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Up for sale is a near mint example of the famous Brinkmann Fein Phono Stage. A stunning sounding unit that will accommodate any MM or MC cartridge. Adjustable load at the back, adjustable volume control at front which even enables straight connection to a power amp for an all-analogue purist system - but will easily work and sound equally stunning with line preamps or integrated amps. Amazing transparency and level of detail, with a very slight touch of harmonic warmth and unbelievable dynamics / soundstage. Only selling as part of funding the upgrade to its MUCH more expensive bigger brother Marconi. Complete with external power supply, granite slab and original power cables. Wherever still available, the Fein retails for 2990.00 EUR (recommended list price), and is worth every cent of that.  From the Brinkmann website: Phono stage »Fein« (discontinued)   The black finish hides yet another«Golden Oldie». Even though the »Fein« has been in production since 1985, it is anything but an oldie. Continued refinements have pushed this phono stage well ahead of its class. It features a single input, a volume control, and low output impedance; vinyl purists can thus drive an amplifier directly with their »Fein« should they so chose to.     Sonically, »Fein« (engl. fine) lives up to its name.Amongst the reasons is because it runs in pure Class-A with all operating points referenced to a single and temperature-compensated voltage source; the power transformer will never run into magnetic saturation thanks to ultrafast diodes and non inductive resistors; and last, but certainly not least, because the power consumption is so low that we decided to omit a power switch. (We recommend instead to leave the »Fein« powered up continuously because it sounds even better that way.)     Brinkmann Fein Specifications THD/IM distortion0,01%/0,05%S/N ratio MM/MC80/78 dBAFrequency response20 Hz-50 kHzGainadjustable, max. 55 dBOutput voltagemaximum 4 VOutput impedance200 OhmInput impedance MC600 OhmInput capacitance MM50 pFInput sensitivityswitchable 1 mV/47 kOhm (MM),0.5 mV/600 Ohm and 0.2 mV/600 Ohm (MC)Dimensions (WxHxD)120 x 80 x 160 mm (with granite base);power supply 105 x 60 x 100 mmWeight1.5 kg; granite base 2.8 kg;power supply 1.2 kgIncluded in deliveryphono preamplifier, power supply, power cord, granite base The unit will come professionally packaged, although without original box or manual. Any questions please ask. Thanks for looking !

ZOOM ROFESSIONNEL NIKON NIKKOR F 80-200 mm f/4 AI-s 1981-1995 état cosmétique  et de fonctionnement sans défaut avec ses bouchons AV/AR et sa boite d'origine KEN ROCWELL LE SPECIALISTE MONDIAL DU NIKON SUR SON SITE LE DECRIT COMME SUIT "Performance         top Intro   Specs   Performance   Recommendations In 1985 Nikon said it's an improved version of their f/4.5 80 - 200, which even Nikon brags is one of the world's sharpest zooms. Nikon 80 - 200 zooms have always been fabulous.   Sharpness It's sharp, sharp, sharp at every setting. On the D3, at 200mm and f/4 in the far corner you almost can see some softening, but just barely. This is an excellent, excellent lens. Compared to the newest 70-200mm f/4 VR, this lens is a bit better at most focal lengths, while the 70-200mm f/4 VR is better at 200mm." C'est un zoom Professionnel  fantastique meilleur que la production actuelle. construction tout métal solide pour boitier argentique et numérique (sans automatisme)  personnellement j'en ai un que j'utilise  sur mon D3  c'est tout bonnement fantastique à 200mm Vous pouvez l'acquérir "comme neuf" il s'agit d'un modèle sorti d'un fond de magasin qui a fermé en 1999 où j'ai acheté une vingtaine d'objectifs dont deux" 80-200" dont celui ci que je gardai à l'abri en secours.

For sale used iBasso DC04 USB-C balanced DAC and audio amplifier, with little use and in excellent condition. Basso DC04 2xCS43131 DSD Android USB Type-C to 4.4mm Headphone Amplifier Decode Cable Description DC04, the second-generation decoder amplifier, dual DAC true balanced decoding amplifier cable Double CS43131 decoder chip Bottom noise THD + N 32 Ω @ 195 mw 4.4mm balanced interface Dual DAC balanced decoding amp cable opens a new era of sound quality for mobile phones DC04 uses two high-performance HiFi decoding chips CS43131 to build a 4-channel DAC true balanced output line, which can significantly improve the resolution and channel separation, and present rich sound details. Cirrus Logic's next generation CS43131 with MasterHIFI™ technology has great potential and sweet and pleasant sound. DC04 double DAC design, double material, to ensure the second generation of decoder cable with high quality sound. True gold is not afraid of fire, hard power is not afraid of PK Indicators are not the only way to verify sound quality, but they do tell you a lot about the quality of a product's design. Signal-to-noise ratio: 133 dB, bottom noise The above are AP measurement indicators, stand out in the decoder cable products! Based on super group index, adjust the charming voice The core index of DC04 audio is superior to others, with a signal-to-noise ratio of 133dB and THD+N reaching 0.00032%, leaving the similar products far behind. Even compared to high-end HIFI players, it does not fall behind. Based on the outstanding indicators, the DC04 has been tuned hundreds of times to produce an amazing sound. The background noise reaches the level of Nano volt, approaches zero, and is clean and transparent In AP practice, DC04 bottom noise small than 0.9μV(900nV), be ahead of the similar kind products. The outstanding bottom noise control allows the DC04 to maintain a clean sound base and immerse listeners in the music. Japan Pentaconn original 4.4mm interface, high-quality interface, achieve good audiophile sound On the DC04, we adopted the original high-quality 4.4mm balanced interface from Japan Pentaconn. The price is high, but it has excellent sound effects, reliable stability and longer service life. 4-channel DAC true balanced output, 195mW@32Ω, even more powerful Thanks to DC04's internal 4-channel DAC true balanced output line, the output power is more than 1.5 times that of DC01 under a 32Ω load, reaching an astonishing 195mW, and even hard-to-push in-ear headphones can do well. Under a load of 300Ω, the maximum output level is as high as 4Vrms, which is more outstanding than some mainstream players, and it is also handy for large impedance headphones. Do not miss every detail, the use of a satisfactory experience The metal case of the DC04 adopts a wiredrawing process, with a delicate look and attractive touch, comparable to high-end HIFI players. Select 4 strands copper-plated silver audiophile cable, bring you a more comfortable experience. From Android phones to computers, it can meet the needs of all scenarios DC04 adopts type-C interface and uses standard UAC2.0 sound card chip, which is not only compatible with most Android phones and tablets in the market, but also can connect to Apple /Windows computers through the C-A adapter, easily realizing external decoding. Plug and play, get up anytime, anywhere. Provide exclusive APK software, realize 64 level hardware volume adjustment Mobile phones usually use software algorithms to adjust the volume, which is only about 10 levels in general. The volume range of each level varies greatly, making it difficult to provide fine adjustment. The output level of DC04 is as high as 4Vrms, which can be very loud even if the phone is only 1. To this end, we wrote a

Walimex Pro Aptaris Universal XL MK II cage system to DSLM and DSLR Caméras Excellent état, comme neuf Dans sa boite d'origine avec sa documentation - innovative cage system that makes system and DSLR cameras suitable for accessories - height adjustable and therefore suitable for all common cameras such as Panasonic GH-4, Nikon D800, Canon 5D Mark III, etc. - new and larger handle with additional 1/4 inch and 3/8 inch tapped holes - Eight new 1/4 inch tapped holes on the TopPlate for added convenience - A variety of mounting options around the rig - Height adjustable between 81mm and 133mm inside dimensions - Many expansion and combination options - Made in Germany - Made of extremely light and stable aerospace aluminum PRODUCT INFORMATION Aptaris - makes system and DSLR cameras suitable for accessories The "Made in Germany" Cage-System Aptaris makes your system or DSLR camera suitable for accessories and thus enables professional results when filming and photographing. Suitable for all common cameras The walimex Pro Aptaris Universal XL Mark II Cage opens up even more possibilities. With its additional 1/4 inch and 3/8 inch threaded holes, accessories such as microphone or film light can be attached even more flexibly. The new and larger handle ensures even more wearing comfort. It also has two 1/4 inch and four 3/6 inch tapped holes. The Universal XL Mk II is suitable for all common cameras such as the Panasonic GH-4, Nikon D800 or Canon 5D Mark III. In short, for those whose hot shoe and tripod threads lie on one axis and do not exceed or fall short of the inside dimensions of the cage. Aptaris is simply attached to the camera via the hot shoe of the camera and the camera screw (1/4 inch thread). An absolute highlight is the height adjustment of the cage, which is done with four Allen screws. This fits the version for a lot of cameras. In addition, two small hooks on the camera plate, which can be individually adjusted depending on the camera, ensure an absolutely non-slip grip. Greatest flexibility in use Thanks to a large number of 1/4 inch threads on all sides and a 3/8 inch thread on the underside, a lot of accessories such as microphones or LED lights can be attached as desired. Additional flexibility in use is provided by the adjustable, supplied handle, which can be mounted at the top, bottom or side as needed. This is also the shooting near the ground possible. With the Manfrotto PL 501 standard adapter plate, Aptaris can also be mounted on a Manfrotto tripod. In any case, access to the battery compartment, memory card etc. remains unrestricted. Many expansion and combination options Aptaris is a system. That's why you can extend the cage with any number of accessories such as the Aptaris rod module or the shoulder rest module. The Rod Module gives you plenty of room to attach additional accessories such as a Follow Focus and a Mattebox. With a diameter of 15mm, the rods comply with the industry standard, so that the combination with all common accessories is possible. Thanks to the included Rodmodulplatte the rod module can easily be attached via a sliding mechanism on the Aptaris system. With the Aptaris shoulder rest module, you can cast a complete rig out of the cage with just a few simple steps - for even more flexibility, especially in mobile use. Of course, you can also extend Aptaris at any time eg with additional hot shoe adapters or a separate L-bracket. Livraison rapide et soignée

