Which was

Rare paire Luxman C300 et M300:Amplificateur et préamplificateur (avec phono). État : "Occasion" En excellent état de fonctionnement, notez qu' il faudra remplacer une ampoule du voyant Led  "classe A". Voltage 220V. Les deux appareils sont visibles chez Jefferson Hifi à Pérouse où je les ai déposés. Livraison possible en France, en Europe,etc nous consulter pour les frais d'envoi internationaux. Le M300 a été produit en même temps que la série C300. Je crois qu’il n’en a été produit que 2000 dans le monde. C’est non seulement une paire de collection, mais le haut de gamme des luxman des années 1980. Ils sont les dernières combinaisons pré/ampli, à avoir été fabriquées sans implication de Alpine(qui a ensuite  modifié sérieusement la qualité Luxman  hélas.). ils ont été primés "produit de l'année" au début des années 80.  Le M300 se laisse utiliser soit en classe A, où il développe 2x42 w sous 8 ohms en classe A, ou alors 172w en classe AB sous 8 ohms. Comme toujours chez Luxman, on peut espérer une dizainede watts supplémentaires dans chaque modes, vu qu'ils utilisent unsystème de mesure très strict sur leurs fiches techniques. Il faut surtout savoir qu’il ne faut basculer de classe AB en classe A que à l’arrêt, en redémarrage à froid.  Voici  les caractéristiques techniques (https://audio-database.com/LUXMANALPINE-LUXMAN/amp/m-300-e.html) et https://audio-database.com/LUXMANALPINE-LUXMAN/amp/c-300-e.html 1)Préampli C300: Frequency response: 0.5Hz to 140kHz   Total harmonic distortion: 0.005% Input sensitivity: 0.09mV (MC), 2mV (MM), 140mV (line)      Signal to noise ratio: 80dB (MM), 100dB (line) Output: 140mV (line), 1V (Pre out), 20V (Pre out Max)  Dimensions: 478 x 163 x 384mm     Weight: 9kg 2)amplificateur M300 Form Duo beta plusX poweramplifier Succession effectiveoutput (20Hz - 20kHz, both channel simultaneous operation) Class-A: 40W+40W (8ohms) AB class: 270W+270W (4ohms) 170W+170W (8ohms) THD (8 ohms) 20Hz- 20kHz-3dB Class-A: 0.005% or less AB class: 0.005% or less Cross modulationdistortion (8 ohms) 60Hz: 7kHz=4:1, -3dB Class-A: 0.005% or less AB class: 0.005% or less Output bandwidth Class-A: 10Hz-100kH-3dB(0.015% of distortion) AB class: 10Hz - -100kHz three dB(0.04% of distortion) Frequency characteristic 10hz-100kHz-1dB (aClass-A and AB class) Input sensitivity Class-A: 0.45V ABclass: 1V Input impedance 50kohm (a Class-A and ABclass) SN ratio (IHF-Acorrection) Class-A: 115dB ABclass: 120dB Remains noise (IHF-Acorrection) 30 microvolts (a Class-Aand AB class) Dumping factor 120 (1kHz, 8 ohms, aClass-A, and AB class) Protection network DC drift detectionspeaker protection network Overcurrent detection amplifierprotection network Attachment Circuit operationswitchpoint (indicator) Peek indicator Inputattenuator Headset jack Speaker-off switchpoint(indicator) Line phase sensor Supply voltage AC100V, 50Hz/60Hz Power consumption (Electrical Appliance and Material Control Law) Class-A: 420W ABclass: 430W Dimensions Width 478x height 214xdepth of 484mm Weight 30kg Stereo power amplifier which adopted the Duo beta plusX circuitry. In order to control NFB of an amplifier circuitry appropriately, the Duo beta circuitry was developed and it is adopted as M-300. After this makes amplifier to the extent that it is used also from a nakedness property as it was, it adds proper-quantity NFB and DC servo as finish of a tone quality, and is suppressing the transitional distortion of a supression of play sound, TIM, etc. by superfluous NFB etc. Furthermore, in M-300, the thought of a suitable control is introduced also into a power circuit, and it is considered as the power-source Duo beta plusX. At plusX, the stability of a comfortable tone quality and an operation is reconciled because the bottom gives controlling force calmly on the assumption that a generous power-source part. M-300 can change and use a Class-A and AB class. The Class-A operation has a structure which amplifies a signal wave form as it is. Therefore, it becomes unrelated to switching distortion or crossover distortion, and does not have the cause that it is distorted in addition to an element's own linearity. In M-300, the Class-A operation excellent in adopting a Duo beta as LAPT which excelled [element] in the high region property, and an amplifier circuitry, and adopting plusX as a power circuit is realized. In AB class, Oide power which drives transitional distortion below into a limit of measurement in pursuit of a nakedness property also in an operation, and is not made in a Class-A operation on it is realized. At the time of a switching of a Class-A / AB class, in a performance, sound does not break off and a noise is not generated, either. Circuitry constituted all the amplification stages from a push-pull circuit from the input stage to the output stage, and the amplifier which was excellent in the nakedness property which will be the requisite for a Duo beta circuitry is realized. The pre-driver stage is making the input stage the transistor which was excellent in the high region property with the cascode interconnection with the stream composition of the cascode bootstrap and the differential push pull by complimentary FET of a Pch type and a Nch type. And the driver stage and the power stage are considered as the push pull stream composition by a three-step Darlington connection. A linearity makes an output element high speed power transistor linear arithmetic processor-T which was well excellent in the high region property with a triple push pull stream composition, and the electric current is sent. In this way, the static characteristics and the dynamic behavior improved. And proper-quantity NFB and DC servo are added. The power-source part had the twin monophonic stream composition of right-and-left full independence, and has acquired the merit of a linearity covering all the bands, and the outstanding crosstalk property. The power transformer is performing and using the coil mandatory adopted and put into practice among the object for Rch, and two Lch. First, the power stage and the drive stage were made into another coil, and also the primary side and secondary side has unified the orientation of a coil. This is because it is checking having influence on play sound with the potential (polarity) which a transformer begins to roll, rolls and the last each has between opposite groundings. Moreover, four right and left adopt the type only with a capacity of 12,000 micro F for an audio as a filter capacitor, and low-impedance-ization of the power-source part is attained to it. In order to cope with the rush current which becomes large as the capacity of a power-source part becomes large, the rushes current preventing circuitry is adopted. The speaker protection network and the amplifier protection network are carried. The internal organs of the speaker protection network which detects DC output in an output-terminal and separates an output are carried out. Furthermore, when the speaker code etc. short-circuits, even if there is a big input, an amplifier circuitry is protected or the electric-current preventing circuitry is carried. After the elements currently used examine, it is using it, carrying out a tone-quality mandatory strictly uniquely. The film capacitor generally called non-polar is also arranging a polarity etc., and the capacitor is carrying out the tone-quality mandatory strictly. Moreover, the precision succession good transformation Detent volume excellent in the tone quality and a feeling of an operation is adopted as input attenuator. Furthermore, in terminals, the small gilding pin jack of contact resistance was adopted as the input terminal, and the large-sized screw type is adopted as a speaker termination. The product line was packed into the shortest distance, and also it has chosen high materials of the tone-quality effect, such as a shielded cable of oxygen free high conductivity copper and 500 core. Moreover, in order to suppress an elevation of the source impedance of the pattern side of a substrate, the power bus by a copper plate was adopted and the performance of a power source is employed efficiently. The line phase sensor is carried, by the functionality which detects this polarity, the polarity of the equipment was unified and the tone quality is improved. The indicator turned on at the clipping point of an output is carried, and a peek can be supervised.

