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Bonjour, il s'agit la du premier intégré a transistors de la marque de 1967 avec un son tel un ampli a tube, il est dans un état exceptionnel ésthetiquement et parfaitement fonctionnel. Des fonctions unique comme la position Null est un mode de test, et est utilisée pour établir l'équilibre électrique exact entre les deux canaux stéréo. Contrairement au mode Mono, qui ajoute les signaux d'entrée (A + B) en les combinant en phase, le mode Null les combine hors phase pour faire soustraire les signaux les uns des autres (A – B). Ainsi, lorsque les signaux vers les deux canaux stéréo sont identiques et ont exactement le même volume, le résultat est une annulation presque parfaite, ou un "nul". Mais aussi une seule entrée phono à aimant mobile et de commandes de réglage de niveau. Ainsi, non seulement une large gamme de micros peut être adaptée, mais ils peuvent également être adaptés en niveau aux entrées de haut niveau de l'amplificateur, de sorte que le sélecteur d'entrée peut être commuté de source à source sans changement radical de volume. Et avec un jeu de niveau séparé pour chaque canal phono, les sorties de lecture peuvent être parfaitement égales. Une perle rare dans son carton d'origine avec tous ses documents et manuel schéma.  Hello, this is the first transistor integrated of the brand from 1967 with a sound like a tube amp, it is in exceptional condition aesthetically and perfectly functional. Unique functions like the Null position is a test mode, and is used to establish the exact electrical balance between the two stereo channels. Unlike Mono mode, which adds input signals (A + B) by combining them in phase, Null mode combines them out of phase to subtract the signals from each other (A - B). So when the signals to the two stereo channels are identical and have exactly the same volume, the result is almost perfect cancellation, or "zero". But also a single moving magnet phono input and level adjustment controls. So not only can a wide range of mics be matched, but they can also be level matched to high level amplifier inputs, so that the input selector can be switched from source to source without drastic change in volume. And with a separate level set for each phono channel, the playback outputs can be perfectly equal. A rare find in its original box with all its documents and diagram manual. Specifications: Power output: 50 watts per channel into 8Ω (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.25% Damping factor: 40 Input sensitivity: 2mV (MM), 200mV (line) Signal to noise ratio: 57dB (MM), 75dB (line)

The Fender Koil Kord 15' guitar cable, jack - jack. The Fender Koil Kord premium instrument cable has a distinctive coiled cable voicing, but with more extended highs that accentuate the chime and sparkle of your guitar.  The 2-Way Differential Cable Architecture augments the stranded conductors with specially designed hollow treble conductors that give these cables a better high frequency presentation, and a unique voice that has not been heard before. The stranding of these cables was also optimized to compensate for the coiling, which adds inductance, and also affects the sound.  The main features of the Fender Koil Kord include: - Premium Koil Kords 15' Instrument Cable with One straight and One Right-Angle 1/4 inch jack Connector  - Finest grade 99.99% purity OFC copper conductors for superior sound quality - 2-Way Differential Cable Architecture for best possible frequency balance - Maximum noise isolation using two separate shields - Premium quality abrasion resistant high temperature PVC jacket for maximum durability - Precision engineered connectors for maximum conductivity and reliability - Proprietary Fender Right Angle Connector - Precision formulated Polypropylene dielectric for maximum signal transfer and unique tone