For sale Sennheiser IE 400 PRO (clear) in-ear monitors, new unopened box (warranty replacement). IE 400 PRO The warm in-ear monitoring sound of the IE 400 PRO with its rich, noticeable punch is the right choice for professionals who wish to take their accustomed studio sound onto the stage with them. Even at high sound pressure levels, the IE 400 PRO reproduces its warm sound free from artifacts and distortion. With the newly developed TrueResponse technology, the dynamic driver measuring a mere 7mm generates tremendous resolution and prevents acoustic stress, even during long periods of use. Distortion, overlapping frequencies and resonance peaks which otherwise usually occur frequently are no longer a problem. The distortion factor has been optimized to a previously unimaginable 0.08%. It’s miniature design also permits an ultra-compact construction which, thanks to the accompanying silicone and memory foam adapters, can be individually adjusted. This in-ear monitor is easy to handle and provides brilliant sound reproduction. Built to last under extreme stress, a secure and comfortable fit for hours. Looking for distortion-free, natural sound with a “punch,” transparent mid-range reproduction and clear high frequencies? The IE 400 PRO is the right choice. Newly developed dynamic 7mm wideband transducer for punchy, high-resolution monitoring sound Noticeable punch with transparent mid-range reproduction and clear high frequencies TrueResponse driver system reduces acoustic stress factors through homogeneous and distortion-free reproduction High level of wearing comfort and good fit thanks to ergonomic compact housing Excellent shielding through optimized earpiece shape and flexible silicone and foam tips Cable concept fit for the stage with innovative duct (patent application in progress) More punch, more transparency, more control The IE 400 PRO provides noticeable punch, clear high frequencies and transparent mid-range reproduction. Thanks to its clear frequency response and warm monitoring sound, musicians can perceive themselves with confidence and without distortion. Furthermore, they can do so at high sound pressure levels where other in-ear systems begin to clip and distort. The dynamics of the IE 400 PRO represent the philosophy of the entire IE series; MoreMe. Perceive more, have more control, and confidently locate your own sound in the mix. Next-generation dynamic drivers The result of intensive development work: a single dynamic high-performance driver – with a diaphragm measuring only 7mm in diameter – covers the entire frequency spectrum. This way, interference effects in the region of the transitional frequencies and phase differences are avoided. A system of magnets with triple-duct ventilation significantly reduces the distortion factor. The two-chamber absorber in the direction of the ear canal minimizes resonance peaks that would otherwise naturally occur. The result: even at high sound pressure levels, the sound remains clean and free from distortion. Consequently, the IE 400 PRO protects your hearing, even after hours on the loudest stages. During professional use, that which previously got lost in the mix suddenly becomes audible. It’s not just the sound that fits your ear… …the IE 400 PRO also sits comfortably and securely in your ear for several hours. Choose either silicone or viscoelastic memory foam tips to individually adapt to the structure and depth of your ear canal for hours of reliable wearing comfort. Durable and innovative cable ducting with a deep-set connector and double-backed protection allows the IE 400 PRO to also withstand tough nights on the stage. Again, and again.

Kemp Elektroniks MAXiiMUS P40 b'"'AUDIOPHILEb'"' Ultimate Standalone Version with RHODIUM plugs, in and out (not cheaper gold, check pics) PUBLIC PRICE: € 3,490 The electromagnetic field of planet earth Leaving aside the religious and spiritual beliefs, we can still see that every living is an energetic life form absorbing energy from the electromagnetic field surrounding the Earth. This field works in concordance with the Law of Nature. Through research we are aware of the Earths electromagnetic field and its measurement of approximately 200’000 Volt which exists between the Earth's surface and the ionosphere. This electric energy consists of an electron stream which continuously supplies us with energy from the ionosphere. The electrons spin in a counter clockwise direction and contain biological information which ensures that life is possible. The electrons have their own spin, moving in a counter clockwise direction. Through the constant inflow over the line of electric flux, a reaction is formed as a constant magnetic field (vertical magnetic flux) which moves from earth to the ionosphere in its own clockwise direction. If biological systems are being permeated with electromagnetic energy in accordance to the above mentioned facts, we stay healthy. It is important to mention that the spin of the electrons depend on the information which is contained in the electron. Predominantly biologically positive information leads to the electrons spinning in an anticlockwise direction. Unfortunately the electromagnetic fields created by technical systems work/operate in exactly the opposite way. The electrons spin in a clock wise manner around their own axis, the magnetic lines of flux rotate in a counter clock wise direction. This is against the b'"'Law of Natureb'"'! Exactly these described facts are the cause of electro smog. The body is being permeated in a converse way; instead of development and support degeneration is produced. What are the causes of Electrosmog? The most well known causes at the moment are mobile phone antennas. Further sources of interferences that radiate from outside into living spaces (depending on the distance to the building) are transformer stations, short-wave antennas, radar, Radio/TV antennas, power lines, train-, bus and tramlines. Sources of interferences inside living areas are electrical wiring, electrical appliances, mobile phones, wireless phones and baby monitors. The base station of wireless phones acts like a small mobile phone antenna. Electrosmog is harmful for human beings and animals The effects of electrosmog/Electrosmog-symptoms present themselves in humans and animals in their weakest point. Generally known symptoms or effects caused by electromagnetic radiation are: - poor/interrupted sleep patterns, fatigue even after adequate sleep - Tendency to nervousness and irritation, lack of concentration - Tumours, leukaemia - Altered blood structure, persistent headaches Why is UMTS so harmful? UMTS is a pulsed high-frequency micro-wave radiation. This itself is already alarming for the health even in the smallest quantities of exposure. Hundreds of scientific reports that have been published about this subject speak for themselves. In addition this technology transmits a high density of data volume, a process which biological systems can’t cope with. With the technology in the past it was possible to transmit approx. 14 Kilobytes data/second. With UMTS at the present state of the technology (November 2005) it is already possible to transmit 121 megabytes/second. This means depending on the level of development a quantity 200-1500 fold. After completion UMTS is expected to transmit 1 Gigabyte/second. As a result the collapse of biological systems is inevitable/pre-programmed. Effective and proven solutions Studying these processes enabled FOSTAC AG in Bichwil to develop a technology which En savoir plus

Great for clean or dirty, blackface or hot British crunch and exceptionally responsive to the players touch, the Custom Audio OD-100 covers all the basses and gives you maximum flexibility. This is a true top end amp experience that please even the most demanding pro players.   This version of the OD-100 was developed when LA studio legend M. Landau told John Suhr that he'd like the OD-100 Standard+'s Channel 2 to be like an early-70's British amp that he owned and adored. John borrowed Landau's amp and tweaked away, eventually coming up with a brand new Channel 2 and a new output section that duplicated and even surpassed the sound that Mike had come to love. The OD-100 Classic was born! The Channel 2 of the OD-100 Classic has much less gain than Channel 2 of either the OD-100 SE+ or the OD-100 Standard+. It's definitely more of a vintage voicing – like that of cranked non-master-volume amps with EL-34 output tubes – but you have the flexibility of the master volume to get that cranked sound and feel at moderate volume levels. Besides the completely new preamp circuit for Channel 2, the OD-100 Classic features the silver "Plexi-style" output transformer and EL-34 output tubes in the power section for a more authentic vintage British sound.  The OD-100 ML+ complements the OD-100 Classic with more gain on CH2 (think early ZZ Top, late AC/DC, early Van Halen and other classic rock sounds of the 70's and early 80's) with a more forgiving response, which makes it an absolute joy to play. Comes with Feedback and Depth knobs on the back panel. The front panel has the Presence knob which controls the power amp high-end content for both channels. The Feedback knob is essentially a speaker dampening control. It has a center detent which is bypass of the Feedback circuit. Turning it clockwise from the center gives the amp a tighter and more aggressive response with slightly increased volume level. Turning it counterclockwise from center makes the amp feel a little spongier with a more vintage type of a feel and response. 100 watts Front Panel Channel 1 Boost 1, Bright 1, Gain 1, Bass, Middle, Treble, Level 1 Channel 2  Bright 2, Gain 2, Gain 3, Bass, Middle, Treble, Level 2, Level 3 Channel Select