b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' The Kowa SER 35mm f2.8 (built from the late 1960s to the early 1970s) were something very special even at the time they were built, because they were the last central shutter cameras ever built in the world. This lens was the moderate wide-angle analogic lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. Here it impresses with good sharpness from open aperture, and the background behavior is really b'"'specialb'"' (whether particularly beautiful is in the eye of the beholder - it really depends on whether you like it particularly soft or rather b'"'busyb'"'). In order to give a direct feeling for the performance and the bokeh behavior, I would like to start with a small aperture row in the close range. The overall images nicely show the changes in bokeh behavior. The Kowa SER 35mm f2.8 was the moderate wide-angle lens for the Kowa SER, the first generation of Kowa SLR cameras with interchangeable lenses. It is a 6-lens design with f2.8 aperture, very compact, and like all Kowa lenses in a beautiful hill and valley design with a chrome nose. The Kowa lenses are a pleasure to feel, and the clickless aperture ring (on the adapter) is of course an advantage for filmmakers. The Kowa SER 35mm f2.8 gave many beautiful shots! Like all Kowa lenses, this one is particularly suitable for close-up images where you are close to the subject. In the tradition of the large German manufacturers such as Zeiss (Contaflex) and Voigtländer (Bessamatic and Ultramatic), Kowa also built three interchangeable lens cameras with central shutters in Japan (based on viewfinder cameras with the same principle). The Kowa SER was replaced after a few years by the Kowa Set-R and the Set-R2. What is remarkable here is the persistence with which Kowa transported the central locking system into the 1970s. This system, which was outdated by the mid-1960s at the latest due to its technical limitations, led directly to the decline of the major German manufacturers and was one of the b'"'nailsb'"' in the coffin of the German camera industry, which ended in Zeiss ceasing camera production in 1972. The big difference to the last German central shutter cameras is the shape and design of the Kowa SER/Set-R cameras. At the time, they were optically absolutely contemporary, comparable to the Pentax Spotmatic and the other Japanese SLR cameras in terms of form factor. In addition to the great advantage of the central shutter that flash can be used at all exposure times, it also leads to extremely difficult lens designs and major reliability problems due to the complexity of the control. These days it's hard to find a Kowa camera that even works, let alone someone who can repair it. Some technical information about the lens: Weight: 172g Length: 53mm Diameter 59mm Optical design: 6 lens elements Aperture: from f2.8 to f16 Aperture design: 5 aperture blades Filter holder diameter: 49mm Closest focusing distance: 40cm Serial number: 940388 Built from the late 1960s to the early 1970s Made in Japan by Kowa b'>'b'>'b'>' I'm giving away the camera body for free of charge + 1 dia expirated film 24x36mm (135mm) CR-56 / E-6 process b' b'>'b'>'b'>' Shipping Worldwide with tracking and insurance included b' _________________________________________ tags: telemetric film camera analogic film is not dead! leica carl zeiss tessar voigtlander olympus canon kodak fujifilm ilford En savoir plus Collaboration commerciale.

Micro Mikrofon Microphone Grundig Gdm 121 Sennheiser Vintage. État : Occasion, en parfait état cosmétique (voir photos) et fonctionne. Testé.  Dans son box d'origine, avec son pied. Tested and fully functional condition.  See pictures for the cosmetics.  Wonderful vintage microphone, comes in its original packaging with foot. International bidders welcome, please ask for a precise shipping quote to your location of choice. Grundig GDM-121 Dynamic Microphone late 50's made in West Germany with box in excellent condition and full working order. Jack is replaced with 3 XLR plug. Quoted from Trashblitz website; Grundig GDM-121 Behold one of the foundational pillars of: The Grundig GDM-121, 1950s German vintage gold deluxe, and in all its glory quite probably responsible for this website. It is to this day the only gold coloured microphone we own, and it has such a cute little metal table stand with the Grundig four-leaf clover on it! And, more importantly, it was one of the first “vintage” microphones we acquired that did not simply sound old, funny or broken, and it piqued our interest in a very special way: It sounded fantastic, but there was buzz and hum and all sorts of unpleasant background noises mixed into the signal – and here my quest to  began. I found out that the GDM-121 is a high-impedance version of the Sennheiser MD21, a dynamic omnidirectional reporter microphone which is still being manufactured with only minor design updates, more than 60 years after its release in 1953. In terms of usefulness, this means that it is 100% functionally equal to the MD21, which was used as a reporter mic and in broadcasting. It has many advantages for these purposes – almost no handling noise, no proximity effect, incredibly sturdy (there was supposedly a show on the Sennheiser stage on some fair in the 1950s where an MD21 was dragged up and down a flight of stairs for hours, and it was still operational after this treatment). Since it was developed for vocal applications mainly, it has a presence boost above 3kHz and can withstand really high SPL. Much like with its cardioid sibling, the MD421, it’s virtually impossible to get a distorted signal out of this mic. In the studio, it can be used as a soft, jazzy kick drum mic, on guitar cabinets and on many instruments where you want to capture a mellow and natural ambient sound without very detailed transients or highs. This is because it is a large-diaphraghm dynamic omni, and as such probably unique in its properties even in most serious studio microphone collections.

Je propose à la vente cette très rare clarinette ancienne en Sib, fabriquée par G.L. Penzel à New York City. Probablement fabriquée vers 1910, c'est une clarinette qui joue très bien et qui est en très bon état. A noter qu'un instrument de cet âge aura quelques rayures ici et là sur le corps. Il n'y a pas de fêlures ou de fissures réparées. Les clés sont en très bon état. Veuillez noter qu'il y a des roulettes sur les deux touches inférieures de la main droite. Il s'agit d'une caractéristique très inhabituelle que l'on voit rarement sur les clarinettes aujourd'hui. Il n'y a pas non plus de clé de registre « col de cygne », qui a été abandonnée dans les années 1920. Cet instrument a été entièrement révisé avec nouveau tampons juste avant que je l'achète il y a trois ans. Je ne l'ai pas joué très souvent mais il a une sonorité merveilleuse et est très agréable à jouer. mesure de l'alésage: 14.83mm Un étui ProPak pour sax soprano est inclus, ce qui était le meilleur choix pour un instrument de cette longueur. La clarinette sera soigneusement emballée pour le transport. English below: I am offering for sale this very rare old clarinet in Bb, made by G.L. Penzel in New York City. Likely made around 1910, it's a great playing clarinet in very good condition. Note that an instrument of this age will have some scratches here and there on the body. There are no cracks or repaired cracks. Keys are in very good condition. Please note there are rollers on the two bottom right hand keys. This was a very unusual feature and is rarely seen on clarinets now. Also not the b'"'swan's neckb'"' register key, which was discontinued in the 1920s. This instrument was completely overhauled with new leather pads right before I purchased it three years ago. I haven't played it very often but it's has a wonderful tone and is great fun to play. Bore size: 14.83 mm Included is a like new ProPak soprano sax case, which was the best choice for an instrument this length. Clarinet will be carefully packed for shipping. En savoir plus Collaboration commerciale.