SALE IS FOR ONE B01 PLATFORM, AND NOT THE FULL RACK SHOWN ABOVE Audiophile Base B01 Base Platform Review b'"'The Company’s name says it all really, and this is the base (sorry!) product along with various racks and the rather funkier StrataBase platform. From above, the charcoal silk finished surface doesn’t give much away, but the underneath of the Base 01 Platform incorporates some clever thinking. A pair of metal beams run from front to back and are linked to the main platform by compliant but absorptive coupling. In turn, the beams rest on four hard rubber feet. The combination of metal, soft coupling and MDF platform material makes for what is effectively constrained layer damping, with enough decoupling to prevent higher frequency vibrations from travelling up from feet to platform. The arrangement gives limited attenuation of very low frequencies, but good performance across mid-range and treble, and the MDF part is relatively non-resonant. This platform proved versatile in use, giving fine results with a range of equipment including both suspended and solid-chassis turntables. It was also very good with CD players, tightening up the sound and also adding bass extension. Amplifiers benefited less obviously, but a valve preamp certainly gained something in the clarity department and a solid-state power amp seemed more detailed in the lower octaves. High treble seemed largely unaltered in most cases, though the turntables gained some slight extra high frequency precision. Verdict A very practical support which adds very little height and looks good, and contributes usefully to the performance of a wide range of kit.b'"' RAPPEL BIENVEILLANT DES REGLES LEGALES CONCERNANT TRANSPORT ET LIVRAISON: Pour pouvoir engager la responsabilité du transporteur en cas exceptionnel de dégâts causés à une marchandise reçue, vous devez impérativement ouvrir les colis en présence du livreur, et formuler des réserves précises et explicites sur le bon de livraison. Porter la mention « sous réserve de déballage » sur le bon de livraison n’a aucune valeur juridique. Si le transporteur est toujours présumé responsable des dégâts causés à la marchandise (Code de commerce article L 133-1), encore faut-il le notifier par écrit lors de la réception, chez vous ou en bureau de poste. À défaut d’avoir ouvert les colis et noté précisément les dégâts, les marchandises seront réputées livrées en bon état. LA POSTE refuse toute réclamation de plus sans photos des dégâts et de l'emballage externe prises justement lors de la livraison. Deuxième étape: vous devez ensuite adresser au transporteur, dans un délai de trois jours, (Code de commerce article L 133-3). un courrier en recommandé avec accusé de réception, dans lequel vous rappellerez les dégâts causés aux marchandises et demanderez la réparation du préjudice. Je vous donnerai accès au document complété d'envoi LA POSTE avec toutes les informations nécessaires, évidemment. permet juste de laisser un numéro de tracking, pas suffisant. Toute enchère signifie que vous avez lu et compris ces termes légaux, qui l'emportent sur toute autre considération propre à ce site. Merci pour votre compréhension ! INTERNATIONAL BIDDERS, PLEASE NOTE: NO SALES TO: Russia, North Korea, Belarus, Syria, Eritrea, Algeria, Angola, Armenia, Bangladesh, Bolivia, Burundi, Central African Republic, China, Congo, Cuba, El Salvador, Equatorial Guinea, India, Iran, Iraq, Kazakhstan, Kyrgyzstan, Laos, Madagascar, Mali, Mongolia, Mozambique, Namibia, Nicaragua, Pakistan, Senegal, South Africa, South Sudan, Sri Lanka, Sudan, Tajikistan, Tanzania, Uganda, Vietnam, Zimbabwe, Azerbaijan, Burkina Faso, Cameroon, Ethiopia, Eswatini, Guinea, Guinea-Bissau, Morocco, Togo, Turkmenistan, Uzbekistan, Venezuela. No need to explain why... Anyone arguing with this rule will get no answer, and just earn a definite and immediate b En savoir plus

INNOUS PHOENIX NET POWERSWITCH INTERNET. he PhoenixNet is very good at revealing reverb of both natural and artificial varieties, on The Weather Station’s beautiful ‘Thirty’ [The Weather Station, Paradise of Bachelors] there is a sense of real space around the singer and her guitar in the quiet intro, it’s like sunlight but not bright in the acoustic sense, just crystalline. It also allows the energy of live recordings like Keith Jarrett’s Carnegie Hall Concert [ECM] to pervade the room, the occasional sounds from the audience mapping out the scale of the venue and the player’s foot making the stage reverberate, all of which adds to the transcendent experience that a good recording can create. The four-connection switch is designed for sound, not speed! You need a good system to do this of course but if you have one adding a switch that minimises the noise floating around the network is more than the icing on the audio cake, it feels like a critical element, the missing link between the recording and the listening experience. The PhoenixNet is an expensive switch with the minimum of ports but it’s extremely good at the job thanks to its dedicated nature, if you want to know what your streaming system is really capable of I recommend you have a listen. TECHNICAL SPECIFICATIONS - Type: Streaming audio network switch - LAN Ethernet ports: 4 (via RJ45) - Fibre optic ports: none - Clock: OCXO - Packet data buffer: not specified - Features: Isolation transformers, linear PSUs - Finish: Siver/black - Dimensions (H×W×D): 87 × 215 × 342mm - Weight: 5kg Manufacturer: Innuos Tel: +351 308 800 826 URL: innuos.com En savoir plus Collaboration commerciale.

