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Instrument de musique Instruments Code EAN: 9470248348676 En-tête / Fabricant: General brand Origine_import: All-in-one Tranche de poids: 250 à 500 g Titre: Pleroo btJEParts-Pour US No Upper Controls,Jazzmaster Style JE514 Guard Replacement - Type 4 Ply Green Pearl En savoir plus

Instrument de musique Instruments Code EAN: 9470248348683 En-tête / Fabricant: General brand Origine_import: All-in-one Tranche de poids: 250 à 500 g Titre: Pleroo btJEParts-Pour US No Upper Controls,Jazzmaster Style JE514 Guard Replacement - Type 4 Ply Grey Pearl En savoir plus

Instrument de musique Instruments Code EAN: 9470248348652 En-tête / Fabricant: General brand Origine_import: All-in-one Tranche de poids: 250 à 500 g Titre: Pleroo btJEParts-Pour US No Upper Controls,Jazzmaster Style JE514 Guard Replacement - Type 4 Ply Cream Pearl En savoir plus

Lot of 66 Minidisc Players SPARES/REPAIR Sony Aiwa Panasonic Victor Sharp Kenwood -main photo- These players were bought several years ago (originally with a view to doing them up), but they've been sat in a box ever since. Most were untested, so I've gone through them all and tested each one briefly with a NiMH gumstick battery and earphones for playback, track skip and button functions (unless otherwise stated). These were all previously used, so there are marks, signs of use, dents and many show signs of battery leakage -- please take a good look at the photos, some are worse than others! Below is a list of all the players, along with my findings... -photo 2- Sony   MZ-E700 playback/skip/controls OK, mechanism a little noisy   MZ-E630 playback/skip/controls OK   MZ-E520 playback/skip/controls OK   MZ-E707 playback/skip OK, button behaviour erratic   MZ-E510 cannot read disk   MZ-E730 playback/skip/controls OK -photo 3- Sony   MZ-E80 playback/skip/controls OK, case damage & mechanism loose   MZ-EH50 cannot read disc   MZ-E510 playback/skip/controls OK, battery terminal damage   MZ-E505 playback/skip/controls OK, major battery leak   MZ-E630 playback/skip/controls OK (stickers)   MZ-E520 playback/skip/controls OK -photo 4- Sony   MZ-E80 battery terminal broken, untested   MZ-E720 playback/skip/controls OK   MZ-E630 playback/skip/controls OK   MZ-E620 playback/skip/controls OK   MZ-E500 works on AA battery only, playback OK but access slow and noisy   MZ-E25 playback/skip/controls OK (AA battery powered player) -photo 5- Sony   MZ-EH70 no power, heavy damage to case/battery   MZ-EH70 playback/skip/controls OK   MZ-E510 works on AA battery only, playback/skip/controls OK   MZ-E35 works on AA battery only, cannot read disc   MZ-E90 playback/skip/controls OK   MZ-E700 cannot read disc -photo 6- Sony   MZ-E30 playback/skip/controls OK, a little noisy (PAINTED!)   MZ-EH50 playback/skip/controls OK   MZ-E520 playback/skip/controls OK   MZ-E710 playback/skip OK, botton behaviour erratic   MZ-E630 mechanism damaged, not tested   MZ-E75 no power -photo 7- Aiwa   AM-HX300 power on, unable to test (no remote) Sony   MZ-R55 no power   MZ-E620 playback/skip/controls OK   MZ-E707 playback/skip/controls OK, major damage to case/battery door not closed   MZ-EH70 playback/skip/controls OK   MZ-E501 playback/skip/controls OK -photo 8- Panasonic   SJ-MJ55 playback/skip/controls OK   SJ-MJ55 playback/skip/controls OK   SJ-MJ78 cannot read disc   SJ-MJ30 works on AA battery only, cannot read disc   SJ-MJ30 no power   SJ-MJ50 playback/skip/controls OK -photo 9- Panasonic   SJ-MJ58 cannot read disc   SJ-MJ57 cannot read disc   SJ-MJ55 playback/skip/controls OK   SJ-MJ55 playback/skip/controls OK   SJ-MJ35 works on AA battery only, cannot read disc   SJ-MJ35 playback/skip/controls OK -photo 10- Panasonic   SJ-MJ55 playback/skip/controls OK   SJ-MJ59 cannot read disc   SJ-MJ15 playback/skip/controls OK, no front panel LEDs   SJ-MJ10 playback/skip erratic, controls OK   SJ-MJ59 cannot read disc   SJ-MJ78 playback/skip/controls OK -photo 11- Victor   XM-C17 playback/skip/controls OK   XM-C17 playback/skip/controls OK, NO right channel audio   XM-S51 cannot read disc Sharp   MD-MT180 cannot read disc   IM-DR580 no power   MD-ST77 no power -photo 12- Pioneer   PMD-P7 no compatible battery, untested (sticker marks) Kenwood   DMC-L3 playback/skip/controls OK, slow to read disc   DMC-P55 playback/skip/controls OK   DMC-L5 cannot read disc   DMC-S55 playback/skip/controls OK Panasonic   SJ-MJ5 works on AA battery only, cannot read disc Each player will be separately wrapped for packing. Insured shipping from France. [Traduit par google] Lot de 66 Lecteurs Minidisc Pièces Détachées/Réparation Sony Aiwa Panasonic Victor Sharp Pioneer Kenwood -photo principale- Ces lecteurs ont été achetés il y a plusieurs années (à l'origine da

Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard de haute fidélité conçue pour les musiciens à la recherche d'un retard robuste et résonnant, tout en gardant leur son original intact. Ce retard analogique numérique offre jusqu'à 10 secondes de retard, ainsi qu'une variété de modes de retard et de modulation pour créer des effets de retard complexes et expressifs. Le Mako D1 V2 est équipé d'un écran OLED haute résolution, permettant une configuration facile et intuitieve des paramètres. Il est également muni d'un processeur DSP de haute performance, garantissant une qualité sonore exceptionnelle, même avec les plus longs délais de retard. Le Mako D1 V2 est doté d'un ensemble de contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettant de modifier les paramètres de retard et de modulation sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes souhaitant ajouter un retard expressif et résonnant à leur rigueur. Le Mako D1 V2 fonctionne avec un alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (110 caractères) Le Walrus Audio Mako D1 V2 est une pédale d'effet de retard haut de gamme offrant jusqu'à 10 secondes de retard et une variété de modes de retard et de modulation pour créer des effets complexes et expressifs. Son écran OLED haute résolution permet une configuration facile et intuitieve des paramètres, tandis que son processeur DSP de haute performance garantit une qualité sonore exceptionnelle. Ses contrôles pratiques et intuitifs, y compris un bouton de tapis roulant, une pédale express et un potentiomètre de décalage, permettent de modifier les paramètres sur-le-champ. Ses dimensions compactes et sa conception robuste en font une excellente option pour les claviéristes, les guitaristes et les percussionnistes. Le Mako D1 V2 fonctionne avec une alimentation externe standard (9V DC) et est disponible en plusieurs finitions de couleur. (122 caractères) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal designed for musicians seeking a robust and resonant delay with their original tone intact. This analog-digital delay offers up to 10 seconds of delay time, as well as a variety of delay modes and modulation types to create complex and expressive delay effects. The Mako D1 V2 features a high-resolution OLED screen, allowing for easy and intuitive parameter configuration. It also comes equipped with a high-performance DSP processor, ensuring superior sound quality even with the longest delay times. The pedal boasts practical and intuitive controls, including a tap tempo button, an expression pedal input, and a delay time knob, allowing for on-the-fly adjustments to delay and modulation settings. Its compact size and robust design make it an excellent choice for keyboardists, guitarists, and percussionists looking to add an expressive and resonant delay to their rig. The Mako D1 V2 requires an external power supply (9V DC) and is available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal offering up to 10 seconds of delay time and a range of delay modes and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers exceptional sound quality, even with long delay times. Convenient controls include a tap tempo button, an expression pedal input, and a delay time knob, allowing for real-time adjustments to delay and modulation settings. Ideal for keyboardists, guitarists, and percussionists, the compact and durable Mako D1 V2 is powered by an external 9V DC supply and is available in various color options. (125 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without sacrificing their original tone. With up to 10 seconds of delay time and various delay modes and modulation types, the Mako D1 V2 enables the creation of complex and expressive delay effects. Its high-resolution OLED screen offers an intuitive interface for parameter configuration, while its powerful DSP processor ensures top-notch sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation parameters. The compact and rugged Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and is powered by an external 9V DC supply. Available in multiple color finishes. (155 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal for musicians seeking a versatile, resonant delay with their original tone intact. It boasts up to 10 seconds of delay time, various delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers superior sound quality, even with extended delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and robust Mako D1 V2 is a valuable addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (132 words) The Walrus Audio Mako D1 V2 is a high-quality delay effect pedal designed for musicians in search of a rich, resonant delay while preserving their authentic tone. It features up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with the longest delay settings. Convenient controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in various color finishes. (156 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal offering musicians a versatile, resonant delay while keeping their original tone intact. With up to 10 seconds of delay time, an assortment of delay modes, and modulation types, the Mako D1 V2 enables the creation of intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation parameters. The compact and robust Mako D1 V2 is a must-have for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in multiple color options. (143 words) The Walrus Audio Mako D1 V2 is a high-performance delay effect pedal for musicians seeking a rich, resonant delay without compromising their original tone. This versatile pedal offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with long delay times. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (159 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal for musicians looking for a rich, resonant delay while maintaining their authentic tone. It provides up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with extended delay settings. Practical controls, including a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a high-fidelity delay effect pedal that combines the best of analog and digital technology. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create complex and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor delivers top-notch sound quality, even with the longest delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in several color finishes. (153 words) The Walrus Audio Mako D1 V2 is a premium delay effect pedal for musicians in search of a high-fidelity, resonant delay without sacrificing their original tone. It offers up to 10 seconds of delay time, a range of delay modes, and modulation types to create intricate and expressive delay effects. The pedal's high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Convenient controls, such as a tap tempo button, an expression pedal input, and a delay time knob, facilitate on-the-fly adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a professional-grade delay effect pedal that combines the best of analog and digital technology. It provides up to 10 seconds of delay time, a variety of delay modes, and modulation types to craft intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures exceptional sound quality, even with long delay times. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, allow for real-time adjustments to delay and modulation settings. The compact and rugged Mako D1 V2 is an essential addition to any keyboardist, guitarist, or percussionist's rig, and requires an external 9V DC power supply. Available in multiple color options. (147 words) The Walrus Audio Mako D1 V2 is a high-end delay effect pedal that delivers the best of both worlds: a rich, resonant delay while preserving your authentic tone. It offers up to 10 seconds of delay time, a variety of delay modes, and modulation types to create intricate and expressive delay effects. Its high-resolution OLED screen simplifies parameter configuration, while its powerful DSP processor ensures superior sound quality, even with extended delay settings. Practical controls, such as a tap tempo button, an expression pedal input, and a delay time knob, enable real-time adjustments to delay and modulation settings. The compact and durable Mako D1 V2 is an indispensable tool for keyboardists, guitarists, and percussionists, and requires an external 9V DC power supply. Available in several color finishes. (154 words) The Walrus Audio Mako D1 V2 is a high-performance delay En savoir plus