Tuner Denon TU 701 in very good condition. This unit was sold about 64000 yens in 1977 (600 dollars). It is an exceptional tuner, one of the best ever produced. FM stereo tuner in which the drum type long scale dial plate was carried. In addition to a frequency linear 5-unit variable condenser and one step of RF, MOS FET which was excellent in the noise characteristic is adopted as a front end part. An eight linear phase ceramics filter and LC circuit are adopted as an intermediate frequency amplifier, and the degree of selection is improved to it. Moreover, the improvement of a stereo distortion is also aimed at by adoption of a broadband ratio detection circuit or a phase compensation circuit. Furthermore, sound quality degradation by interference is prevented with the high gain magnification and the seven-step limiter using high accumulation IC. An intermediate frequency magnification circuit for exclusive use is prepared for sub functions, such as a perpendicular multipass terminal, muting, signal meter, and the influence by these circuits is avoided. A large-sized level meter is formed in right and left of the front panel, and the right meter is made signal meter for the left meter with the level meter of multipass meter combination. In the right meter, not only a tuner Output voltage but measurement of external audio voltage, such as a power amplifier output, is possible.

Tuner Denon TU 701 in excellent condition. This unit was sold about 64000 yens in 1977 (600 dollars). It is an exceptional tuner, one of the best ever produced. More than 7 kgs and an exceptional musicality. It is working without external antenna. This tuner is in the same category as the Tandberg 3001A but much easier to fix. FM stereo tuner in which the drum type long scale dial plate was carried. In addition to a frequency linear 5-unit variable condenser and one step of RF, MOS FET which was excellent in the noise characteristic is adopted as a front end part. An eight linear phase ceramics filter and LC circuit are adopted as an intermediate frequency amplifier, and the degree of selection is improved to it. Moreover, the improvement of a stereo distortion is also aimed at by adoption of a broadband ratio detection circuit or a phase compensation circuit. Furthermore, sound quality degradation by interference is prevented with the high gain magnification and the seven-step limiter using high accumulation IC. An intermediate frequency magnification circuit for exclusive use is prepared for sub functions, such as a perpendicular multipass terminal, muting, signal meter, and the influence by these circuits is avoided. A large-sized level meter is formed in right and left of the front panel, and the right meter is made signal meter for the left meter with the level meter of multipass meter combination. In the right meter, not only a tuner Output voltage but measurement of external audio voltage, such as a power amplifier output, is possible.

- Appareil photo type lomographie Blackbird, Fly couleur noire - Lanière - Notice - Masques 24x36 et 24x24 Peu utilisé (environ 300 poses) Envoi rapide et soigné. Description:  Blackbird, fly or simply BBF is the name of a Pseudo TLR which was introduced in 2008. It was designed by Powershovel as a playful toy camera for more experimentally-minded photographers and marketed through the brand Superheadz. Despite the geared lenses, it is does not have the ground glass focusing of a true TLR, but instead uses a brilliant finder and scale focusing. The BBF has apertures f11 (sunny) and f7 (cloudy), and a switch to choose between moment (1/125) and bulb mode of the shutter. It has also a hot shoe to connect a flashgun. It takes 35mm film and is available in a number of different colours including orange, red, blue, black, white and yellow. Its innovative aspect is a set of masks which can be put into the camera before inserting a film. Thus different frame-sizes are achieveable, from 24x24mm to a size which includes the 35mm film's sprocket holes.

Sony Alpha DSLR A7RIII A7R III 42.4MP 4K Full Frame,Digital SLR CameraW/MATTBOX Sandisk 64GB SDHC CARD +LENSES,FLASH,Grip,BOTH PAL/NTSC LIQUIDATION!!! A MOVIE PROJECT FAILED, NOW YOU CAN BENEFIT!!! CHECK OUR IMPECCABLE FEEDBACK FOR MORE THAN A DECADE SELLING HIGH END PHOTOGRAPHY EQUIPMENT ON !!! Any questions, Email us and we will respond right away  OVERNIGHT AVAILABLE FREE SHIPPING WE WILL WORK WITH INTERNATIONAL BUYERS, VERY FLEXIBLE AND HAVE A LOT OF EXPERIENCE WITH INTERNATIONAL SHIPPING.  EVERYTHING IN THE PICTURES IS INCLUDED! THIS IS PAL/NTSC, DOES BOTH FORMATS This is a BRAND NEW, Sony Alpha DSLR A7R III 42.4 MP 4K Full Frame Digital SLR Camera  the firmware has been updated with the latest version by Sony, it has 0 ACTUATIONS, NEVER USED, the project never happened, so it is new in box. The camera is brand new and supports 10 languages (including english of course). This is a great studio package to get you going, someone’s loss is your gain! Don’t pass up this opportunity!  This camera does BOTH PAL AND NTSC formats.  Items included - 3.0" 1.44m-Dot Tilting Touchscreen LCD - 3.69m-Dot Tru-Finder OLED EVF - 399-Point AF System & 10 fps Shooting - 42MP Full-Frame Exmor R BSI CMOS Sensor - 5-Axis SteadyShot INSIDE Stabilization - BIONZ X Image Processor & Front-End LSI - Built-In Wi-Fi/Bluetooth, Dual SD Slots - ISO 102400 & Pixel Shift Multi Shooting - UHD 4K30p Video with HLG & S-Log3 Gammas - USB 3.1 Gen 1 Type-C Port & PC Sync Port 1) Sony Alpha DSLR A7RIII 42.4 MP 4K Full Frame Digital SLR Camera  (upgraded firmware, this was an extra which was expensive and upgraded many of the features) * 2) Canon Multi-coated EF Lens 18-55mm F/3.5-5.6 IS (USM ULTRASONIC MOTOR) POWER ZOOM, THIS IS AN AUTO FOCUS CANON EF LENS WITH AN AUTOFOCUS ADAPTER. THE ADAPTER IS  * 3) AutoFocus Adapter AUTO, IT IS THE SAME AS A METABONES ADAPTER). MULTI-COATED, (Amazing Power Zoom/Portrait Lens, very versatile, with an adapter to allow it to function on the Sony A7s, high end Canon glass * 4) Canon Zoom FD ED ASPHERICAL 100-200mm F/5.6  (THIS IS AN AMAZING ZOOM LENS!!! with an adapter to allow it to function on the Sony A7RIII, classic high end glass, they dont make it like they used to.  * 5) Canon FD 50mm F1.4 Macro  MULTI-COATED, (Amazing Power Zoom/Portrait Lens, very versatile *6) NEW Lens Cleaning Kit *7) NEW CANON BRAND DSLR BAG (with suspension for the camera and lots of pouches and protection). * 8) Wireless Remote *9) Sandisk EXTREME PRO SDHC Card 64GB Class 10 95MB/s 4K 633X High speed  * 10) MK-A7II Battery Grip (2.4GHZ Remote comtrolled, allows you to use 2 batteries at the same time) C1 custom function  C2 custom function  C3 custom function/Amplification Function  With two wheels which are convenient for operation  Have AF(auto focus), MF(manual focus), AEL(AE lock) functions  Vertical shooting shutter release.  Two lithium batteries can be put into the grip, with make it have double power.  All interface block electrodes and signal pins employ pure and thick metal plating technology that provides perfect contact and conductivity, as well as great performance to resist oxidation.  Remote Controller:  FSK 2.4G wireless transmission frequencies  Transmission distance: up to 100 meters  Time remote function  Clock display mode  Screen lock key function  Low-power LCD display  * 11) NEW Speedlite YN 560 II (AMAZING PROFESSIONAL SPEEDLITE FLASH) * 12) NEW MONOPOD * 13) Sony Brand Battery * 14) Sony Brand Charger * 15) Shotgon Shoe microphone for Sony A7RII * 16) NEW Pelican Case (Airtight, pressurized, watertight, has a pressure valve, just the camera body fits in this case, but it can be submurged up to 30 feet under water, it can survive extreme shock. So when you travel, or go anywhere, you don’t have to worry about your camera body, if it i