Nice E-Mu ESI 4000 Sampler, In good clean condition and full working order. ESI is the very latest in the long line of high quality and affordable E-mu sampling products. ESI features 22.05 kHz and 44.1 kHz sampling rates and 16-bit resolution for CD quality sound. Sampling can be performed in either mono or true stereo. 64 channels of polyphony allow you to stack sounds or create lush sequences without fear of channel “ripoff”. The user-upgradable memory can be expanded to a maximum of 128 Mbytes using standard SIMM modules (Details and installation are available at your E-mu dealer).   The ESI has full access to the huge library of sounds available from E-mu and other sources. It is fully compatible with the legendary EIII and EIIIX libraries, and can import Emax II and Akai S1000/S1100 banks. In many cases, the ESI can import and convert programs faster than the source unit!   The advanced features of the ESI make sampling easy. Samples can be automatically truncated, normalized and placed on the keyboard as the sample is taken. ESI also contains advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping which allow even the most difficult sounds to be easily looped.   Samples can be digitally spliced and mixed with other samples, and dynamically controlled from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compressor, Digital Parametric Equalizer and Digital Tuning allow you to shape raw samples more quickly and with greater precision than computer based systems. Additional digital processing functions include: Time Compression and Expansion, which shorten or lengthen the time of samples without changing the pitch; and Doppler/Pan, which allows you to move samples forward and backwards in space as well as from side to side. The Sonic Enhancer adds brilliance and cut to a sample, helping it to stand out in a mix.   The ESI contains 19 different filters types for each of its 64 channels. The digital filters are very “analog sounding” and implement the following filter types:   • 12, 24, or 36 dB/octave Lowpass filters with Resonance • 2nd & 4th order Highpass filters with Resonance • 2nd & 4th order Bandpass filters with Resonance • Contrary Bandpass filter • Three types of Swept EQ filters • Three Phasers and one Flanger filter with Resonance • Two morphing Vocal Formant filters • Bottom Feeder • Original ESi-32 24 dB/octave Lowpass filter   Modulation sources include three AHDSR envelope generators and a multi-wave LFO per channel, as well as full MIDI modulation control over virtually every parameter.   The ESI's unique Trigger Mode allows up to ten different samples to be triggered from the front panel without connecting a keyboard, making it an ideal tool for DJ's.   The ESI is 16 part multi-timbral which means you can create complex sequences and sound effects.   Four polyphonic audio outputs with integral submix returns allow you to process certain sounds separately and return them to the main outputs without using up precious mixer channels. The Turbo option card adds four additional submix outputs plus an Effects main output. The ESI can access up to 999 samples per bank arranged in up to 256 presets. The integral 3.5" floppy disk drive provides a convenient means of storing and loading banks. A built-in SCSI interface provides access to external high density media such as hard disks, magneto-optical disks or CD ROM.   A digital interface, available on the “Turbo” option, facilitates the transfer of stereo digital audio between digital recorders, mixers, etc. The Turbo option card also contains two stereo 24-bit digital effects processors which add Reverb, Delay, Flanging and Distortion effects to the ESI. Over 70 effects are implemented which can be applied on a per MIDI channel basis or by keyboard

