROPA

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

BOLEX Underwater Housing with camera BOLEX "M" + KERN f= 10 mm                                         Vintage  (1955)                              (traduction en français ci-dessous) Underwater housing designed to film underwater at great depths Made in a very thick metal It easily withstands the strongest pressures up to 100 meters deep (330 feets) Very easy to use: fitting and removing the camera is do in a few moments, without the aid of any tools! Plus the internal design with compartments. Makes it only weigh in water just enough to keep perfect stability. And gives the diver complete freedom of movement This copy has been completely renovated and adjusted! It is like new! Watch the use and maintenance tutorial I made on Youtube: https://www.youtube.com/watch?v=FK9_A_fCMCk (this link is not active from this site, please copy it to your "search bar" to access it) This is a complete set including the box and its accessories but also a camera and its lens specially designed for this one! List of delivered material: - BOLEX n ° 229 underwater box with external controls - Iconometric viewfinder - Contrast filter - Camera mounting sole - Diaphragm control ring (KERN f = 10 mm) - Camera winding gear - Wrenches for seals - Sturdy wooden crate - H16 BOLEX camera M series n ° 203146 - KERN lens f = 10 mm 1: 1.6 n ° 545863 - User manual (in French; Description on Youtube ) You can immediately use and film in 16 mm. This material is functional  and usable.! It's not just for decoration !... ** Please note that most rare BOLEX submarine housings offered for sale on this site. Are never equipped with this camera and this wide angle lens specially adapted for shooting aquatic! ***  Personally I offer you the whole complete !! *** This camera has been used very little. The controls have very rare marks of use Look carefully at the photos to convince yourself The drive motor rotates freely without problem. The KERN lens is healthy and cosmetically very good The lenses are clear and the adjustment rings work great The Swiss Company KERN was renowned for manufacturing the best 16mm cinema lenses! The BOLEX M camera can also be used outside the housing! Because the octometer sight and the winding lever of the original engine will also be delivered The weight of the whole is quite high over 25 Kg! Which explains the shipping rate! him too high! But you will agree that I am not responsible for the exorbitant prices charged by postal services..!.. §§§ Foreign bidders residing outside the European Union. or in the French Overseas Territories Shipping is possible worldwide. But please contact me before you bid to have me communicate the price of the shipment. The price varies considerably from one region to another §§§§ Ensemble  de prise de vues sous- marine BOLEX                                    Vintage (1955 ~) Caisson sous - marin conçu pour filmer sous l'eau à grande profondeur  Réalisé dans un métal de forte épaisseur  Il résiste sans peine aux pressions les plus intenses jusqu'à 100  mètres de profondeur  (330 feets) D'un maniement très facile : la mise en place et le retrait de la caméra se  font en quelques instants, sans l 'aide d'aucun outil ! De plus la conception interne avec compartiments. Fait qu'il ne pèse dans l 'eau que juste ce qu'il faut pour garder  une stabilité parfaite. Et laisse au plongeur une entière liberté de mouvements  Cet exemplaire a été entièrement rénové et réglé ! Il est comme neuf ! Regardez le tutoriel d'utilisation et d'entretien que j'ai réalisé sur Youtube: https://www.youtube.com/watch?v=FK9_A_fCMCk (ce lien n 'est pas actif à partir de ce si