Panasonic Lumix G VARIO 100 – 300mm F4.0-5.6 MEGA 0IS top in box! International bidders are welcome: English version of the announcement and German lower.. I note that the shipping costs are exactly what I pay, I do not take commission. Je vends mon zoom Panasonic 100 – 300mm micro 4/3 soit l’équivalent en full frame ou reflex 24x36 d’un 200 à 600 mm ! L’optique est en superbe état les photos en attestent. Il fonctionne parfaitement la bague de zoom est fluide; c’est la première version de cette optique qui a l’avantage d’être une version « Made in Japan ». Il est très bien stabilisé et ce stabilisateur est débrayable et se combine également à celui du boitier. Il est compatible avec les boitiers micro 4/3 Panasonic ou Olympus. Les lentilles sont indemnes de tout défaut car je l’ai toujours utilisé avec un filtre de protection (non vendu avec); il sera livré avec ses bouchons avant et arrière dans son emballage original et avec son parasoleil spécifique. Seul fait défaut la proche de protection que j’ai égarée mais qui de toute façon était trop souple et légère pour le protéger efficacement. Je l’ai peu utilisée et toujours avec soin. Expédition: Pour les frais de port sur une base Colissimo recommandé et assuré le prix sera de 12 € si je paye moins cher je rembourserais la différence par PayPal. Pour l’envoi pour l’international (monde entier), le prix sera de 20 € (Europe, inclus la Suisse) affinés selon sa destination au moment de la finalisation de la vente si je paye moins je rembourserai par PayPal la différence car je ne gagne pas d’argent sur les frais d’envoi. Me contacter avant d’enchérir si vous résidez en Grande Bretagne car les envois sont très compliqués depuis le Brexit et les frais de douane s’appliquent. Pour le reste du monde me contacter également car le port sera élevé. I am selling my Panasonic 100 – 300mm micro 4/3 zoom, the full frame or 24x36 reflex equivalent of a 200 to 600 mm! The optics are in superb condition, the photos attest to this. It works perfectly, the zoom ring is fluid; it is the first version of this optic which has the advantage of being a “Made in Japan” version. It is very well stabilized and this stabilizer is detachable and also combines with that of the case. It is compatible with Panasonic or Olympus micro 4/3 cameras. The lenses are free from any defects because I have always used them with a protective filter (not sold with); it will be delivered with its front and rear caps in its original packaging and with its specific lens hood. The only thing missing is the protective cover which I misplaced but which was anyway too flexible and light to protect it effectively. I used it little and always with care. Shipping: For shipping costs on a registered and insured Colissimo basis the price will be €12 if I pay less I will reimburse the difference by PayPal. For international shipping (worldwide), the price will be €20 (Europe, including Switzerland) refined according to its destination at the time of finalization of the sale if I pay less I will reimburse the difference by PayPal because I does not make money on shipping costs. Contact me before bidding if you live in Great Britain because shipping is very complicated since Brexit and customs fees apply. For the rest of the world also contact me because the shipping will be high. Ich verkaufe mein Panasonic 100 – 300 mm Micro 4/3 Zoom, das Vollformat oder 24x36 Reflex-Äquivalent eines 200 bis 600 mm! Die Optik ist in einem hervorragenden Zustand, die Fotos belegen dies. Es funktioniert einwandfrei, der Zoomring ist flüssig; Es ist die erste Version dieser Optik, die den Vorteil hat, eine „Made in Japan“-Version zu sein. Es ist sehr gut stabilisiert und dieser Stabilisator ist abnehmbar und lässt sich auch mit dem des Gehäuses kombinieren. Es ist kompatibel mit Panasonic- oder Olympus-Micro-4/3-Kameras. Die Objektive sind frei von Mängeln, da ich sie immer mit einem Schutzfilter (nicht im Lieferumfang enthalten) verwendet habe; Di En savoir plus Collaboration commerciale.

AKAI REMIX 16 - FULL OPTION, 18MB, SCSI Board, OS v1.1 This rarely seen in the wild full option Akai Remix 16 is in perfect working order and looks exceptionally well for its age. It was only seldom used by its one owner. It has all the original parts except for the back side SCSI shield, which was added by me - see photos. The OS is upgraded to 1.1 version to be able to use the SCSI option. It comes with an extra pack of 3 replacement sliders. It is well known that the sliders don’t last well in time. This is why one of my projects was to make plug and play replacement sliders and the machine comes with a bonus pack. Note that the replacement pack does not contain original Akai sliders, but the ones made by me. ---------- Memory 18MB SCSI Board OS: v1.1 ---------- If you have any questions, ask me before buying. Fast shipping in France and internationally. ---------- Any taxes, duties and customs procedures are the clients' sole responsibility ---------- En savoir plus Collaboration commerciale.

Control board SZTHTFTV1823_V1.3 for SE39UY04 TV The control board works perfectly. It was removed from a SE39UY04 TV which was updated with a X39 Rev2 Kit from Zisworks (http://www.zisworks.com). Foreign bidders are welcome! Do not hesitate to make offers!