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

About the Arcam rDock-uni: almost like new, very light use, in original box with all the accessories. A dock for audiophiles, a docking station for iPhone/Pad/Pod, that allows the highest quality and easiest fixed connection to any form of Hi-Fi, Home Cinema or Audio system. Featuring the Lightning connector for all current iDevices and USB for older ones, just Dock b'&' Play! owned music AND stream Spotify, Qobuz, RDio, Deezer, Tune-in Radio etc. Get the highest quality audio from your Apple portable with the Arcam rSeries rDock-uni. The dock's Lightning connector is compatible with the latest generation iPhone, iPad, iPad mini® and iPod touch®. When connected, the dock bypasses the digital-to-analog converter (DAC) inside your player, and feeds pure, unprocessed digital data to its own built-in high-performance DAC, which provides more accurate, musical sound. Arcam rDock-uni Lightning connector dock Compatible with Lightning connector iPhone or iPad. Exceptional audio The rDock-uni has a pair of RCA analog stereo outputs, so you can plug it into your home theater receiver or desktop speaker system and enjoy great sound. Does your system already have an outstanding DAC of its own? Then use the rDock-uni 's coaxial digital output to send the signal straight to your outboard DAC. An important part of the Arcam ecosystem The rDock-uni comes with its own remote, which lets you play, pause and skip tracks from your connected Apple portable. You can use the rDock-uni with the Arcam Solo Mini compact stereo receiver, making it even more versatile. Or couple it with the Arcam SonLink DAC for Sonos®. Both of these devices let you control the rDock-uni through their own remotes. Pass-through syncing The rDock-uni's power adapter has a USB plug, so you can either connect it to a wall outlet, or connect it to your computer via a USB port. This also lets you sync your docked player. A USB port in the dock lets you connect older 30-pin Apple portables to the rDock-uni. Just use your portable's charging cable. You'll be able to recharge your older iPod, iPhone, or iPad through the port. What must be said from the off is the rDock is a product for the mature audiophile. It assumes you already have the high end AV system and/or top notch TV (ideally) with surround sound system… and if you do you will be in dream land. Arcam has a well established tradition for producing top notch DACs and here it again lives up to its reputation. By taking the circuitry of an Apple device out the equation the rDock’s DAC is able to process the files without interference. Attach it to a good HiFi with some quality speakers and the DAC adds noticeable richness, drive and detail compared to the bog standard delivery from the iPod/iPhone/iPad alone. Most impressive is the boost to the midrange and bass which bring markedly improved depth and with it a keenly felt layer of emotional involvement. Use the digital SPDIF output and you’re of course reliant on whatever DAC you use further down the line in your AV setup, but it’s a useful addition for if you want to feed your device’s audio to multiple rooms, for instance. Arcam MD Charlie Brennan told StereoNET “Amidst all the fuss about wireless connectivity (including ours:-) the simplest and best solutions can often be ignored. The rDock is the best way to get killer sound from an iPhone/Pod/Pad”. You can safely assume Arcam’s nicely priced rDock-uni will sound terrific. What else would you expect from this UK pedigree brand which has notched up more awards for its ranges of discrete audio-video gear than just about any of its rivals? In perfect working condition and looks. Could consider posting it internationally but please, ask for a quote as the postage differs from country to country and the amount in the description is for European Union only, thanks. Product highlights: stylish and robust cast aluminium case, provides stable support for Pads/Phones and Pods compatible with Lightning connector iPhone, iPad, i En savoir plus Collaboration commerciale.

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303. As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds, without diluting the essential TB-303 character. MODS INCLUDE: VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob. Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods. VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob. VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff cont