This is is the now RARE AND DISCONTINUED reissue of the MUTRON PHASER II made by Mike Beigel himself (see signature on the pedal). This is actually one side of the mythical MUSITRONICS BI-PHASE. You can switch between 4 and 6 stages of phasing which is great. Has ton of headroom so you can use it with guitar, synth or line level. Purchased directly from Mu-Fx in 2017 after months of wait. MU-FX has now become back MU-TRON:) Condition almost like new with original box and goodies. Will be shipped with Express and Fully Insured Service. DESCRIPTION FROM MIKE BEIGEL: Mu-FX Phasor 2X The new Mu-FX Phasor 2X is the Modern Vintage Analog™ refinement of the original Musitronics® Phasor II pedal. The Phasor 2X is housed in our signature “mini-mu” enclosure, features retro graphics, and provides added functionality and reliability to the beloved sound of the original Phasor II. New functions include: 4 or 6 stages of optical phasing with independent controls, assignable expression pedal controls, and stereo output.   Description Controls (1) PHASE 1a) FEEDBACK (6 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect 1b) FEEDBACK (4 Stage): Sets the amount of effected signal fed back into the effect for a more pronounced effect (2) SWEEP 2a) DEPTH (6 Stage): Controls the range of the phase sweep 2b) DEPTH (4 Stage): Controls the range of the phase sweep (3) PEDAL MODE SWITCH These two toggle switches (for the 6 Stage phasor and 4 Stage phasor respectively) allow the user to designate whether expression pedal control is (O) OFF, (EXP EXP) controlling SWEEP. 3a) EXP MODE TOGGLE SWITCH (6 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase 3b) EXP MODE TOGGLE SWITCH (4 Stage): (EXP (O): Turns off expression pedal control of any function (>EXP): Sets expression pedal to control the SWEEP of the phase (4) LFO 4a) RATE (6 Stage): Controls the speed of the LFO wave that controls the effect 4b) RATE (4 Stage): Controls the speed of the LFO wave that controls the effect (5) Footswitches 5a) FX BYPASS: Determines whether the Phasor 2X’s effect is engaged or true bypassed (active bypass can be selected internally) 5b) PHASE STAGE: Allows you to switch between 6 and 4 stages of phasing (and their respective control set). The adjacent LED indicates (by color) which PHASE STAGE is active (the knob colors also correspond to these designations). BLUE: 6 stage phasing GREEN: 4 stage phasing Note: Both BYPASS and PHASE STAGE are silent footswitches – relay switching of audio (6) Back Panel 6a) INPUT: A standard ¼” input jack for any instrument or audio input 6b) OUT 1 (Main audio output): A standard ¼” output jack – sending a mono output signal to whatever comes next in your signal chain 6c) OUT 2: A standard ¼” output jack – which, when used in addition to OUT 1 sends a second (and therefore stereo) signal to whatever comes next in your signal chain. It may also be used to achieve a varied phase effect 6d) EXP PEDAL: A standard ¼” TRS jack in which an expression pedal or (CV) can be inserted to access manual control of specific functions of the Phasor 2X 6e) POWER: The Phasor 2X runs on a 12V AC power supply for optimal headroom and hi-fidelity sound. DO NOT use with a DC supply.

KLARK-TEKNIK DN9340 HELIX. Power-packed signal processor that can solve the most difficult sound problems. The DN9340 Helix EQ offers complete digital operation of an analog signal, with controls that are succinct. The first thing I noticed about the unit was the clean, clear, color display and arrangement of control knobs and touch pads. Navigation of the Helix is achieved through the touch pads initially, by deciding on the type of EQ or filter desired with the touch controls on the left side. Those controls are joined by several display lights that indicate the mode of operation the Helix is currently engaged in. There is also a bypass mode switch. On the right side of the display is the secondary touch pad, allowing for access to the parameters and additional functions, as well as storing and recall of up to 64 favorite EQ settings. Also incorporated into the touch control section is the Home/SetUp pad, which allows for instant menu access, as well as an escape from Store and Recall functions, in the event you get overwhelmed with the amount of functions at your disposal. Just below the right side touch controls are the three value/option controls that access the actual cut and boost, and frequency selection. Joining these controls on the right side is an attractive arrangement of LED meter stacks displaying the L/R input levels, the L/R output levels and the high and low-threshold level displays for the dynamic portion of the Helix. The Helix EQ is able to operate many functions simultaneously. For example, you can set the overall mains system through the use of the 12-band parametric EQ and then engage the 1/3 octave mode during performance for additional assistance and instant course correction. This can be done through the use of either the scroll and adjust knobs, or a sensitive touch pad just below each of 30 ISO standard frequencies on the 1/3 octave display. If that mode of display is not your fancy, you may engage the “Curve” display, which shows the actual shape of the waveform after the EQ is applied. Incidentally, you can scroll through the many functions of the Helix EQ and not affect the sound of the EQ until actually engaging that function.