Sony Cybershot DSC-v3 -  Avec Carl Zeiss vario Sonnar obj. f 2.8 - 4.0 / 7-28mm (équivalent en 35mm film = 34-136mm). -  Cartes CompactFlash et/ou Memory Stick Pro, simultanément. -  2.5" LCD écran. -  Livré avec sa batterie, chargeur générique (secteur et automobile), dragonne, câble usb, carte CF et une sacoche. -  Exc. état; peu servi, bien conservé. Se vendait neuf, fin 2004, pour 700 dollars; était en compétition avec le vaisseau amiral de Canon, le PowerShot G6. -  Very good, solid, high end compact, which was a rival for the canon G6, and it certainly did beat the G6 on a few points; two of which are very obvious at a first quick glance. The lens of the v3 has an automatic selfclosing door, while the G6 still has the rather clumsy lens cap, and the LCD screen of the v3 is quite larger, always nice if you're an old guy, like me. However, both are excellent cameras with fine lenses; that of the canon is faster.

LED Driver CHIMEI INNOLUX C390S01E01A for SE39UY04 TV The LED driver board works perfectly. It was removed from a SE39UY04 TV which was updated with a X39 Rev2 Kit from Zisworks (http://www.zisworks.com). Foreign bidders are welcome! Do not hesitate to make offers!

HEED OBELISK PX POWER SUPPLY One of the most difficult tasks we have undertaken has been to extend the capabilities of the Obelisk PRE, which was designed to perform beautifully as a self-contained unit. However, the Obelisk PX dedicated outboard power supply manages to surpass even our highest expectations. The PX is based on a sophisticated fully-regulated, double-filtered circuit topology, which eliminates interference caused by the mains supply, providing the cleanest possible current to the PRE. It features very high grade components such as a high-quality mains transformer and well-sized high-grade capacitors custom made to Heed’s own specifications. This results in extremely low noise, low inner impedance and negligible distortion performance. Although the PX is primarily designed to partner with the Obelisk PRE, it can also be paired to enhance the performance of our Quasar phono stage, Dactilus DAC, Canalot headphone amp, etc. HEED OBELISK PX Alimentation régulée L'une des tâches les plus difficiles que Heed ait eu à entreprendre a été d'accroître les performances de l'Obelisk PRE qui avait été conçu dès le départ pour fonctionner à merveille en boîtier autonome. Cependant le bureau d'études Heed s'est attelé à la tâche ardue d'améliorer le potentiel de l'Obelisk PRE. Si Heed a un défaut, c'est bien celui d'exploiter au maximum le potentiel de ses appareils pour offrir les meilleures performances possibles. En ce qui concerne le Heed PRE, il faut reconnaître qu'une grande partie de ses performances est obtenue grâce au soin apporté à son alimentation interne très sophistiquée. D'autres fabricants pourraient avoir eu envie de mettre en œuvre une alimentation de base, juste suffisante, pour mieux faire ressentir le gain apporté par une alimentation externe additionnelle. Ça n'est tout simplement pas la philosophie de Heed. Ils aiment ce qu'ils font, ils aiment leurs produits et ont envie que leurs clients les aiment également et puissent profiter au maximum de la musique qu'ils apprécient.   Les performances de leurs appareils, à leurs niveaux de prix respectifs, ne sauraient souffrir aucun compromis qui pourrait avoir un impact sur le rendu musical. En d'autres mots, ils se sont compliqué la tâche à rendre un excellent produit encore meilleur, à tirer la quintessence de son potentiel avec toujours comme objectif primordial une musicalité absolute. L'Obelisk PX répond parfaitement a ce cahier des charges exigeant. Son développement a représenté pour l'équipe Heed un défi véritablement ardu mais elle est très fière du résultat. Le PX tient ses promesses. Son alimentation sophistiquée, dont le circuit aux composants de très haut niveau sont fabriqués sur mesure, est entièrement régulée et permet d'obtenir un niveau de bruit extrêmement faible, une impédance interne très basse ainsi qu'un niveau de distortion négligeable. Bien que conçu pour l'Obelisk PRE, le PX peut être utilisé avec le préamplificateur phono Quasar, le DAC Dactilus et le tout nouveau Canalot.

Onkyo DP-X1 version B comme neuf - Audiophile. État : "Occasion" Bonjour,   Baladeur Audiophilecomme neuf qui était vendu 899€. Protectiond’origine encore présente, aucune rayure ! Les caractéristiquessont visibles sur le site constructeur ou sur SonVideo. Un très bon produit quipermet de mettre TIDAL, Deezer Hifi, Qobuz sublime+ entres autres et dedécouvrir l’intérêt du baladeur audiophile haut de gamme. Envoi possible en Franceou international (coût plus important) avec un emballage très soigné etassurance   Charles                                                                                                                                                                                                           ____________________________________________________________________________________________________       Hello,   Audiophile player like new which was sold for 899 €. Original protection still present, noscratches! The characteristics are visible on the manufacturer'swebsite or on SonVideo. A very good product which allows to put TIDAL, DeezerHifi, Qobuz sublime + among others and to discover the interest of the high-endaudiophile player. Can be sent to France or internationally (higher cost)with very careful packaging with assurance   Charles

EAY62851201 EAX64908101 Power Supply For LG 47LA640S. État : "Occasion" Piece issued from my TV which was broken by my son after 3-6 months (impact on the screen). (The TV was kept in my garage all the time).

Grundig Tele-Pilot 80 E Remote Control for Super Color (RARE, EXC). Information about this particular Tele-Pilot is extremely limited. It is most visually similar to the 120 E, which was sold with many Super Color TVs of the late 1970s. It is likely that this remote is compatible with some Grundig TVs from that era, but which ones exactly is not certain. If you have any information, feel free to share! Works perfectly when powered with 4xAAA batteries, not included. Let me know if you have any questions! En savoir plus Collaboration commerciale.

Vintage/ Berg Larsen/ alto mouthpiece métal 80/2 SMS offset denim table 50's-60' Duck Bill Alto mouthpiece with original ligature and cap The older mouthpieces had a denim look to the table which was created by a stone grinding wheel The only real change was the machinery used to make the facings during the above mentioned manufacturing plant change.b'"' (theowanne website: knowledge/mouthpiece-museum/berg-larsen-mouthpieces) Insured registred shipping. ooooooooooooooo - -Vends rare bec métal pour saxophone ALTO - avec ligature d'origine et couvre-bec. - Vintage Berg Larsen - 80/2 SMS offset - - Il s'agit d'un modèle b'"'Duck Billb'"' produit, EN PARFAIT ETAT dans les années 1950 ou au début des années 1960, datation identifiable grâce aux marques d'usinages laissées par les nouvelles machines acquises à la fin des années '60 et laissant des marques d'usinage; utilisées jusqu'au tout début des années 1980. - - Autre indice d'ancienneté, le SMS indiquant le facing est déporté sur le côté droit (b'"'offsetb'"'). - L - La chambre b'"'2b'"' indique que la chambre est médium - - Envoi en Colissimo avec signature, assurance ou bien Mondial Relay. - - - En savoir plus Collaboration commerciale.

Speaker set 10W 8Ω YX22167A 824-010-0050 33412 for SE39UY04 TV The speakers work perfectly. They were removed from a SE39UY04 TV which was updated with a X39 Rev2 Kit from Zisworks (http://www.zisworks.com). Foreign bidders are welcome! Do not hesitate to make offers!