Clone de la TB-303 modifié par Circuitbenders, en parfait état, hormis les stickers qui se décollent un peu. Fonctionne nickel. Moded by Circuitbenders clone of the famous TB-303. Fully working. Demo here: https://youtu.be/GSebDXf9rP4 Here are the specs: The MAM MB33 Retro is the latest version of the MB33 / FAT FREEBASS clone of the infamous Roland TB-303.  As standard it features all of the original TB-303 controls, and also has an external audio input through the filter and VCA. Overlapping midi notes gives you that essential 303 note slide, and any midi note with a velocity of 120 or more will trigger the note accent. Realistically if this synth was programmed correctly, you would be VERY hard pressed to distinguish between this unit and a real 303 in a mix. In a side by side comparison i'd say it sounds a little meatier than the Behringer TD3, with a little more girth and analogue weight to the sound. We have modded this machine with our circuitbenders Acid FM mods to give a huge range of extra sounds,  without diluting the essential TB-303 character.  MODS INCLUDE:  VCO On/Off Switch: Normally when you plug a jack into the external VCF input, the MB33's VCO is automatically removed from the mix. As there may be occasions where you don't want this to happen, or situations such as when you're using the filter lock mod (see below) when you want to be able to turn the VCO on and off yourself, we've added a switch to add manual control of this. VCO Drive: The MB33 retro seems to be designed to slightly distort the output stage at full volume, much like the TB303 did. The Drive mod boosts this distortion savagely for some grungy acid techno sounds. This mod increases the maximum amount of distortion at maximum volume. The intensity of the distortion can be set using the normal volume knob.  Resonance Boost Switch: An annoying issue with these machines is that the resonance never reaches self oscillation (but then neither did the TB303) and also drops off considerably when the cutoff is over 3/4 of the way up. We've solved this problem by adding the resonance boost switch. With this switch activated the filter starts to squeal with the resonance about halfway up, and then just screams with self oscillation at any higher settings. The resonance boost is especially effective when used with the VCF FM mods.  VCF FM: Essentially VCF FM (Frequency Modulation) allows you to modulate the filter cutoff at audio frequencies to create all kinds of clanging cross modulation and bizarre alien splatters & sweeps. This effect works best with the resonance cranked up into self oscillation which is where the resonance boost mod comes into play. The FM controls allow you to select one of four sources for the FM signal. The first is the normal filter input socket round the back. This means you can run a sound through the filter section, but also use that sound to modulate the filter cutoff at audio frequencies at the same time. The second source is a new FM input jack on the right hand side of the case. Using this source allows you to run a sound through the filter from the VCF input or just use the internal VCO, and at the same time modulate the filter cutoff with an entirely independent sound source at the FM in jack. The actual audio from the FM in jack is not heard. The remaining two sources are the sawtooth and square wave signal from the main oscillator. These can be selected as sources completely independently of the setting on the VCO waveform knob The FM source select knob also has an 'off' setting. The amount of FM applied to the VCF is controlled using the VCF FM knob.  VCF CV input: This mods adds 3.5mm jack on the right side of the machine that will accept an external CV to control the filter cutoff. The CV input should range from 0-5v. Higher voltages, or negative voltages are NOT recommended. This mod also adds a switch on the front to toggle between internal and external cutoff con

The Pioneer DJM-250 2-Channel DJ Mixer offers professional level functionality in an entry level mixer. Designed for the aspiring DJ, the DJM-250 offers versatile and plentiful connectivity in a compact form factor. The mixer features two dedicated CD player inputs as well as two switchable phono/line inputs. Three Aux inputs, consisting of two stereo pairs of RCA phono inputs and a 1/8" stereo input, allow alternate sources to be added into the mix. Each channel features a channel fader, 3-band isolator EQ, and Pioneer's Sound Color control which contours frequencies for realtime creative manipulation during sets. The DJM-250 crossfader curve is adjustable. The output section features balanced XLR and unbalanced RCA connectors for integration with any sound system. Sound Color Filter The Sound Color Filter adds performance-oriented high and low pass filtering in one knob. When turned to the left, the Sound Color Filter incrementally sweeps out the high frequencies. When turned to the right, it incrementally sweeps out the lows. The filter is independently controlled on each channel, allowing effected tracks to be combined. Indicator lights blink and display different colors depending on which way the Sound Color Filter is engaged, so you'll never forget it's on. Flexible and Plentiful Connectivity The DJM-250 includes four DJ multi-player and analog turntable inputs, three auxiliary inputs, and one microphone input. The mixer can be used to connect a variety of devices such as PCs, iPods, televisions, or synthesizers. The DJM-250 has XLR balanced outputs and unbalanced RCA phono outputs, offering easy connection to most amplification systems. Additional Functionality - Compatible with 48 kHz/24-bit full digital processing - 3-band isolator EQ per channel, -inf. to +9dB per band - Fader Start Play function connects Pioneer DJ players - Peak level meter displays audio input level for each channel - Three easily switchable crossfader curves