AKAI AMX6 Mélangeur De Puissance AMP. 1 - HI/MID/LOW EQUALIZER: Powerful 15dB boost or cut allows you to tailor the sound of each individual channel so the instrument blends more naturally in the mix. The HIGH EQ is a 12 kHz shelving type to add or cut b'"'sizzleb'"'. MID has a center frequency of 1.2 kHz, approximately in the vocal range. The LOW EQ is an 80 Hz shelving type, around the kick-drum frequency. 2 - EFFECT SEND (REV/FX): Controls the level of the signal sent to the internal digital effects and the FX SEND bus. This control comes after the LEVEL control, so the signal sent to internal or external effects will also be affected by changes in the LEVEL setting. 3 - MONITOR: Controls the level of the signal sent to the MONITOR bus and MONITOR OUT jack. This control is independent of the LEVEL control and is not affected by it. This means you can create a completely separate mix for on-stage monitoring. 4 - LEVEL: Controls the level of the input signal sent to the MAIN bus. Generally used for creating the mix sent to the audience. 5 - LINE/MIC INPUTS (Channels 1-4): Use the LINE input for instruments that provide line level signals such as synthesizers or drum machines. Use the MIC input for low level signal sources such as microphones. +48V phantom power is available for use with condenser microphones. You can also use both LINE and MIC inputs simultaneously for each channel. 6 - LINE/MIC INPUTS (Channels 5-6): LINE input functions as channels 1-4. LINE/MIC input accepts both XLR and phone jacks. You can connect a stereo signal to both phone jacks (LINE and MIC/LINE) for summing to a mono signal. 7 - DIGITAL EFFECTS: A selection of 16 powerful digital reverb and delay effects to add extra ambiance to your music. A foot switch may be used to turn the digital effects on/off for dramatic sonic changes while playing, and the green indicator lights when the effects are on. 8 - PHANTOM: Turns +48V phantom power on/off for condenser microphones connected to the MIC inputs of channels 1-6. The green indicator lights when phantom power is on. 9 - FX SEND: Controls the combined level of signals sent from the FX SEND bus to an external effects processor connected to the FX SEND jack. This control has no effect on the signal level sent to the built-in digital effects. 10 - TAPE/AUX IN LEVEL: Lets you adjust the level sent to the MAIN bus from the TAPE IN/AUX IN connectors. 11 - MAIN/BRIDGED SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MAIN bus signal sent to the AMP 1 A/B speakers. Use it to compensate for poor acoustics in a hall or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MAIN bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MAIN bus signal sent to the MAIN OUT jack and the internal AMP 1. Peak level indicators: Provides visual indication of the signal level at the MAIN OUT jack and AMP 1 input. 12 - MONITOR SECTION: Graphic equalizer +/-12dB 7-band graphic equalizer adjusts the EQ curve of the MONITOR bus signal sent to the AMP 2 A/B speakers. Use it to compensate for poor acoustics in a hall or on stage, or to prevent feedback. REV/FX: Adjusts the built-in digital effects level sent to the MONITOR bus. Set to b'"'0b'"' (or use a foot switch) to turn effects off. LEVEL: Controls the output level of the MONITOR bus signal sent to the MONITOR OUT jack and the internal AMP 2. Peak level indicators: Provides visual indication of the signal level at the MONITOR OUT jack and AMP 2 input. 13 - MODE: Allows you to select signal routing to the internal amplifiers. MAIN TO AMP 1/MONITOR TO AMP: Gives you a 200 watts mono MAIN (audience) mix and a separate 200 watts mono MONITOR (on-stage) mix, without the need for any external amplifiers. MAIN TO AMP 1 b'&' 2: Allows you to send a 200 watts per channel, 2- or 4-speaker mono mix to the audience. You can also have a separate on-stage mix by connecting another amplifier En savoir plus Collaboration commerciale.

The Oxygen 25 USB MIDI controller delivers next-generation functionality from M-Audio®, the leading innovator in mobile music production technology. The Oxygen 25 features eight assignable knobs, plus dedicated transport and track select buttons. DirectLink mode automatically maps these controls to common DAW functions* including transport, mixer, track pan and plug-in parameters. Built-in factory presets offer support for popular virtual instruments right out of the box—no complicated setup required. Velocity-sensitive keys and a sleek, compact design round out a portable keyboard that’s perfect for laptop production, live DJ performance, triggering samples or composing on the go. No other MIDI controller in this price range has so much functionality while remaining easy to use. Streamlined Session Control Featuring eight assignable knobs, a programmable slider, dedicated transport controls and track up/down buttons, the Oxygen 25 gives you total control over your session—allowing you to stay engaged in the creative flow of recording and mixing music rather than being interrupted by the constant back and forth between QWERTY keyboard and MIDI controller. DirectLink mode automatically maps Oxygen 25 controls to common DAW parameters*—while factory presets provide instant mapping to popular virtual instruments including Xpand!™2, Hybrid™, Velvet®, Strike®, Oddity, ImpOSCar and MiniMonsta. Use the dedicated Select buttons to quickly switch MIDI channels and presets for deep tactile control over multitimbral software instruments. Interfacing a MIDI controller with your software doesn’t get any easier than this. Professional Quality M-Audio pioneered the category of mobile MIDI keyboard controllers, and we continue to be the best-selling name in the game. In fact, M-Audio controllers are used by more professional producers and players than any other brand on the market. Thanks to continued innovation over the course of nearly a decade, you’ll find that the Oxygen 25 controller has a solid, reliable build—and puts as much musicality into the keyboard as it does into the complement of other MIDI controls. A New Approach to Making Music With Ignite, you can now capture your ideas quickly with professional results. Individual musical ideas are captured as phrases, simply called clips. Multiple clips can be played back together, or even grouped to create more complex phrases and song sections. Ignite provides seamless integration with any current M-Audio keyboard controller. Once connected to your computer, the key parameters will be automatically assigned, or mapped, to the front panel controllers. This tight integration provides an out-of-the-box solution that simply works—with no set-up chores to perform. Pro Tools Compatible The Oxygen 25 MIDI controller offers out-of-the-box integration with Pro Tools® software—the industry standard DAW found in professional, project and personal studios around the world. With DirectLink, the Oxygen 25 controls instantly map to key parameters on the Pro Tools Mixer, Edit and Transport windows—as well as the powerful suite of virtual instruments bundled with Pro Tools. Together, Oxygen 25 and Pro Tools software provide streamlined workflow in a formidable system with tons of interface options and industry-standard file compatibility. Ultra-Compact Design The Oxygen 25 keyboard packs an amazing amount of control for DAWs and soft synths into an incredibly small footprint. There’s always room for it—even in the most crowded desktops, efficient stage rigs or compact studios. It’s also the perfect complement to your laptop for making music anywhere inspiration strikes—whether relaxing on the couch, writing on a plane or jamming on a tourbus. With the Oxygen 25 MIDI controller, you can carry your entire mobile laptop studio in a shoulder bag. Sound Your Best Included with Ignite are over 275 remarkable instrument sounds developed by AIR Music Technology. In addition to a versatile arpeggiator, Smart MID En savoir plus Collaboration commerciale.

This amp was built 9-8-2011 and is a 50 watt solid state rectified V3. The Two Rock Custom Reverb Signature V3 is a versatile two channel amplifier from boutique makers Two Rock. The Custom Reverb has always been a culmination of everything Two Rock creators Bill & Joe have learned since day one. Version 3 adds a new loop and Contour controls to this classic design. The Custom Reverb V3 has two distinct channels Clean and Lead, the Clean Channel is the classic pure Two Rock tone with endless depth and headroom. If you are looking for the famous John Mayer clean tone - this is it. The Lead channel has a superb warmth to it and the various controls on the V3 allow you to tweak and refine the sound to your perfect tone. Two Rock use carefully selected components and a hand built approach to craft some of the finest quality amplifiers we have come across. Just taking a peak inside the chassis is a lesson in what true craftsmanship is. The Custom Reverb V3 has an extensive range of controls giving you total control over it superb tone. The Custom Reverb V3 is an amp you can really sit down with and spend hours discovering new tones and subtle variations but the core sound is always pure and true to you. Custom Reverb Signature V3 ControlsTreble Control - Adjusts the high frequency response. In the full counter-clockwise position, high frequencies are bypassed to ground. In the full clockwise position, high frequencies are allowed to pass to the next gain stage. Bass Control - Adjusts the bass response. In the full counter-clockwise position, low frequencies are cut. In addition, the response of the treble and mid-range controls is greatly reduced. In the full counter-clockwise position, low frequencies are allowed to pass to the next gain stage. Mid Switch - Boosts the mid range frequency responseDeep Switch - This is a low frequency contou Features & details Two Channels of Classic Two Rock Tone Beautiful Pure Clean Channel New Lead Channel Switchable Half / Full Power Tube Rectification Mint like new Head is sell without the footswitch contact me before if you want it

    iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:     Item Description Remarks Inputs/Outputs     Inputs (rear) USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in) Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible)   Intelligent SPDIF® Coaxial 3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM   SPDIF Optical         Outputs (rear) Audio RCA L+R     Intelligent SPDIF® Coaxial Up to 192kHz PCM       Output (right side) SmartPower® Socket Fast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A             Controls     Controls (front)     - HP Output Audio 6.3mm Headphone Jack   - Volume with Power On/Off switch Precision analogue volume control - 3.5mm Input   Auto disable the digital section when this is in use - X-Bass® On/Off   - 3D Holographic Sound® On/Off Auto-switching for Speakers® and Headphones® (two separate and distinct circuits)       Controls (left side)     - Power Mode Turbo, Normal, Eco Computer controlled power and gain scaling - Polarity Normal/Inverted   - Filter 3 positions, 6 filters (see filter section below)       Controls (bottom)     - Line Direct/Preamplifier Preamplifier function Enable/Disable, 0/9dB gain selectable Fixed 2V or variable with up to 5V available - iEMatch® Perfect-matching circuit for IEMs (eliminate hiss) Off / High Sensitivity Headphone / Ultra Sensitivity Headphone             DAC section     DAC Dual-core DSD, DXD, PCM DAC by Burr Brown 2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR   Bit-Perfect DSD processing, Bit-Perfect PCM processing         Clock Ultra low jitter GMT computer controlled Femto Clock RMS jitter 12kHz – 1MHz       Audio Formats DSD 512/256/128/64 24.6/22.6/12.4/11.2/6.2/5.6/3.1/2.8 All native decoding, no internal hardware conversion   DXD 2x/1x 768/705.6/384/352.8kHz All native decoding, no internal hardware conversion   PCM 768/705.6/384/352.8/192/176.4/96/88.2/ 48/44.1kHz All native decoding, no internal hardware conversion       Filters     - PCM Bit-Perfect Processing/Minimum Phase/Standard Digital filters selectable - DSD Extreme/Extended/Standard Range Analogue filters selectable - DXD Bit-Perfect Processing Fixed analogue filter             Specifications (DAC Section)     Dynamic Range (Line) >117db(A)   THD & N (0dBFS Line)   Output Voltage (Line) >2V   Output Impedance (Zout)   Jitter (correlated) Below AP2 test set limit               Headphone Power Output     HP Amp Output Power (max) Power (continuous.) - Turbo mode 10.0V/4,000 mW @ 16 Ohm >1560 mW @ 64 Ohm - Normal mode 5.5V/1,900 mW @ 16 Ohm >950 mW @ 32 Ohm - Eco mode 2.0V/500 mW @ 8 Ohm >250 mW @ 16 Ohm             Specifications (Headamp Section)     Dynamic Range (HP) >115dB(A) (Eco Mode, 2V Out)   THD &N (HP 500mW/16R)   Output Voltage (HP) >8V (Turbo Mode)   Output Impedance (Zout)   Maximum Output Power 4,000mW @ 16 Ohm Load when using sinewave testing the iDSD micro may engage protection circuits Continuous Output Power 1,000mW @ 64 Ohm Load  

M-Audio Projet Mix I/O - Sensitve Motorized Faders Audio Interface Firewire Fully working state. Coming in its original box. => Offered: 1x CD-ROM PROTOOLS M-POWERED 7 + 1 Dinkey Dongle => Original packaging contains:  - 1x Mac Firewire cable - 1x PC Firewire cable - 1x power supply - 1 x driver CD-ROM - User Guides OVERVIEW: M-Audio ProjectMix I/O is a control surface combined with a FireWire 18x14 audio interface that turns your computer into a complete digital production station. Features include 9 touch-sensitive motorized moving faders and 8 assignable endless rotary encoder knobs for channel or plug-in functions. I/Os include: 8 switchable phantom-powered analog mic/line inputs (XLR and 1/4" TRS balanced) with switchable phantom power and signal/peak LEDs; 8x8 ADAT Lightpipe; MIDI with activity LEDs; 2x2 S/PDIF coaxial optical/digital; 4 analog outputs (1/4" TRS balanced); 2 stereo headphone outputs (1/4" TRS) with independent level controls; and one front-panel instrument input (1/4" TS) switchable for input one. Each channel on this M-Audio Controller features mic/line, record enable, select, solo, and mute buttons. Channels and banks are selected via ± keys. A zoom key is included, with 4 directional keys, as well as dedicated keys for in/out points, locate, region nudge, and more.  Illuminated transport controls and a jog/shuttle wheel with a mode switch allow effortless navigation. The M-Audio ProjectMix control surface includes dedicated keys for in/out points, locate, region nudge, loop, and more. LED displays clearly display each channel's status. Word clock I/O (BNC) is supported. Compatible with Mackie Control, Logic Control, and HUI protocols plus support for most other popular applications.  SPECIFICATIONS: Connection FireWire Faders 8 x Touch-sensitive motorized channel faders 1 x Touch-sensitive motorized master fader Transport Controls Yes (illuminated) Jog/Shuttle Yes Rotary Controls 8 x Assignable rotary encoders Numeric Keypad No Display LCD for channel or plug-in functions Function LED display for each channel Softwares Supported but not provided: - Pro Tools M-Powered 7 or greater - Ableton Live 5 (version 5.02 or greater) - Logic (version 7.1.1 or greater) - Cubase (version 3.1 or greater) - Digital Performer (version 4.6 or greater) - SONAR (version 4.02 or greater)  System Requirements Mac (but not provided): G3 800MHz or G4 733MHz higher (may be higher for laptops)- G3/G4 accelerator cards not supported OS X 10.3.9 / 10.4.2 512MB RAM Available FireWire port or FireWire expansion card PC (but not provided): Pentium III 800MHz or higher (may be higher for laptops) Windows XP (SP2) DirectX 9.0c or higher 512 MB RAM Available FireWire port or FireWire expansion card Dimensions (WxDxH) 46 x 51 x 10 cm Weight approx. 12.5 kg Specialties Built-in 18 x 14 FireWire audio interface - no additional hardware required Will be sent well packed. Shipping to France: 28,55€ € Shipping to Europe and UK: 61,50 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Je me sépare de ma tête Rhodes Colossus H100, très rare dans nos contrées.  Il s'agit d'un ampli haut de gamme tout lampes de 100W fabriqué à la main aux USA par Kyle Rhodes, d'une polyvalence bluffante.  Il dispose de 4 canaux (clean, crunch, lead 1 et lead 2), tous d'une grande qualité et parfaitement exploitables.  On va d'un clean chaud et pur très Fenderien jusqu'au rock le plus agressif et lourd, toujours avec la même qualité.  Je ne peux que vous conseiller d'aller jeter un oeil et une oreille sur les démos que l'on trouve sur internet.  Vous serez convaincu!  Chaque canal dispose de son propre EQ 3 bandes ainsi que de tout un tas de réglages permettant d'accéder à une très grande palette sonore.  Une présentation exhaustive serait très longue alors je colle avec paresse les specs techniques de la bête  "Channels 4 - Clean, Crunch, Lead 1 and 2 (lead channels are voiced identically and completely independent) Distortion Mode Switch Channel 2 (Crunch), Channel 3 (Lead 1), and Channel 4 (Lead 2) Fat Mode Switch Channel 3 (Lead 1) and Channel 4 (Lead 2) Channel 1 (Clean) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright and Channel Select switches Channel 2 (Crunch) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, and Mode switches Channel 3 (Lead 1) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, Mode, and Tight switches Channel 3 (Lead 2) Controls Gain, Bass, Middle, Treble, and Level knobs; Bright, Channel Select, Mode, and Tight switches Remote Controllable Functions Channel select, all distortion modes, tight modes, master volume select, and loop bypass Control Options Front Panel (all except loop bypass), RCI™ (Rhodes Custom Interface), MIDI, and external contact closure input External Contact Closure Input 6 inputs assignable to any control function MIDI MIDI Input and Output / Thru MIDI Channel Omni or Selectable, only for CC control MIDI Control PC patch learning and direct CC control of individual functions MIDI Programming Automatic patch learning -- setup for desired patch, press the Learn button, and transmit a MIDI PC to associate with that patch Bias Test Points Measure with any DMM capable of DC millivolts, 1 mV = 1 mA of plate current, assume 460 plate volts Bias Adjustment Pot Location On top of amp chassis, near left most power tube. Guaranteed to bias properly with EL34, 6L6, or KT66. Output Power 100W with quartet, 50W with duet Output Impedance Switchable between 4, 8, or 16 ohms Cabinet Dimensions 26.25" L x 10" W x 10.75" H"  Je fournis avec un pédalier midi Cicognani permettant de le piloter.  Il est en excellent état cosmétique et de fonctionnement.