BOLEX Underwater Housing with camera BOLEX "M" + KERN f= 10 mm                  Vintage  (1955)                              (traduction en français ci-dessous) Underwater housing designed to film underwater at great depths Made in a very thick metal It easily withstands the strongest pressures up to 100 meters deep (330 feets) Very easy to use: fitting and removing the camera is do in a few moments, without the aid of any tools! Plus the internal design with compartments. Makes it only weigh in water just enough to keep perfect stability. And gives the diver complete freedom of movement This copy is in exceptional cosmetic condition It is close to new! Watch the use and maintenance tutorial I made on Youtube: https://www.youtube.com/watch?v=FK9_A_fCMCk (this link is not active from this site, please copy it to your "search bar" to access it) This is a complete set including the box and its accessories but also a camera and its lens specially designed for this one! List of delivered material: - BOLEX n ° 229 underwater box with external controls - Iconometric viewfinder - Contrast filter - Camera mounting sole - Diaphragm control ring (KERN f = 10 mm) - Camera winding gear - Wrenches for seals - Sturdy wooden crate - H16 BOLEX camera M series n ° 203146 - KERN lens f = 10 mm 1: 1.6 n ° 545863 - User manual (in French; Description on Youtube ) You can immediately use and film in 16 mm. This material is functional  and usable.! It's not just for decoration !... ** Please note that most rare BOLEX submarine housings offered for sale on this site. Are never equipped with this camera and this wide angle lens specially adapted for shooting aquatic! ***  Personally I offer you the whole complete !! *** This camera has been used very little. The controls have very rare marks of use Look carefully at the photos to convince yourself The drive motor rotates freely without problem. The KERN lens is healthy and cosmetically very good The lenses are clear and the adjustment rings work great The Swiss Company KERN was renowned for manufacturing the best 16mm cinema lenses! The BOLEX M camera can also be used outside the housing! Because the octometer sight and the winding lever of the original engine will also be delivered The weight of the whole is quite high over 25 Kg! Which explains the shipping rate! him too high! But you will agree that I am not responsible for the exorbitant prices charged by postal services..!.. §§§ Foreign bidders residing outside the European Union. or in the French Overseas Territories Shipping is possible worldwide. But please contact me before bidding or buying so that I will communicate the cost of the shipment. Otherwise a billing supplement will be applied! The price varies considerably from one region to another §§§§ Of course, customs taxes and any import costs are at the expense of the buyer. Please check with the authorities of your country  §§§ Ensemble complet de prise de vues sous- marine BOLEX                                   avec      camera BOLEX "M" + objectif KERN f= 10 mm                                   Vintage (1955 ~) Caisson sous - marin conçu pour filmer sous l'eau à grande profondeur  Réalisé dans un métal de forte épaisseur  Il résiste sans peine aux pressions les plus intenses jusqu'à 100  mètres de profondeur  (330 feets) D'un maniement très facile : la mise en place et le retrait de la caméra se  font en quelques instants, sans l 'aide d'aucun outil ! De plus la conception interne avec compartiments. Fait qu'il ne pèse dans l 'eau que juste ce qu'il faut pour garder  une stabilité parfaite. Laissant au plongeur une entière

ableton live 11 suite win64 MULTILANGUAGE   Edelivery full lifetime version Ableton Live 11 is fast, fluid and flexible music creation and performance software. It comes with effects, instruments, sounds and all kinds of creative features - everything you need to create any kind of music. Create in traditional linear setups or improvise without timeline restrictions in the Live Session view. Move freely between the elements of the music and play with ideas, without stopping the music and without interrupting its flow. Ableton Live is perfect for both learning and producing electronic music and creating professional electronic music. Along with its professional instruments and effects, Ableton Live has a feature that makes electronic music production easier: Warp. Also, by manipulating audio with the Warp engine, you can also make the audio files have the same speed and tempo as the rest of the project, regardless of the original speed. Allowing you to start clips that always play on time. Launch series products were designed to take advantage of this feature and by simply plugging in the controllers it is now possible to launch clips in Ableton without having to configure anything else. Ableton Live Lite is included with all Novation Launch products, allowing unlimited access to audio with warping, instruments and effects. Each Launch series product comes with 1GB of free WAV samples for Ableton Live, including House, Garage, Bass, Techno, Dubstep, EDM and more. A professional-quality, royalty-free library for use in your electronic music productions.  