Important Note:   If you don't know what this item is about, please ask before your purchase.  PayPal doesn't refund the fees on cancelled transactions anymore,  so be sure of what you're about to purchase, that you have made your research,  you have read reviews about it online, so you're sure you like its character etc.  Otherwise just do not buy from here, as I will definitely NOT accept returns  or any kind of refunds after sale is ended,  just because some people want to play a little with it  so to satisfy their curiosity... Thanks for your understanding.  __________  Good day,  For sale here, in excellent close to new condition,  a pair of Hi-Fidelity IEMs (in-ear monitors),  the beautiful ROSIE by JH-Audio (in collaboration with Astell&Kern),  from their Full Metal Jacket series, Universal fit.  The ROSIE comes together with a just purchased  JH-MOON-Audio BLACK DRAGON V2 Cable,  with 2.5mm TRRS Balanced jack-plug,  that was an extra cost of €249  and which cable adds way more detail  on ROSIE's sound, giving an impactful low-end,  with more clean mids and crystal clear highs...  The ROSIE is an Audiophile's IEM with excellent, balanced, detailed sound performance.  Compared to the Roxanne (which I've sold & kept the ROSIE),  the ROSIE is an even more detailed and balanced IEM,  especially in the mids & highs, where the Roxanne seems to be more smoothed.  And although ROSIE has more detail, it is very important that will never give you any fatigue...  It will be real pleasure in your ears.  The BLACK DRAGON V2 cable is superb,  there's no comparison between this, and the one originally came with the ROSIE.  And for my asking price for this set, it's like you getting it for free actually...  And something else to seriously consider:  while ROSIE is equal to Roxanne in terms of audio quality,  (with just the differences I mentioned above),  ROSIE can be found for half the money...  So, grab ROSIE now!;)  Condition:  Very very good, close to new.  Beautifully-perfectly working.  Please see my photos, as they are part of the description.  You'll receive:  - the ROSIE IEMs,  - their outer packaging/box,  - the superb cable,  - all 5 pairs of ear-tips (I've used mine),  - a cleaning tool,  - manual & warranty card,  - a screwdriver to adjust the bass-volume on the cable,  so everything as seen in the photos.  The cable is a 2.5mm TRRS Balanced one.  Please check my other sales.  If you don't know what this is about, please ask before your purchase. All sales are final.  Thanks for your time!  ----------  Sale's Conditions  (please read before buying, by placing an order, means you have accepted the followings):  Shipping from EU.   If you don't know what this item is about, please ask before your purchase.  PayPal doesn't refund the fees on cancelled transactions anymore,  so be sure of what you're about to purchase, that you have made your research,  you have read reviews about it online, so you're sure you like its character etc.  Otherwise just do not buy from here, as I will definitely NOT accept returns  or any kind of refunds after sale is ended, as item is well described.  No warranty, no revocation.  Payment:   PayPal is accepted. Immediate payment is required.  Shipping:  Worldwide shipping is available.  Fully insured & signed-for shipping is provided! These options are included in shipping price!  No taxes within EU (European Union)!  Import taxes & fees (if any) are buyers responsibility. The buyer is responsible for customs fees & taxes!  If you want to