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

SENNHEISER PXC 450 HEADPHONES - REDUCED TO CLEAR The PXC 450 is a circumaural high-end travel headphone set with NoiseGard™ 2.0 technology and TalkThrough function for the best possible attenuation of ambient noise. The PXC 450 enables an unprecedented sound experience for people on the move, thanks to its adaptive baffle damping in combination with the patented Duofol diaphragms, which prevent unwanted partial oscillation and thus guarantee a highly natural, lifelike sound quality. NoiseGard™ is an active noise compensation system which Sennheiser originally developed for use by pilots, who have to rely on good sound quality and efficient protection against ambient noise even in high-noise environments. NoiseGard™ actively compensates the noise, based on the physics principle of sound and counter-sound. NoiseGard™ 2.0 has perfected the NoiseGard™ principle thanks to the use of optimised circuitry design and even more efficient processors. It also uses better quality microphones, which enable more sophisticated pick-up of unwanted noise. Specially developed filter algorithms enable improved active noise compensation of up to 90% (23 dB). It is of course also possible to use these headphones passively, i.e. without NoiseGard™ and without batteries.  Users of a PXC 450 who wish to communicate with their neighbours can do so without taking off the headphones: when the TalkThrough function is activated, professional quality microphones mounted on the outside of the headphones pick up all acoustic signals in the immediate vicinity. Unwanted background noise, such as the sound of the engines on a plane, is filtered out electronically to a great extent, so that only the neighbour’s voice is passed on through the headphones into the user’s ear in top audio quality. The PXC 450 is foldable and is supplied complete with practical transport case, 2 AAA batteries and audio adaptors (double mono and 6.3mm). Volume control integrated in the headphones and a single-sided detachable and replaceable cable ensure maximum convenience for the user. SPECIFICATIONS: Colour: Silver Wearing Style: Headband Impedance: 150/750 ohms Connector: 3.5mm right-angled Frequency Response: 8 - 2800 Hz Sound Pressure Level: 108 dB Total Harmonic Distortion: Ear Coupling: Circumaural Cable Length: 1.4m single-sided, replaceable Transducer Principle: Dynamic Weight: 240g Attenuation: Passive - 32 dB Operating Time: > 21h Battery Specification: 1 x AAA Battery NoiseGard Noise Compensation: Up to 23dB (NG 2.0) 

b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' The Kowa SER 35mm f2.8 (built from the late 1960s to the early 1970s) were something very special even at the time they were built, because they were the last central shutter cameras ever built in the world. This lens was the moderate wide-angle analogic lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. Here it impresses with good sharpness from open aperture, and the background behavior is really b'"'specialb'"' (whether particularly beautiful is in the eye of the beholder - it really depends on whether you like it particularly soft or rather b'"'busyb'"'). In order to give a direct feeling for the performance and the bokeh behavior, I would like to start with a small aperture row in the close range. The overall images nicely show the changes in bokeh behavior. The Kowa SER 35mm f2.8 was the moderate wide-angle lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. The Kowa lenses are a pleasure to feel, and the clickless aperture ring (on the adapter) is of course an advantage for filmmakers. The Kowa SER 35mm f2.8 gave many beautiful shots! Like all Kowa lenses, this one is particularly suitable for close-up images where you are close to the subject. In the tradition of the large German manufacturers such as Zeiss (Contaflex) and Voigtländer (Bessamatic and Ultramatic), Kowa also built three interchangeable lens cameras with central shutters in Japan (based on viewfinder cameras with the same principle). The Kowa SER was replaced after a few years by the Kowa Set-R and the Set-R2. What is remarkable here is the persistence with which Kowa transported the central locking system into the 1970s. This system, which was outdated by the mid-1960s at the latest due to its technical limitations, led directly to the decline of the major German manufacturers and was one of the b'"'nailsb'"' in the coffin of the German camera industry, which ended in Zeiss ceasing camera production in 1972. The big difference to the last German central shutter cameras is the shape and design of the Kowa SER/Set-R cameras. At the time, they were optically absolutely contemporary, comparable to the Pentax Spotmatic and the other Japanese SLR cameras in terms of form factor. In addition to the great advantage of the central shutter that flash can be used at all exposure times, it also leads to extremely difficult lens designs and major reliability problems due to the complexity of the control. These days it's hard to find a Kowa camera that even works, let alone someone who can repair it. Some technical information about the lens: Weight: 172g Length: 53mm Diameter 59mm Optical design: 6 lens elements Aperture: from f2.8 to f16 Aperture design: 5 aperture blades Filter holder diameter: 49mm Closest focusing distance: 40cm Serial number: 940388 Built from the late 1960s to the early 1970s Made in Japan by Kowa b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' _________________________________________ tags: telemetric film camera analogic film is not dead! leica carl zeiss tessar voigtlander olympus canon kodak fujifilm ilford En savoir plus Collaboration commerciale.

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Event EZbus MIXER 8 Channel USB Audio Interface/ Stand Alone-Digital Mixer Board MIXER DIGITAL STUDIO EVENT EZBUS  TRES BON ETAT GENERAL  VENDU SANS NOTICE Product Description As a stand-alone Digital Mixer, it provides 8 main input channels (four of which provide 3 inputs each), plus a USB port, 2 S/PDIF coaxial Inputs, one output, and S/PDIF/ADAT-format optical I/O. Main input channels provide dynamics processing and 4-band EQ. Any input (analog OR digital) may be routed to ANY mixing channel (the same applies to the 4 returns) and you can even mix signals with different sample rates - up to 96K! Other I/Os include dual MIDI I/Os, Word Clock Out, and 2 Sends plus 2 Aux Outs, making it an ideal Hard Disk Recording Interface.  One button push is all it takes to instantly transform EZbus into a customizable Control Surface with support for major software programs. You could see a product like this on the horizon but it took the ingenious minds of Event Electronics to actually deliver. The EZbus mix engine architecture provides 8 primary channels, each of which offers EQ and dynamics processing. The 8 channels can be fed from any hardware input, analog or digital. A channel's signal can be routed to multiple destinations, including the Main Mix bus, the Alt Mix bus, and any or all of the 4 Sends; these, in turn, can be routed to a variety of hardware outputs. The EZbus also has 4 Return busses, which can function as additional input channels. This provides you with a total of 12 input channels, 8 of which support EQ and dynamics processing. In a typical computer-based recording environment, many of the audio sources (keyboards, sound modules, drum machines, effects devices, and the like) require little or no processing "after the fact;" that is, they don't necessarily need to have their tone, volume, or pan positions controlled at the mixer level. Rather, these functions can be performed by the device itself via internal settings or in response to MIDI commands. In that scenario, all that's required of the mixer is that it provide a means for the audio from the device to be brought into the main mix. The EZbus was designed to accommodate a large number of audio sources, not all of which would necessarily need to have their individual tone, volume, and pan positions controlled at the mixer level. On EZbus analog inputs 5, 6, 7, and 8, three input jacks (labeled A, B, and C) are provided for each input. The 3 jacks in each channel are summed (and electronically buffered), allowing you to connect up to 3 audio sources to a single input. You could, for example, bring the signals from 6 synthesizers into inputs 5A, 5B, 5C, 6A, 6B, and 6C. You could then bring the stereo returns from three outboard effects devices, for example, into inputs 7A and 8A for effect #1, 7B and 8B for effect #2, and 7C and 8C for effect #3. Altogether, that's 12 audio signals brought into the EZbus using only 4 audio channels. Through the analog inputs, you can bring 16 signals into the EZbus; 4 additional signals from the digital inputs can be routed to the Mix bus or Alt bus via the 4 "virtual" returns. In this manner, you can bring a total of 20 signals into the EZbus. At a minimum, you can bring 8 signals into the EZbus, each of which can be independently processed with EQ and dynamics. These signals can be from either analog or digital sources. Let's presume you're a solo performer doing a nightclub gig. You would likely have an assortment of sound modules, possibly a keyboard, a drum machine, some effects devices, your vocal mic, and, versatile musician that you are, an acoustic or electro-acoustic guitar. Your vocal mic would plug into analog input #1. Your guitar would go into analog mic input #2 (or instrument input #3 if it's electro-acoustic) Your drum machine could go into analog inputs #3 and #4 (presuming you want to run in stereo). Let's say you have 3 MIDI sound modules and you also want to run the

Volna-9 50mm f2.8. Il s'agit de l'unique ancien objectif russe produit pour la photo macro. Ce 50mm s'allonge pour obtenir un rapport de grossissement 1:2 à 24cm. Il est réputé pour son piqué en fermant un peu (ce qui est normal pour un macro) et pour son bokeh original: à f2.8 le bokeh est plutôt doux (en proxy), à f4 légèrement hexagonal, mais à f5.6/f8 il prend la forme d'une étoile.  Cet objectif est avant tout conçu pour photographie les plantes, les insectes et petits objets, mais il excelle aussi en portrait. En usage généraliste, il devient bon en fermant (homogène en paysage à f11). C'est un 50mm en plein format (75mm en APS-C, ce qui peut être encore plus intéressant en macro). Il est entièrement manuel. La monture m42 s'adapte sur les appareils photo numériques, en particulier les hybrides, avec une bague d'adaptation (pas cher sur internet). L'objectif est dans un excellent état extérieur et mécanique (comme neuf). Les optiques sont claires (à la loupe peut-être une minuscule marque à l'intérieur sans conséquences). Il a très peu servi. Il est complet avec son capuchon frontal, sa boîte d'origine (il se visse sur le couvercle) et même les instructions...  en russe ! ----------------------- Volna-9 50mm f2.8. This is the only old Russian lens produced for macro photography. This 50mm extends to a magnification ratio of 1:2 at 24cm. It is known for its sharpness when closing a little (which is normal for a macro) and for its original bokeh: at f2.8 the bokeh is rather smooth (in proxy), at f4 slightly hexagonal, but at f5.6/f8 it takes the shape of a star.  This lens is primarily designed to photograph plants, insects and small objects, but it also excels in portrait. In general use, it becomes good when closed (homogeneous in landscape at f11). It is a 50mm in full frame (75mm in APS-C, which can be even more interesting in macro). It is entirely manual. The m42 mount fits on digital cameras, especially mirrorless, with an adapter ring (cheap on the internet). The lens is in excellent external and mechanical condition (like new). The optics are clear (with a magnifying glass maybe a tiny mark inside without consequences). It has been used very little. It is complete with its front cap, its original box (it is screwed on the lid) and even the instructions... in Russian !