Novation's Launch product family should be easy-to-use controllers, but that doesn't mean they aren't powerful controllers for Ableton using advanced production techniques. In this video, Novation artist Alex Maxwell demonstrates superior Ableton performance using Novation's Launchkey Mini keyboard, offering some easy tips on how to produce with Ableton Live. Taking us through processes like manipulating multiple effects from a single controller, Alex also shows how the ergonomic design of Novation's Launch products puts assignable MIDI controls at your fingertips, ensuring instant access to whatever parameters you want, whenever you want. Therefore, each Novation Launch device includes user modes. And controls (like the “Track” buttons explained in the video) to achieve unprecedented control of your Ableton DAW. And which will also allow you to do things like switch from releasing clips to controlling drum racks while controlling the Ableton mixer and launching scenes in real time. With one hand!  Key Features of Ableton Live Suite 11 suite: A new way of working sound improvements Sketch, adjust and experiment Enter the details Also, take control Put your ideas into practice use any sound, any time Build your sound with live instruments Effects to shape ideas, project sounds and finish music sound selections Also, start using Push Export your Live Set from I OS APPS Play in time with other devices Get more sounds, loops and samples Make each show unique The center for your performance for any stage Latest Features: Includes full mounts for Serato and bridge system Organize session options and friendly interference Add 2 modes for single operation easily In addition, it records audio up to 64-bit depth Added real-time multitrack audio mixing Updated themes and stereo tools 32-bit 192kHz multitrack recording Multiprocessor support with multi-core system Plus unlimited undo options Non-destructive audio editing Enjoy fully focused work in a single-screen user interface Excellent MIDI sequencer system for hardware and software instruments Plus full reconfiguration support, you can now run as master or slave Improved warping capabilities with new real-time time-stretching tools Simpler MIDI mapping tools

Clavier M-Audio Oxygen 25 version MKIII (3ème génération) Occasion TBE, fonctionne parfaitement. Touches jaunies Livré dans sa boite avec les accessoires d'origine (Notice,CD d'installation, câble USB) Caractéristiques: Features - 25 velocity-sensitive keys - 8 MIDI-assignable knobs - 1 MIDI-assignable slider - 6 dedicated transport controls - Dedicated track up/down buttons - DirectLink mode automatically maps controls to common DAW parameters - Factory presets map controllers to popular virtual instrument software - Unique Select buttons for on-the-fly step through of presets, program changes and MIDI channels - 4 velocity curves and 3 fixed velocity settings - Sustain pedal input - Class-compliant with Windows XP, Windows Vista and Mac OS X - USB bus powered Specifications - MIDI Data from variable controllers: - MIDI Control Number - RPN/NRPN - Program, Bank LSB, Bank MSB - Pitch Bend - GM/GM2/XG SysEx Messages - MIDI Data from buttons/switches: - Note On - Note On/Off toggle - MIDI CC On/Off toggle - Program, Bank LSB, Bank MSB presets - MIDI Machine Control functions - GM/GM2/XG SysEx messages Requirements - Compatibility - MME - Mac OS X Core MIDI - Minimum System Requirements (PC) - Windows XP (SP3)* - 1GHz Intel or AMD - 512MB RAM - Windows Vista 32, 64bit (SP1) / Win7 32, 64bit; Windows 10 - 1.6GHz Intel or AMD - 1GB RAM - 128MB video card - * Home and Professional Edition only. Windows Media Center Edition is not supported. - CPU may be higher for laptops. - M-Audio suggests you also check the minimum system requirements for your software, as they may be greater than above. - Minimum System Requirements (Mac) - Mac OS X 10.4.11 or 10.5.6 - Macintosh G4 1GHz - 512MB RAM - G4 accelerator cards not supported En savoir plus Collaboration commerciale.