Allen & Heath Xone:23C The Xone:23C brings together the best of digital DJing and conventional mixing in a compact accessible format. This high performance DJ mixer is equipped with a premium quality, 4 stereo channel 96kHz 24bit internal soundcard and offers plug n’ play connection via X:LINK to Xone:K series controllers, making it perfect for performers looking to combine the convenience of digital DJing and recording with the hands-on control and visual appeal of a real mixer. Xone:23C includes an enhanced version of the legendary Xone filter with resonance control, VCA faders, 3 band total kill EQ, illuminated switches, crossfader curve selector and styling inspired by the flagship Xone:DB4. FEATURES At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. Xone:23C features 2+2 stereo channels with dual levels for phono and line inputs, allowing four music sources to be connected at the same time, including turntables and CD/media players. Additionally, the internal soundcard enables replay and recording from DJ software, offering users all the benefits of digital DJing whilst using hands-on mixer controls. The main mix output and mic input are on professional standard balanced XLR’s, and there is a dedicated record output. The Xone:23C is equipped with comprehensive monitoring facilities, including a dedicated booth output with its own volume control, a cue mix control, and signal levels clearly displayed on the 9 segment peak hold meters. Styled on the flagship Xone:DB4, the Xone:23C includes soft touch, backlit controls, light-piped meters and a distinctive new shaped steel faceplate. The mixer can also be upgraded with the latest Innofader for enhanced scratch performance, available as an accessory. *Requires reconfiguration of internal jumpers. 4 STEREO CHANNEL USB SOUNDCARD 96kHz 24bit 4 stereo channel USB soundcard which enables replaying and recording from your chosen DJ software, offering digital DJing with a real mixer. USB X:LINK X:LINK provides power and MIDI data over ethernet connection to our Xone:K Series controllers, saving USB ports on computers and offering extended software control. VCF FILTER SYSTEM At the heart of the mixer is the renowned analogue Voltage Control Filter (VCF) system offering Low-Pass and High-Pass filters, frequency sweep and ‘mild to wild’ resonance control. There is also an FX loop to connect to third party FX units, which route back in through the filter system. EXTERNAL FX LOOP Seamlessly integrate your favourite external FX unit into your setup with send and return connections plus FX loop switching. 3 BAND TOTAL KILL EQ Both channels feature 3 band EQ Isolator, allowing you to creatively eliminate frequencies and bring them back into the mix with complete control. • 4 stereo channel 96kHz 24bit internal soundcard • X:LINK for plug n' play connection to Xone:K series controllers • 2 channels with dual phono/line inputs • VCF Filter system -- low-pass + high-pass filters plus frequency and resonance controls • 3-band true total kill EQ • External FX loop • Mic input on balanced XLR, with 2-band EQ • Balanced main mix out on XLR • Independent booth out • Record out • 3.5mm and 1/4" headphone outputs • Touring grade build quality • Super smooth VCA channel faders • User changeable crossfader • Innofader compatible • Crossfader curve switch • 20dB pro standard headroom • Ultra low distortion • 2mm Steel face plate • 9-segment signal level monitoring

TL Audio Ivory 5060 Preset Valve Compressor Fully working state. Coming in its original box. OVERVIEW:   High quality discrete microphone preamp, the 5060 has stereo line level or stereo instrument inputs.  The TL Audio 5060 is equally versatile as a “front-end" tracking device or as the final stage mixdown or mastering compressor.  One set of controls operates both the channels for quick and easy setup.  The TL Audio 5060 compressor section has 15 expertly programmed presets designed to work with a typical selection of vocal and instrumental sources as well as a manual mode for self adjustment of the compressor. The 5060's output section includes a “Fat EQ?switch for adding some “presence"or “weight"to your signal.   As with all the mono or stereo Ivory 2 units it is possible to fit the optional D0-2 converter card into the 5060 for premium quality 24-bit SPDIF analogue to digital conversion. This allows you to connect to your Hard Disc Recorder, Mixer or Soundcard in either an analogue or digital format. The combination of flexibility, ease of use and the renowned warmth of the TL Audio valve circuit design makes the 5060 unbeatable for value and performance. TL Audio 5060 Mk2 Key Features: - Valve preamp stage with mic, line and front panel instrument inputs - Compressor with 15 presets and a manual mode with user adjustable controls - Hi-pass 90Hz filter on the input stage with “Fat EQ?contour at the output stage - VU metering of output level, output level +10dB and compressor gain reduction - One set of controls for mono or stereo use - Automatic linking for stereo signals - 24-bit digital interfacing via the optional DO-2 digital output card   TL Audio 5060 Mk2 Specifications: - Preamp: Input Gain +16 to +60dB (mic input), -20 to +20dB (line input) - Compressor: Threshold: +10 to ?0dB, Ratio: 1:1.5 to 1:30, Attack: 0.5 or 5ms, Release: 0.2 or 1.5s, Gain Make Up: 0 to +20dB, Fat EQ +2dB @ 50Hz, -0.9dB @ 720Hz, +1.8dB @ 10kHz - Master Section Output Gain: -?to +15dB - PSU: Internally adjustable for 230V 50Hz or 115V 60Hz operation - Typical Consumption: 30VA - Dimensions: W: 483 x H: 88 x D: 200mm (2U 19" rack mounting) - Shipping Weight 6kg Will be sent well packed. Shipping to France: 20.50€ € Shipping to Europe and UK: 37.00 € Shipping to International: Please ask before bidding Accepted payment: Please only, PayPal

Ceriatone Chupacabra Jose Arredondo mod 50 watts. État : Occasion Service de livraison : Colissimo Fan of 80's guitar heroes (Van halen, Dokken, Ratt, Whitesnake, Metallica...) This head is for you !  Amazing sound and finish quality... Ceriatone Chupacabra 50 was the first offering in our Hot Rodded Plexi series, and is still a favorite for fans of British guitar Marshall Jmp/ Jcm 800 style tones who are keen on finding their own unique voice. The Chupa 50 is a nod to Jose Arredondo-modified circuits of the late ‘70s and ‘80s, but with a few refinements.   Compared to our Yeti, the Chupa is brighter, has more gain, is tighter, and more aggressive. Neither is better than the other, which is why we offer both, dummy! Part of what makes the Chupacabra so fun is it’s ability to dial in KILLER tones from all sorts of types of music in a simple format, all the while maintaining it’s own voice and integrity. Like other Ceriatone amps, we have labored carefully to select the finest components to suit the design, and the Chupacabra uses our specially designed, custom transformers for superior reliability, frequency response, and feel. Head Dimension: 25.75 x 8.35 x 10.35 inches / Actual Weight: 21 kg - Cascading gain stage design with individual Gain controls - 3-way Bright switch on each Gain 1 and Gain 2 controls - Feel switch adjusts attack and low contour - Era 3-way switch provides progressive levels of clipping and distortion - Rear-panel Pussy TrimmerTM allows the player to fine tune compression and saturation - Presence and Resonance controls adjust the high- and low-frequency content of the power section - Passive effects loop - DC heaters for low noise floor

Préamplificateur haut de gamme APT HOLMAN made in USA- RARE -BONNE ÉTAT. État : "Occasion" Service de livraison : Colissimo Recommandé préamplificateur haut de gamme APT HOLMAN. Apt Holman Preamplifier (1977-1983) Nombreuses entrées, double entrée vynile ajustables. Sortie external processor etc..la liste complète des caractéristiques techniques est en Anglais. bonne état de Fonctionnement Inputs Phono 2 Phono inputs. The first has selectable resistance and capacitance, while the second is fixed at 47kΩ and 50 pF. 100 mV maximum at 1 kHz, inverse RIAA, warp-proof. The right channel of each of the two phono inputs is internally adjustable ±2 dB for Line All line inputs are 50 kΩ in parallel with 330 pF. Unselected inputs are terminated with 2.2 kΩ. Maximum input level: 10 V RMS (+20 dBV or +22 dBm). 3 line-level inputs. 2 tape monitor loops. 1 external processor loop, for a total of six line-level and two phono inputs! Gain, Polarity and Volume Control 18 dB maximum gain from line inputs. Phono preamp gain: 36.5 dB at 1 kHz: 5 mV for 2 V output, 1.25 mV for 0.5 V output. All outputs are non-inverting. Volume control rated to track left-right to within 1 dB over the entire range. I'm impressed: this is a very important parameter, and this is the only preamp I've ever seen which bothers to specify it. The multiwiper 10 kΩ volume control has 32 clicks, or 31 intervals, at 10o per click, or room for 36 clicks in 360.o The volume control uses individually trimmed thick-film resistors to ensure precise channel-to-channel tracking. Outputs Two MAIN outputs, fed in parallel. Provisions on the circuit board to allow your technician to insert a fixed resistive pad in the path of the MAIN 2 output if this optimizes the gain structure for your power amplifier. 330 Ω source impedance, 5 kΩ/3,000 pF maximum load. Two tape outputs: 100 Ω source impedance, 10 kΩ/1,000 pF maximum load. One external processor output. One 1⁄4" headphone output from a separate amplifier. Frequency Response 20 - 20,000 Hz ±0.5 dB, with ultrasonic and ultrasonic filters active. RIAA EQ ±0.5 dB 30 - 15,000 Hz. Selectable 15 Hz Infrasonic filter (rear panel switch) Within 0.5 dB at 20 Hz, -3 dB at 15 Hz and > -30 dB at 5 Hz. Group delay 4 mS at 50 Hz. If the filter isn't selected, the -3 dB point is 8 Hz. Ultrasonic Filter (automatically engaged when Tone Controls active) Within 0.5 dB at 20 kHz, -3 dB at 40 kHz, and -18 dB at 100 kHz. Group delay 7 μS. Interchannel delay: < 0.5 μS. (the limit of audibility is 10 μS.) When the tone controls are defeated, the -3 dB point is 150 kHz. High Filter (only active with Tone Controls selected) -3 dB at 8 kHz. Distortion Less than 0.01% THD at rated output (2V) and lower. Less than 0.01 % SMPTE intermodulation distortion (60/7k Hz 4s1) at rated output (2V) and lower.