AMPLI  ALESIS RA 500  DE STUDIO (home studio écoute en monitoring ou HIFI)   - en bon état de marche   - avec cordon secteur et notice d'utilisation en anglais    - état: Occasion   - j'ai remplacé: les bornes HP  avec des  fixations renforcées                               les boutons de volume en plastique                              le relais de temporisation HP à l'allumage (une panne classique sur ce type d'ampli, provoque des coupures de son aléatoire)                              les deux chimiques de filtrage 10000 µF 80V   - Pour une livraison par mondial Relay, vérifiez si il y a un point relais dans votre région, avant de payer   - indiquez-moi le point relais que vous préférez   - Pour un paiement par chèque l'envoi du colis,après encaissement du chèque            CARACTÉRISTIQUE du CONSTRUCTEUR Size 18.9" W x 5.63" H x 10.71" D          (480mm x 143 mm x 272 mm) Rack units 3 RU height Weight 28.5lbs = 13.0Kg Rated output, per channel 4 ohms @ 1kHz,.02% THD+N 250 watts RMS per channel 8 ohms @ 1kHz,.05% THD+N 150 watts RMS per channel 8 ohms, bridged mono mode 500 watts RMS Signal to Noise Ratio 105dB, 22Hz-22kHz bandwidth referenced to rated output Frequency Response 10Hz – 70kHz +0, -3dB Damping Factor 200 Slew Rate 60 V/μs (two channel), 120 V/μs (bridged mono) Input Sensitivity +4dBu (1.23 V) for rated output with input control at maximum Maximum input level +26 dBu Input impedance 20k Ω, balanced, 10 kΩ unbalanced Crosstalk -85dB, 1kHz All measurements done over a 20Hz-22,000Hz range with 1KHz sine wave at Full Scale, except for the dynamic range which was done with a -60dBFS 1KHz sine wave.

Lot 4x Led Strips Bandes For TV Haier LE55Q6500U LED55D06A-ZC15AG-04 30355006205. État : "Occasion" Strips are removed from broken TV which was used about one month. They are all tested and fully working. Shipping within 24h after payment.......................

Yashica Kyocera T5 Super Scope Carl Zeiss T * Tessar 35 mm f/3.5 film tested. État : "Occasion" Top Condition Lens is clean: no scratches, no dust, no haze. Fully tested and functional, all modes are working properly. Exposure meter and flash are good. I shot a few film rolls with it recently. Viewfinder is bright, light seal are clean. Please check all photos It comes from my personal collection, I sell it because I own it twice. This camera has always been stored in a drawer protected from heat, wet and sun. Comes with case (not original) and battery which was in so you can test it quickly.

Carte Mere pour TV Philips 65PUS6162/12. Board removed from broken tv which was previously worked perfectly. Connector for button power is little damaged while unplugging, but nothing serious, you can still connect on it. Là carte est retiré de la télévision cassée qui fonctionnait parfaitement auparavant. Le connecteur pour le bouton d'alimentation est peu abîmé au débranchement, mais rien de grave, vous pouvez toujours vous connecter dessus. Expédition sous 24h par chrono relais chronopost.

HORSEMAN VHR 6X9 / FILM & DIGITAL. Je vends ma chambre technique HORSEMAN qui m’a servi avec les dos numérique PHASE ONE.  Je n’en ai plus besoin je passe à une autre marque. Vous pouvez tourner le dos en position horizontale et verticale en un seul clic, sans démonter le dos. Elle peut faire à peu près tout les mouvements nécessaire pour le numérique et l’argentique. Contenu: 1 Horseman VHR 1 dos 6X7 film 1 objectif 90mm f5,6 d’origine pour le côté image vintage, pour FILM MAMIYA, LEAF, PHASE ONE, DF, IQ, XF, SCHNEIDER KREUZNACH, HASSELBLAD, PROFOTO, BRONCOLOR, ELINCHROM, LINHOF, CAMBO ************************************************************** HORSEMAN VHR 6X9 / FILM & DIGITAL.  I am selling my HORSEMAN technical room which was used with the PHASE ONE digital backs.  I don't need it anymore, I'm moving to another brand. You can turn the back in horizontal and vertical position in one click, without dismantling the back. It can do just about any movement needed for digital and film. Contents: 1 Horseman VHR 1 6X7 film back 1 original 90mm f5,6 lens for the vintage image side, for FILM

Configuration Hartmann Neuron VS PC PORTABLE , CARTE SON USB (midi et audio), LOGICIELS et PERIPHERIQUE DE PILOTAGE  NUKE USB. Très bon état et fonctionnel Hartmann Neuron VS Attention: le Nuke est inutilisable avec des version de Windows au delà de XP. C'est pourquoi je vends l'ensemble, ce qui vous permet de travailler indépendamment d'une DAW plus moderne, tout en pilotant le Neuron avec un clavier midi....    Neuron VS's main screen, showing the two Resynators, Blender, and Shapers (envelope generators). The colour coding of the two X-Y controllers indicates which of the three parameter levels is being accessed. If you pined after the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller. Once upon a time, hi-tech music manufacturers would release synths or workstations in two or three different keyboard sizes, and then add a rackmount version to the range later, allowing users to add the basic sounds and features of the product to their studio racks without taking up too much room. But times are changing, and it's surely a sign of our increasingly 'virtual' age that Hartmann, whose Neuron was one of the largest, loudest, and most expensive hardware synths of recent times, have chosen to aim straight at the computer with their second release. Neuron VS will not fit in your racks, but instead installs on your Mac or PC: it's a VST/AU-format virtual instrument that offers the original keyboard's core technology for a fraction of the Neuron's price.Neuron VS running as a plug-in under Cakewalk Sonar, with the Nuke hardware controller/dongle in the foreground.Photo: Mark Ewing Actually, it's perhaps not surprising that Hartmann have made this move: as was noted in the August 2003 SOS review of the original keyboard, Neuron is based on a PC architecture, and one of its main developers is also the man behind German software house Prosoniq, which must have made developing the plug-in easier. Whatever the motivation, software has to be a more economical option for a developer, even if, as in the case of Neuron VS, the software comes with a hardware controller. Tooling up for a rack Neuron, on the other hand, would have produced another mega-thousand-pound product. Refreshing The Neurons The original Neuron created quite a stir when it was announced by promising a new approach to synthesis and sound creation, and anyone who heard one, as I did while attending the Frankfurt Music Fair during its launch year, couldn't ignore the range and volume of sounds it produced. I was continuously reminded of the Neuron's impact as it swooped and roared in the background of an interview that I recorded at that show. Now the attractive concept of running that technology from your computer desktop has created a stir of its own. The Neuron VS package consists of two parts, one hardware and one software (as this review was approaching completion, a second software component, Modelmaker, was added to the bundle — see the boxout for more on this). The hardware element is the USB-driven Nuke remote control unit, which offers a single stick controller — the X-Y joystick, of which there are four on the original Neuron keyboard — and four assignable continuous controllers. Neuron VS, the software component, is essentially the synth engine from the original Neuron in plug-in form. Obviously, the keyboard version has the advantage of its own dedicated hardware, so its performance is not dependent on the power of your CPU or the amount of RAM you have installed, as is the case with Neuron VS. The keyboard version also offers surround-sound audio compatibility, future plans for audio-input processing and four-part multitimbrality. But the rest remains largely the same. For the benefit of those unfamiliar with the original, a quick recap is in order.