TRÈS RARE et VRAIMENT DÉSIRABLE! Construite en 1989 (année vérifiée par GODIN) Cette guitare a le numéro de série ’2708’, avec seulement 4 chiffres donc c’était l’une des premières fabriquées par Godin. Difficile à trouver dans cet état et réellement une guitare de légende. C’est la guitare ultime pour écrire de bonnes chansons. Tout récemment réglée et entièrement révisée par le meilleur luthier de Paris (merci Alexandre et Jérôme). Construite par L.R. Baggs dans les années 80 avec micros L.R. Baggs, contrôles de tonalité et préampli d’origine. Sonne d’enfer branchée à un ampli. Le manche est juste phénoménal. Vous pouvez l’essayer sur Paris 19ème en m’envoyant un MP Vendue avec Flightcase Guitare PRO Telecaster (valeur 240€) voit photo Merci de noter que cette guitare ayant plus de 30 ans de bon et loyaux services, le vernis du bas de table présente des rayures et des chocs mais rien qui n’altère le son de la guitare (voir photo) in English VERY RARE and INCREDIBLY DESIRABLE! Built in 1989 (Validated by Godin) ie the price, -) This is the ultimate songwriting guitar bar none. Just recently had it set up by the best guitar pro in Paris. Has the standard built in L.R. Baggs pick up with tone controls. Plays through a PA incredibly well. The neck is just phenomenal. This one is serial number 2708, with 4 digit only so it was one of the first made (1989). Very hard to find and incredible instrument! sold and delivered in a NSP Pro Telecaster flightcase (street value 300US$) Rock Maple neck 12’ fingerboard radius 25 1/2’ Scale 1 11/16’ nut width Two-Chamber mahogany body Solid Spruce top LR BAGGS Under-saddle Transducer Natural High-Gloss finish Rosewood fingerboard Rosewood bridge

Great Italian all tube guitar head, kept as a backup, hardly a few hours of play since new, non smoking home. With original box. Priced new in Europe at 439€ direct manufacturer price  baroni-lab.eu/shop/ampli/heads/lucas-bl05-class/ The amp lights up red when on. European power cable included. If you are in the UK I will include a UK mains cable instead. From the manufacturer: The ‘Lucas BL05’ is a class A, single channel, all tube amplifier. It utilizes 1 x 12AX7/ECC83 and 1 x 12AU7/ECC82 pre-amp tubes and one JJ el84 in the power amp. With a combination of pre-amp ‘volume gain’ and a ‘master volume’ control the ‘Lucas BL05’ can create great, rich natural overdrive at lower volumes or crisp, articulate cleans with good headroom and everything else in between. Take the ‘volume gain’ past 12 o’clock and the sweet sound of a naturally overdriven tube amp starts to kick in. Past this point the amp will break up more and more taking you from an edgy blues twang all the way through to an authentic classic rock crunch. Accompanied by a very responsive 3 band EQ, presence control and high/low gain inputs there are many tone shaping possibilities with this amp. Controls: Volume, Gain, Bass, Middle, Treble, Presence, Standby switch, Power switch, 8/4 ohm selector switch Power Output: 5W (RMS) into 8,4 Ohms Voltage: 110-120v/220-230v, 50/60Hz Size: 242*440*210 (mm) Packing Size: 337*535*305 (mm) Weight: 7.9 kg Gross Weight: 9.3 kg

This is a vintage Silversound SE-120 Super Phasing pedal / stompbox from either the late 1970s It is rare, and sounds remarkably good. Likely thanks to its 220V operation (note that a step up transformer is necessary to use with 110VAC in the US), the Super Phasing is impressively noiseless with tons of headroom. It is also very flexible, with a wide palette of phaser flavors: go from gentle, swirly movement all the way to seasick, carnival-music spins & quasie Leslie effect. The foot treadle controls speed or rate, the "Super Phasing" switch steps it up once more and a tone/intensity control using the "Color" knob. Very, very inspiring and easy to use... And sounds really good. Like, really good