Kurzweil Operating System 3.87C  (Calvin) update kit for K2000 and K2000R  Version 3.87 is the latest and the Best Operating System version for K2000 series synthesizers.   You will receive: - two brand new EPROMS - (K2000 Eng HI  and K2000 Eng LO), corresponding to the Operating System version 3.87 for K2000 K2000R (Calvin)  - integrated circuits extractor - phone or email support  Upgrading your K2000, K2000VP, or K2vx There are 2 different versions of the engine board and operating system - Calvin and Janis. If there is a "J" after the version number on the display on boot time, than you have a Janis unit, if there is no letter after the version number, you have a Calvin unit.                                                      Make sure to buy the right EPROM update kit corresponding to your board (Calvin or Janis) !!! Please note: If your K2000 system  directly from a version earlier than 2.0 (like 1.3 version) of the Kurzweil Operating System requires the additional purchase of new Setup EPROMs, which are NOT included with this operating system update kit but available on our shop.  K2000 Series - v3.87 Operating System New features and enhancements added when upgrading from version 3.54 - SCSI Speed Improvements. Now loads and saves twice as fast as previous versions. - Export to standard MIDI Type 1. Now the software can import and export both Type 0 and Type 1 MIDI files. - ISO 9660 format support. Adds ISO 9660 format support for CD's. This allows you to read CD's in the standard format. Previously we required an "image" of the hard disk format. - Supports looped WAV files, both import and export. Also correctly handles tuning of WAV and AIFF files. Saving a WAV file will now export the loop info, if any. Importing a looped WAV file will now get the loop data, if any. The software only handles one loop per sample, so the first loop found in a WAV file is used. - Now reads 2500 programs. Previously the 2000 would ignore programs containing 2500 specific parameters. Now it translates them, stripping out any KDFX or other 2500 parameters. - Improved object save and delete times. - Improved sample delete times.   New features and enhancements added when upgrading from version 3.01 or 3.18 All of the above, plus: - Eight 32-layer "drum" channels are now available. (PRAM option required). - A new option has been added for the sustain pedal (Program editor - LAYER page). When you select "On2," the sustain pedal will not catch the release of a note that is still sounding when the sustain message is received; this can be very useful in a program that uses amplitude envelopes with a long release time. - MIDI type 1 files can now be imported. - Verify option double-checks the data integrity of all your backup, copy, and save operations. - Info soft button on the Utilities page in Disk mode displays information about your disk drive(s). - Copy function now allows selection of multiple files. - You can now format multiple floppies without having to return to the initial Format command. - The K2000's SCSI subsystem has been enhanced to accept a greater variety of devices. In addition, the K2000 now supports disk drives of up to 2 Gigabytes (2048 Meg). V3.54 will work with drives larger than 2G but only the first 2 G will be utilized. (Drives larger than 1 gig will work externally, but are likely to draw too much power to be used internally. Please check our Hard Drive Compatibility List for power consumption specs. - Previous to v3.54, for the Backup and Copy functions, the combined size of both drives had to be under 1 gig unless PRAM was installed. This limitation no longer exists. - Compatibility with the PC Exchange program has been improved.   New features and enhancements added when upgrading from version 1 or 2 All of the above, plus: Version 3 operating system software for the K2000 offers majo

ENGLISH BELOW Novation Launchpad S Ableton Controller MIDI/USB 64 boutons État: comme neuf (jamais utilisé) Très facile à installer Inclus: - Launchpad S - câble MIDI / USB - guide d'installation (général et pour iPad) - déclaration pour l'environnement Livraison: via Colissimo Le Novation Launchpad S peut être utilisé sur n'importe quel Mac, PC Windows, PC Linux, ou même un iPad. Les fonctionnalités incluent un mode basse consommation qui permet de connecter le Launchpad directement à un iPad sans avoir à passer par un hub USB alimenté; un mode identification qui permet une installation facile avec de nombreux Launchpads et de multiples logiciels. Le Launchpad de Novation est un choix déterminant pour créer ou performer de la musique en live, et le Launchpad S ajoute encore plus d'améliorations à la version précédente. En plus d'être compatible avec Mac, PC et iPad, il contient des lumières LEDs très vives, un feedback LED plus rapide et peut être utilisé avec Ableton Live, FL Studio 11, BitWig, et tous les autres principaux DAWs. -- ENGLISH VERSION Novation Launchpad S 64-Button Ableton Controller. Condition: mint (never used) Very easy to set up. Includes: - Launchpad S - MIDI / USB cable - Starter guide & iPad set-up guide - Environmental Declaration Shipping: via Colissimo (French post office) Novation Launchpad S is class compliant meaning it can be used on any Mac, Windows PC, Linux PC, or even an iPad. Features include low-power mode, which allows direct connection to an iPad with camera kit without the need for a powered USB hub; identification mode, allowing easy setup with numerous Launchpads and multiple software. Novation's Launchpad is an instrumental choice when creating or performing music live, and the updated Launchpad S adds even more enhancements to the previous version. The Launchpad S is class compliant (Mac, PC, iPad), features super bright LEDs, faster LED feedback and can be used with Ableton Live, FL Studio 11, BitWig, and all other major DAWs.