TUNER MERIDIAN 504 EXCELLENT ETAT. État : Occasion Excellent Tuner FM MERIDIAN 504, écoute ample, riche et incarnée A noter, le nom des stations est paramétrable et l'affichage est désactivable (se rallume qq instants lors des changements de stations) Caractéristiques Technical Specification Input: One 87.0–08 MHz FM 75 unbalanced antenna input Sensitivity: 1.5µV Output: One analogue output 2V rms Distortion: Less than 0.2% mono, 0.4% stereo, noise below –70dB Comms: Two 5-pin 240° DIN sockets Construction: Black textured enamel and glass f inish Dimensions: 88mm (3.46in) H, 321 (12.64) W, 332 (13.07) D. Weight 6.4kg (14lbs) Controls: Front-panel controls for Up/Down keys, Mono, Store, Display, Previous/Next keys, Off Front Display: 8-character alphanumeric for showing s tation name, frequency, preset number, signal strength and tuning accuracy, or blank SHIPPING EUROPA

AMPLI MARSHALL VS 265 VALVESTATE 2 x 65 Watt - Combo: Chorus & Réverbération / Stéréo Acheté neuf en Mai 1999 - Facture d'achat d'origine - Toujours le même propriétaire (1er Main)- Utilisation "collection" État excellent- - Ni scène ni concert  - Utilisation domestique en appartement exclusivement - Fonctionne parfaitement - Commande des 3 canaux par pédale (Footswitch) - Le VS 265 est un combo guitare à transistors + 1 LAMPE ECC83 de 3 canaux de 2 x 65 watt, équipé de 2 haut-parleurs de 12 pouces Marshall GOLD Back SPK 100 - 8 ohms, d'un chorus d'une réverbération + une sortie ligne stéréo. Il a été produit de 1996 à 2000. - Catégorie: Amplis combos hybrides pour guitare Caractersitiques techniques - Number of Channels: 3  (Clean, Overdrive 1, Overdrive 2) - Clean Channel: Volume, Bass,  Middle, Treble, Clean Reverb - Overdrive 1 Channel: Gain, Volume - Overdrive 2 Channel: Gain, Contour, Volume - Shared Overdrive Controls: Bass, Middle, Treble, Overdrive Reverb - Shared Controls: FX Mix, Chorus Speed, Chorus Depth - Buttons: Clean/Overdrive, Tone Shift (Clean Channel), OD1/2, Power Dimension, FX Loop Level - Connectors·          - Inputs: Input - Outputs: Stereo Headphones, DI Output x2 (Left & Right), External Loudspeakers x2 (Left & Right, min total 4 Ohms) - Effect Loop: Send, Return - Control: Footswitch - Internal Speaker: 2x 12" Gold Black - Lampe: 1x ECC83

iFi Audio Micro iDSD DAC and Headphone Amp - with Pre amp Variable out. There is nothing like the micro iDSD. It is literally, out of this world. It is the only DAC in the world (at any price) to play True Native Octa-DSD512/PCM768/Double DXD. Its Perfect-Match means it can be fine-tuned to any headgear from IEMs all the way through to large headphones. Its 8v/4000mW output makes it one of the most powerful headamps to drive even the most hungry of headphones with ease. iFi has forged an enviable reputation for being at the forefront of computer audio technology. The micro iDSD has just made another leap, an Octa-Leap to be precise. With its special Dual-Core Burr-Brown native DSD/PCM chipset at the heart, the micro iDSD is capable of True Native PCM768, Octa-Speed DSD512 and 2x DXD; it is simply out of this world. The micro iDSD has 3 different power modes Eco, Normal and Turbo. Capable of 4000mW, 1000mW or 250mW, the micro iDSD is able to drive the full gamut of headphone and amplifiers alike. With iEMatch there to dial to suit any IEM, the micro iDSD has redefined the headphone amplifier class. Used along with the analogue volume control, the diminutive size of the micro iDSD belies its uncanny ability to drive virtually anything and everything! SmartPower® is the micro iDSD’s onboard recharging feature for Smartdevices. Its 4800mAH battery is able to fully recharge an iPhone two-times. Compatible with Apple and Android, phones and tablets, it is another example of iFi’s commitment to customer needs – enjoy high-end audio on the go without worrying about the phone going flat. iFi’s iCAN and iTube have already achieved widespread acclaim, so much so that their core features including 3D Holographic and XBass have become renowned in their own right and imitated by others. In the micro iDSD, for the first time in an iFi product, it features XBass and 3D Holographic for Headphones and Speakers. All these features are still executed in the analogue, not digital domain to preserve the original music format. And so much more….with the amazing Crowd-Design program, we are over the moon that you, the customer was central to the development of the micro iDSD. The micro iDSD is literally bursting with features – such as Direct/Pre-Amp, 3.5mm input, SPDIF Input/Output and much, much more. You will have to see it to believe it.   Specifications:   Item Description Remarks Inputs/Outputs   Inputs (rear)USB 2.0 type A “OTG” Socket (with iPurifier® technology built-in)Compatible with computers (Apple/Win/Linux), iPhone, iPod Touch, iPad and Android Devices, camera kit or USB-OTG cable required. (Full USB3.0 port compatible) Intelligent SPDIF® Coaxial3 Way combo SPDIF port (Coaxial In/Out; Optical In); Up to 192kHz PCM SPDIF Optical    Outputs (rear)Audio RCA L+R  Intelligent SPDIF® CoaxialUp to 192kHz PCM   Output (right side)SmartPower® SocketFast charge all portable devices. Compliant with USB Battery Charging Standard 1.2 – 5V @ 1.5A       Controls   Controls (front)  - HP OutputAudio 6.3mm Headphone Jack - Volume with Power On/Off switchPrecision analogue volume control DAC section   DACDual-core DSD, DXD, PCM DAC by Burr Brown2-DAC Chip; 4-Channel; 8-Signals, custom interleaving for maximum SNR Bit-Perfect DSD processing, Bit-Pe

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

===== Français Synthétiseur pour ambient music, son organique - Ambient music drone synthesizer with raw organic sound Réglages: Marche/arrêt 4 oscillateurs avec réglage de pitch et de volume pour chaque oscillateur Master tweak Réglage de Grind avec limiter Master volume 4 sorties audio (jack mono): une par oscillateur 1 sortie mix générale 4 LEDs, une par oscillateur 3 switchs par oscillateur:  - Oscillateur on/off  - Oscillateur pitch range (2 positions)  - Oscillateur tweak on/off Alim: standard 9 volts negative tip (non incluse) Réglage de pitch Etendue du pitch Niveau de volume Réglage supplémentaire de tweak du bus boutons marche/arrêt Les sorties des oscillateurs sont additionnées et passées dans un modulateur en anneau avant de sortir dans une sortie générale "mix out" avec réglage de volume. Cet appareil a été utilisé unquement en studio dans un environnement non-fumeur. ===== English Controls: power on/off 4 oscillators with vol and pitch for each Master tweak Grind controller (limiter) Master vol 4 output: one for each Osc 1 mix output 4 led: one for each Osc 3 switches per Osc: Osc on/off, Osc pitch range 2 positions, Osc tweak on/off Power supply: standard 9 volts regulated DC with negative tip (not included) 4 Oscillators drone machine with raw organic sound - discrete output - pitch tuning - pitch range selection - volume level - added tweak bus feature - on/off controls The outputs of the oscillators are summmed together and inter-(ring)modulated into a fifth "mix out" with master volume control. This device has been used only in studio, in a non smoke environnement.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