Imagine Communications Harris X85HD-AV-2PS TBC / Frame Synchronizer / scaler /optical fiber vendu avec son Flightcase General Description Offering unparalleled flexibility,the X85-3G/X85HD/X75SD product line provides up to nine video inputs and ten video output formats,depending upon the following available options: • Two HDTV optical fiber serial component digital video inputs and outputs (X85) or one HDTV optical fiber serial component digital video input and output (X75) • Two HDTV coaxial inputs and outputs on independent paths (X85) or two HDTV coaxial inputs and outputs using the same path (X75) • Two SD-SDI serial component digital video inputs and outputs • One 128 x 96 thumbnail streaming source and one 352 x 240 pixel (525) or 352 x 288 pixel (625) streaming-over-IP video/audio output • Component analog video (Betacam®) input and output • S-video (S-VHS/Hi8) input and output • NTSC/PAL-M/PAL-B/SECAM composite video input and output •RGB-S output • DVI-D output Inputs Inputs are capable of auto-detection, with user-selectable SMART alarms. Two input modes (both ofwhich allow for either automatic detection or user-selection of inputs) are available for processingcritical program paths for ingest, and bridging between routers/tape transports/servers, mobile broadcast, and edit suites. Video Processing Processing for video includes level/color control, aspect ratio conversion, 3D-adaptive color de coding, noise reduction, frame synchronization and time base correction for non-synchronous signals, analog-to-digital and digital-to-analog video conversion. Other capabilities include the following: • Up and down conversion • Aspect ratio control • High-definition cross-conversion Audio Processing Processing for audio includes level control, analog-to-digital and digital-to-analog conversion, and SD-SDI and HD-SDI serial digital signal embedding and de-embedding. Other capabilities include the following: • Sample rate conversions, synchron ization, and timing-to-video for correction of lip sync errors • Embedding/de-embedding of signals such as Dolby E™ and AC-3™ • Processing of multiple channel program signalsfor surround-sound applications before or after compression • Audio-follow-video routing • Converting, adjusting, timing,demultiplexing, and multiplexing Signal Control and Monitoring You can control and monitor signals using a variety of methods: • Local X85-3G/X85HD/X75SD control panels • Remote X75-RCP control panels • Web server software • Local DPS-575 control panels • Remote RC-575 control panels • CCS™-enabled hardware controls • CCS software applications and QuickTime Player • SNMP control systems Operating Modes The X85 and X75 have four main operational modes: • Auto Detect (default mode) • M-Path (multiple path) • Simulcast • All Output Select X75 and X85 General Functionality • Upgradability from SDTV to HDTV, and HDTV to 3 Gb/s • Frame syncs for analog, SDTV and HDTV • Upconversion, downconversion, crossconversion, and aspect ratio conversion • Analog-to-digital conversion • Digital-to-analog conversion • Proc amps for analog, SDTV and HDTV • Video test generation • Optional video noise reduction and enhancement • Optional HD and SD color correction • 8, 16, or 32 channels of internal audio processing (gain, invert,swap, sync/delay,sum) • Embedding and de-embedding for SD-SDI, HD-SDI, and 3 Gb/s • Compressed audio capability (Dolby E®and AC-3®) • Video and audio timing correction • Streaming video capability • SD memory card parameter settings storage • Audio (and embedded) test generation • Audio limiting capability • Built-in Web server with thumbnail monitoring capability • Available redundant power supply • Active Format Description (AFD), audio metadata, closedcaptioning, and DVB Teletext captioning capabilities • Optional program delay for video and embedded audio Input/Outputs • Auto-detected inputs • Two SD-SDI and

Lot minidiscs and accessories, recently pulled from storage. Comprises the following (all briefly tested and working, unless otherwise noted with >): Kenwood DMC-P33 x 2, good condition Kenwood DMC-P55, good condition Kenwood remote for above Sharp MD-DP700 speaker cradle (no AC required) Sharp remote for above Sony MZ-NH900 cradle Panasonic SJ-MJ57/58/59/500 speakers (no AC required) Panasonic remote for above (also fits SJ-MJ100) AA battery box for above x 2 2.5mm > 3.5mm patch cable Sony RM-MC11EL   > control behaviour sometimes erratic Panasonic remote   > controls work, but LCD broken Sharp remote   > untested Sony battery box (DC in) Sony battery box Sharp battery box Panasonic battery box Panasonic battery box   > poor connection (clean terminal) Kenwood DMC-V55   > powers up, can't read disc Kenwood DMC-Q77   > powers up, can't read disc (front panel DMC-T55) Sony RM-MC33EL   > seems OK, though volume control rather sensitive loads of NiMH batteries, boxes   > untested, assumed dead loads of disc labels Shipped from France. If you do have any questions then please drop me a line. *** Lot Minidisques et accessoires, récemment retiré du stockage. Comprend les éléments suivants (tous brièvement testés et fonctionnels, sauf indication contraire avec >): Kenwood DMC-P33 x 2, bon état Kenwood DMC-P55, bon état Télécommande Kenwood pour ci-dessus Station d'accueil Sharp MD-DP700 (pas de secteur requis) Télécommande Sharp pour ci-dessus Socle Sony MZ-NH900 Haut-parleurs Panasonic SJ-MJ57/58/59/500 (pas de secteur requis) Télécommande Panasonic pour ci-dessus (convient également au SJ-MJ100) Boîte de piles AA pour ci-dessus x 2 Câble de raccordement 2,5 mm > 3,5 mm Sony RM-MC11EL   > comportement de contrôle parfois erratique Télécommande Panasonic   > les commandes fonctionnent, mais l'écran LCD est cassé Télécommande Sharp   > non testé Boîtier de batterie Sony (entrée DC) Boîtier de batterie Sony Boîtier de batterie Sharp Boîtier de batterie Panasonic Boîtier de batterie Panasonic   > mauvaise connexion (borne propre) Kenwood DMC-V55   > s'allume, impossible de lire le disque Kenwood DMC-Q77   > s'allume, impossible de lire le disque (face avant DMC-T55) Sony RM-MC33EL   > semble OK, bien que le contrôle du volume soit plutôt sensible beaucoup de piles NiMH, des boîtes   > non testé, supposé mort beaucoup d'étiquettes de disques Expédiés de la France. Merci de demander si vous avez des questions.

New and open item, for verification. Bought in large batches in stock and therefore has no warranty. You have to configure it well with your mobile and have all the updates installed. And enjoy your AirPods Pro!! Shipping When checking out, please ensure your shipping address is accurate. Once an order has been placed, we cannot alter the address. Returns Returns are not accepted. The product is proven to work in all its functions Tips for a good calibration: -Check in your iPhone settings that there is no pending update. - Go to settings, go to sensitivity, go to AirPods and select the one you want to configure. - Go to audio sensitivity settings and there check the balance, right, left and then go to headphone settings and there configure it to your hearing taste. NEW Apple AirPods Pro - Noise-Cancelling - Bluetooth Wireless Headphones Features The Apple AirPods Pro deliver the wireless headphone experience, reimagined. They feature two modes of noise cancellation, a customizable fit, and they’re sweat and water resistant. Just pull them out of the charging case and they’re ready to use with your iPhone, Apple Watch, iPad, or Mac. Connectivity: Bluetooth 5.0 Chip: H1 headphone chip Controls: Press once to play, pause, or answer a phone call, twice to skip forward, thrice to skip back, press and hold to switch between Active Noise Cancellation and Transparencey modes Battery life: Single charge has up to 4.5 hours listing time and up to 3.5 hrs talk time Sensors: Dual beamforming mic, inward-facing mic, dual optical sensors, motion- and speech-detecting accelerometer Features: Sweat and water resistant (IPX4) Compatibility: Apple products with latest version of iOS provide most functionality AirPods can be used as Bluetooth headphones with Apple devices using earlier software and with non-Apple devices, but functionality is limited. Includes: MagSafe charging case, 3 sizes of silicone ear tips, lightning to USB-C cable