Casque USB au Royaume-Uni Câblé avec microphone MIC pr Call PC Computer Lap SH Main title: USB Call Center USB Headset Noise Cancell Microphone Office Telephone Binaural Corded PC Sub title: Professional Office Telephone Headset USB Mic Noise Cancelling Binaural Ajust Call Centre Product label: Call Center USB Headset，Binaural，USB Headset，Noise Cancelling，Call Centre Mic，Corded Headset ，Telephone Headset，Microphone ，Phone Call，Office ，Telephone ，Pro Audio Equipment Key words: Call Center USB Headset，Binaural，USB Headset Parts List: 1pc Call Center USB Headset 1pc User Manual Highlight description: 1.Noise reduction communication: The call center headset has a noise reduction function, which can keep the background noise in the outside world and clear the surrounding noise, thereby achieving clear communication. 2.Comfortable to wear: The earmuffs are made of soft foam ear pads, and the microphone can be rotated 360°. The headband can be pulled apart and put away. Make it suitable for different sizes of head, so that you can wear it comfortably. Even if it is worn for a long time, it will not be tired or painful. 3.Mute function: The mute button in the built-in button can turn on/off the power of the microphone, making it more convenient to use. With volume buttons, it can help you adjust the volume freely to protect your hearing. 4.Universal compatibility: This call center USB headset can be plugged into computers, phones, desktops and other devices to achieve clear, stable and smooth communication without stuck or conflict. 5.Extra-long cable: The cable is 2.6m long. Using headphones can solve problems faster and faster and you can pick up files a little far away from you. Detailed description: Colour: Black Material: ABS+electronic components+metal Size: Horn diameter: 28 (Φmm), cable length 2.6 meters. (Due to manual measurement, there will be an error of 1-3cm.) Impedance: 150 (Ω) Plug type: USB Payment Nous n'acceptons que Paypal comme moyen de paiement. L'article sera envoyé dans 24 heures suivant le paiement reçu du lundi au vendredi, et les commandes reçues le samedi et le dimanche seront affichées le lundi suivant. Shipping Nous fournissons des choix multiples pour les méthodes d'expédition et la date d'arrivée estimée, mais veuillez comprendre que nous ne pouvons pas contrôler la condition d'expédition actuelle et la date d'arrivée. Terms of Sale Si vous n'êtes pas satisfait de votre achat, contactez-nous sans hésiter. Les articles peuvent être retournés dans 30 jours en état inutilisé, nous effectuerons un échange et un remboursement une fois que nous aurons reçu l'objet. Gardez les étiquettes entières et les éléments propres sans saveur, si non nous n'accepterons pas le retour. About US Si vous avez des questions, contactez-nous par l'intermédiaire de l'onglet «Demandez-nous un vendeur» au bas de la page d'inscription. Répondre à votre satisfaction est la chose la plus imotante pour nous, nous souhaitons résoudre chaque problème pour vous. Et laissez-nous une note de  5 étoiles  si vous vous sentez heureux de notre produit et service. Main title: USB Call Center USB Headset Noise Cancell Microphone Office Telephone Binaural Corded PC Sub title: Professional Office Telephone Headset USB Mic Noise Cancelling Binaural Ajust Call Centre Product label: Call Center USB Headset，Binaural，USB Headset，Noise Cancelling，Call Centre Mic，Corded Headset ，Telephone Headset，Microphone ，Phone Call，Office ，Telephone ，Pro Audio Equipment Key words: Call Center USB Headset，Binaural，USB Headset Parts List: 1pc Call Center USB Headset 1pc User Manual Highlight description: 1.Noise reduction communication: The call center headset has a noise reduction function, which can keep the background noise in the outside world and clear the surrounding noise, thereby achieving clear communication. 2.Comfortable to wear: The earmuffs are made of soft foam ear pads, and the microphone can be rotated 360°. The headband can be pulled apart and put away. Make it suitable for different sizes of head, so that you can wear it comfortably. Even if it is worn for a long time, it will not be tired or painful. 3.Mute function: The mute button in the built-in button can turn on/off the power of the microphone, making it more convenient to use. With volume buttons, it can help you adjust the volume freely to protect your hearing. 4.Universal compatibility: This call center USB headset can be plugged into computers, phones, desktops and other devices to achieve clear, stable and smooth communication without stuck or conflict. 5.Extra-long cable: The cable is 2.6m long. Using headphones can solve problems faster and faster and you can pick up files a little far away from you. Detailed description: Colour: Black Material: ABS+electronic components+metal Size: Horn diameter: 28 (Φmm), cable length 2.6 meters. (Due to manual measurement, there will be an error of 1-3cm.) Impedance: 150 (Ω) Plug type: USB PAYMENT Nous n'acceptons que Paypal comme moyen de paiement. L'article sera envoyé dans 24 heures suivant le paiement reçu du lundi au vendredi, et les commandes reçues le samedi et le dimanche seront affichées le lundi suivant. SHIPPING Nous fournissons des choix multiples pour les méthodes d'expédition et la date d'arrivée estimée, mais veuillez comprendre que nous ne pouvons pas contrôler la condition d'expédition actuelle et la date d'arrivée. Terms of Sale Si vous n'êtes pas satisfait de votre achat, contactez-nous sans hésiter. Les articles peuvent être retournés dans 30 jours en état inutilisé, nous effectuerons un échange et un remboursement une fois que nous aurons reçu l'objet. Gardez les étiquettes entières et les éléments propres sans saveur, si non nous n'accepterons pas le retour. ABOUT US Si vous avez des questions, contactez-nous par l'intermédiaire de l'onglet «Demandez-nous un vendeur» au bas de la page d'inscription. Répondre à votre satisfaction est la chose la plus imotante pour nous, nous souhaitons résoudre chaque problème pour vous. Et laissez-nous une note de  5 étoiles  si vous vous sentez heureux de notre produit et service. Le 25-déc.-20 à 08:08:14 Paris, le vendeur a ajouté les informations suivantes:

Casque USB au Royaume-Uni Câblé avec microphone MIC pr Call PC Computer Lap SH Main title: USB Call Center USB Headset Noise Cancell Microphone Office Telephone Binaural Corded PC Sub title: Professional Office Telephone Headset USB Mic Noise Cancelling Binaural Ajust Call Centre Product label: Call Center USB Headset，Binaural，USB Headset，Noise Cancelling，Call Centre Mic，Corded Headset ，Telephone Headset，Microphone ，Phone Call，Office ，Telephone ，Pro Audio Equipment Key words: Call Center USB Headset，Binaural，USB Headset Parts List: 1pc Call Center USB Headset 1pc User Manual Highlight description: 1.Noise reduction communication: The call center headset has a noise reduction function, which can keep the background noise in the outside world and clear the surrounding noise, thereby achieving clear communication. 2.Comfortable to wear: The earmuffs are made of soft foam ear pads, and the microphone can be rotated 360°. The headband can be pulled apart and put away. Make it suitable for different sizes of head, so that you can wear it comfortably. Even if it is worn for a long time, it will not be tired or painful. 3.Mute function: The mute button in the built-in button can turn on/off the power of the microphone, making it more convenient to use. With volume buttons, it can help you adjust the volume freely to protect your hearing. 4.Universal compatibility: This call center USB headset can be plugged into computers, phones, desktops and other devices to achieve clear, stable and smooth communication without stuck or conflict. 5.Extra-long cable: The cable is 2.6m long. Using headphones can solve problems faster and faster and you can pick up files a little far away from you. Detailed description: Colour: Black Material: ABS+electronic components+metal Size: Horn diameter: 28 (Φmm), cable length 2.6 meters. (Due to manual measurement, there will be an error of 1-3cm.) Impedance: 150 (Ω) Plug type: USB Payment Nous n'acceptons que Paypal comme moyen de paiement. L'article sera envoyé dans 24 heures suivant le paiement reçu du lundi au vendredi, et les commandes reçues le samedi et le dimanche seront affichées le lundi suivant. Shipping Nous fournissons des choix multiples pour les méthodes d'expédition et la date d'arrivée estimée, mais veuillez comprendre que nous ne pouvons pas contrôler la condition d'expédition actuelle et la date d'arrivée. Terms of Sale Si vous n'êtes pas satisfait de votre achat, contactez-nous sans hésiter. Les articles peuvent être retournés dans 30 jours en état inutilisé, nous effectuerons un échange et un remboursement une fois que nous aurons reçu l'objet. Gardez les étiquettes entières et les éléments propres sans saveur, si non nous n'accepterons pas le retour. About US Si vous avez des questions, contactez-nous par l'intermédiaire de l'onglet «Demandez-nous un vendeur» au bas de la page d'inscription. Répondre à votre satisfaction est la chose la plus imotante pour nous, nous souhaitons résoudre chaque problème pour vous. Et laissez-nous une note de  5 étoiles  si vous vous sentez heureux de notre produit et service. Main title: USB Call Center USB Headset Noise Cancell Microphone Office Telephone Binaural Corded PC Sub title: Professional Office Telephone Headset USB Mic Noise Cancelling Binaural Ajust Call Centre Product label: Call Center USB Headset，Binaural，USB Headset，Noise Cancelling，Call Centre Mic，Corded Headset ，Telephone Headset，Microphone ，Phone Call，Office ，Telephone ，Pro Audio Equipment Key words: Call Center USB Headset，Binaural，USB Headset Parts List: 1pc Call Center USB Headset 1pc User Manual Highlight description: 1.Noise reduction communication: The call center headset has a noise reduction function, which can keep the background noise in the outside world and clear the surrounding noise, thereby achieving clear communication. 2.Comfortable to wear: The earmuffs are made of soft foam ear pads, and the microphone can be rotated 360°. The headband can be pulled apart and put away. Make it suitable for different sizes of head, so that you can wear it comfortably. Even if it is worn for a long time, it will not be tired or painful. 3.Mute function: The mute button in the built-in button can turn on/off the power of the microphone, making it more convenient to use. With volume buttons, it can help you adjust the volume freely to protect your hearing. 4.Universal compatibility: This call center USB headset can be plugged into computers, phones, desktops and other devices to achieve clear, stable and smooth communication without stuck or conflict. 5.Extra-long cable: The cable is 2.6m long. Using headphones can solve problems faster and faster and you can pick up files a little far away from you. Detailed description: Colour: Black Material: ABS+electronic components+metal Size: Horn diameter: 28 (Φmm), cable length 2.6 meters. (Due to manual measurement, there will be an error of 1-3cm.) Impedance: 150 (Ω) Plug type: USB PAYMENT Nous n'acceptons que Paypal comme moyen de paiement. L'article sera envoyé dans 24 heures suivant le paiement reçu du lundi au vendredi, et les commandes reçues le samedi et le dimanche seront affichées le lundi suivant. SHIPPING Nous fournissons des choix multiples pour les méthodes d'expédition et la date d'arrivée estimée, mais veuillez comprendre que nous ne pouvons pas contrôler la condition d'expédition actuelle et la date d'arrivée. Terms of Sale Si vous n'êtes pas satisfait de votre achat, contactez-nous sans hésiter. Les articles peuvent être retournés dans 30 jours en état inutilisé, nous effectuerons un échange et un remboursement une fois que nous aurons reçu l'objet. Gardez les étiquettes entières et les éléments propres sans saveur, si non nous n'accepterons pas le retour. ABOUT US Si vous avez des questions, contactez-nous par l'intermédiaire de l'onglet «Demandez-nous un vendeur» au bas de la page d'inscription. Répondre à votre satisfaction est la chose la plus imotante pour nous, nous souhaitons résoudre chaque problème pour vous. Et laissez-nous une note de  5 étoiles  si vous vous sentez heureux de notre produit et service. Le 03-mars-21 à 09:58:28 Paris, le vendeur a ajouté les informations suivantes:

Wireless Earbud, Bluetooth Headphones in Ear 150H Playtime with 3500mAh Charging   Description 150 Hour Playing Time: Doubc headphones wireless bluetooth built-in low power chip and 3500mAh battery case, whic can play for 5-7hrs on a single charge and the charging case can provide extra 145hrs playback. The charging case can not only charge the headset, but also turn into an emergency power bank, providing one day power for your phone. When you are in a hurry, simply charges 10 minutes and gets up to 1 hour of playtime.,Design for Sports, Secure Fit Your Ears: Doubc earbuds wireless are compact and ultra-lightweight, as light as a piece of A4 paper, which is perfect for workouts, runs, sports and gaming. The internal assembly structure of the wireless earphones is optimized to ensure a comfortable and secure fit. Even do strenuous exercise, the earbuds will not fall off.,Premium Stereo Sound: Doubc wireless earbuds bluetooth adopt 6mm composite diaphragm and HiFi driver, ultra-thin elastic diaphragm and unique stereo design, which create a rich high-fidelity sound experience. Earphones bluetooth wireless built-in high quality 4 microphones with noise cancellation for you to enjoy crystal-clear hands-free calls and voice assistant in noisy circumstances.,IPX7 Waterproof: Waterproof headphones are made of high quality waterproof materials. It is durable enough to endure everything from sweat to all water activities. Running headphones and case even can be washed by water and soap. Doubc waterproof earbuds will make an ideal companion while swimming, jogging, yoga, sports, gym, cycling etc.,One Step Pairing and Smart touch Control: Pick up 2 earbuds from charging box they will connect each other automatically, then only one step easily enter phone bluetooth setting to pair the earbuds. Doubc headphones bluetooth features with touch control sensors. You can answer calls,hang up, play / pause music, adjust volume, switch songs and activate siri with just a touch of your wireless bluetooth earbuds. About us Payment Nous acceptons les paiements par l'une des méthodes suivantes: PayPal Shipping Nous expédions dans les 1 à 3 jours ouvrables suivant le paiement, généralement plus tôt. Nous utilisons une sélection de services d'expédition locaux. Nous ne livrons pas à des boîtes postales. Livraison Gratuite en France Métropolitaine Via Service postaux / Colissimo / Chronopost / UPS / Colis privé / DHL / royal Mail / amz logistics Free Delivery in Metropolitan France Return Bonjour, pour un retour produitVous devez:Accéder à votre historique et détails de commandes, depuis votre compte client.Sélectionner la commande contenant le produit que vous souhaitez renvoyer.Ajouter une explication dans message.Puis validez "Retour produit" Un message de validation de votre demande, vous sera confirmé ou refusé dans la page "Retour produit" de votre compte, dans les plus brefs délais.N'oubliez pas queLe produit doit être neuf, non porté et dans son état d'origine.L'étiquette comportant la description de la matière ainsi que son code-barres doit être présent sur le produit.Le carton (ou enveloppe) de transport doit être retourné par celui-ci.Votre nom, prénom et adresse ainsi que votre numéro de commande doit figurer dans votre colis.Tout objet retourné fera l'objet d'une inspection par nos soins, nous nous réservons le droit de vous retourner le produit sans le rembourser si celui-ci ne respecte pas ces conditions Copyright © GetProduct.io 2020.

Tamron 18-400mm f/3.5-6.3 DI-II VC HLD Nikon F Mount + Polarized Filter. Capture stunning images with this Tamron 18-400mm f/3.5-6.3 DI-II VC HLD lens designed for Nikon F mount cameras! This lens features both auto and manual focus options, allowing you to have complete control over your shots. With a maximum aperture of f/3.5, you can take beautiful pictures even in low light conditions. The lens is equipped with a polarized filter to reduce glare and reflections on the surface of the lens, which in turn enhances the overall image quality. The brand Tamron is renowned for producing high-quality optics, and this lens is no exception. It is perfect for wildlife photography and sports events, where you need to capture sharp and clear images from a distance while also able to do wider shots, such as landscapes and events. It is an excellent option for flexibility and for travel. It is in excellent condition. No scratches or issues with any of the switches.Lens front has always been covered by a protective clear filter since purchase which can be removed.Has been used lightly for 2 years.Missing protective-back cap. / Tamron 18-400mm f/3.5-6.3 DI-II VC HLD lens for Nikon F mount + polarized filter. Capture stunning images with this Tamron 18-400mm f/3.5-6.3 DI-II VC HLD lens designed for Nikon F-mount cameras! This lens has both auto and manual focus options, giving you complete control over your photos. With a maximum aperture of f/3.5, you can take beautiful photos even in low light conditions. The lens is equipped with a polarized filter to reduce glare and reflections on the lens surface, improving overall image quality. The Tamron brand is renowned for producing high quality products including this lens. Perfect for wildlife photography and sporting events, where you need to capture crisp, clear images from a distance, but is also capable of wider shots, such as landscapes and events. It is a great option in terms of flexibility and for travel. The lens is in excellent condition. No scratches or issues with any of the switches. The front of the lens has always had a clear protective filter on it since purchase that can be removed. Has been lightly used for 2 years. Missing rear protective cap. En savoir plus Collaboration commerciale.

This is an Intrepid 8x10 camera in excellent working condition. The only small point worth noting is that I shortened one of the tabs on the ground glass holder in order to allow the back to be closed in landscape mode - see images. The rest of the camera is in near perfect condition with only some superficial marks on the wood. The glass is chip and scratch free. The bellows are light-tight and undamaged. The focus mechanism is smooth and works as normal. Everything hinges and locks down as it should. /// *** /// - In addition to the 8x10 camera I'm including for FREE a semi-home made reducing back for 5x7 format, which I made from a spare 8x10 back I had, so you can be sure that it fits the camera body correctly without light leaks. Despite the home made nature of this back, I have used it with this camera 95% of the time as I have a 5x7 enlarger. - As well as the 5x7 back, I'm also including for FREE, a 4x5 back that can be fun to play around with if you also want to shoot an even smaller format. - Finally, I'm also including a FREE dark cloth that is roughly 110x160cm, but which could potentially be opened to be even bigger if necessary. Delivery is FREE, and to the European Union only. I respond to any questions within a few hours. --- Je réponds également aux questions en français. --- En savoir plus Collaboration commerciale.

Poolside conversations while staring at your own reflection. The depths of which shall never be known, at least not for another couple thousand years. So it goes. Before the reflection, is the experience. Before phenomena, or even noumena, is that which is undefinable. That which has never been heard, that which will never be heard again and that which has always been heard but never listened to. K-field (Simulation mathematics), an undefined, two-dimensional, non-linear field where past and future forces interact at irregular intervals. Shallow Water generates this k-field by randomly modulating a short time delay to create unexpected shifts in pitch. The result is this non cyclical vibrato/chorus/flanger-type thing favouring old tape flavours. The water is shallow on this side of the pool. Do not dive and you will not drown. En savoir plus Collaboration commerciale.

Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.