NEW OLD STOCK. RARE. Device that recognises tempo from audio signal and turns it into MIDI signal.  For example you can synchronise two turntables with a synth or a drum machine.  VOYAGER 1 analyzes audio signals from vinyl, CD or tape and calculates the BPM of two tracks simultaneously. Both BPMs are displayed but, more importantly, the beat information from one channel is used to generate a MIDI Clock signal, which runs in synchronization with the audio track. In original box and comes with manual.   FEATURES: • Performance: BPM Range = 60 - 230 BPM Audio/MIDI synchronisation delay = less than 3mS • Lock-in time = 2 to 4 sec's (from introduction of readable beat information). • Displays: 2 x 7 Segments, 3 character (LED). 1 x MIDI Clock rotating display (8 x LED's). Beat Tracking indicator (3 x LED's). • Controls: Channel 1 select, Channel 2 select, Run/Pause, Cue, Beat. One Re-Set, Tap (Stop) Tempo edit, Sync Pull/Push adjust. • MIDI Implementation: System Real Time/Clock commands = Transmitted. • Connectors: Channel 1 Input/Output, Channel 2 Input/Output, MIDI Clock Out, AC adaptor. • Power Supply: 9vDC, 250mA (RED PSU) included. • Dimensions/Weight 180(W) x 132(D) x 50(H) mm, 1.65 Kg. • Intelligent Software: Constantly analyses and calculates the BPM of two audio inputs (vinyl or CD/tape). • Channel 1 & 2 Displays: The BPM readings from the audio inputs are shown clearly on 3 digit LED displays. • Run/Pause Button: Controls the running status of the external MIDI sequencer. • Cue Button: Pre-sets the VOYAGER 1 to the BPM of your next audio track prior to performance. • The MIDI sequencer and audio track can then be started simultaneously from a predetermined cue point in the audio track. • Beat One Reset Button: Re-aligns the start point (beat1/bar1) of the current pattern in the MIDI sequencer with any chosen point in the audio track. • MIDI Clock Display: 8 LED display rotates' at the detected BPM rate when the VOYAGER 1 is in RUN mode. • Beat Tracking Indicator: 3 LED display shows any beat synchronisation adjustments made by the VOYAGER 1. • Tap (Stop) Button: Used to manually enter a BPM and/or STOP the MIDI Clock.

Expandeur Yamaha Motif Rack ES ne Generator Maximum polyphony Wave Memory Voices Voice Selection Plug-in Voice Performance Performance Multi Multi Effects Reverb Chorus Insertion 1 Insertion 2 Master Effect Master Equalizer Part Equalizer Arpeggio Controls Jacks and Terminals Front Panel Rear Panel Controls Top panel Other Display Supplied Accessories Power Consumption Optical/Digital Output Dimensions Weight * Specifications and descriptions in this owner's manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. AWM2 (complying with the Modular Synthesis Plug-in System) 128 notes + the polyphony of the Plug-in Board (if installed) 175MB (when converted to 16-bit linear format), 1,859 waveforms Preset: 768 Normal Voices + 64 drum Kits GM: 128 Normal Voices + 1 drum kit User: 384 Normal Voices + 32 drum kits Preset for the PLG150-AN/DX/PF/AP/DR/PC: 64 Voices Preset for the PLG-150VL: 192 Voices User: 64 Voices for each Plug-in connector User: 128 Performances User: 128 Multis 20 types 49 types 116 types (up to 8 blocks available in the Multi mode) 116 types (up to 8 blocks available in the Multi mode) 8 types 5 bands (High, High Mid, Mid, Low Mid, Low) 3 bands (High, Mid, Low) 1,787 types * MIDI Sync, MIDI transmit/receive channel, Velocity Limit, and Note Limit can be set. STANDBY/ON switch, VOLUME knob, data dial, cursor buttons, EXIT button, PAGE buttons, MULE/SEL/ENTER button, Part/Element buttons, BANK buttons, SHIFT button, CATEGORY button, Mode buttons PHONES DC IN, USB, MIDI IN/OUT/THRU/ DIGITAL OUTPUT, OPTICAL OUTPUT, ASSIGNABLE OUTPUT 1-4, OUTPUT L/MONO, R PGL1, PLG2 160- x 64-dot graphic backlit LCD Power adaptor, Owner's Manual set, CD-ROM 17W (maximum; 22W when two Plug-in Boards are installed) 44.1kHz, 24bit

preamplificateur Mcintosh C1000 3 Units P+T Etat Top !. ETAT PROCHE NEUF. COMPLET: CARTONS, CORDONS DE CONNECTIONS, 2 TÉLÉCOMMANDES, NOTICES. 220 volts PRÉAMPLI QUASI NEUF, ÉTAT COSMÉTIQUE PARFAIT SANS ACCROC NI RAYURE OU ÉRAFLURE, FONCTIONNE À MERVEILLE AUSSI BIEN L'UNITÉ TRANSISTOR QUE L'UNITÉ TUBE. RÉVISÉ PAR ERIC’S LAB (ex bassi) EN JUILLET 2020 EN VUE DE LA VENTE DATE ACHAT 2012. DISPONIBLE ILE DE FRANCE. LIVRAISON POSSIBLE EN FRANCE Condition: Used. Nearly mint state. Cartons, 2 remote controls, interconnect cables owner's manual Item – McIntosh C1000 Controller / Preamplifier / Tube Preamplifier. This is a complete three-unit preamplifier system. The 'tube' preamplifier unit is nearly new Brand – McIntosh Include – Control unit, solid state preamplifier unit, tube preamplifier unit, power cord, original owner's manual, two remote controls, custom interconnect cable between control and preamplifier, and original packaging Condition – Pre-owned, excellent Voltage – 220 volts Country of Manufacture – Made in the U.S.A.

OCCASION, COMME NEUF, RARE ! Récepteur portable SONY  ICF-2001D à ondes courtes Dimensions:  29 x 16 x 5 cm  Alimention: deux batteries de taille AA et trois batteries  de taille D.  Antenne télescopique intégrée  Lecture numérique à l'avant avec un angle de vision optimal pour l'écran LCD. L'ICF-2001D couvre la plupart des bandes de diffusion sur ondes longues (LW), ondes moyennes (MW), ondes courtes (SW) et ondes ultra-courtes (ici appelées FM). Bandes de diffusion: AIR: 116 - 136 MHz FM  :  76 -108 MHz AM  : 150 - 29999,9 KHz    Les contrôles La ICF-2001D possède un panneau de commande clair et bien organisé qui est situé à l'avant de l'unité. L'interrupteur principal est sur le côté gauche, avec un interrupteur supplémentaire à gauche de l'écran. Il permet également le fonctionnement de la minuterie.  L'affichage comprend trois sections: l'horloge en temps réel (à gauche), l'affichage de la fréquence (au centre) et un indicateur d'intensité du signal (à droite). Le cadran de réglage de la fréquence est dans le coin supérieur droit. Un curseur sur le bord droit contrôle le volume. La plus grande partie du panneau de commande est occupée par le clavier composé de cinq sections environ.  Les 32 touches noires au centre servent à sélectionner directement l'un des préréglages de la mémoire (8 préréglages répartis sur 4 banques). En combinaison avec le bouton bleu en bas à gauche, ces touches servent également à sélectionner la bande de fréquence souhaitée. Au-dessus des boutons de préréglage noirs se trouvent les sélecteurs de mode. Ils permettent la sélection entre les bandes FM et AM. En mode AM, les boutons restants permettent de sélectionner le type de modulation souhaité (large, étroit, synchro, USB, LSB et CW). La rangée de touches marron juste en dessous de l'écran sert au fonctionnement de la minuterie. Les trois boutons blancs à gauche permettent d'activer le balayage. Les 11 touches blanches à droite permettent d'entrer directement la fréquence souhaitée. Livré avec - Son Alimentation d'Origine SONY - Une Sangle SONY d'origine - Une Antenne Externe SONY - Une photocopie du mode d'emploi A payer par paypal sous 3 jours _________________________________________________________ SONY ICF-2001D Short Wave Portable Receiver Dimensions: 29 x 16 x 5 cm Power supply: two AA size batteries and three D size batteries. Built-in telescopic antenna Digital playback on the front with optimal viewing angle for the LCD screen. ICF-2001D covers most long wave (LW), medium wave (MW), short wave (SW) and ultra-short wave (here called FM) broadcasting bands. Broadcast bands: AIR: 116 - 136 MHz FM: 76-108 MHz AM: 150 - 29999.9 KHz   Controls The ICF-2001D has a clear and well-organized control panel located at the front of the unit. The main switch is on the left side, with an extra switch on the left of the screen. It also allows the operation of the timer. The display consists of three sections: the real-time clock (left), the frequency display (center), and a signal strength indicator (right). The frequency adjustment dial is in the upper right corner. A cursor on the right edge controls the volume. Most of the control panel is occupied by the keyboard consisting of about five sections. The 32 black keys in the center are used to directly select one of the memory presets (8 presets spread over 4 banks). In combination with the blue button at the bottom left, these buttons are also used to select the desired frequency band. Above the black preset buttons are the mode selectors. They allow selection between the FM and AM bands. In AM mode, the remaining buttons allow you to select the type of modulation you want (wide, narrow, sync, USB, LSB, and CW). The brown line of buttons just below the screen is for timer operation. The three white buttons on the left activate the scan. The 11 white keys on the right make it possible to directly enter the desired frequency. elivered with - Its Original Sony Power Supply - An original Sony strap - A Sony External Antenna - A photocopy of the user manual To pay by paypal under 3 days