Séquenceur Ableton Live 10 clé matérielle, acheté en 2020, fourni avec sa boîte. --- LIVRAISON OFFERTE --- Ableton Live 10 sequencer hardware key, purchased in 2020, supplied with box. --- FREE DELIVERY --- Ableton Live 10 Suite – The Choice of Producers and Beatmakers The Ableton Live 10 Suite music production software is designed to provide an exceptional sonic and technical palette. With over 5,000 sounds, 13 instruments, 39 audio effects, and 16 integrated MIDI effects, Live 10 lets you record unlimited audio and MIDI tracks, opening up endless possibilities for your creations. Live 10 Suite innovates with its dual interface, transforming your creative process: the Arrangement view, which allows for linear editing of your project, and the Session view, a space for freedom that lets you improvise and experiment without timeline constraints. Designed to capture every idea, Ableton Live 10 offers up to 32-bit/192 kHz resolution, unlimited multi-track recording, non-destructive editing, and unlimited undo. Live 10 Suite goes further with essential features such as automatic plugin delay compensation, track freezing to save DSP, real-time time-stretching with Warping, and advanced MIDI management. In the studio or on stage, Ableton Live 10 Suite becomes the heart of your music production, optimizing your workflow. Features - Ableton Live 10 Suite Software - Sequencer - Multi-track recording and MIDI sequencing of virtual and physical instruments - Unique Session view for non-linear composition, flexible performance, and improvisation - Real-time b'"'Warpb'"' time adaptation: automatically syncs music and loops regardless of tempo. - MIDI-mappable controls for hands-on creation on stage or in the studio – with automatic mapping for the most common physical controllers. - Audio-to-MIDI conversion tools: extract harmonies, melody, or drums from an audio sample and convert it to MIDI. - Complete selection of integrated audio effects for creative sound design, mixing, or mastering. - Advanced tools for sampling and slicing. - Support for VST2, VST3, and Audio Unit plugins (new with version 10.1) - Groove engine to apply swing to sound or MIDI, or extract the rhythmic b'"'feelb'"' from other audio files. - Video import and export for composing to visuals or syncing visuals to music. - Integrated Max for Live software with more instruments, audio and MIDI effects, and the ability to customize Live. - 10 instruments: Wavetable, Operator, Sampler, Analog, Electric, Tension, Collision, Simpler, Drum Rack, Impulse – plus instrument racks and the external instrument device. - 72 audio and MIDI effects, including Drum Buss, Echo, and Pedal (new with version 10.1, compared to 57 in previous versions). - Over 5,000 sounds. - Over 70 GB of loops and samples. ----------------------- Ableton Live 10 Suite – Le choix des producteurs et beatmakers. Le séquenceur de production musicale Ableton Live 10 Suite est pensé pour offrir une palette sonore et technique d’exception. Avec plus de 5000 sons, 13 instruments, 39 effets audio et 16 effets MIDI intégrés, Live 10 vous permet d’enregistrer un nombre illimité de pistes audio et MIDI, ouvrant des possibilités infinies pour vos créations. Live 10 Suite innove avec sa double interface qui transforme votre processus créatif: la vue Arrangement, qui permet une édition linéaire de votre projet, et la vue Session, un espace de liberté qui vous laisse improviser et expérimenter sans contrainte de timeline. Conçu pour capturer chaque idée, Ableton Live 10 propose une résolution jusqu’à 32-bit/192 kHz, avec enregistrement multipiste illimité, montage non destructif, et annulation illimitée. Live 10 Suite va plus loin avec des fonctionnalités essentielles comme la compensation automatique de délai pour les plugins, le b'"'freezingb'"' de pistes pour économiser le DSP, le time-stretch en temps réel avec le Warping, et une gestion avancée du MIDI. En studio ou sur scène, Ableton Live 10 Suite devient le cœur de votre producti En savoir plus Collaboration commerciale.

Welcome! For sale is Electro-Voice CPS4.10 apmlifier with 4 channels of each nominal output is 1000W. MSRP: 3200 US$ Amplifier was never used (just tested before i made this listing) and it is 100% operational. See more technical details below. Shipping We will ship to any location worldwide. Please send us message for shipping cost to your location. All customs fees are not included in the international shipping costs. Buyer is responsible for all customs fees.  Please contact us if you have any question regarding this item.  