About the Arcam rDock-uni: almost like new, very light use, in original box with all the accessories. A dock for audiophiles, a docking station for iPhone/Pad/Pod, that allows the highest quality and easiest fixed connection to any form of Hi-Fi, Home Cinema or Audio system. Featuring the Lightning connector for all current iDevices and USB for older ones, just Dock b'&' Play! owned music AND stream Spotify, Qobuz, RDio, Deezer, Tune-in Radio etc. Get the highest quality audio from your Apple portable with the Arcam rSeries rDock-uni. The dock's Lightning connector is compatible with the latest generation iPhone, iPad, iPad mini® and iPod touch®. When connected, the dock bypasses the digital-to-analog converter (DAC) inside your player, and feeds pure, unprocessed digital data to its own built-in high-performance DAC, which provides more accurate, musical sound. Arcam rDock-uni Lightning connector dock Compatible with Lightning connector iPhone or iPad. Exceptional audio The rDock-uni has a pair of RCA analog stereo outputs, so you can plug it into your home theater receiver or desktop speaker system and enjoy great sound. Does your system already have an outstanding DAC of its own? Then use the rDock-uni 's coaxial digital output to send the signal straight to your outboard DAC. An important part of the Arcam ecosystem The rDock-uni comes with its own remote, which lets you play, pause and skip tracks from your connected Apple portable. You can use the rDock-uni with the Arcam Solo Mini compact stereo receiver, making it even more versatile. Or couple it with the Arcam SonLink DAC for Sonos®. Both of these devices let you control the rDock-uni through their own remotes. Pass-through syncing The rDock-uni's power adapter has a USB plug, so you can either connect it to a wall outlet, or connect it to your computer via a USB port. This also lets you sync your docked player. A USB port in the dock lets you connect older 30-pin Apple portables to the rDock-uni. Just use your portable's charging cable. You'll be able to recharge your older iPod, iPhone, or iPad through the port. What must be said from the off is the rDock is a product for the mature audiophile. It assumes you already have the high end AV system and/or top notch TV (ideally) with surround sound system… and if you do you will be in dream land. Arcam has a well established tradition for producing top notch DACs and here it again lives up to its reputation. By taking the circuitry of an Apple device out the equation the rDock’s DAC is able to process the files without interference. Attach it to a good HiFi with some quality speakers and the DAC adds noticeable richness, drive and detail compared to the bog standard delivery from the iPod/iPhone/iPad alone. Most impressive is the boost to the midrange and bass which bring markedly improved depth and with it a keenly felt layer of emotional involvement. Use the digital SPDIF output and you’re of course reliant on whatever DAC you use further down the line in your AV setup, but it’s a useful addition for if you want to feed your device’s audio to multiple rooms, for instance. Arcam MD Charlie Brennan told StereoNET “Amidst all the fuss about wireless connectivity (including ours:-) the simplest and best solutions can often be ignored. The rDock is the best way to get killer sound from an iPhone/Pod/Pad”. You can safely assume Arcam’s nicely priced rDock-uni will sound terrific. What else would you expect from this UK pedigree brand which has notched up more awards for its ranges of discrete audio-video gear than just about any of its rivals? In perfect working condition and looks. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. Product highlights: stylish and robust cast aluminium case, provides stable support for Pads/Phones and Pods compatible with Lightning connector iPhone, iPad, i En savoir plus Collaboration commerciale.

Cambridge Audio Stream Magic 6 V2 black network player - DAC and digital pre-amp. État : "Occasion" Bonjour, je vend un Stream Magic 6 V2 d'occasion en très bon état. (Lecteur réseau audio / DAC / Préampli hi-fi) Fonctionne parfaitement, vendu avec la télécommande et le câble d'alimentation -------   Hello, I sell a  second hand Stream Magic 6 V2 in very good condition. (Network audio player / DAC / Hi-fi preamp) Works perfectly, sold with the remote control and the power cable ------- Cambridge Audio Stream Magic 6 Network Music Player/Preamp Wherever your digital audio comes from, whatever format you store it in, the Cambridge Audio Stream Magic 6 network music player makes it sound stunning! From smartphones/tablets and laptops, to Blu-ray players, TVs and games consoles, and with support for audio streaming services including BBC iPlayer, Aupeo, and Pandora plus with access to over 20,000+ internet radio stations – the Stream Magic 6 doesn't just stream audio on to your hi-fi amp and speakers, but dramatically improves it as it does – bringing out the ultimate in detail, clarity and quality from your digital audio. Key to this is Cambridge Audio's unique ATF2 upsampling. Everything passing through the Stream Magic 6 is upsampled to highest-quality 24-bit/384 kHz with jitter and other digital audio issues eliminated. The result is stunning. The Stream Magic 6 is compatible with all major digital audio formats – including MP3, AAC and WMA, as well as "lossless" high-quality audio formats such as Apple Lossless, FLAC and AIFF. Upsampling audio magic Everything that passes through the Stream Magic 6 is upsampled, using the unique ATF2 (Adaptive Time Filtering) process, developed in conjunction with Anagram Technologies of Switzerland, through a high-end Analog Devices DSP (Digital Signal Processor), to ultra-high detail 24-bit 384kHz output. As well as dragging extra detail from every source (even CD, Blu-ray and "Lossless" digital files), ATF2 virtually eliminates "jitter" common in playing digital audio files – which can lead to a flatter, lifeless sound with tinnier bass response. Those problems vanish when digital audio's put through Stream Magic 6. Network audio magic for wireless Streaming network audio to your hi-fi's easy with Stream Magic 6. Music on wi-fi connected desktops, laptops and NAS drives is automatically detected to create a wireless music system. And, of course, all those digital audio files, upsampled through the Stream Magic 6's unique ATF2 process, will sound far better through your main hi-fi, than desktop speakers. Internet radio and streaming services Browse, search and listen to over 20,000 internet radio stations with ease on Stream Magic 6. And use the Stream Magic Home internet portal to set up favorite stations, preferences and check out the newest internet music stations we've added to the service. All your favorite stations and preferences can be managed using the Stream Magic Home portal. The Stream Magic 6 features built-in support for the latest in high-quality digital audio streaming services including BBC iPlayer Radio, Aupeo and Rhapsody. And, of course, even high-quality 320kbps streams still benefit from Stream Magic 6's ATF2 upsampling. Streaming music never sounded so good, yet was so easy to get to your hi-fi. Stream Magic 6 also supports the best in podcast streams such as Podcast.com, Blog TalkRadio and BBC Podcasts. USB Instantly upgrade the audio of your PC or Mac, desktop or laptop. Even streaming music services such as Spotify, Rhapsody or Napster sent via your computer can be improved by Stream Magic 6's upsampling – delivering audiophile detail to your hi-fi. USB connection supports up to 24-bit 192kHz transfer with both "kernel streaming" and "ASIO" support to cut out Windows default sound processing methods, further improving quality. Digital audio connections Stream Magic 6 is com

Neumann KM 84 Small Diaphragm Cardioid Condenser Microphone. The Neumann KM 84 i and KM 84, a classic small diaphragm FET condenser microphone, is the result of a visit to Norwegian State Television by Neumann engineers in the mid-1960s. NST wanted smaller, transistor-based microphones for a new studio but needed these microphones to run off of their central 48V DC power system rather than 12V T-Power. Neumann's engineers devised a plan for powering a microphone in this way and a major innovation, which we now know as phantom power, was born. The KM 84 i and KM 84 uses the KK 64 capsule from the tube-amplified KM 64 microphone. This capsule produces a near-perfect cardioid pattern which maintains frequency response even 130-degrees off-axis and yields a very natural sound without comb-filtered artifacts due to bleed from other instruments. The FET and transformer-output amplifier of the KM 84 i offers very high headroom, which makes the microphone widely used as a close microphone for drums, particularly snare drum. A -10dB pad is switchable on the body of the mic for recording especially hot signal sources. As is the case with all Neumann products, the b'"'ib'"' designation is for microphones that shipped with an XLR output connector for export to the US. KM 84 (no i) is electrically the same, but has a din-type Tuchel connector for the output. This one is in perfect state. Neumann KM 84, Microphone à condensateur cardioïde à petit diaphragme. Le Neumann KM 84 i et KM 84, un microphone à condensateur FET à petit diaphragme classique, est le résultat d'une visite à la télévision d'État norvégienne des ingénieurs de Neumann au milieu des années 1960. NST souhaitait des microphones plus petits à transistors pour un nouveau studio, mais avait besoin que ces microphones fonctionnent sur leur système d'alimentation central de 48 V CC plutôt que sur une alimentation T de 12 V. Les ingénieurs de Neumann ont conçu un plan pour alimenter un microphone de cette manière et une innovation majeure, que nous connaissons aujourd'hui sous le nom d'alimentation fantôme, est née. Le KM 84 i et KM 84 utilise la capsule KK 64 du microphone KM 64 amplifié à tube. Cette capsule produit une directivité cardioïde presque parfaite qui maintient la réponse en fréquence même à 130 degrés hors axe et produit un son très naturel sans artefact et sans filtrage. Le FET et l'amplificateur de sortie du transformateur du KM 84 i offrent une réserve très élevée, ce qui rend le microphone largement utilisé comme microphone de proximité pour les batteries, en particulier la caisse claire. Un atténuateur de -10 dB est commutable sur le corps du micro pour enregistrer des sources de signaux particulièrement chaudes. Comme c'est le cas pour tous les produits Neumann, la désignation « i » concerne les microphones livrés avec un connecteur de sortie XLR pour l'exportation aux États-Unis. Le KM 84 (non i) est électriquement le même, mais dispose d'un connecteur Tuchel de type DIN pour la sortie. Celui-ci est en parfait état. En savoir plus