AMPTASTIC / ampli intégré audiophile en classe D  La référence à moins de 120 €  Parfait état, livré avec alimentation 12 V d'origine BANC D'ESSAI ANGLAIS: A few years ago this forum was ablaze with Mini-T amp hyperbole. Probably just another passing fad I assumed yet it is clear that there are many who love these diminutive boxes.  So as a brief background I recently had a pair of Combak Bravo standmount speakers and was searching for an amplifier to pair with them. A £6k speaker surely deserves an amplifier with a similar price tag? Well in my initial search I decided, just for fun to try a £60 Muse Mini-T with the Combak’s. The results were surprisingly impressive yet my head kept saying  ‘This makes no sense’. I’m not saying that this was the ultimate combo but the Muse was doing an amazing job considering especially with its reproduction of vocals. It was around that time that I started reading about the new Amptastic Mini-1 so I contacted the company to see if I could have one for review. Chris at Amptastic was happy to oblige but due to the initial demand by the time my review sample arrived I had moved the Bravos on. Anyway other speakers are available as they say. So the Mini-1 is rated up to 20W per channel and based on the familiar TA2020 chipset. On the front we have a push button on/off switch which has a tiny blue LED alongside to indicate power  plus a volume knob. I particularly like how clean and attractive the front panel with no unsightly logo on display. The rear consists of a single pair if RCA analogue inputs and some nice quality speaker connectors along with a power input for use with the supplied 12V power supply. For most of my listening I used the variable outputs of a QUAD 99CDP. This gave me full control of the volume via its remote and also access to streaming via the Quad’s digital inputs. To give me some sort of reference I initially listened to the Muse amp with the Quad through my 87db Gershman Avant Gardes. To be honest I didn’t think either amp would be able to drive the Gershmans to any sort of decent level. I was wrong. The Muse did a fair job but KD Lang’s  ‘If I Were You’ from the ‘All You Can Eat’ album sounded a bit messy. The bass was ill defined and lightweight. A few tracks more showed more of the same.  So switching to the Mini-1 and straight away the bass was far better defined and more in balance with the rest of the track. The music had an altogether more cohesive feel. In fact what struck me throughout all my listening is just how balanced it was. The highs and mids are refined enough to give the impression that you are listening to something with a higher price ticket and the bass was surprisingly good for an amplifier of this type. I also tried the Mini-1 with my 90db sensitivity Heco Celan 300 stand mount speakers. Again the results were impressive with the Mini-1 providing more than enough power to run at decent volume levels. As well as running the Mini-1 as a simple integrated it can be configured for use as a power amplifier. This is done by removing the front volume knob and rear bolts in order to slide the main board out of its case and change a couple of jumper settings. While you have the board out you can also disable the front panel blue LED if you wish. Clear instructions are included in the user ‘manual’ or should I say ‘sheet’ and although I did not attempt this it looks a simple enough operation. The Mini-1 (or any amplifier of this type) will not be for everyone, the single input alone will count many out also possibly the lack of remote control but looking at the Mini-1 purely on its sonic virtues and price tag this might be one of the best ways to invest your £99 out there. Recommended to users of: Marantz Luxman Audiomat Nagra Vincent Theta Sim Audio ISEM Arcam Denon Pioneer Nakamichi B&O Yamaha Cambridge Cabasse Triangle McIntosh Teac  Audioquest Ca

Great for clean or dirty, blackface or hot British crunch and exceptionally responsive to the players touch, the Custom Audio OD-100 covers all the basses and gives you maximum flexibility. This is a true top end amp experience that please even the most demanding pro players.   This version of the OD-100 was developed when LA studio legend M. Landau told John Suhr that he'd like the OD-100 Standard+'s Channel 2 to be like an early-70's British amp that he owned and adored. John borrowed Landau's amp and tweaked away, eventually coming up with a brand new Channel 2 and a new output section that duplicated and even surpassed the sound that Mike had come to love. The OD-100 Classic was born! The Channel 2 of the OD-100 Classic has much less gain than Channel 2 of either the OD-100 SE+ or the OD-100 Standard+. It's definitely more of a vintage voicing – like that of cranked non-master-volume amps with EL-34 output tubes – but you have the flexibility of the master volume to get that cranked sound and feel at moderate volume levels. Besides the completely new preamp circuit for Channel 2, the OD-100 Classic features the silver "Plexi-style" output transformer and EL-34 output tubes in the power section for a more authentic vintage British sound.  The OD-100 ML+ complements the OD-100 Classic with more gain on CH2 (think early ZZ Top, late AC/DC, early Van Halen and other classic rock sounds of the 70's and early 80's) with a more forgiving response, which makes it an absolute joy to play. Comes with Feedback and Depth knobs on the back panel. The front panel has the Presence knob which controls the power amp high-end content for both channels. The Feedback knob is essentially a speaker dampening control. It has a center detent which is bypass of the Feedback circuit. Turning it clockwise from the center gives the amp a tighter and more aggressive response with slightly increased volume level. Turning it counterclockwise from center makes the amp feel a little spongier with a more vintage type of a feel and response. 100 watts Front Panel Channel 1 Boost 1, Bright 1, Gain 1, Bass, Middle, Treble, Level 1 Channel 2  Bright 2, Gain 2, Gain 3, Bass, Middle, Treble, Level 2, Level 3 Channel Select

Richard Wagner Tristan und Isolde Sous titre: Complète orchestral Score Auteur : X Éditeur : Dover Date : 1973 (copyright 1973) en anglais Résumé du livre : Among musicologists and serious lovers of music Wagner's Tristan und Isolde is generally considered the high point of orchestration in the musical tradition of 19th-century Europe. It shows in most successful form Wagner's unsurpassed gift for utilizing the instruments of the orchestra, and generations of students have worked with it to learn its techniques. Tristan und Isolde also has a remarkable historical position. It was the opera which most of the post-Wagnerians used to build upon, and it was also the opera which the anti-Wagnerians seized upon very frequently for their attacks and for their attempts to move musically away from Wagnerism. Accepted or rejected, it has been the work with which late 19th- and early 20th-century musicians had to come to terms, and much musical history of this period can be understood through it. This present edition reproduces the full orchestral score in a clear, modern en graving for easy reading and piano study, with large legible notation. Do not confuse this with a piano rendering; it is a full orchestral score. In addition to its obvious uses for study, this score is also an indispensable associate for anyone listening to record sets or broadcasts. In no other manner can the listener keep full awareness of the incredible orchestral richness of this opera. Unabridged republication of the Peters, Leipzig (c. 1910) edition. A few stage directions added by Felix Mottl. ix + 655pp. 81/8 x 11. 22915-7 Paperbound A DOVER EDITION DESIGNED FOR YEARS OF USE! We have made every effort to make this the best book possible. Our paper is opaque, with minimal show-through; it will not discolor or become brittle with age. Pages are sewn in signatures, in the method traditionally used for the best books, and will not drop out, as often happens with paperbacks held together with glue. Books open flat for easy reference. The binding will not crack or split. This is a permanent book. Format/Poids : 21x28 cm, 1,500 kg C Couverture : Reliure d'éditeur souple Nombres de pages : 655 pages. État : d’usage, très bon, légèrement émoussé A Noter !!! Règlement: Chèque personnel, Virement bancaire, Paypal, remise en main propre. Pour plusieurs articles, les frais d’expédition sont ajustés en fonction du poids et de la destination. Les frais de port comprennent, l’expédition, l’emballage et la main d’œuvre. J’expédie dans le monde. J’envoie mes colis le jeudi de la semaine suivant l'achat pour l'imiter mon impact environnemental donc pas de panique. Photos contractuelles!! Pas de surprise !! Vous achetez ce que vous voyez. L’appréciation de l'état d'un objet étant propre a chaque personne, regardez bien les photos avant d'acheter. Visiter mes autres offres.