Analogue Synthesizer 4-Voice polyphonic 37 Velocity sensitive slim keys Fully programmable 100 Editable factory presets + 100 'black canvas' locations Flexible configuration of the 4 voices via Voice Mode Automatable 16-step polyphonic note and motion sequencer Oscilloscope function shows the waveform visually in the OLED Display 41 Dedicated panel controls for immediate parameter access Panel made of robust aluminium Rubber coated controls Rear panel from real wood Audio Sync for all studio/live requirements with connection to SQ1, Volca, and Electribe, amongst others, possible Line output: 6.3 mm jack mono Line input: 6.3 mm jack mono Headphone output: 6.3 mm Jack stereo Sync in/out: 3.5 mm Mini jack mono MIDI I/O USB Dimensions (W x D x H): 500 x 300 x 85 mm Weight: 2.8 kg Incl. Power supply DC 9 V (KA350)

BOLEX Underwater Housing with camera BOLEX "M" + KERN f= 10 mm                                         Vintage  (1955)                              (traduction en français ci-dessous) Underwater housing designed to film underwater at great depths Made in a very thick metal It easily withstands the strongest pressures up to 100 meters deep (330 feets) Very easy to use: fitting and removing the camera is do in a few moments, without the aid of any tools! Plus the internal design with compartments. Makes it only weigh in water just enough to keep perfect stability. And gives the diver complete freedom of movement This copy has been completely renovated and adjusted! It is like new! Watch the use and maintenance tutorial I made on Youtube: https://www.youtube.com/watch?v=FK9_A_fCMCk (this link is not active from this site, please copy it to your "search bar" to access it) This is a complete set including the box and its accessories but also a camera and its lens specially designed for this one! List of delivered material: - BOLEX n ° 229 underwater box with external controls - Iconometric viewfinder - Contrast filter - Camera mounting sole - Diaphragm control ring (KERN f = 10 mm) - Camera winding gear - Wrenches for seals - Sturdy wooden crate - H16 BOLEX camera M series n ° 203146 - KERN lens f = 10 mm 1: 1.6 n ° 545863 - User manual (in French; Description on Youtube ) You can immediately use and film in 16 mm. This material is functional  and usable.! It's not just for decoration !... ** Please note that most rare BOLEX submarine housings offered for sale on this site. Are never equipped with this camera and this wide angle lens specially adapted for shooting aquatic! ***  Personally I offer you the whole complete !! *** This camera has been used very little. The controls have very rare marks of use Look carefully at the photos to convince yourself The drive motor rotates freely without problem. The KERN lens is healthy and cosmetically very good The lenses are clear and the adjustment rings work great The Swiss Company KERN was renowned for manufacturing the best 16mm cinema lenses! The BOLEX M camera can also be used outside the housing! Because the octometer sight and the winding lever of the original engine will also be delivered The weight of the whole is quite high over 25 Kg! Which explains the shipping rate! him too high! But you will agree that I am not responsible for the exorbitant prices charged by postal services..!.. §§§ Foreign bidders residing outside the European Union. or in the French Overseas Territories Shipping is possible worldwide. But please contact me before you bid to have me communicate the price of the shipment. The price varies considerably from one region to another §§§§ Ensemble  de prise de vues sous- marine BOLEX                                    Vintage (1955 ~) Caisson sous - marin conçu pour filmer sous l'eau à grande profondeur  Réalisé dans un métal de forte épaisseur  Il résiste sans peine aux pressions les plus intenses jusqu'à 100  mètres de profondeur  (330 feets) D'un maniement très facile : la mise en place et le retrait de la caméra se  font en quelques instants, sans l 'aide d'aucun outil ! De plus la conception interne avec compartiments. Fait qu'il ne pèse dans l 'eau que juste ce qu'il faut pour garder  une stabilité parfaite. Et laisse au plongeur une entière liberté de mouvements  Cet exemplaire a été entièrement rénové et réglé ! Il est comme neuf ! Regardez le tutoriel d'utilisation et d'entretien que j'ai réalisé sur Youtube: https://www.youtube.com/watch?v=FK9_A_fCMCk (ce lien n 'est pas actif à partir de ce si

FLASH NIKON SPEEDLIGHT SB-24 POUR ARGENTIQUE. État : "Occasion" About this product Product InformationThe Nikon Speedlight SB-24 Flash boasts a bundle of features that will enhance the 35-millimeter photographs of any camera buff. Flash photography can require some time to search and develop skills to get just right, but Nikon makes it easier with the SB-24. You can let the equipment do the work with its auto settings or make your own decisions with the manual controls. With the bounce head, swivel head, and TTL flash control, you can get the right illumination in the right place.The Nikon SB-24 can be mounted on your camera through its shoe mount, or it can be used remotely. Its dimensions are 3.1 inches by 5.1 inches by 3.9 inches. This is a very sturdy piece of gear that weighs 13.7 ounces without the batteries. You have the choice of using AA alkaline batteries, AA NiCd batteries, or an SD-7 battery pack for power. The Nikon Speedlight has a flash range from 2 through 65 feet and a guide number of 118 feet at ISO 100.A look at the rear panel controls on this Nikon accessory will give you a good idea of everything that it can do. First, you can choose whether to have the flash sync with the front or rear curtain when it is mounted on the camera. This choice is particularly important when the subject of your photo is moving. Then, you pick your shooting mode. The auto-exposure mode uses the built-in flash meter to set the exposure for you. There is also a manual setting that gives you full control. Multiple flash mode produces a strobe effect, and the TTL selection uses the camera’s through-the-lens meter for automatic exposure setting.The Nikon Speedlight lets you choose between matrix and center-weighted metering, and you can change the power level of the flash from full power to one-sixth strength. You can have further manual control over the light reaching the lens by setting the aperture from f/20 to f/11. Once you have the amount of light set, you can decide where to direct it. The bounce head on this Nikon accessory has a range from minus 7 degrees below horizontal to 90 degrees above. The swivel head rotates clockwise from minus 270 degrees to 180 degrees.All the settings that are in effect when you start to shoot will be shown on the built-in LCD display on this Nikon flash. It can tell you whether you are in auto, manual, strobe, or TTL mode. It displays the film speed, strobe frequency, and flash-covering distance. It will also let you know the zoom indicator, the aperture setting, and whether you have adjusted the power output. In dim lighting, you can illuminate the display with the indigo backlight, so you will never need to guess about which settings are operating.If you need more light than one Nikon Speedlight SB-24 can provide, you can combine it with other flashes. It can sync with as many as four other flash devices. You can also add a wireless controller to your system. This will allow your flash to use its infrared beam to communicate wirelessly with other devices. Product IdentifiersBrandNikonMPNSB24UPC0018208047055ModelSB-24 Product ID (ePID)102474351 Product Key FeaturesLight TypeLEDTo FitDigital CameraCompatible BrandFor NikonTypeShoe Mount DimensionsWeight13.7 Oz Additional Product FeaturesAdditional FeaturesIlluminated LCD Display, Af Illuminator, Red-Eye Reduction, Curtain SynchronizationGuide Number118ft./Iso 100