CPS4.10 This four-channel CPS amplifier from Electro-Voice features groundbreaking Class-D technology for maximum amp efficiency and minimized heat dissipation in 19-inch racks. Each channel individually provides transformerless, switchable output characteristics, which enable specific channels to achieve maximum drive. Power into 2 Ohms, 4 Ohms, 70V, or 100V line – no transformers are required. In Hi-Z operation (70V or 100V), a 50 Hz high-pass filter (HPF) provides protection against loudspeaker transformer saturation. Additionally, amplifier channels can be bridged in pairs for double output power. Each contractor-friendly, multi-channel CPS amplifier also features Phoenix-type connectors for inputs and outputs, pre-programmable power-on delay, easy power-on remote via contact closure, and rear level controls. A module slot for the RCM-810 remote control module provides control network functionality, allowing for remote system diagnostics and control via IRIS-Net software. In addition, using the RCM-810’s Variable Load Drive feature can tailor the amplifier’s output power to match every load from 2 Ohms up to 10 Ohms in steps of 0.1 Ohms. Features: - Class-D design for high-efficiency and low heat dissipation - Flexible matching for Low-Z and High-Z applications - Optional remote control via IRS-Net - Four-channel design in 2RU chassis Specifications: - Maximum Midband Output Power (THD=1%, 1kHZ): 4 x 1000W @ 2 ohms 4 x 1000W @ 4 ohms 4 x 1000W @ 70V 4 x 1000W @ 100V - Rated Output Power (THD 4 x 900W @ 2 ohms 4 x 900W @ 4 ohms 4 x 900W @ 70V 4 x 900W @ 100V  - Maximum Bridged Output Power (THD=1%, 1kHz) 2 x 2000W @ 4 ohms 2 x 2000W @ 8 ohms 2 x 2000W @ 140V 2 x 2000W @ 200V - Maximum RMS Voltage Swing (THD=1%, 1kHz, per channel): 100V - Power Bandwidth (THD=1% ref.1kHz, half power @ 4 ohms load): 10Hz-25kHz, 50Hz-25kHz  - Voltage Gain, ref. 1kHz: 32 dB (2ohm/4ohm mode), 33dB (70V mode), 36dB (100V mode)  - THD at rated output power (MBW=80kHz, 1kHz): - IMD-SMPTE, 60Hz, 7kHz: - DIM30, 3.15kHz, 15kHz: - Maximum Input Level: +21dBu - Crosstalk, ref. 1kHz at rated output power: - Frequency Response, ref. 1kHz: 10Hz-30kHz (+/-1dB) - Input Impedance, active balanced: 20k ohms - Damping Factor, 1khz, 8 ohms: >240 - Slew Rate: 28V/us - Output Noise, A-weighted: - Output Stage Topology: Class D - Power Consumption, 1/8 max. output power @ 4 ohms: 840W - Power Requirements: 220-240V, 50-60Hz or 120V, 50-60Hz or 100V, 50-60Hz - Protections: Audio Limiters, Temperature, DC, HF Short Circuit, Peak Current Limiters, Inrush Current Limiters, Turn-on Delay - Cooling: Front-to-rear, continuously variable fans - Ambient Temperature Limits: 40 to 105 deg. F - Safety Class: I - Dimensions (W x H x D): 19" x 34.7" x 16.6" - Weight: 24.6 lbs - Optional Accessories:  2-way internal X-Over cards, 24dB, LR, XHP-5 for 500Hz/XHP-8 for 800Hz RCM-810 IRIS-Net Control & Supervision Module Rear-Rackmount Kit RMK-15

BIAMP SYSTEMS 301 The 301 is a single rack space, three input mic/line mixer. Each input channel uses a differentially balanced, discrete transistor mic/line preamplifier for low noise and low distortion performance. Inputs are provided to accept signals from microphones and/or line level devices. Special features, including limiters and remote level control, make the 301 extremely versatile. 301 mixers are dependable, easy to install, simple to operate, and are covered by Biamp Systems’ five-year warranty. Features: - three electronic balanced mic/line input channels - 30db rear panel Pad switch on each input channel - 40dB screwdriver-adjust Trim on each input channel - +10dB Peak LED indicator on each input channel - rotary level control on each input channel - auto-muting of one channel for “talk-over” applications - +24 volt Phantom Power assign switch on each input - electronic balanced main output with rotary level control - remote control of mail level from up to 2000 feet away - main patch insert point for external processing devices - main stacking input accepts signals from other mixers - screwdriver-adjust tone controls & limiter on main output - -20dB Signal Present LED indicator for main output - all input/output/control on plug-in barrier strip connectors - RoHS compliance and AES grounding practices - CE marked and UL listed power source - !! N'hésitez pas à nous contacter pour plus de renseignement ou pour toute question. Faites nous une offre !! Visiter notre boutique et n'oubliez pas de nous ajouter a vos favoris !