(English description below) Bonjour, Je vends mon micro Microtech Gefell composé d’un corps MV692et d’une capsule M70 (membrane en nickel), comparable à celle du Neumann KM84. Micro magnifique pour les voix et tous les instruments acoustiques. Coupe bas et pad -10 dB. La capsule a une légère atténuation naturelle des basses fréquences pour compenser l’effet de proximité. C’est très léger et le micro offre par exemple un très beau rendu en overhead batterie où les toms ne manquent pas du tout de rondeur.   Le corps MV692 date des années 90 (n° de série 20840). Je peux l’affirmer car j’ai un autre exemplaire (n°18149) avec certificat daté du 30/03/89. Contrairement à de nombreux MV692 en circulation sur, il s’agit d’une production « récente », avec composants de qualité. En témoigne le contact plaqué or (en forme d’arc) avec la capsule.   Le micro a une prise XLR et nécessite une alimentation phantom48V. Il a été converti au 48V par la société Thiersch en Allemagne, spécialisée dans réparations/modification de micros Neumann/Gefell. La capsule est siglée RFT (marque de distribution de Gefell avant la chute du mur). N° de série 19724 et empreintes « N » (pour Neumann) à l’intérieur. Membrane d’origine non refaite.   Le micro fonctionne à merveille. Je peux envoyer un lien vers un enregistrement de voix ou de batterie si vous le souhaitez. Envoyez-moi un message dans ce cas. La peinture présente des signes d'usure très discrets (difficile à photographier). Diamètre 24.8 mm, longueur 16.1 cm(avec capsule).   Envoi possible en France parColissimo ou Mondial Relay. Contactez-moi si vous souhaitez un autre transporteur.   Hello. I am selling this Microtech Gefell static microphone composed of MV692 body and M70capsule (Nickel membrane), very similar to the Neumann KM84 capsule. Wonderfull microphone for vocals and acoustic instruments. Bassroll-off and -10dB pad. This capsule has a slight natural bass roll-off to compensate the proximity effect.It is slight and drums overhead sound beautiful for example, with full bodied toms. This MV692 was manufactured during the 90’s which I can state as I have another one(n°18149) dated 30/03/89. Unlike many MV692 that sell on, this one is recent and made with quality components. For example, the contact with the capsule is gold plated which is rarely seen on these microphones. The microphone has a XLR plug for 48V. it was converted to 48V by Thiersch in Germany (specialized in Neumann/Gefell upgrades). The capsule is labeled RFT (distribution name during East Germany period) with n°19724 and “N” stamps (as Neumann). This one is original and was not reskinned.   The microphone works wonderfull. I can send a link to voice or drums recording. Send me an message if interested. Paint has some wear (very difficult to show on photographs). Diameter 24.8 mm, length 16.1 cm (with capsule). Shipping possible within Europe.

Kemp Elektroniks MAXiiMUS P40 b'"'AUDIOPHILEb'"' Ultimate Standalone Version with RHODIUM plugs, in and out (not cheaper gold, check pics) PUBLIC PRICE: € 3,490 The electromagnetic field of planet earth Leaving aside the religious and spiritual beliefs, we can still see that every living is an energetic life form absorbing energy from the electromagnetic field surrounding the Earth. This field works in concordance with the Law of Nature. Through research we are aware of the Earths electromagnetic field and its measurement of approximately 200’000 Volt which exists between the Earth's surface and the ionosphere. This electric energy consists of an electron stream which continuously supplies us with energy from the ionosphere. The electrons spin in a counter clockwise direction and contain biological information which ensures that life is possible. The electrons have their own spin, moving in a counter clockwise direction. Through the constant inflow over the line of electric flux, a reaction is formed as a constant magnetic field (vertical magnetic flux) which moves from earth to the ionosphere in its own clockwise direction. If biological systems are being permeated with electromagnetic energy in accordance to the above mentioned facts, we stay healthy. It is important to mention that the spin of the electrons depend on the information which is contained in the electron. Predominantly biologically positive information leads to the electrons spinning in an anticlockwise direction. Unfortunately the electromagnetic fields created by technical systems work/operate in exactly the opposite way. The electrons spin in a clock wise manner around their own axis, the magnetic lines of flux rotate in a counter clock wise direction. This is against the b'"'Law of Natureb'"'! Exactly these described facts are the cause of electro smog. The body is being permeated in a converse way; instead of development and support degeneration is produced. What are the causes of Electrosmog? The most well known causes at the moment are mobile phone antennas. Further sources of interferences that radiate from outside into living spaces (depending on the distance to the building) are transformer stations, short-wave antennas, radar, Radio/TV antennas, power lines, train-, bus and tramlines. Sources of interferences inside living areas are electrical wiring, electrical appliances, mobile phones, wireless phones and baby monitors. The base station of wireless phones acts like a small mobile phone antenna. Electrosmog is harmful for human beings and animals The effects of electrosmog/Electrosmog-symptoms present themselves in humans and animals in their weakest point. Generally known symptoms or effects caused by electromagnetic radiation are: - poor/interrupted sleep patterns, fatigue even after adequate sleep - Tendency to nervousness and irritation, lack of concentration - Tumours, leukaemia - Altered blood structure, persistent headaches Why is UMTS so harmful? UMTS is a pulsed high-frequency micro-wave radiation. This itself is already alarming for the health even in the smallest quantities of exposure. Hundreds of scientific reports that have been published about this subject speak for themselves. In addition this technology transmits a high density of data volume, a process which biological systems can’t cope with. With the technology in the past it was possible to transmit approx. 14 Kilobytes data/second. With UMTS at the present state of the technology (November 2005) it is already possible to transmit 121 megabytes/second. This means depending on the level of development a quantity 200-1500 fold. After completion UMTS is expected to transmit 1 Gigabyte/second. As a result the collapse of biological systems is inevitable/pre-programmed. Effective and proven solutions Studying these processes enabled FOSTAC AG in Bichwil to develop a technology which En savoir plus