La pédale elle-même suit le format Boss habituel, avec deux commutateurs au pied qui contrôlent l'essentiel de l'action en direct. Deux autres pédales (dont l'une peut être une double pédale haut/bas) peuvent être connectées via les jacks du panneau arrière pour contrôler Phrase Shift, dont je parlerai un peu plus loin, et Reverse, qui fait exactement ce qu'il dit - jouer la boucle enregistrée à l'envers. Bien que cet appareil soit conçu pour être utilisé principalement avec la guitare, il dispose également d'une entrée micro jack asymétrique, que je ne recommanderais pas pour un travail d'enregistrement sérieux. Cependant, elle est utile pour les sessions de busking dans les rues avec un digeridoo (ou autre) et vous pouvez même utiliser les entrées micro et instrument en même temps si nécessaire. La sortie de l'appareil est strictement mono et l'alimentation peut provenir d'un bloc d'alimentation optionnel ou de six piles AA. Les appareils numériques de ce type ont tendance à être assez gourmands en piles, c'est pourquoi l'adaptateur secteur est une bonne idée - à moins que vous ne fassiez la manche dans la rue en utilisant un amplificateur à piles ! Travailler avec des boucles peut être un problème, car si vous vous trompez lors d'un overdub, vous devez généralement revenir à la case départ. Cependant, ce n'est pas un problème ici, car il y a un bouton Undo/Redo très apprécié. Pour faciliter le chronométrage, vous disposez également d'un métronome utile et d'une fonction permettant de terminer l'enregistrement de la boucle précisément sur un rythme plutôt qu'à l'endroit exact où vous avez appuyé sur la pédale. Cette fonction est très utile pour créer des sons serrés........The pedal itself follows a familiar Boss format with two footswitches controlling most of the live action. Two further footswitches (one of which can be a dual up/down pedal) can be connected via rear-panel jacks to control Phrase Shift, which I'll talk about a little later, and Reverse, which does just what it says — plays the recorded loop backwards. Although this unit is designed for use mainly with guitar, there's also an unbalanced jack mic input, though I wouldn't recommend this for serious recording work. However, it is useful for those high-street busking sessions with a digeridoo (or whatever) and you can even use the mic and instrument inputs at the same time if need be. The output of the unit is strictly mono and power can come from an optional PSU or from six AA batteries. Digital units like this tend to be fairly hungry on batteries, so the mains adaptor is a good idea — unless you're busking in the high street using a battery amplifier! Working with loops can be a problem, because if you get an overdub wrong, you generally have to go back to square one. However, that's no problem here, as there's a very welcome Undo/Redo button. To help timing, there's also a useful metronome and a facility for having the loop recording end precisely on a beat rather than exactly where you hit the pedal. This is really helpful in creating tight-sounding loops. Once a loop has been recorded, its tempo can be changed without altering its pitch, though as with most time/pitch manipulation there's only so far you can go before the processing artefacts start to show. Other live performance niceties include the ability to store multiple Phrases, then decide whether each should play back as a 'one shot' performance or loop continuously. Because this pedal can store multiple Phrases, and store them after power down, you could load up a few backing tracks into it (from CD, your computer or any other suitable audio source) ready to perform. There's no way to back up loops other than to record the audio output, though, and from my own perspective the ability to dump and load audio files via USB would have made a lot of sense. En savoir plus Collaboration commerciale.

Yongnuo YN568EX II is a powerful unit compatible with Canon cameras that have E-TTL / E-TTL II control. It features a guide number of 58m at ISO 100 and 105mm for illuminating your subject along with a zoom head with coverage from 24-105mm. Also, the flash can tilt from -7 to 90° and rotates 270° for versatility in bouncing your light. Newly released Yongnuo Flash Speedlite YN-568EX II version is a flash similar to YN-565EX in terms of features, plus some huge upgrades on the new YN-568EX II making it a much more capable tool for digital flash photography, both in the camera hot shoe and in wireless mode. This unit is capable of wireless master/slave TTL functionality when used with other flashes. The YN-568EX II is portable by running on 4 AA batteries and it can recycle in approximately 3 seconds. Other features packed into this flash include 2nd-curtain sync, HSS and a multi-mode. Additionally, it has a PC sync port for remote triggering and comes with stand. Features - Yongnuo YN568EX II supports High-Speed Synchronization – YN568EX II is the first speedlite which supports high-speed synchronization; with high-speed sync (FP flash), the YN568EX II can synchronize with all shutter speeds. The maximum shutter synchronization speed is up to 1/8000. - Compatible with Nikon and Canon wireless flash system – One YN568EX II is able to respectively accept internal flashing of YN568EX II, 580EX II, SB-910/900/800/700, 7D/60D/600D, Canon commander of Nikon’s built-in flashing and ST-E2 wireless signal, achieves off camera TTL and manual flashing. Some functions such as wireless TTL flashing, grouping light ratio TTL flashing and the illumination of remote controlled flashing can be easily achieved only if you carry a camera with built-in flash commander and YN568EX II. - High Guide Number TTL + High Speed Sync – GN58@ ISO100, 105mm; which reaches the level of the mainstream hot shoe flashes, supports HSS, TTL/M/Multi mode. - Multiple triggering mode supported – The YN568EX II can be triggered by the camera set-top, built-in or main-controlled flashing command, S1 and S2 (pre-flash-canceled mode). - Supports auto/manual zooming – The covered focal length can be changed between auto, 24～105mm on the lamp adapter by operating the zoom button on the flash light, supporting full-frame/APS-C cameras. - Comprehensively supports TTL functions – The YN568EX II supports HSS, FEC, FEB, Rear-curtain sync (2nd curtain sync), FE lock, Modeling Light, Canon camera menu accessible - Extreme speed of charging recycle – The time for full power output current-return takes just 3 seconds; you can get fast current-return experience even without brand-new batteries, which takes just 4~5 seconds. - Equipped with 2.5mm PC Synchronisation interface – It makes things easier on lightening the flashlight synchronously by using PC synchronisation port. - Sound prompting system – When the sound prompting system is enabled, the different sound alerts will prompt different working conditions of the flashlight allowing you to focus on shooting. - Aperture preview – Press the camera’s aperture preview button, the YN568EX II will send out continuous flash lasting one second for subjects imaging. - Advanced options function – The YN568EX II has advanced options setting function, where you can self-define the functions of the flashlight to suit your own requirements. - Automatic saving settings – YN568EX II can automatically save your current operating settings to convenient your next use. - LCD display interface, decent appearance - Metal hot-shoe stand, solid and reliable Specifications High-speed SyncThe max. sync speed is 1/8000sGuide No.58 meters (ISO 100, 105mm)Flash modeHigh-speed Sync HSS,TTL, M, MULTIWireless triggerN’s b'&' C’s wireless system, S1, S2 pre-flash-canceled modeWireless triggering distance20~25m indoor, 10~15m outdoorSlave groups3(A, B, and C)Channels4Zoom range24,28,35,50,70,80,105mmVertical rotation angle-7~90 degreesHorizontal rotation angle En savoir plus Collaboration commerciale.

ENGLISH BELOW Novation Launchpad S Ableton Controller MIDI/USB 64 boutons État: comme neuf (jamais utilisé) Très facile à installer Inclus: - Launchpad S - câble MIDI / USB - guide d'installation (général et pour iPad) - déclaration pour l'environnement Livraison: via Colissimo Le Novation Launchpad S peut être utilisé sur n'importe quel Mac, PC Windows, PC Linux, ou même un iPad. Les fonctionnalités incluent un mode basse consommation qui permet de connecter le Launchpad directement à un iPad sans avoir à passer par un hub USB alimenté; un mode identification qui permet une installation facile avec de nombreux Launchpads et de multiples logiciels. Le Launchpad de Novation est un choix déterminant pour créer ou performer de la musique en live, et le Launchpad S ajoute encore plus d'améliorations à la version précédente. En plus d'être compatible avec Mac, PC et iPad, il contient des lumières LEDs très vives, un feedback LED plus rapide et peut être utilisé avec Ableton Live, FL Studio 11, BitWig, et tous les autres principaux DAWs. -- ENGLISH VERSION Novation Launchpad S 64-Button Ableton Controller. Condition: mint (never used) Very easy to set up. Includes: - Launchpad S - MIDI / USB cable - Starter guide & iPad set-up guide - Environmental Declaration Shipping: via Colissimo (French post office) Novation Launchpad S is class compliant meaning it can be used on any Mac, Windows PC, Linux PC, or even an iPad. Features include low-power mode, which allows direct connection to an iPad with camera kit without the need for a powered USB hub; identification mode, allowing easy setup with numerous Launchpads and multiple software. Novation's Launchpad is an instrumental choice when creating or performing music live, and the updated Launchpad S adds even more enhancements to the previous version. The Launchpad S is class compliant (Mac, PC, iPad), features super bright LEDs, faster LED feedback and can be used with Ableton Live, FL Studio 11, BitWig, and all other major DAWs.