Beo6 Télécommande Wi Fi  + Station d'accueil Bang & Olufsen Ne s'allume  plus depuis quelques mois peut-être un problème de batterie?? les photos ont été prises en septembre 2020 petit éclat en bas a droite de l'écran et choc sur le côté.  Donc vendu pour pièces. Beo6 Remote Controller + Table Charger Manufactured: 2010 - ??? Designer: David Lewis Colours: Silver and black Back to the Future. The Beo6 replaces the Beo5 and adds a wide screen which is touch sensitive rather than the pressure sensitive screen of the Beo5. Initially, little will seem different but once the BeoSound 5 Encore is released and the BeoSound 5 is updated, two way control including tag information and cover art will be enabled. The communication is wireless via the router the BS5 Encore is connected to.

Up for sale is a near mint example of the latest and greatest Audio Analogue AA Phono Stage. Picking up where the Aria left off, the AA Phono preserves the Audio Analogue house sound (fluid and tonally rich, with a touch of tube like warmth - but solid-state speed and bass depth), but adds extra soundstage width, focus, and much blacker, quieter backgrounds. Flexibility is top notch with absolutely every possible cartridge load and capacitance catered for - including very low output MC cartridges. Setup is very quick and easy via two rows of switches on either side of the unit, right below the front plate. Build quality is second to none, both inside (3 toroidal transformers, dual mono construction, high quality subsonic filter and shielding) and outside (the design, fit and finish are a joy for the eyes). Specs are as follows: - MM gain (@1KHz) - 40 dB - MC gain (@1KHz) - 65 dB - Frequency response (+/-0.25dB) - 10Hz - 20KHz - MM signal/noise ratio - 89 dB - MC signal/noise ratio - 72 dB - Standby power consumption (230VAC) - 0.7 W - Dimensions (H x W x D) - 87 x 220 x 372 mm - Weight - 5.8kg The unit will come professionally packaged, although without original box or manual. It was meant for a fourth (...) system which will in fact not happen. Any questions please ask. Thanks for looking !

Zacuto Z-Finder Pro 2.5x with Zacuto 3.2b'"' mounting frame b'&' base plate Zacuto's Z-Finder Pro 2.5x optical viewfinder is a necessary tool for shooting sharp, stable video on DSLR cameras like the Canon 5D MkII, 7D, Nikon D90, D300s and others. Whether shooting handheld or on a tripod, the Z-Finder Pro turns your camera's 3b'"' LCD screen into a clear, easy-to-focus viewfinder that lets you see your image in magnified detail even under the brightest sunlight. Just as crucially, the Z-Finder Pro provides an extra degree of handling comfort and a crucial point of contact--between camera and eye--that adds stability to any handheld video. The Pro 2.5x version offers an adjustable diopter that enlarges the LCD image by a factor of 2.5, so you can see every detail for pinpoint focus. The diopter's extended range of -4.75 and up makes it especially useful for those who are nearsighted. The Z-Finder attaches to your camera via the included Gorilla Baseplate and mounting frame, which mount to the bottom of your camera using a standard 1/4b'"'-20 screw. A non-stick rubber backing ensures a tight fit and prevents scratching of the LCD screen, so that the entire Z-Finder snaps off easily when not in use. Once detached, the unit can hang conveniently around your neck from the included lanyard. - 2.5x magnification - 40mm diameter lens for excellent light throughput - Allows DSLR cameras to have correct form factor for video - Field of view perfectly matches 3.2b'"' LCD screen size - Diopter range is -4.75 and up (unlimited with extender frames)--ideal for nearsighted shooters En savoir plus Collaboration commerciale.