Digital SLR Camera D5600 Entry-level DX-format Digital SLR Camera with Seamless Connectivity Ignites Creativity and Sharing by Transforming Social Storytelling TOKYO - Nikon Corporation is pleased to announce the release of the D5600, an entry-level DX-format digital SLR designed for photography hobbyists and content creators to explore different creative and artistic expressions. With convenient connectivity features, the D5600 is also built for easy sharing and social storytelling. The D5600 is equipped with a range of features that encourages users to capture and communicate their stories. Featuring a vari-angle LCD monitor that flips out and rotates, it is possible to shoot from nearly any angle for greater creative freedom. The touch-screen operation so popular with the D5500 has been further enhanced in the D5600 with the addition of a crop function for use during playback zoom, and a frame advance bar that allows scrolling through images in playback mode easily. The D5600 also incorporates a time-lapse movie function equivalent to that of the more advanced Nikon D7200, enabling users to capture changing scenes over a time period and create stunning time-lapse videos. In addition, a constant connection between the D5600 and a smart device is possible using the SnapBridge app and Bluetooth® low energy (BLE) technology. Images captured are automatically transferred to the paired smart device and users can upload and share high-quality images in a seamless, integrated process. The image transfer continues even after the camera has been turned off. SnapBridge also enables automatic image upload to NIKON IMAGE SPACE. Furthermore, wireless video transfer and remote shooting are possible via Wi-Fi®. Primary Features - 1.SnapBridge support for constant connection of the D5600 to a smart device Support for the SnapBridge app*1 means that with one-time setup, a constant connection between the D5600 and a smart device*2 is maintained, realizing simple automatic transfer*3 of photos. In addition, a number of convenient functions, including automatic upload to Nikon's photo sharing service, NIKON IMAGE SPACE*4, the addition of copyright information and comments to photos, and automatic synchronization of camera date/time and location information with that of the smart device, can be used. What's more, the D5600 also supports the high-speed transfer of selected still images, movie transfer, and remote capture of still images when Wi-Fi*5 is enabled. - *1The SnapBridge app can be downloaded free of charge from the App Store® and Google Play™. - *2The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the Android™ operating system. - *3Images (JPEG) reduced to 2-megapixel equivalent can be transferred automatically. RAW/TIFF data cannot be transferred. Movies can be transferred by switching to Wi-Fi®. - *4To upload images automatically to NIKON IMAGE SPACE, Nikon ID registration (free) is required, which can be easily set up via [Nikon ID registration/change] menu on the SnapBridge application. Only when uploading to NIKON IMAGE SPACE via SnapBridge, JPEG data reduced to 2-megapixel equivalent can be uploaded unlimitedly in number and capacity. - *5The camera cannot be directly paired with a smart device using Wi-Fi. Wi-Fi can be used by enabling it after the camera has been paired with the smart device using Bluetooth®. - 2.A vari-angle LCD monitor that makes capturing creating photos easy from any angle The D5600 is equipped with a 3.2-inch vari-angle LCD monitor that enables shooting from low angles, high angles, and even selfies. A touch screen has also been adopted. Naturally, it supports the same touch operation available with the D5500, but it also features the frame advance bar adopted for the high-end D5 and D500 for scrolling through images in full-frame playback. In addition, the touch Fn function so popular with the D5500

2 - ENGLISH - Further down this page 3 - DEUTSCH - weiter unten auf dieser Seite 4 - ESPAÑOL - más abajo en esta página 5 - ITALIANO - più in basso in questa pagina 6 - РУССКИЙ - далее на этой странице 1 - FRANCAIS Quelques généralités... Les Beovox CX100 ont été produites et vendues de 1984 à 2003 soit durant une vingtaine d'années, ce qui démontre leur succès et leur qualité. Elles sont même les toutes dernières enceintes passives (donc non amplifiées), les seules à avoir passé le seuil de l'an 2000 parmi toutes les enceintes passives Bang & Olufsen. Le son qu'elles développent est clair, limpide et même si leur coffret est de volume réduit, elles ont suffisamment de basses (descendent jusqu'à 50 Hz) pour reproduire tout type de musique de façon équilibrée d'un point de vue spectre musical. Avec un ampli BeoMaster 5000 / 5500 / 6500 / 7000, ou la série des Beocenter 9000 / 9300 / 9500, elles donneront le meilleur d'elles-même, ou mieux encore avec un ampli de Class A de 20 Watts soit environ 70 Watts d'un ampli classique, les Beovox CX100 à 100 Watts RMS se et vous régaleront. L'idéal serait tout de même d'y ajoindre un BEOVOX CONA qui a la forme d'un pouf et qui se place n'importe où dans la pièce où se trouvent les CX100 afin d'avoir une présence soutenue de Basses. On peut quand même dire en restant objectif qu'elles ont du coffre  car développer 100 Watts RMS dans un si petit volume depuis 1983, année de mise au point, relève d'une véritable performance!! Plus précisément concernant la paire de Beovox CX 100 que je propose ici... Les Beovox CX100 que je mets en vente ici sont parmi les toutes dernières produites de ce modèle fin 2002. Je les ai acquises dans un magasin B&O en 2006 où elle dormaient dans son stock, neuves, depuis 2003.  Il se trouve que j'ai de multiples enceintes acoustiques dont une autre paire de Beovox CX100 acquises en 1990 et qui me donnent toujours pleine satisfaction. Je n'ai donc jamais eu besoin de me servir des CX100 en vente ici. Elles ne sont donc jamais sorties de leur emballage carton et plastic d'origine et sont restées en permanence à température ambiante et hygrométrie moyenne (taux d'humidité) pendant 15 ans. Elles n'ont pas bougé, pas d'altération. Ainsi, à l'abri de toutes variations de l'état de l'air, au fond de leur carton de 2006 à 2021, elles sont intactes, aucun relâchement constaté au niveau des cônes et membranes des Haut-parleurs. Donc, je puis affirmer que même si le temps s'est écoulé, elles sont restées neuves n'ayant subi ni air libre / ni déposition de poussière / ni lumière. D'ailleurs, après les photos et les tests audio, elles sont immédiatement retournées dans leur carton... N'hésitez pas à zoomer sur les photos pour les observer de près. A noter que toute la visserie nécessaire à la fixation murale est fournie pour chaque enceinte. De même pour les 2 câbles de liaison en provenance d'un amplificateur vers les enceintes. ATTENTION - le tarif de 56 € indiqué pour l'envoi _ avec preuve de dépôt + numéro de suivi + remise en main propre _ concerne l'Union Européenne + la Suisse + le Royaume Uni. Posez-moi la question si vous habitez ailleurs dans le Monde. Merci de l'intérêt porté à cette annonce. 2 - ENGLISH Some general information... The Beovox CX100 were produced and sold from 1984 to 2003, i.e. for twenty years, which demonstrates their success and quality. They are even the very last passive (i.e. non-amplified) speakers, the only ones to have passed the year 2000 threshold among all Bang & Olufsen passive speakers. The sound they produce is clear and crisp, and even though the cabinet is small, they have enough bass (down to 50 Hz) to reproduce any type of music in a balanced way from a musical spectrum point of view. With a BeoMaster 5000 / 5500 / 6500 / 7000 amp, or the Beocenter 9000 / 9300 / 9500 series, they will give the best of themselves, or b

The Talki Walki for moto is a revolutionary new way to communicate with your riding buddies while you are on the go. This innovative device allows you to connect with up to 15 riders at once, ensuring that you never miss an opportunity to share the thrill of the ride or coordinate your group's next move. The Talki Walki is designed specifically for motorcycle use and is equipped with advanced features to make your riding experience even more enjoyable. First and foremost, the Talki Walki is a hands-free communication system, allowing you to keep both hands on the handlebars at all times. It features a built-in microphone and speaker system, which is easily adjustable to suit different helmet sizes and preferences. The device also comes with a noise-cancelling technology, ensuring that your voice is clear and audible to your fellow riders, even in the loudest environments. The Talki Walki is also compatible with GPS navigation systems, enabling you to share your route and location with other riders in real-time. This feature is particularly useful when riding in unfamiliar areas or when navigating through complex city streets. Additionally, the device includes a built-in intercom function, allowing you to communicate with a passenger or a rider in the same vehicle. The Talki Walki has a range of up to 1.6 kilometers (1 mile) in open terrain, making it ideal for long rides and group tours. It is also waterproof and dustproof, ensuring that it can withstand the elements and last for years to come. The device is rechargeable via a USB cable and comes with a convenient carrying case for easy storage and transport. In summary, the Talki Walki for moto is a must-have accessory for any motorcycle enthusiast who values safety, communication, and fun. With its advanced features, hands-free design, and long-range capabilities, this device will transform the way you ride and connect with your fellow riders.

Micro Mikrofon Microphone Grundig Gdm 121 Sennheiser Vintage. État : Occasion, en parfait état cosmétique (voir photos) et fonctionne. Testé.  Dans son box d'origine, avec son pied. Tested and fully functional condition.  See pictures for the cosmetics.  Wonderful vintage microphone, comes in its original packaging with foot. International bidders welcome, please ask for a precise shipping quote to your location of choice. Grundig GDM-121 Dynamic Microphone late 50's made in West Germany with box in excellent condition and full working order. Jack is replaced with 3 XLR plug. Quoted from Trashblitz website; Grundig GDM-121 Behold one of the foundational pillars of: The Grundig GDM-121, 1950s German vintage gold deluxe, and in all its glory quite probably responsible for this website. It is to this day the only gold coloured microphone we own, and it has such a cute little metal table stand with the Grundig four-leaf clover on it! And, more importantly, it was one of the first “vintage” microphones we acquired that did not simply sound old, funny or broken, and it piqued our interest in a very special way: It sounded fantastic, but there was buzz and hum and all sorts of unpleasant background noises mixed into the signal – and here my quest to  began. I found out that the GDM-121 is a high-impedance version of the Sennheiser MD21, a dynamic omnidirectional reporter microphone which is still being manufactured with only minor design updates, more than 60 years after its release in 1953. In terms of usefulness, this means that it is 100% functionally equal to the MD21, which was used as a reporter mic and in broadcasting. It has many advantages for these purposes – almost no handling noise, no proximity effect, incredibly sturdy (there was supposedly a show on the Sennheiser stage on some fair in the 1950s where an MD21 was dragged up and down a flight of stairs for hours, and it was still operational after this treatment). Since it was developed for vocal applications mainly, it has a presence boost above 3kHz and can withstand really high SPL. Much like with its cardioid sibling, the MD421, it’s virtually impossible to get a distorted signal out of this mic. In the studio, it can be used as a soft, jazzy kick drum mic, on guitar cabinets and on many instruments where you want to capture a mellow and natural ambient sound without very detailed transients or highs. This is because it is a large-diaphraghm dynamic omni, and as such probably unique in its properties even in most serious studio microphone collections.